17 C14H-2022-0098 - Donley-Goode-Walton House; District 1 Part1.pdf — original pdf

Backup

ZONING CHANGE REVIEW SHEET CC Date: TBD CASE NUMBER: C14H-2022-0098 HLC DATE: August 3, 2022 PC DATE: August 23, 2022 APPLICANT: Nneka Shoulds HISTORIC NAME: Donley-Goode-Walton House / Walton’s Beauty Shop and Salon WATERSHED: Boggy Creek ADDRESS OF PROPOSED ZONING CHANGE: 1605 Leona Street ZONING CHANGE: SF-3-NP to SF-3-NP-H COUNCIL DISTRICT: 1 STAFF RECOMMENDATION: Staff recommends the proposed zoning change from family residence-neighborhood plan (SF-3-NP) to family residence-neighborhood plan-historic landmark (SF-3-H-NP) combining district zoning. QUALIFICATIONS FOR LANDMARK DESIGNATION: Historic associations and community value HISTORIC LANDMARK COMMISSION ACTION: Recommend historic zoning (10-0) PLANNING COMMISSION ACTION: CITY COUNCIL ACTION: CASE MANAGER: Kalan Contreras NEIGHBORHOOD ORGANIZATIONS: Austin Independent School District, Austin Lost and Found Pets, Austin Neighborhoods Council, Davis-Thompson, Del Valle Community Coalition, East Austin Conservancy, Friends of Austin Neighborhoods, Homeless Neighborhood Association, Neighborhood Empowerment Foundation, Neighbors United for Progress, Organization of Central East Austin Neighborhoods , Preservation Austin, SELTexas, Sierra Club, Austin Regional Group DEPARTMENT COMMENTS: N/A BASIS FOR RECOMMENDATION: § 25-2-352(3)(c)(ii) Historical Associations. The property has long-standing significant associations with persons, groups, institutions, businesses, or events of historic importance which contributed significantly to the history of the city, state, or nation; or represents a significant portrayal of the cultural practices or the way of life of a definable group of people in a historic time. PHONE: 512-974-2727 Nominator Nneka Shoulds, the home’s current occupant, describes the building’s historical associations: Recommended as not eligible for a local historic landmark designation in the East Austin Historical Resources Survey of 2016, 1605 Leona St. was essential in assisting a multicultural Tejano-Irish immigrant family and a marginalized Black American family to establish strong foundations upon which future generations would launch long-lasting legacies. Uniquely located directly across from historic Oakwood Cemetery (originally called City Cemetery and the oldest city-owned cemetery in Austin), the home tells the untold story of two families who achieved their American dreams against unimaginable odds. The people who lived here experienced and endured painful racial segregation and discriminatory practices, and they fought against those conditions with dignity and courage to break barriers in education, the military, music, and business. 1 of 10717 1605 Leona St. is the childhood home of Raymond (Ramón) “Cowboy” Donley, known as the “godfather of Tejano music.” Donley was a classically trained violinist who once played with the Durango Symphony. Raymond made his living as a barber by day, but at night, he led his band, La Orquesta de Ramon Donley. His son, Manuel Donley, took an early interest in music, following the lead of his father. Manuel Donley began his apprenticeship as a musician hanging out in his father's barbershop, where musicians were as likely to come by for a haircut as they were to break out a fiddle or accordion to play a couple of tunes. By the time he was 11 years old, Manuel Donley had taught himself how to play the guitar and later, the requinto (a type of six-string guitar). Manuel formed the band ‘Los Heartbreakers’ as a teen and was performing mostly instrumentals at Church festivals and street fairs until their breakthrough performance at Parque Zaragoza in 1949. The Donleys sold the home in 1944 to the Goode family, which included laborer John Wesley Goode; his wife, Hattie Goode, who worked as a washwoman; son and military serviceman, Ernest Goode; and daughter and son-in-law Helen Goode Walton and Willie “Boots” Walton. Helen worked as a cosmetologist, while Willie was a blues and ragtime musician. The Goode family benefitted from the multiple streams of income, which allowed them to maintain a comfortable middle-class lifestyle. Similar to many other East Austin families, The Goode family had plans to operate a business out of their new home and quickly began making the necessary alterations. Around 1947, a crew including Willie “Boots” Walton demolished the rear wall to extend and refurbish the room into a full-service salon, complete with a separate entrance. The exterior wood siding was refinished, the carport constructed, and the interior renovated to section the larger spaces into smaller private rooms. White aluminum exterior siding was installed around 1950. Renovations completed during this period were undocumented and likely unlicensed, as the city often did not enforce zoning ordinances or construction permits in East Austin. Construction of Walton’s Beauty Salon was likely complete within 1947. Hattie Goode conveyed 1605 Leona St. to her daughter Helen for $1 on December 13, 1954. Helen Walton’s ambitions led her to the Johnson & Randolph Beauty School, where she became a Certified Cosmetology Instructor in 1951. At the time, Texas law required beauty shop operators to complete 1,000 hours of training. Walton would go on to receive a gold cup from Prairie View A & M College’s Cosmetology Institute for completing the five-year course in advanced cosmetology. She is noted as Austin’s first cosmetologist to do so. Helen Walton was a member of David Chapel Missionary Baptist Church for more than 64 years. She served as a Sunday school teacher, treasurer, piano/organ player, and member of the Senior Choir. She was elected David Chapel Missionary Baptist Church Woman of the Year in 1993. When Helen Walton wasn’t occupied by family, work, her education, or her professional goals, her social calendar was filled with meetings and events that reflected her reputation as a well-known and respected businesswoman. Walton was selected as one of Austin’s “Best Dressed Women” in 1959 and was a member of the Hair Designer’s Guild, sponsor of the Miss Black Austin Pageant. Later in life, after closing the beauty shop and retiring in 1984, Helen Walton provided companion care to former First Lady of Texas, Mildred Paxton Moody, wife of Governor Dan Moody. Walton was honored by Governor Ann W. Richards for years of outstanding service to David Chapel Missionary Baptist Church, her family, and the community in 1993. She received 95th Birthday greetings from Texas State Representative Dawnna Dukes in October 2012. 1 § 25-2-352(3)(c)(iv) Community Value. The property has a unique location, physical characteristic, or significant feature that contributes to the character, image, or cultural identity of the city, a neighborhood, or a particular group. Home-based businesses were an important part of life in segregated East Austin. Though few residents had the capital to construct new commercial buildings, many entrepreneurs used their homes to provide professional services that customers of color could not access elsewhere. Beauty shops for Black customers were particularly important, as they both provided a gathering space for women of color and an invaluable service tailored to African American beauty. In an era where African American women—like Helen Goode Walton—were struggling against all odds to break professional barriers, salons owned and operated by Black cosmetologists gave others the chance to look and feel their best. In twentieth-century East Austin, 1 Shoulds, Nneka. Historic Zoning Application: 1605 Leona St. 2022. 2 of 10717 salons were not just spaces to indulge in a bit of vanity, but places where Black professionals could uplift each other while pursuing their own entrepreneurial goals. Occupant and nominator Nneka Shoulds describes Walton’s Beauty Shop’s impact on the family and neighborhood: “Walton’s Beauty Shop and Salon thrived the 1950s and Helen Walton’s career as a cosmetologist offered a level of economic independence that was rare for a Black woman during a time when employment opportunities were limited. Most white salon owners served white customers and did not serve Black customers or hire Black beauty professionals. This created an extremely viable market for Black beauty shop operators and instructors who ensured that East Austin and other African American communities had access to the services and specialized products their customers needed.”2 PARCEL NO.: 0209091108 LEGAL DESCRIPTION: N 47.67' OF LOT 1&2 BLK 3 OLT 37 DIV B JOHNS C R SUBD ESTIMATED ANNUAL TAX ABATEMENT: $6,516.78 total (homestead); city portion: $1,878.93 APPRAISED VALUE: $621,633 PRESENT USE: Residence DATE BUILT/PERIOD OF SIGNIFICANCE: ca. 1939; 1939-1972 INTEGRITY/ALTERATIONS: Moderate to high, with most changes taking place during the historic period and reflecting the home’s historic use as a home-based business. The original residence was retrofitted around 1947 to convert the space to a beauty shop, then continually updated through the historic period as the business evolved. This era of renovation included the carport, aluminum siding, and addition. Non-historic-period exterior alterations include adding a pitched roof to the rear addition in 1993 and replacing windows in 2012, without altering openings constructed during the historic beauty-shop era or the remaining original openings. The previously-enclosed front door was reopened and the secondary door enclosed with siding. PRESENT OWNERS: Helen Shoulds ORIGINAL OWNER(S): Arcadio Donley OTHER HISTORICAL DESIGNATIONS: None 2 Shoulds, Nneka. Historic Zoning Application: 1605 Leona St. 2022. 3 of 10717LOCATION MAP 4 of 10717The Donley-Goode-Walton House Supporting Historical Documentation 1. Deed Chronology Transaction City of Austin to C. (Charles) C. Cushman, 1839 M.C. (Marvin Criddle) Culbertson to A. Donley and Guadalupe Donley, May 29, 1917 Arcadio Donley, Sr., Raymond Donley, Willie Donley, Ernest Donley, Benita Donley Acosta, Huey Acosta to J.W. (John Wesley) Goode and Hattie Goode, October 20, 1944 Hattie Goode to Helen Walton, December 13, 1954 Helen Walton to Helen Shoulds, February 7, 2012 2. Occupancy History Vol./Page Original patent: Outlot 37, Division B (Austin City Lots and Outlots Records, Comptroller sales certificate, recorded Oct. 10, 1860, 1840 Sandusky map) 295/67A Book 750/16-19 1528/458 Instrument #2012019348 5 of 107171940-1944 Manuel Donley 12-16 Musician Occupation Day Laborer/Farmer/Grocery Store Owner & Operator Barber and Violinist 1940-1944 40-44 Homemaker Year 1939-1944 1940-1944 1940-1944 Name Arcadio Donley, Sr. Raymond (Ramon) Donley, Sr. Delores (Quinones) Donley Delores Donley 1940-1944 Raymond Donley, Jr. Age 82-86 50-54 16-20 15-19 1940-1944 Eslenda Donley 14-18 1940-1944 Robert Donley 9-13 1940-1944 Lupe Donley 8-12 1940-1944 6-10 Beatrice Donley 1940-1944 Joe Donley 4-8 1940-1944 Edward Donley 1-5 - - - - - - - - 1944 1944-1947 1944-1952 1944-1952 Mr. and Mrs. Raymond Donley, Sr. (and family) Ernest R. Goode Rev. John Wesley Goode Willie “Boots” Walton, Sr. - Barber and Violinist/ Homemaker 24-28 79-87 44-52 Military Service/ Clergyman Clergyman/Farmer Musician/Cab Driver Source 1940 United States Federal Census 1940 United States Federal Census 1940 United States Federal Census 1940 United States Federal Census 1940 United States Federal Census 1940 United States Federal Census 1940 United States Federal Census 1940 United States Federal Census 1940 United States Federal Census 1940 United States Federal Census 1940 United States Federal Census 1940 United States Federal Census The Austin American Statesman Dec. 17, 1944 Family Records Family Records Marriage Records, The 6 of 10717~1947-1984 37 Years Family Records 27-96 21-23 58-69 19 Austin American Statesman Directory, Family Records Family Records 64-99 Homemaker/Washwoman Cosmetologist/ Cosmetology Instructor/ Companion Nurse Business Student Family Records Truck Driver Family Records Retail Family Records 64-69 71-Current (82) Retired Caretaker (retired) Family Records Family Records 33 57-59 Restaurant Hospitality Nurse Family Records Family Records 1944-1979 1944-2015 1973-1975 1981-1990 1981 2007-2012 2011-Present 2016-2017 2019-2021 Hattie Jane (Bailey) Goode Helen E. (Goode) Walton Walton’s Beauty Shop/Salon Rubye Jean Goode Ernest R. Goode Helen (Ware) Shoulds Johnny Goode Lillian (Ware) Scott Kenan Shoulds Helen (Ware) Shoulds Nneka Shoulds 3. Biographical Data • Marvin Criddle Culbertson, Sr. 2019-Present 33-Current (36) Public Health Family Records o Married Henrietta Hawkins Beall o Children: Marvin “Cub” Criddle Culbertson, Jr., and Jacquelyn Culbertson Driver o Son, Marvin “Cub” Criddle Culbertson, Jr. (1927-2022), born August 30, 1927 in Vernon, Texas to Marvin C. Culbertson, Sr., and Henrietta Hawkins Beall. In 1946, Cub began his medical journey at The University of Texas Medical Branch at Galveston. During the Korean Conflict, he was the physician on a troop transport for the US Navy with the rank of Lieutenant (junior grade). He then completed his ENT residency in New York City at Bellevue Hospital. Returning to Dallas in 1956, he started his private and academic practice. In a time of segregation, Cub had the courage to stand against racism by integrating his waiting room. He was the first in Dallas to do so. During his career, Cub authored chapters of medical textbooks and developed innovative surgical instruments. • Arcadio Donley, Sr. 1857-1948 o Married Guadalupe Donley o Purchased all of lots 1 and 2 in Block 3, Outlot 37, Division “B” of the City of Austin, Travis County, Texas from M.C. (Marvin Criddle) Culbertson, Sr. on May 29, 1917 o Widower in 1927 with death of wife, Guadalupe Donley o Recorded building permit for box residence at 1605 Leona St. for $40 in May 1939 7 of 10717o Secured mechanic’s lien from The Calcasieu Lumber Company (payable to M.C. Harris) for the construction of 1605 Leona St. November 1939 o Recorded building permit to repair and reroof residence at 1605 Leona St. for $815 in December 1939 o Listed for sale 1605 Leona St., a 6-room 1-bath home, for $2,500 in September 1943 o Listed for sale 1605 Leona St., a 6-room 1-bath home, for $2,300 in October 1943 o Father of Benita Donley Acosta, Private Arcadio Donley, Jr., Raymond (Ramón) Donley, Sr., and Willie Donley o Son, Private Arcadio Donley, Jr. (1890-1918), age 28, one of sixty-nine Travis County men killed during World War I. Served with the Company D National Guard Regiment in the 23rd infantry, which became a part of the Fourth French Army and participated in the Meuse-Argonne offensive (Champagne). Interred in East Austin’s historic Oakwood Cemetery • Raymond (Ramón) Donley, Sr. (1890-1963) o Son of Arcadio and Guadalupe Donley o Married Delores (Quinones) Donley o Barber and violinist with the Durango municipal symphony o Father of Delores Donley, Raymond Q. Donley, Jr., Manuel Donley, Eslenda Donley, Robert Donley, Lupe (Donley) Manchaca, Beatrice Donley, Joe Donley, Edward Donley, and Frank Donley • Raymond Q. Donley, Jr. (1923-2014) o Son of Raymond (Ramón) Donley, Sr., and Delores (Quinones) Donley o Member of U.S. Army Coast Artillery Corps. during World War II, serving in the Asiatic Pacific area o Austin, TX Mayoral candidate 1971, 1973, 1975, and 1977 • Manuel “Cowboy” Donley (1927-2020) o Son of Raymond (Ramón) Donley, Sr., and Delores (Quinones) Donley o Pioneering Tejano music singer-songwriter and National Endowment for the Arts’ National Heritage Fellow. Earned the title “Godfather of Tejano music” after a decades long career as a singer, multi-instrumentalist, arranger, and composer. He was inducted into the Tejano Music Hall of Fame in 1986. In 2010, he was featured in a groundbreaking Austin History Center exhibit “Mexican American Firsts: Trailblazers of Austin and Travis County,” which celebrated the lives of Mexican Americans who were the first to make advancements in their fields. Visitors of the Emma S. Barrientos Mexican American Cultural Center can find his name engraved on a wall sculpture there after the artist received the center’s Lifetime Achievement Award in 2012. And hikers on the Trail of Tejano Legends can find a community park dedicated to Donley and his brother Robert near the former Holly Power Plant on Cesar Chavez Street Interred in East Austin’s historic Oakwood Cemetery o • Rev. John Wesley Goode (1865-1952) o Of Caldwell County, Texas o Married Hattie Jane (Bailey) Goode o Moved to Austin, TX in 1939 o Purchased 1605 Leona St. Austin, TX, a 6-room 1-bath home for $1,575 Oct. 20, 1944 8 of 10717o Father of John Joseph Goode, Rev. Kensey “Mike” W. Goode, Ernest R. Goode, Alga (Goode) Hargrove, Bernice (Goode) Ware, and Helen (Goode) Walton o Provided lawncare services via push mower for The University of Texas, Austin o Interred in East Austin’s Evergreen Cemetery • Hattie Jane (Bailey) Goode (1880-1979) o Of Caldwell County, Texas o Married Rev. John Wesley Goode o Moved to Austin, TX in 1939 o Purchased 1605 Leona St. Austin, TX, a 6-room 1-bath home for $1,575 Oct. 20, 1944 o Widowed in 1952 with death of husband, Rev. John Wesley Goode o Conveyed the property (1605 Leona St.) to daughter, Helen Walton, for $1 on December o Served as David Chapel Missionary Baptist Church’s first Mother of the Year under Rev. o Member of David Chapel Missionary Baptist Church Sunday School and Missionary 13, 1954 Society James E. Obey, Pastor o Mother of James M. Larremore, J.J. Goode, Titum, Rev. Kensey “Mike” W. Goode, Ernest R. Goode, Bernice (Goode) Ware, and Helen (Goode) Walton Interred in East Austin’s Evergreen Cemetery o • Ernest Rae Goode 1920-1990 o Married Velma Brown 1940. Divorced o Name appears on Corinth Baptist Church’s (next door to 1605 Leona St.) original cornerstone: Organized March 23, 1930 by Rev. R. Q. Allen. Built January April 1941- Trustee-Deacon Board o Enlisted in US Armed Forces January 12, 1942 o Served as Mechanic at Fort Sam Houston, San Antonio, TX and abroad in Italy during WWII o Battles and Campaigns:  Sicilian Naples Foggia Rome Arno North Apennines Po Valley GO 33 WD 45 o Awarded EAME Campaign Medal for military duty served in the European Theater (Italy) during the Second World War o Honorably discharged from the military service of the United States of America, October 13, 1945 o Married Blanche Gibson 1946. Divorced 1950 o Relocated from Austin, TX to San Francisco, CA, 1951 o Moved back to Austin, TX 1981 o Honored for service to US Armed Forces at death, 1990 • Helen Elizabeth (Goode) Walton 1917-2015 o Married Willie “Boots” Walton, June 1944. Divorced, January 1952 o Certified Cosmetology Instructor, Johnson & Randolph Beauty School, 1951 o Built, owned, and operated Walton’s Beauty Shop/Salon, located at 1605 Leona St. Austin, TX for close to 40 years. Served as hairstylist and cosmetology instructor. Salon specialized in styling African-American hair and increasing accessibility of professional- 9 of 10717grade cosmetology products designed specifically for African-American hair textures, ~1947-1984 o Selected as one of “My Best Dressed Women” of Austin, The Austin Mirror, Wednesday December 30, 1959 o Noted as Austin’s first cosmetologist to receive a gold cup from Prairie View A & M College for satisfactorily completing the five-year course in advanced cosmetology, The Austin Mirror, Friday September 30, 1960 o Missionary Baptist General Convention of Texas, David Chapel Baptist (host) Souvenir Book Committee, 1970 o Speaker, Ninth Annual Women’s Day service, David Chapel Missionary Baptist Church, February 10, 1973, The Austin American Statesman o Member of Hair Designer’s Guild, sponsor of the Miss Black Austin Pageant. Guild chartered November 26, 1962. Members must be licensed beauty operators, Oct. 30, 1980, The Austin American Statesman o David Chapel 50th Anniversary Committee, 1974 o Elected David Chapel Missionary Baptist Church Woman of the Year in 1993, the first to receive this honor under Pastor Joseph C. Parker, Jr., Esq., D. Min o Member of David Chapel Missionary Baptist Church for more than 64 years. Involvement in church ministries included serving as treasurer, playing piano, Youth Department counselor, Sunday School teacher, and serving as a Circle President and teacher in Missionary Society 1. Mrs. Walton also sang in the Senior Choir o Companion Nurse of Former First Lady of Texas (1927-1931), Mildred Paxton Moody, (wife of Texas Governor Dan Moody), 1981 o Honored by Texas Governor, Ann W. Richards for years of outstanding service to David Chapel Missionary Baptist Church, family, and community, 1993 o Conveyed the property (1605 Leona St.) to great-niece, Helen Shoulds, on February 7, 2012 o Received 95th Birthday greetings from Dawnna Dukes, Texas State Representative- o Married Lillian Fowler ~1920 o Fathered Willie Walton, Jr. (1920-1977) with Lillian Fowler o Married Nora Walton, 1924 o Court date on complaint of passing forged instrument, June 28, 1946, The Austin American Statesman o Married Helen Elizabeth Goode, June 1944. Divorced, January 1952 o Assisted in building Walton’s Beauty Shop, 1950 o Arrested in vice raid at hotel. Charged with “procuring”. July 12, 1949, The Austin o Survived miraculous head-on crash. September 17, 1951, The Austin American American Statesman Statesman o Married Goldie M. Henderson, 1960 o Blues and ragtime piano musician credited with bringing the famous ‘Pine Top Boogie Woogie” to Austin, Feb. 7, 1980, The Austin American Statesman District 46, October 1, 2012 • Willie “Boots” Walton, Sr. (1900-1985) 10 of 10717 The preacher’s daughter that he fell in love with, later married, and who got him to stop playing the blues and start playing gospel music was Helen Elizabeth Goode • Lillian (Ware) Scott (1940-) o Married Jimmy Ware, Sr. 1958. Divorced 1986 o Relocated from Austin, TX to San Francisco, CA, 1964 o Mother of Nina Ware, Jimmy Ware, Jr., Helen (Ware) Shoulds, and James Ware, Sr. o Relocated from Las Vegas, NV to Austin, TX, 2011 o Caretaker of Helen E. Walton from 2011 until her death in 2015 • Helen (Ware) Shoulds (1962-) o Relocated from East Palo Alto, CA to Austin, TX, 1981 o Married Robert E. Shoulds, 1982. Divorced 2019 o Licensed Practical Nurse Certificate, Austin Community College, 1984 o Mother of Kenan Shoulds and Nneka Shoulds o Relocated to Liberty Hill, Texas, 2021 • Nneka Shoulds (1986-) o Relocated from Baltimore, Maryland to Austin, TX, 2019 4. Historically Significant Events Childhood home where Godfather of Tejano music (the hybrid of American pop forms like big band and rock & roll, with traditional Mexican conjunto), the arranger, guitarist, and lead vocalist for Las Estrellas (The Stars), Manuel “Cowboy” Donley, took an early interest in music and taught himself to play guitar, following the lead of his father, Raymond Donley, Sr. Raymond, a classically trained violinist, once played with the Durango Symphony. He made his living as a barber by day, but at night, he led his band, La Orquesta de Ramon Donley. Manuel Donley began his apprenticeship as a musician hanging out in his father's barbershop, where musicians were as likely to come by for a haircut as they were to break out a fiddle or accordion for a couple of tunes. By the time he was 11 (living at 1605 Leona St.), Manuel Donley had taught himself how to play the guitar and later, the requinto (a type of six-string guitar). In 1949, the 21-year-old Donley formed Los Heartbreakers, the first Mexican-American band to play rock & roll and rhythm & blues in Austin. Donley went on to transform música tejana from a traditional acoustic sound into the modern electric sound that dominates tejano music today. As a 2014 recipient of a National Endowment for the Arts National Heritage Fellowship, the NEA recognized Donley for his contributions to the ethnic American musical tradition of orquesta tejana. Donley was a cultural product of his geography, and his musical style reflected his lived experience. His family heritage is Tejano-Irish on his father’s side and Mexican national on his mother’s side. With his family’s arrival in Austin during childhood, he became bilingual and bicultural, a resident of Mexico de Afuera (Mexico outside of Mexico). As a first-generation Mexican-American growing up in East Austin, his Mexican-American neighborhoods bordered African American neighborhoods. Donley lived a tricultural experience, drawing on influences from Anglos, African-Americans, and Mexicans. 11 of 107175. Information on architect, builder, contractor, and any craftsman who worked on the building and structure on the site The Calcasieu Lumber Company, 1939-1940 Builder: Renovations: • Contractor: Unknown (Willie “Boots” Walton was member of likely unlicensed crew) • Date: ~1947 • Project: Rear wall of Bedroom “3” demolished to extend the room into beauty shop in rear of 1605 Leona St. Wood siding refinished. Carport installed. Interior renovated to section formerly larger open spaces in smaller rooms • Contractor: Unknown • Date: ~1950 • Project: Aluminum siding installed on exterior walls • Contractor: Unknown • Date: ~1970 • Project: Interior wood paneling installed in Living area "A", hallway, and Bedrooms "3, 4, 5" • Contractor: Lynn Sutton DBA Precision Builders • Date: 1993 • Project: Installed pitched roof on flat portion of house, removed carpet in kitchen, primed floor and installed vinyl floor, and installed cabinets on wall 3x8, 5x8 • Contractor: Quality Foundation Repair (Simon Wallace) • Date: September 5, 2012 • Project: Pier and beam foundation repair on the existing single-family structure (Permit/Case: 2012-089466 BP) • Contractor: Austin Siding & Windows • Date: September 2012 • Project: Living area "A", which includes current living space adjacent to kitchen area: Removal of wall dividing Living Room and front bedroom to create a larger Living/Dining space. Paneling removed from remaining living room walls and new 1/2" drywall sheet rock installed, complete with tape/float and texture, then painted. Ceiling in living area repaired on as needed basis, which will be known upon completion of pier and beam repairs currently being made on the home 12 of 10717Bedroom "1": Converted upon demolition of the wall dividing it from the living area. Existing closet removed. Paneling removed, with drywall replacement complete with tape/float and texture. Room painted and ceiling repaired as needed upon inspection Bathroom "1": Sink/counter space removed with the sink relocated to a location closer to the door along the same wall and the toilet relocated along this wall as well to streamline bath space and make access to the bath/shower area more convenient as well as making the space more aesthetically pleasing. Bath tile will be removed to allow for a longer sliding window to increase ventilation and more efficient water evaporation to help control mildew issues. Demolition of shower and installation of a "green wall" to repel moisture and ensure proper installation of shower tile Bedroom "2": Removal of paneling and ceiling and installation of new drywall complete with tape/float as well as texture. The conduit to the ceiling fan/light fixture elevated approximately 6" and removed from view by the new ceiling drywall. Room painted Bedroom "3": Paneling removed and new drywall installed complete with tape/float and texture. Ceiling inspected for replacement, entire room including the ceiling painted Air conditioning unit relocated and its current location made into a connecting doorway to the back room of the home, formerly the salon. Adjacent to its current location in the former salon, a new station complete with stand and walls constructed to house the a/c unit The salon, Bedroom "4," remodeled with paneling removed and drywall including all tape/float and texture installed. The load supporting 4 x 4 replaced with a supporting ceiling beam to open the space into a bedroom. Bath area expanded to become adjacent to the new a/c room. Shower added, as well as a new toilet and sink to this expanded bathroom area • Contractor: Austin Siding & Windows • Date: November 2012 • Project: Single-pane original windows replaced with double-pane tilt-in windows • Contractor: Unknown • Date: 2013 • Project: Build shed in rear of 1605 Leona St. Remove exterior aluminum siding. Paint exterior wood siding and trim. • Contractor: Unknown • Date: 2013 • Project: Deck built in rear of 1605 Leona St. • Contractor: Rey’s Landscaping Services 13 of 10717• Date: May 2013 Project: Remove chain link fence and construct wooden fence along rear property line • Contractor: Edward Pagano • Date: May-August 2021 • Project: Exterior and interior remodel: -Fascia and soffit reconstruction -Exterior trim revision -Install wood paneling in carport and front porch ceiling -Replace carport and front porch support beams -Replace laundry room door -Replace damaged wood siding planks -Replace damaged deck boards -Replace damaged drywall in Living area "A" -Install crown molding in Living area "A" -Install interior window trim in Living area "A" and Bedroom "4" -Install crown molding in hallway bathroom -Install wainscoting in hallway -Replace door in Bedroom "3" -Install closet in Bedroom "4" • Contractor: Heritage Construction Co. • Date: June 9, 2021 • Project: Total roof removal/installation: -Synthetic Felt -Ridge High Profile -Ice & Water Barrier -Drip Edge Installed (Painted to Match Shingle) -Plumbing Boots (Painted to Match Roof) -Ventilation Replaced/Reconditioned & Painted -All Debris Removed & Site Cleaned, Swept of Metals, Nails, etc. • Contractor: Fresh Coat Painters-Austin • Date: July 2021 • Project: Exterior/Interior Painting: -Power wash exterior -Siding, trim, soffit, exterior doors, carport, and porch ceiling staining -Paint shed, trim -Paint kitchen cabinets, install hinges • Contractor: Jimmy • Date: August 2021 • Project: Hallway bathroom renovation: -Replace shower kit with bathtub and subway tile 14 of 10717-Replace ceramic floor tile with marble tile -Replace vanity top and faucet -Replace toilet -Replace light fixture -Install wall shelf -Paint 6. Historical Narrative Arcadio Donley, Sr. and wife, Guadalupe Donley secured all of lots 1 and 2 in Block 3, Outlot 37, Division “B” of the City of Austin, Travis County, Texas from M.C. (Marvin Criddle) Culbertson, Sr. on May 29, 1917. During this time, East Austin was thriving, while also undergoing a demographic change- as many white families were moving away. Notorious city planning efforts, including the 1928 Koch & Fowler Plan to remove African-Americans to East Austin from the central city, and a nationwide intensification of racial prejudice in the 1920s led to East Austin's identification as an African-American neighborhood. By the 1930s, many Hispanic families had also begun moving into the area as political instability and revolution in Mexico led many to flee their home country. In the 1920s and 1930s, scores of bungalows were being built within the area. Many with the assistance of the historic Calcasieu Lumber Company, who’s materials found their way into nearly every major Austin project of the late 19th and early 20th centuries. The Calcasieu Lumber Company offered standardized home plans and provided all the materials, even the crews, for the construction of houses on an owner’s site. By the 1920s, the firm was offering financing for the construction of new homes in downtown-adjacent neighborhoods. These low-interest loans and installment plans opened homeownership to more Austinites than ever — “the company employed builders and became a one- stop shop for those looking for a new home,” according to the Austin Public Library’s collection of company records. After having an initial home established on the lot at 1710 E. 16th St, Austin, TX 78702, on November 28, 1939, Arcadio Donley, Sr. secured a mechanic’s lien from The Calcasieu Lumber Company (payable to M.C. Harris) for the construction of 1605 Leona St. Initial building permits for a box residence and roof at 1605 Leona St. were recorded by Arcadio Donley, Sr. in 1939. It appears construction was complete by 1940, as Arcadio Donley, Raymond (Ramón) Donley, Delores Donley, Delores Donley, Raymond Donley, Jr., Manuel Donley, Eslenda Donley, Robert Donley, Lupe Donley, Beatrice Donley, Joe Donley, and Ernest Donley are recoded residents of 1605 Leona St. in the 1940 United States Federal Census. Raymond (Ramón) Donley, Sr., was a classically trained violinist who once played with the Durango Symphony. Raymond made his living as a barber by day, but at night, he led his band, La Orquesta de Ramon Donley. His son, Manuel Donley, took an early interest in music, following the lead of his father. Manuel Donley began his apprenticeship as a musician hanging out in his father's barbershop, where musicians were as likely to come by for a haircut as they were to break out a fiddle or accordion to play a couple of tunes. By the time he was 11 years old, Manuel Donley had taught himself how to play the guitar and later, the requinto (a type of six-string guitar). Manuel formed the band ‘Los Heartbreakers’ as a teen and was performing mostly instrumentals at Church festivals and street fairs until their breakthrough performance at Parque Zaragoza in Austin, TX in 1949. While Manuel’s star was rising, his 15 of 10717family was in search of a new homestead. The Donley family listed 1605 Leona St., a 6-room 1-bath home, for sale for $2,500 in September 1943, and for $2,300 in October 1943. Arcadio Donley, Sr. Raymond Donley, Willie Donley, Ernest Donley, and Benita Donley Acosta and husband accepted an offer of $1,575.00 (payable in monthly installments of $20.00) from Rev. John Wesley Goode and wife Hattie Jane Goode on October 18, 1944 for the purchase of the North 47-2/3 feet of Lots Nos. 1 and 2, in Block No. 3, of Outlot No. 37 in Division “B”, in the City of Austin, Travis County, Texas (1605 Leona St.). John Wesley Goode, Laborer, Hattie Goode, Wash-Woman, their son, Ernest Goode, Military Serviceman, daughter, Helen (Goode) Walton, Cosmetologist, and son-in-law, Willie “Boots” Walton, Blues and Ragtime Piano Musician, moved into the new home. The Goode Family benefitted from the multiple streams of income present within the home, which allowed them to maintain a comfortable middle-class lifestyle. Similar to many other East Austin families, The Goode Family had plans to operate a business out of their new home and quickly began making the necessary alterations. In about 1947, a crew including Willie “Boots” Walton, demolished the rear wall of Bedroom “3” to extend and refurbish the room into a full-service salon located in the rear of 1605 Leona St., complete with a separate entrance. The exterior wood siding was also refinished, the carport constructed, and the interior renovated to section the formerly larger open spaces into smaller and private rooms. White aluminum siding was installed to the home’s exterior around 1950. Renovations completed during this period were undocumented and likely unlicensed, as the city had not yet enforced zoning ordinances or construction permits in East Austin. Construction of Walton’s Beauty Salon was completed around 1947. John Wesley Goode became ill and died in 1952 and soon after, Helen (Goode) Walton and Willie “Boots” Walton divorced. Hattie Goode and Helen Walton were the primary residents of 1605 Leona St. for many years. Hattie Goode conveyed 1605 Leona St. to daughter, Helen Walton, for $1 on December 13, 1954. Ernest Goode used the home as a permanent address between military service and marriages. His name is inscribed on Corinth Baptist Church’s (next door to 1605 Leona St.) original cornerstone as a member of the Trustee- Deacon Board. Ernest relocated to San Francisco, CA in 1951. Walton’s Beauty Shop/Salon thrived the 1950’s and Helen Walton’s career as a cosmetologist offered a level of economic independence that was rare for a Black woman during a time when employment opportunities were limited. Most white salon owners served white customers and did not serve Black customers or hire Black beauty professionals. This created an extremely viable market for Black beauty shop Operators/Instructors who ensured that East Austin and other African-American communities had access to the services and specialized products their customers needed. Dissatisfied with her singular role as a cosmetologist, Helen Walton’s ambitions led her to the Johnson & Randolph Beauty School, where she became a Certified Cosmetology Instructor in 1951. At the time, Texas law required beauty shop operators to complete 1,000 hours of training, which Cosmetology Instructors provided to those entering into the profession and/or maintaining licensure. Helen Walton would go on to receive a gold cup from Prairie View A & M College’s Cosmetology Institute for satisfactorily completing the five-year course in advanced cosmetology. She is noted as Austin’s first cosmetologist to do so. 16 of 10717Helen’s industriousness provided the financial means needed to continue making improvements to the home. On trend for the time, wood paneling was installed throughout the home’s interior living spaces around 1970, and in 1993, a pitched roof was installed on the flat portion of the house and the kitchen received a renovation. Hattie Goode and Helen Walton were both committed in their devoted service to David Chapel Missionary Baptist Church. Hattie Goode served with the Sunday School Society and Missionary Society and was honored as the church’s first Mother of the Year under Rev. James E. Obey, before her death in 1979 at the age of 99. Helen Walton was a member of David Chapel Missionary Baptist Church for more than 64 years and contributed in various capacities within that time. Of note, Helen served as a Sunday school teacher, treasurer, piano/organ player, and as a member of the Senior Choir. She was elected David Chapel Missionary Baptist Church Woman of the Year in 1993, the first to receive this honor under Pastor Joseph C. Parker, Jr., Esq., D. Min. As matriarch, Helen Walton set high expectations for her younger family members. Having no children of her own, Helen Walton often welcomed relatives to stay at 1605 Leona St. for as long as they needed. In 1981, her great-niece and namesake, Helen (Ware) Shoulds, took advantage of the opportunity to live with her aunt in Austin, Texas, where Shoulds moved to shortly after completing high school in East Palo Alto, California. Helen Shoulds lived with her aunt for 1 year while attending nursing school before getting married and moving away. Helen Walton’s brother, Ernest Goode, also moved back to Austin, Texas from San Francisco, California in 1981. Ernest would remain with his sister at 1605 Leona St. until his death in 1990. When Helen Walton wasn’t occupied by family, work, or the attaining of educational or professional goal, her social calendar was filled with meetings and events that reflected her reputation as a well- known and respected businesswoman. Helen was selected as one of “My Best Dressed Women” of Austin in 1959, and was a member of the Hair Designer’s Guild, sponsor of the Miss Black Austin Pageant. Later in life, after closing the beauty shop and retiring in 1984, Helen Walton provided companion care to former First Lady of Texas, Mildred Paxton Moody, (wife of Texas Governor Dan Moody). Helen was honored by Texas Governor, Ann W. Richards for years of outstanding service to David Chapel Missionary Baptist Church, her family, and the community in 1993. She received 95th Birthday greetings from Texas State Representative- District 46, Dawnna Dukes in October 2012. Helen Walton’s health declined as she aged and the home fell into ill repair. In 2011, when it became clear to relatives that Helen was no longer able to live independently or maintain the household, Helen Shoulds arranged for her mother, Lillian Scott (Helen Walton’s ex niece-in-law) to move in and provide care. Helen Walton conveyed 1605 Leona St. to great-niece, Helen Shoulds, on February 7, 2012. Helen Shoulds quickly evaluated the declining state of 1605 Leona St. and lined up the much- needed repairs. The pier and beam foundation was completely repaired in 2012, followed by various other major interior and exterior renovation projects, which were completed through the summer of 2013. In 2015, Helen Walton passed away in the home she’d lived in for over 70 years at the age of 97. Lillian Scott provided day-to-day in-home care until her death. 17 of 10717Lillian Scott lived mostly independently at 1605 Leona St. until 2019, when granddaughter, Nneka Shoulds, (daughter of Helen Shoulds) relocated to Austin, Texas from Baltimore, Maryland. Following her divorce, Helen Shoulds also left Maryland for Austin, Texas in 2019. The three generations completed more renovations in 2021, including interior and exterior cosmetic improvements, installing a new roof, and repainting the home’s exterior. Helen Shoulds relocated to Liberty Hill, Texas in 2021. Lillian Scott and Nneka Shoulds remain current residents. Justification Age: Originally constructed in 1939, the home located at 1605 Leona St. is 83 years old. Integrity: The many renovations required to maintain the home for over 8 decades have not compromised the integrity of the home. The retention of many original physical features, design, materials, workmanship, feeling, association, and location of the home contribute to the high degree integrity and significance of the property. Historical Associations: • Long-standing Individual Associations o Manuel “Cowboy” Donley o Willie “Boots” Walton o Helen Walton • Business Associations o Walton’s Beauty Shop/Salon o The Calcasieu Lumber Company • Historical Event Community Value: o Childhood home where Godfather of Tejano music, Manuel “Cowboy” Donley, took an early interest in music and taught himself to play guitar. Recommended as not eligible for a local historic landmark designation in the East Austin Historical Resources Survey of 2016, 1605 Leona St. was essential in assisting a multicultural Tejano-Irish immigrant family and a marginalized Black American family establish strong foundations upon which future generations would use to launch long-lasting legacies. Uniquely located directly across from historic Oakwood Cemetery (originally called City Cemetery and the oldest city-owned cemetery in Austin), the home tells the untold story of two families who achieved their American dreams against unimaginable odds. The people who lived here experienced and endured painful racial segregation and discriminatory practices, and they fought against those conditions with dignity and courage to break barriers in education, the military, music, and business. 18 of 10717 As urban renewal projects wipe out whole neighborhoods and Central East Austin continues to be a hot spot for new development, remarkably, this property, 1605 Leona St., is one of few that have been maintained by direct descendants. It is our intention to preserve the rich histories of the Donley and the Goode/Walton families, who made significant contributions to the cultural identity of historic East Austin, Tejano music, and the world. 19 of 10717- 20 of 10717~ cyf/4rr,-L, ~ VU« / ✓£ ('~ f f , , - ; , / a:::_ .._ .@, ~. /?rh£,,,....,._, , /~,, d . -/✓;~~6 -~- # ,_·o, P/4.('- /<<-r,h,n< /cc r,:~ dG ~~ c/7' <~ H~~r,r<, are,~~-<----<' / M /,=~e_ o/ /u.-,✓£. <'""'"'½ «<-<-~ '/cf: a-~;-,-G, ;i{a, ,:,,,..d E~ a--<-~=. u{,✓ a;., h-~"0< ~,, /ZL'<-<-<- C. ,<·• ,{,-«, ~~,,.,. ~.<:-<.-(,crN«>, //4; ~ e. v h,.,,, C 7 a 4 ~(Jlr/a--,~v C..~-<., /er ,,½< ;1;,,..,,,_ a~ //: ½« ~r/'b<,-~< c&/4,., / a'<-<, ,PP ci-4<✓ a(' <' P:,- «r / 7 F 4- ~ ~ 'a (7.,_.,._.,<~~~..:, dp<-<. a<✓,;t;-.,7""0 ~,,.,,,)--, ~ e /N t# ~ /._, V/4U«. (.) a,/ o/'.:>r<-7<'<<~ &~ .__:>e_ c-/4,,,J_d, 0 1 C:7~~ I , 21 of 10717.. • I 22 of 1071723 of 10717295 .:.avid c.Gro.oy Uotary Publio, '!'r1-i.vin County, ..,exae u7 1"1led ror record 14 June 1917,4130 P.M. Recorded 16 JW19 1!'117,4:10 P. M. (Y.;ug s-r:.;.OF i.:x..s,P, COUNTY o~•· '.l'R,.VIS # KHOW .U.L J.IEN BY THESE PRESF.NTSI That 1, i.:.c.culb9rL"on, a sinr,h m:n, or Travis Oow1ty,Texaa,rcr ,.nd ~ conaidaratton ortha •um or Twen ty-!'1,ra 11un:lre:l Doll"ra ca3h to me in hand paid by A.Donley and wire,Guadalup9 Donl&y,the r'!o,.ipt or which la h<1r<1by ,.cknowledged,h1,,re granted,aold and eonY"l'"d,and by these pra11Ants do grant,aell and convey unto the Bi.id ,..Donley and wi!'a,Guadalupe Donltoy,of' Travia County,Texaa,tha f'ollow1f16 deaorlbed proparty,to-•i~: •ll or lot• 1 ltJ1d 2 in Block ~,Outlot ~7,il1v111lon • 0 • of the City or Auat1n,Trav1e County, 'lex,.a, tog., t,11ar with all impr0'19mant• tharaon 11ituatad. TO iii;VF: AND TO HOLD the above daaerlbad pr9:11 iB811,tog.,ther with all an:! ei1111ular the right• and IAppw•t,.n:.noea thsrato in any11i11a belonging,unto the naid A.Donl&y and wif8,Guadalup9 llonley,thllir heira and aeatgna forever; and! do harehy bind our;..lvea,olb- hair ■ ,e•ecutor■, and adminintra torA to warrant and rorev&r d&!'and all rtnd aln~ular the 11nl d pr91111aaa unto the aaicl . •,Donl9y an:l wifa,Guadalupa llonl-,y,thetr h81re an:l aaalgna,agalr,.,t """l'Y person whomsoever lawfully olllimlng or to olalm the aam• or any part thereor. IU'rt,t:5S my han:l thl11 tllll 211 · day of liiay A. o. 1!117. · ll.C.Culb!!rtaon S'f,;.'£E Oii' TC:.'<AS ,# County or Tr•w1s /I Before me,th& und8relgn8d authorlty,011 thh d~ per11011ally app"ared u. .c.Culbartaon, known to ""' to be t r• paraon wh0t1a nan,,. 1 ■ aub.,orlb8tl tt'I tho rcira r,olng in atruroent,,.nd 1Aoknowledg9d to ma tla t ha exeoutad tha aama tor tha pur,,0119a and ooneictaratlon therein axpr,.a ■ ad • . "hen un:l"r ,ny hand i.nd a9al thla 29 ctay or llay A.D. 11111. Hal iiaUay Filed for reoord 14 Jwu, 1!117,1114~ A.~. Reoor:led 16 Juna . 1917.411~ P.M, - - - - - - - - - . ~ C, TU ,; tiTAl'r: 01'' Tt,;XAS,# COUll'rY OF '.l'll1-.Vl3 ·* KN OW ALL U!lN BY TH.io:fm PRF:SF.NTS1 TUN I, "r11. A.O.Zlmmarmann, a fema eole, o.r .. u■ tin, ·rra•l• County, !axaa, for and in oon61d sratl on or the 11um or Two Hurrtred and No/100(:!l~oa.no)llolbra oa■ II to m" in hand 11..td by llan Ro11e,reo9ipt whereof la hereby aok nowladged have Ci1A1:'.l'Sll,SOLD and CONVEY!i:0 ar.d by thaaa pre ■ anta do GRA!IT,SELL an<1 COllV!':'t unto the naid uan lloaa,of "u■ tin, '!'ravlA c,,unty, ~axae,all that certain lot, tract or parcel or lan:l lying anl balng eituata in •rad" Oount:,,'l'axa■ ,lmown a.t J,ot Number Ninataan(l?)in bla: k /;umt..r Three(~ )or .;outh ilaiihta ln liouth Auet1n,:i:ax1A11,aa ■hom, by plat or rscor <i in Book Ona,page 121,.i'lat l'ieco.-d11 or l'ra•• Oounty, 'l'exa■ ,11ald lot being thlt ■ amfl lot oon•ayed to wa by ~ary Dawaor1 and Nannle &:.Daw11on by Daad dated 2:,rc1 February, 111011,racordad ln Uw ""~ " '' Heeorda of ·rra•lo County,•toxaa,ln Volume 2211,pagea 1'11'1 aid R!I, '£0 liAVl> AND TO 1101,!) ti• above deacrlbed pre11ti■ .,., togsthar w1 th all and ain~ular tha right& Mild appurtan,.,,OAa there to in anywlae belonging, untn the 9ald Dan Ron•, hlR h11lra •.Uld aa■ lgn■ r o~&V81'• "ltd ! do l•reby birxl m y■ elt',my helr■ ,~xeoutornanct ~m1n1stratora to WARJI.UT AND POR&V.:R ll&F&ND all. am alngular the aald prami ■a ■ unto the aald Dan Roaa,hU hlll,. ■ anil ••• algna,again■ t every per ■ou whomeoavar lawfully claiming or to olalm the • - or any part tharaor. wiim,:.;s my huld at .. uat1r1,'!'ax .. a,th1■ the thirteenth clay or Jw,e,A.D• 1917, Mre, A.O.Zimmarmann . . - 24 of 10717------.... t oe~n-e& ·noipal of t his note. ~~-~ $1 , 575. 00 Austin, Texas Ootober 18, 1944 On the dates and in the manner hereinafter provided, for value received, I , we or either of us promi se to pay to the order of WALTER BOHN, at Aust in, Travi s County, Texas , the sum of - - - v~-moo~9~B,P,17J;'~fl!l¥-i:'TVF'---.-t-,--F'f-l<H'll'~lt}f;f,.,\< _ _____ _ '&Ouet:.u .. ~r \~ itl1 int ere Ft: thCl' ('Ot1 1·ro111 rate of oeven ( 7,.,) per ce11t per nn num , to be puya\.ilc ruontnly , and to be i ncl uded in the mont hl y i notallrnent s hPrPinafter pr ovided for , and i f not pai d 11hen due , to Lecorne as principal and t hereafter to bear the same rate of int erest until paid , t. 110 <.l 1.te Ullt.~.l ~u.1U 1..1..t t. h o Failure upon the part of the makers hereof to pa y any installment upon this note, ,,hen and as the same matures, shall entitle the holder hereof to declare the amount unpaid hereon at the date of such default immediately due and payable , This note is payable in monthly installments of Twenty and 00/100 ( $20 , 00) Dol lars , or morei each, the first of such installments to become due and payab eon the 18th day of November , A. D. 1944, and a l ike install ment i n the same sum to become due and payable on t he 18t h day of each and every month t hereafter until this note and all interest is ful ly paid and satisfied, And upon the payment of each of the said installments t~e same shall be applied first to the payment of interest a ccrued, This note is given as part of the purchase money for the North 47- 2/3 feet of Lots Nos . 1 and 2, i n Block No, 3, of Outlot No , 37, in Division 11B11 , in the City of Austin, Travis County, Texas ; this day deeded by Arcadia Donley , Sr , ; Raymond Donley; Willie Donley, Ernest Donley, and Benita Donley Acosta, and husband , Huey Acosta to J . W. Goode and wife, Hattie Goode to which deed of conveyance r eference is here made for a more particular description , and fo r all pert inent purposes ; and to secure the payment thereof, accor ding to the tenor hereof , a VENDOR' S LIEN is retained in this note and in said Deed of Conveyance. An~ the makers hereof specially agree that if default is made in ,he payment of this note or any interest hereon when due, and it is placed in the hands of an attorney for collection , or if coll~cted by legal proceedings of any kind, to pay ten per cent additional on the principal and interest t hen due hereon as coll ect i on or attorney's fees. menl. for paymenl., notice and protest and agrees and cons eut s that t his note may be renewed and/or the ~1me of payment extended, witbout notico and Wit hout u l m i " " ) :o' ; ;~ I t~ -~ 25 of 10717r' - · PAUL T. HOLT ATTO R NEY AT LAW 100) GU•O•~u•I f), AUSTIN, Tt:XAII ,. THE STATE OF TEXAS COUNTY OF TM VIS - This indenture , made thi ■ the 25th day of July, 1963 , by and bet\oleen Hattie Goode , a widow , of Austin , in the County of Travis, state of Texas, party of the first part, and Helen E. Walton, a feme Sole' Of Austin, in the County of Travis, State of Texas, party of the second part , WITNESS ETH: Whereas , the party of the first part, did, on or about the 13th day of December , l , 954 execute t o the party of the second part, for the consideration t herein mentioned, a con veyance of the certain lands, situated in Travis County, Texas, and hereinafter more particularly described, which said con veyance is recorded in Book 1529 , Page 458 of the Deed Records of Travis county , •rexas; and Whereas, in said conveyance, by mistake , said real property so conveyed was not properly described, and whereas , to prevent difficulties hereafter , i t is expedient to correct said error: Now, therefore, this indenture WITNESS ETH, that the party of the first part, in consideration of the premises and of one dollar to her paid by the party of the second part, hereby GRANTS, SELLS, CONVEYS and CONFIRMS unto the party of the liieco,,d part , her ht..ire, and a .. aign, , forever, all of th• .i'ollow- ing tract of land situated in the County of Travis, in the state of Texas, to-wit: Part of Lots Nos. One (1) and Two (2) , in Block No . Three (3) , in Outlot No. Thirty-seven (37) in Division "B", in the City of Austin, Travis County , Texas , more particularly shown on the map or plat of record in Vol. 1, Page 3 of the Travis County Plat Records , to which map or plat and the record thereof reference is here made for a more particular DEtD RECORDS Tr..,;, tou•tv, T ,,.., 26 of 107171, I I ( r• I • I 1 I , , Together with all and ~- . nywise appertainin9• sinrn1lar the tenements , hereditaments and appurtenances thereunto belonging, or in a TO w,VE AND TO aoLP the • - • unto the party of the second pa rt, and to her heir• and a ss igns , forever. And I do h ereby bind myself, my heirs, executors and administrators, to warrant aaid He1en E. Walton, her heir• and al!ll!ligns, agai.nat every person whOGSoever lawfully claiming or to claim the thereof. any part I DEED RECORDS Trm, County, Texu 28:rJ 27 of 10717WITNESS my hand at Austin, Travi s Count y , Texas, this the r::2? day of O'~ , 1963 . T ( Hatti e Goode . THE STATE OF TEXAS COUNTY OF TRAVIS Before me, the undersigned authority , on this day personally appeared Hattie Goode, a widow , known to me to be the person whose name is subscribed to the foregoing instru ment , and acknowledged to me that she executed the same for the purposes and consideration therein expressed. - - - - - - - - - 1f!>~M. l 291963 DEED RECORDS Tmi1 Cownty, Te1111 28 of 10717E . Grillin, Lot 11, Sunnydalc Ad dition $11.55 rev. stamps. Bert II. Allen, ct ux, lo Ethel Synnt1.ske, Lot 18-A, Blue Bonnet Gardens $4.95 rev. stamps, Dclwood Dev, Co., Inc. lo James Jcllon Irby, ct ux, Lot ID, Bik. T, Dclwood Addn. No. 4, $13.20 rev. stamps. Fred J . Cunningham, cl ux, to Wiliiam R. Cunningham, ct ux, L~ts · 31 and 3l·A, less pl. of sd. Lots in Lodge Acres. No rev. slcmps. Roger Keith llloorc lo Ciillon E. J\loorc, ct ux, Pt. c. II. Riddle Sur. Ahst. 6940, No rel', stamps. Dclwood Dev. Co., Inc. to Rlch nrd T. Doyle, Lot 12, Bik. F, Del wood N~. 4. $1.10 rev. stamps. Dclwood Dev. Co. Inc. lo Rich• ord T. Doyle, Lot 35, Dik. T, Del, wood No. 4. $1.10 rev. stamps. John Cannizzo, cl al, to The Greenlee Corp. Lot I, Dlk. C, Can nizzo Subd. $1.65 rev. stomps. Cecil W. Beard, ct ux, to Ben F. Siebel, ct ux, Lots 31, 32, Blk. 27,. Hyde Park Addn. $16.50 rev. stamps. Other 45 -- No Title The Austin Statesman (1921-1973); D PUBLIC RECORDS IHTII DISTRICT COURT (Jack Roberts, Judge) John Bremond Co. vs. Mathilde court, 1220 South Congress, $188,· 000, Roy Yales, residence, 1516 Dort•· Ellis and husband, Richard N, El• mouth, $0,000. Us, . damages, flied. Keystone R~alty Company, 1120 Leona, $4,000. · Rhea B. Merritt, residences, 5-04 Wilmes Dr., 2tJ0 Ivy · Trail, 1220 N. D. McCulstion vs. T. C. Slein• Corona, 1807 Aggio Lane, 1314 Cor• 98TH DISTRICT COURT (Charin ·neu,, Judge) er, ct al, damages, filed. onn; $40,000. . . 53RD DISTRICT COURT CJ, llnrrl• Gordner, Judge) Austin Public Schools, ndditlon to Highland Park· School, 4000 the Goodwali Fairplay Drive ; C. T: Johnson vs. II. E. "Red'' Woolen Elementary School, 8,000 tamcron doing business as "Cam• block Lazy Lone; and addition to eron Rc!rigcration," dam a g cs ; Reiliy School, 401 Denson Drive, flied . Rickey Harrison, by next friend, James L. Lewis Jr., vs. Truman I D. Shover, damages lllcd. total $345,834, DEED RECORDINGS Carl Thornquist, cl ux, lo Her• mon T •. Welch, ct ux, Pl. Blk, 47, Theodor Low Hghts. $6.60 rev. slnmps. ' COUNTY COURT (Tom Johnson, Judge) Estate of John Herman Hill de- ' R. E. Plnclfiln, ct ux, to Edgar ceased, filed. Harriet Craig 'uol• S. Hornsby, ct ux, S. ½ Lot 5, Dik, Jund applicant "for appointment as 2, Crest Haven Addn. $8.60 rev. executrix. stamps. COUNTY COURT•AT•LAW (Mace Thurman Jr., Judge) William Powell Smith Jr., ct ux, to James P. McFarland, ct ux, Pt. Lots 4, 5, Blk. A, Highland Park Wash Harrison Jr., concealing West $18.7D rev stamps. mortgaged property, one day, Lena R. Stewart lo Wiliinm Clark Gilium, ct ux, E. ½ Lot .13, llltch, cock's Subd, $26.95 rev. stamps. N. A. Giblin to Edward H. Zam Manuel Penn, 628 Northwestern, min, ct ux, Lot 13, Dlk. B, Vnllcjo JUSTICE COURT (Paul Blair, J, P.l murder, f!Jcd. Raymond R. Hickmon, 2315 Lake Austin Dlvd., murder, filed. MARRIAGE LICENSES ISSUED (Emilie Limberg, Clerk) fll.55 rev. stamps. Bryan O. Clark, ct ux, to T. F. Keele, c\ ux, Lot 6, Blk. D, Allan• dale Oaks, $24.20 rev. stamps. J, B. Linscomb, ct ux, to Lola Junior R. llliddough and Margi• Tracy, Lot 4, Dik. C, Burnet Hgts. , ufRarie 111'nlther. Jerry Donald Draper, ct ux, lo der.onn c Shelton and Peggy Fci-; Raymond L. Moore, Lot 82, Ridge- • $1.65 rev. slamps. I Chari Wilii H k d i lea Addn. $1.65 rev. stamps. Gilmore LaVerne lllarley Elaine ~~Ith. am ac an A ice I Aillcd Chnin Link Fence Co. to Charles warren Galls and Bill O. Emry Evans, ct ux, Lot ID, Wnl- Y nut Hills Sec, 3. $6.60 rev. stamps. Dr. Billy Roy· Boring and Luan D. W, Crenshaw, ct ux, to BenJa• min Joseph Davis, ct ux, Jot 5, Richa;d Neal Walker and Sue Sampson Subd. $35,75 rev. stamps. 11. N. Delancey, ct ux, to J. C. Ed Charles Froebe( and Wana• Crumley, ct ux, 5.98 ncs. James Burleson League $4.95 rev. stamps. Samuel Antolini, et ux, lo Tony Ojeda, et ux, Lot 3, Dik, a, Lor, raine Hgts. $2.20 rev. stamps. I gene Rita l\lorgan , Ro~crt Barton s~ton and Peggy · Jenn Passwalcrs. Johnny F. Sanders and Myrna Ann Moyers. J\labry. NEW CARS REGISTERED (Slc,·e flctnngton, Asscssor,Collector) J\lax Rohr Jr Buick Charles A W~ison Dulek Voylc Tipion, Bui~k. ' J . R. Canion, Buick. lllr. and J\lrs, c. o. Malmquist Thomas A. Graham to Hawes Ccmpbcll J0xll7 II. strip ol land out of C. H. Jung, :Jr. hOmcslcad tract and Lot 5, and 6, Shoal Vil- !age Sec. 4. $5.50 rev. stamps. , Eugene J . Sutherland, ct ux, to ·1 Tom II. Davis, Ill, Lot 13, Dlk. D, I Highland Park West Addn. $1G.45 . I rev. stamps. lei. Chevrolet. ' · D. H. Burrell, ct ux, lo The ' Texas District of The Lutheran Church. lllissourl Synod Rev. A. o. Wiliiam R. Ehman, Chevrolet. Donald H. Cummins, Chevrolet. Rnst Field Secretary of lllissions, Harold R. Caldwell, Chevrolet. Pl. Geo. W. Davis Sur. No rev. llf. R. Felps, Chevrolet sl&mps. Capitol Chevrolet Inc.' Chcvro• Vernon Lcmcns, Tr. to Ernest J~scph, Pl. Lot I, Blk. 67, Orig. C1ly of Austin $7.15 rev. stamps. Fed. Bldg. and Sales Co. lo Miguel Arellano, ct ux, Lot 3, Bik. 9, Green Valley Addn. No. 2. 55c William J. Harding, DcSolo. Louis Crouch. Cadillac. C. R. McDuff . Chevrolet Felix G. Ojcd~. Chcvroic't. Alfredo V. Martinez, Chevrolet. re,·. slnmps. R. K. Howell, Chevrolet. Mrs. Carrie A. lllosclcy lo Nellie Abraham Greenspan Chevrolet Dell l\loscley Hunley, ct al, Lot 7, Morris !I. Treadwell'. Chevrolet: Blk. 2, 0. L. 61, Div. B. No rev, B. IV. Barton, Chevrolet. S/Sgl. Homer P. SI. Germain, stamps. . ' Plymouth. Ford. John P. Patterson, Plymouth. Ralph F. Byrd Jr., Dodge. Sherman While, Dodge. Calcasieu Lumber Co., Ford. Leonard M. Price Jr., Ford. ,J. V. Riley, Ford. Minnesota Mining and Mfg. co Rob.er! L. Wheless D.D.S., Ford. Ell'm Prehn, Ford. E. A. Cannon, Ford. Lcroy Riedel, Ford. B. H. Wyont, Chrysler. Rosalind Giles, Plymouth. Owen Schnell, Plymouth. J . 0. Garrett, ct al, Trs. Tcjas ' Club lo The TcJar Foundation, Lot 2, Stephenson and Youngs Subd. No rev. s\amps. J . B. Ford, ct ux, to Jimmie L. Dlrdwcll, el ux, Lot 45, Koenig Place $1.10 rc'l stamps • . Hallie Goode lo Helen E. Wal• ton, n 2·3 rt.xl30 fl. of Lots 1, ., 2, Bik. 3, 0. L. 37, Div. B. C. R. Johns Addn. No rev. stamps. Wayne llcnncbcrgcr, ct ux. lo Mary Lela Roach, Lot 14, Brykcr- woods G. $13.20 rev. stamps. Lloyd E. Arnold, ct ux, \o E. W. Howell, ct ux, 0.45 acs. S. F. Slaughter League 55 cents rev. stnmps. BUILDING PERMITS CJ. C, Eckert, ln,pcclor) Lloyd E. Arnold, cl ux, lo E. W. Uowcll, ct ux, 0.45 acs. S. F. Woodlawn Baptist Church, edu, Slaughter League 55 cents rev. calionai building, 4600 Manchaca stnmps. Rood, $25,000. S. F. Waterman, ct al, to Hubert Louise Rieve, residence, IOI! St. E. Rossy, ct ux, Pl. 0. L. 38, Div. John, $8,000. E. $115.50 rev. stamps. Austin lllotcl, addition to motor Morris W. Green, ct ux, to Gene Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 29 of 10717e c 1 5 , 1 9 5 4 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 3 4 I llllll lllll lllll lllll lllll lllll lllll lllll 111111111111111111 TRV 3 PGS 2012019348 Space above reserved for use by Recorder's Office Document prepared by: Name - - - - - - - - - - - - - - Address ____________ _ City/State/Zip __________ _ Address: City/State/Zip: KJ ·f' ~ \ -~~'--i 0.. ~ ~ __........--:- Y fvl D ?-07 L/ c{ _.--- \ ,- Property Tax Parcel/ Account Numie_s..::/ ~ \ ....---.. '-:::. ) (-{r~jh6~~ed This Quitclaim Deed is made on " ' \o v7 1 ~9.-t5 ~ \ , between \;-\ .g_,\-e ,n £: · \b.'i 0-.-\ \<:n::) 'City of {;\ y,..,".:::>\::,c\ \JI <c \ ~ I;;, c,,.,r<., S V\c,u. 'J <, , Grantee,o~,,. 21'~ e '! ;)u 0\ \ \-,__ u-lU-'-4 - - and ____ , City of (of\. N u..S"'-'-:0§ k vi .,.Sta!e of_..---_,_/_~,__,X...,.·-w..__C,,~------- ~£ ........ ( \ - ( , S~e,-6~-+_l-'--1V\--'-"-'(,.~<-~\-\~C1..=-'-Vi~~-+------- , _________ ...--- -~ , ~ an t " \~ l ; ; 5 \ RC? v:) c" <;A C:t:..P \- For valuable consideration, the Grantor hereby quitclaims and tfun~~;,.9ght, title, and interest held by the Grantor in the following described real estate and improve~~_}h~faiJ:e, and his or her heirs and assigns, to _have and hold fore_ver, located at - - - ,C1tyof ~i..,,LS~\.V\ \ l,, e, S h~~ ~ t ,Stateof ~~ : I c· LI? ·'11-~:----;~/~I~ ~:z- h.uq,-,d r-e...J ,.., ::,""'\ •·) _.,.-.;~u / ~~ \ , • - \--0,\-'{ Sc-Je...v. QV\..u\. -n.,uO - 1. , · ¼,, -r+, ~-e..e..--\ L 12;>0 .C-1- ·) o ~ \-<!-ts tJc s • o ""{'._ (_1 \ 0-.v.d. ~~SJ.-) ' . \ (._'::>\) ou·H,.q _ _.\. -H,·-.e.· 1....--· 1 ~ -1--k>- f>I <ii[ R., c,,,J,; o ( -r h.<1/i', <'..ou.11\ +' / J "{)'< ~ ( .c. c__ 0 «l... J '.'-.. . . ,1{)11 '-->_'\J .~iOVI . ~ dd,f/(JYJ/ .:iiS r ·~ ) a"'" f\(l __ 7 "5 I , . t Io <:.,k Th r-e.. -e --\-1 ' r ~., n.,,(,.;;, --y-"1_~ (' Subject to all easements, rights of way, protective covenants, and mineral reservations ~~\;,j~~ shall be prorated between the Gran tor and Grantee as ¢the ~of) Taxes for the tax year of Jo / ?-- recording of this deed. \.---; / /_, 5 _,-'\..-/ 1~·NOVA Quitclaim Deed,e~c'f (07 ..e<1) 5 (,.. (~v -..__.~ 30 of 10717e of Witness #2 Notary Signature Send all tax statements to Grantee. 31 of 10717,.. . . .. FILED AND RECORDED OFFICIAL PUBLIC RECORDS a 32 of 10717State . . d.'=l,..'1:::!1.----- Countr __ !J'-"~ ·••-- LOC4TJ0ll S (Hl'UBOU> D.&.T.f. 33 of 10717Austin Men Returning From Foreign Service The Austin American (1914-1973); D Austin Men Returning From Foreign Service rrom thratrr.~ nf npcrn.tlon~ acrn,:~ thr. Pacific r,:turnins: thrcr. A11$tin men ;m: i furlou~h.; nn rotation ;~~:~~ ~c:1~-!~t h;;~,r;1~~~~nc~~dquar- 1 ~-Sgt. Charle~ M. Powr.lt J,: ex• · peeled to arrh·.- about 0cc. :?O ;1t F'ort S.im Homton and will comr. nn tn Austin to \'i:rit hi_c; pi1rr.nl!l, who li\'r al 4:l07 Avenue B. Hr. ha~ hrrn in thr. Southwc!-l Pacific area for thr pa!i:I .11 month$. T-5 Jbymonrl Q. Df'lnlf'.r. mrmh,:r of 1hr. r.na!-l nrlillr.ry mrp!l, iit rr• turnin$.? hnmr: aftr.r th·P. mnnlh.c; in the A~iatic Pacific are.i. He i,: rx.; prclcd to .irrh·e in Trx;:i~ Rhnnt Dec. In Austin hf' will vi ... it his r,arcnt:i;, Mr . .:ind Mr,: . ltaymond Onnlr.y. 160~ LCOO;"t i;trcrl. l!l. ... amr.c; Pvl. Charlt.-~ iii: rrlurn ln;: from :tl month$ duty thr in Chin;,-Rurmq,Jnciia thratr.r tn ,·i~it hL~ ,Jamt'J[, Sr .• 406 f:. fRthrr. C. Wi\lriw !'itrcct. hiJI'. Relurnin,c tn \'i!'iit p,ur.111., . Mr. and Mr, 0. C. Paine-. at M.1n i~ T-Si::t. Rnbcrt C. J'lainr.. r.hAtR, Hr. hu: !ipent thf" pa!'-t l:l mnnthl'- in tht? Crntrnl racHic Arra nnd ha-" 40 r.n,nb;ll mi~sion~ tn crN'lit A~ i:unnl"r on 11. hombr.r. hi.111 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 34 of 10717e c 1 7 , 1 9 4 4 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 2 2 Five Arrested In Vice Raids The Austin Statesman (1921-1973); J Five Arresled In Vice Raids Three women and two men have been arrested following a 1erie1 o! vice raids on three local hotels. A 19-year-old Latin American woman was picked up at one hotel, a 23-year•old white woman at an• other one, and a 44-year•old white woman in a third hotel. Detective Herbert Taylor a~ ar rested Willi alton, -49-year-old Negro of 1605 Leona. He was . charged with "procuring' in a com• · plaint filed in County Court-at-Law by Detectives T. S. Weaver and Merle Wells. A complaint of sodomy was filed against William Albert Hickey, 30, of 605 West 28th, in Justice Frank McBee·s Court by Taylor and Officer Barney PriesL The processed disease clinic Tuesday. three women were being the veneral through ln another case, not related to these hotel raids, Quint Johnson, 21, was charged with aggravated assault in County Court-at-Law by Detective Joe Perry. The charge was in connection with a two-year old girl who complained of a man playing with her. Heart Attack Kills Dallas School Aide DALLAS, July 12.-UNS)-Final rites for Gabe P. Allen, 55, con• suiting attorney for the Dallu Board of Education, were held Tuesday morning at Dalla.. Allen died at his home Monday following a heart attack. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 35 of 10717u l 1 2 , 1 9 4 9 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 2 0 36 of 1071737 of 10717BORN DIED UPCOMING SERVICE Memorial service Send Flowers Share 1927 2022 May, 6 2022 1:00p.m. Send Flowers Park Cities Presbyterian Church C ULBERTSON, JR., Marvin Ninety four years after Cub Culbertson entered this world and joyfully served his awesome God, he was called home on February 25th to join his heavenly Father. He was preceded in death by his amazing wife of 68 years, Beth Abshier Culbertson. They were married on December 9, 1950. Together they had 4 children: M.C. Culbertson III (Chattanooga) his wife Sandy; Kate Culbertson (Dallas); Don Culbertson (Marfa, TX) his wife Valerie; and Dee Seward (Chattanooga); 6 grandchildren; 1 great granddaughter and 2 more on the way; his beloved sister Jacquelyn Culbertson Driver (Wichita Falls, TX) along with numerous nieces and nephews. Cub was born Marvin Criddle Culbertson, Jr on August 30, 1927 in Vernon, Texas to Marvin C. Culbertson, SR and Henrietta Beall. He 38 of 10717attended the Vernon schools until enrolling at The University of Texas, Austin, where he was in the marching band at both schools. In 1946, Cub began his medical journey at The University of Texas Medical Branch at Galveston. During the Korean Conict, he was the physician on a troop transport for the US Navy with the rank of Lieutenant JG. He then completed his ENT residency in New York City at Bellevue Hospital. Returning to Dallas in 1956, he started his private and academic practice. In a time of segregation, Cub had the courage to stand against racism by integrating his waiting room. He was the rst in Dallas to do so. What Cub enjoyed most in his practice was the immense joy he received from serving people, listening to their personal stories and creating solutions to help them. Cub had a passion for sharing his medical knowledge and skills, both at UT Southwestern Medical School and literally all over the world through medical missions. He authored chapters of medical textbooks and developed innovative surgical instruments. If you knew Cub, you knew that medicine was a love, but not his rst love.... that was Jesus! No matter where he was or who it was, Cub fearlessly told his audience about his Savior. He is the only family member we have that has been kicked off a college campus and out of a communist country for telling others about Jesus!! This love of Jesus led him to serve on faith based boards such as Sky Ranch, Inter-Varsity Christian Fellowship, his local elder board, denominational leadership roles, choirs, mentoring seminary students, mission trips and much more. Cub's medical career started on a boat and ended on a boat in his 80's, a boat on the Amazon River, doing surgeries in isolated villages and sleeping in a hammock. Cub's Memorial service will be at Park Cities Presbyterian Church 4124 Oak Lawn Ave Dallas, TX on May 6 at 1 PM. The family will receive guests following the service in the Grand Hall with light refreshments. In Lieu of owers please consider making a donation to Cub's passions: (Please state in Memory of Cub) Mission to the World PO Box 744165 Atlanta, GA 30374-4165 Ridge Haven Camp 215 Ridge Haven Rd Brevard, NC 28712 Beth and Marvin C. "Cub" Culbertson Professorship in Pediatric Otolaryngology, UT Southwestern, P.O. Box 91088, Dallas, TX 75391-0888 Published by Dallas Morning News on Mar. 13, 2022. 39 of 1071740 of 10717Pfluger ot Pf1u,c;orvll1u. Mrs. \\o". F : Kruerrcr ot Hutto nnd Ml111U!l'I Le nor:i, Ocrtrudo nnd trenn Dohlt1 of PtlugcrvJlle nnd tour 11on1J, A. \V, Dohla oC California, E. W. Bahls of Bnn Antonio, a. Oohh1 of Frc,1 Couplnnd nnd W. L. BohlJ1 of l 1tltrg ... en·ll1c. Thrco obstcu, two brothers nnd 10 gramkhlhlren nli,o 11un•h.·e. The Dead The Austin Statesman (1921-1973); J jTh2 Deadj uncrAI aorvlcea tor i o Don1o)", 60, who IU!r home, 1710: •L d o held at 10 o'clock 1 .' ng nt the Church or Our Lndy ot oun.dalupc. Jntcrrn.tnt w:u :. bu Ac ::wJ Do ley o 11, 11urvlved by her nushter, Mn. Benito tin, nnd three eon!t, ot .AU!ltln, Rnmon ton nntl Ernut Don- · od comatcry, n onlo, ,nn BOHLS.-:.ru. :.rary Bohlll, 63, died nt tho tomlly rceldenco two mllc11 cnst nt rtlugcr,·lllo nt G:-16 Tuc1dny morning. Funcrnl ncn·lccA wt11 be held ,vcdno,u1n.y morning nt 1:30 with ltnermcnt In PC1uRcn·lllo cemetery, Tho ne,·. ):. J, Schwnrz wlll ottl clntr. nt the l'lcrvlcc. Funeral nr rnngl!mcntl nro In chnr,;o ot A. F. ro Pfluscr,·lllo and V. 0. • ,vcccl ot Austin. llu. Ilnh1a hnd Jived nenr l'rtUR'• u,·1110 nbout GO ycnra n.ml Is our• ,•Ind by nine children. Thc110 ln cltutctl i'Jvo rll\UJ:hlcn. :\Ira. ~I. a. I 1 ... cp11ln Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 41 of 10717u l 1 9 , 1 9 2 7 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 5 Week's Building Totals $96,224: 55 Permits Recorded In Week The Austin American (1914-1973); M Mu. A. W. Thlelepas-, frame ruld•nce 11nd ••rate attachf!d, 3613 Lawton Ian-. 11,000. Mula C, M Ille-a, 11cre-tn purr.h addltloa to rnldmcl!!, 2713 Santa Rota. '25, Ut:! 'frra<)well, 110. Wal~r l., J1luml~y. <fitmall ■ h rt1ldtnct.' Mn. n. E. Roi ■, nroof r1J1ld.,.ca an4 rerialr front porch, 1 P.n:i Nlcknton, '230, rnld1nce, 1707 ritroot H. S. Milam, Canrrf';II ■ _ SIM. .E. J, J.·uchr-. mnn• bt11ldln1r onto lot and convf'rt Into saragl!, 1-104. Wnt. 14th ~ltttl, 130. ' Week's Building / Totals $96,224 · I Austin building during the past I 55 Permits Recorded In Week week continued its active pace as 55 permits were recorded with an aggregate value ot $96,224 !or the week and $3,645,003 !or the year. issued In• list ot permits The eluded: Mr■, J. J.,. Grove, two ◄ tory fram• reel• ,.,Ith brick front and Jl'P.Ulle in• df"ntf' trual, 2309 Cre.t, $7,000. Qulntnn Swenson, !rame r,~lcl,nce and box aaraltf', 320'2 Lda1ette, $2,500, Jlaul nr11.d(ord, box a-ara1•. 1102 Chicon alrw:it .. ~16Stuhely, tum~ J'l"llldtmce knd box ~UkS:f', 3004 Ldanlle 11lrr.f!t, $3,000. lrame J't'flldf'nr• and bmt 1rata1tc, 710 Deep Eddy 1wr.n11e, $1 • .800. l111l('hh11r•. M. J,. A. Donley, box residence, l!OS L~na atrf'f'l, $40, ThNJ. P. Mf'yr.r, addition to fr11me 1'1!•1· to duplt>x, 606 WNt Miu Dolly Chamr,lon, box K&rfllf', 1822 cfonce "mt convr.rt 16th 11lrN"l, $1,1150, WNt :H,th •ttef!t, .u&. A, J. Anderaon , WHl F.lluht!t h, $1,800. frame duplex, tU Au11lln Ul~trlct Melhodl•~ church, brick lUO venttt rHhltnce And box snuase, l'ruton aYenue, 16,320; Waller l'lumlc~Y. fram• J'Hldence, 1513 Trr11dlo''t'll 11\'enur, $21'i0, box G, R. Ploutnof, frame rNltlr.nce, ftnd bo:c l'ArftK'f', 1607 Newfield lanr, $3,300. M, n, Flournof, frame ?.:!t!ldencr. and l11ne, $:1,300, I,lnacomb, move framfl hulhllnl? onto lot At tilO Darlon SprfnK'!li ro"cl, $100. to rNit JtRtftlitt', 1707 Newtlf!ld tram@ adtlillon M. W. !'smith, C. C. cJc.nrf!', 221).1 HollY; 1100, M. 11, Jlf!f"d, brick warPhoun and at.ucco t.wo-~tory otclce, 401 Ea1t Fourth Alr~t, $:t~!11:;,, Arr,ndonc~, dl?II CI?, 1612 Jlal'lkcll, sno. 1-:tutonf! Tl,omr,11nn, two-room box rHI• two-room box rHI• dl!t1cl!, Gli.f. Pr.rdcnalf'A, $200. l(at1ure $2,600. &. M. Shtflherd, . framw l'C'lll1lence with lnlcsrr•I. 023 East 37th ttnet. n. C. Selc1rr,i, m,umnry alore bulldinr, ·, ~025 Guad11lu11e, Sl,000. 4\, C. Hubhatd, Ala1111W fn 1Je,er,tn1 porch, 171)6 Wlllow atrrct, $300, ·· 'fom MUltr, masonry tllllnK at.allon, 1900 1-Aat Slxth att'eet.. lli,250, . •Joe Camr,loo, frAme J'f'~ldf"nce an1I box raraa-e, 1707 Br lu •trttt, 12,600. l,fr111. F,., M, Oitt-11, addition In box n• 800. r ■ a'I', 2313 Rf'rl Rl'lf'r, $14. St•wart rNhl,nu with saraa:e attached, 2804 nonnl• road, ,.,963. lhrkrldt-r, frame repalu t. W. D . Wortham, 1l'PnM11I tt!'!hl('ncr. 20011. S11n Jftcinto atrret, 11,200, WIii •r . . lohn11on, canvert rHlril!nC'f! Into cl11ttlr.x and build aua,:t-, 1633 Gudn street, t OOO. Quincy l,tt, brick •e:nPt,r naJdence and box irar ■ ltl', 3'!00 Meredith Janl', t7,000. Mr,i, L. ThompAon, ,rlue ·In porch, liiU GtPCory llrttl. ,3n, actHII Mr, and Mu. •Robert. McKinley, fram• 31H 7 JoA•t lfAtftlCf', frame r~id,mce and uenue, $3,300. Wftlf.rr Huntf!r, frame- Tf'flldenrf' and '1,· h('nt ~•ral'e, 171:! South f' iflh aluel, 700. : 1r11. A. W. Thlele-rtAtM!', tram• ?Nidf!nc• ftnd A"•taite atlach~I . :Hill Lawton •"rnu•, i ~1.000. _ . John Wllaon, box rHhhnc•, 1802 Wal• nut, $250, John Wallinger, brick ven~r rttldence anrf hox a:ar"R"e, 3209 Gle-nvl•w, U,500, C, ,v. Kalhrrf!m, two .. tory durilu frame rNidencl!, 606 Harris IL\'enue, - U.220. :Murray Guham. frame rt-1idenre with road, lntelCl'al, 1800 Northwood ra.r•Re $4.000. Mri, A, E. Ta)'lor, frame addlllt>n . ta re,.ldence, 120, We11t. 10th alrttl, 1105, Alex StAmr,111, appllcAtlnn for box re-111• d"nce, 2200 Waahlns:ton avenue, •7fi0. Alt,x Stamr,t, aririlfcatfon to move real to new location and rl!'palr, l lfili dcnce Coleta, $200, E. VI. Ureter, tram• r~lth,nce an1I ho:i 1aravt", H07 Nnrwalk lane-, U ,600, P. Younr. moYe houH onto lot. at. 1130 C~ar · avenue, fto. ,. frarnf' Salem Rohlnaon, hnx fNldenu, 1005 Ea11t l2th ■ trttl. $1,000, . Aaron. JonH, ·Jr,. mo·u houa. onto lot ·at -lfi:U F..a1t 10th, 190. Mrt, Myra Clayton, re•id,.ncf! Kllraae attachtd, 1503 Bouldin avenue, $1,600. Mn, _M1n Clayton, reelcl,ntl! iiara8,'c ·attach~, 1&02 South Third frame and 1t.roet. $1,200 ; . H. W , Saut'r, frame ?dlident"e and liox rara;-P.. 1 i07 Carden atrttt.. $630. P. · S. Wohlna;lon , box a1);litlon of two ooma lo ti!efdence and ne-w floor, $200. Juan Mendoza, box reahfoncl!, 2S06 F..1l Ehthth alreet, s,oo. · Mrs, Stt1Jla n. SchuUf', fnme rNldt'"ne• and box srarau, 3306 Groomi 11lrc.!t. 11,· j---------- · · Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 42 of 10717a y 2 8 , 1 9 3 9 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . A 9 -- - 111": STAT'.: OF TJ:XAS, (:) (\),JNTY OF TRAVIS . ( : ) That _I_, II. C. Harris KUO.Y ALL 11:;;11 BY THC:SE PRi:SEN'J'S: of Lhe County of _ _._Tr~1~Yui~s'--- i n the SLatc of Texas, f or and in consideration of the sum of Eight hundred fifteen end QQ/100------------------------------ Dollars t'1is day paid to ~ in cash by THE CllLCASIEU WMBER COMPANY , a corporati on or gan- 1:ed end exbting und er the Inv.a of the Stntc of Texas . with ito pri ncipal offlce in f..•1 tin , Travis C1 unty, Tcxl\' , th<" rr <.~c-i rt o f whir.h iu hcrr.by acknowledP:P.d , have - lllOORSED , SOLD, ASSIGNED , TRANSFERR!ll, CONVEYED, and Dli;L!V~RED, and by these presents do ENDORSE , SELL, ASSIGN, TRANSFER, COl~VEY, and DELIV~R , unto the aaid THE CALCASIEU LUl,!BER COMPANY one certain promissory note for the principal sum of Eight hundred fifteen and 00/100-----------------------0ollars, dated November 28, 1939 bearing interest from December 1st , 1939 until paid at the r ate of __ s_e_v_e_n __ per cent per annum, (and providing that if interest be not paid when due, it shall become as principal and thereafter bear the same rate of inter es t) mde, executed and A. Donley , e single man, Willie Donley a single man , Ramon Donley and wife, delivered by Dolor es Pon)ev , Uusb Acoat• and wife. Benita Ponlev Acosta and Ernest Donley payable to the order of _ __ _ ::14.:...·...:C...:'_;:;Ha::r;.:r...:1;.:e __ ________ _____ _ a single man at ~ustin , Travis County, Texas, in installments as fol lows , to wit : one installment of 'l'we-he ena 00/100------------------------ --------------- Dollars to be paid on Febr uary 1st, 1940 and e like instellment to be paid on the __!!!l. day of each month ther ea fter until sa id note has been fully poid Pnd satisfied, each installment to be e pplied first to the poy:ncnt of such inter est ns shall hove accrued a t the date such instelloent is p(\id, t he remeinder to the principP.l of said note, and the said note providing f or e 101. attorney's fee, if it be placed in the hands of an ettorney f or collection after maturity , or if collected by l egal proceedings of any kind, the right being r eserved to the maker.!_ of said note to pay more th~n one insta llment ther eon on nny installment paying date, it being furth er provided th!lt if any instnllment of said note be not paid when due, then, e t the option of the holder, the ecerued prl.nciPALAnUnte-re.st oC. said not&-11hnll at once b•- due 'lnd_,;.---;..;;;.:: payt.ble, and sui t may be imroedi ~tely commenc ed t o collect the same ~nd to for eclose the h~r einafter mentioned mechenic ' s lien. The payment of the not e described abov~ is se cured by a mech6nic's lien on t he following described property, to wit : The North 47-2/3 feet of Lota Noa . lend 2, in Block No . 3, in Outlot No . 37, in DiYiaion "B" of the City or Austin, TraTia County, Texas, and fully described in said contract , t o which said contract reference ia hera made for description and for perticulere. 43 of 10717- ------- November 28 , 193~ Is r ecorded in Volume ________ _ Mooh!lnic' • Li en - - - - - - · Pngea f""cords o f Travis County, Texaai o.nd oaid contract, 'lS well oe the r ecord the r eof , 18 by r e f e r e nce mndc a part heroof for nll purpoaeo . B i e ng the l ~gn l owne r and holder of snid promissory no•• ' t.nd of th o on.id con- • ~ r -ct -und mee-nt\nic's lie n, _I_ lUc:t:wi:10 GnAfIT , SELL, TRANSFER, anJ ASSICi~ t.he s& id cc:itr~ct and mcch""nic •s l ion, ,. 9 well a~ , 11 tiie rights, equities, ti tles , and in terests which _ I_ IY.ve or .,,r,y bo entitl ed t o by virtue of being tht 1egn l owner_ c-nd holde r_ of •~id promissory note r.nd of tho lien oecuring its payment . T~ HAVE AND TO HOLD t he obove described promissory note , together with the so id contr:iC"t r.nd mech-"nic • 9 lie n n9 ••ell 09 nll the rights, equities, title s, nnd in t er ests existing under Lnd by virtue of sa id contract and of its record, unto the said TH;: CALCASIEU LUt!.B~R Cc»APANY, its successors or assigns, for ever , It is expressly understood n nd agreed th~t no recourse is to be h!ld nu,inst ~ in r ny event as endorser, assignor, surety or guar~nt or of or for the payment of the a f~resaid promissory note . I wurront t~t the unp:,id bal~nce of said note on this dntc is $815 . 00 P.nd _I __ .>uthorizc THE CALCASIEU LUMBP.R COM!'ANY, its successors or ns~igns, to r elea se snid lien upon pnymcnt of soid not e . Witness my hand this the j '~ of December . A. o. 19~. THE S'lATE or TE:XAS' ( :) COUNTY or TRAVIS . appe~red I.!. C. Barris (:) Befor e m. , the undersigned nuthority, on this dny pe rsone lly known to me to be the person whose nnmc is sub- scribed to the foregoing instrument, ~nd ncknowlodged to me that he executed the S"\~ for \.ho purpc,ae ■ , nd oono1derf'l"'t1on tt\orP,1n expreesed . Given under my hnnd e nd s o~l of of fic e , this tho _J_ ~ of December A. O. 1mx 1939. ~ a---~~ Notery P\Jbllc, Tr~vis County. TeX'ls, 44 of 10717-- .. +- C ,:;, lhe i I@ L t wri1 :tvrrSS EMILIE LlMBERG - - . , . . - - 45 of 10717Real Estate Transaction 1 -- No Title The Austin American (1914-1973); D Conslruclion .Moves Upward 56 Permits Filed During Week Allstin buildini:: came back with j a bang during the past week with 57 permits having an aggregate val- , ue of $91,879 registered to send the to $6,735,480 atter ! unolricial last week preceding had shown the · lightest construction period in the : yen r's record. total Featuring the permit list was one . !or the construction of the new 10th i Ward lire station !or the City ol Austin at 201 Chicon street lo re pince the old stalion at 1111 East to] First street. The new station, cost $10,475, wns designed by the archilccturbl lirm of Krelsle and I Brooks and contract is held by Rex , i D. Kitchens. Another permit of considerable I size was one issued to the Fidelity Trust company for the remodeling of a store building and !or the con struction of a vault a\ 913 Congress ' avenue for use ns the new , home of that bank. This project costing $5,399 is in charge ol Schwarzer Barrut1 as contractor with Hu}to F. Kuehne as supcrvjsing architect. Other permits l•t11Ucd durlns the wr.ek inrl11dr1I : rill 11ve nur, s2.ooo. W. D. ~~van11, 111u11• residence, 603 Hat• 19th ~trcct, $160. C. H , Jnne11, J . K. Kimbleo, frame tulm:nce, 110:t Ea,\ framf' ,rttldC'.nce, 1rara1e. Jbttl r. Ylll1le, .• fr11mc 1ara1e apartment, lnlt"iUI, 1601 Wc11l 30~,~ atrect, $2,000. 1 • 401 N,.w nl r.R', U ,!l60. r~~d,:,:e !!l~lhr•w/:.A,";e lnat:!rat1111;fM1~~ j 1ll'>n Place, $3,260, f~rl St, John, frame and brick •enffr rHhlt•n r:~ wilh garase attached, Hi02 Cl,d ... Ml\ Lnn e, s:1.2r.o. Mr~ . Nelli\ 'l'. Evan,, frame addlt.i ort to rur or 11torc, 3004. Duval 11lretl, $2fi, Joe C, Fran~ettl, move frame rcsldcni:e onln lot, 2anr1 Coronoda, U5. W. S. Ga tr.wood, stone \'Cnccr gardnen coll•K", Jo..:x1mllltion boulnard, U , '76. J,c111le Crockett, concrele rctalnlne wall for bo11t alip, :!700 block on Dam boula• vard, 1600. rNldcnce, 2307 Ea,t. Suto Cru~, hn1t ,trl!cl. Jltfi , F'IHh M• nut-) J111cntelln, box J,;a,;;t Scvf'nth 11trcct, $261\. PaJrk~~:v~ie1oJ:.cr, Ol\CU flower ahop, .1205 ; re~1d~-c~rt.2eo0~ 0S~.~~~k ,~:~•tr ;;~r;il ral'-.1) i ]!fuy G"1nn1r.io~ .. . l;,"X ad!f.J.t.ion : tn •_rr.•I'.' e( rf'Aldrnct>, lUO Eaat Third atree.t, Ub, F. I'. 1-:\•ln!I, corrua-at~d I.on .tore bulld r. l'K(denec.. 1008 1 lnir, 816 Wc11t 12th !ltrccl, 1100, Mu. l-~annle Lont!Y, frame r(!!!(dencfi and mnve box sarasc, 50011 Duval atrf'et, 12,:n 8. Mr. and J,1,-, C. C. ·Goen, brick vn1~r rc11ldcnce and frame sarare, 3302 "''tnd•or road, U,600. Johnnie Rrown, box · n11ldence, 2'03 . Mnrelos, $226. Mrs, Will J . DIIJ, tramr realdtmrr and box 11.r••'• 1609 Wetbers!leld road, U,600. Mn. Annie May 0,:lesby, frame rcaldcncc and box ruas:e, 1607 Wetheraticld, IZ,600. Mr. and Mra. A. N. McQuown, two,1tory frame frame •ara1e and 1tor1re room, 2-tl & Jarratt AVC!nUt!, $0,600, Elmer Watkin11, for · box n11ldcnce, aoulh an 1::aat. 12th •t.ref'L at Short Slnrletan, s:mo. applfcathm resid(mee Mr. anti •· Mn. Howard Calkin,, rock veneer nnd Cratnt! lllory •nd frame sr11riure, 3210 Meredith, 17,000. two ri,,ldonce T. H. Johns, frame re.lldence, 1600 Sin• a.nd 1leton, Sl,300 . . Bln&hAm Lumbtr rampant, nl)t'n Jun, .. her ahcd and franne ottle• bulldlnr, .COS Comal ,-trrct. $260, . . Wal~r S, Rudd, frame resldf'nci and box ••r••e• 4606 RAmsry a,·tmue, J2,600. Tony Showen, box neldence, 1121 Rall. ro11.d, $!!00. • · Most. Rev. A. J. DrouaerU, ho• aaraae, !.O:t West ,Johl\nn11 ,treet, 1200, K. R •. Meyer, frame realdence and box ••rage, 1317 Donham. S2,600, Mkx Homcyt'r, frame resldtnce. and box a:11r115;c, !lZ0!J Orldlc l'ath, U,G00. rcnlecu! t&I Church of God, bo:t rraf. dcncc, J lOi Clermont, $1,028. Wayne J., Hudaon, frame residence and box g11r.a1:t•, 4702 ShoaJwood. '3,000. Daniel J,', Smith, brfrk \'enear r~•ldcnu and •ar•re lnte1nl, 3221 Clearview Drive, 16,:?60. SwearlnJrPn•Armalronsr. boX" t:ommerclal bulldlnll, :n7 ~outh Cons:rPAs av,.nue, $100. l,. A , Sti-avr.nson, rcroo! rtaidence, 2500 San 1\hlonio, tl-40, tee company, 11~.-nin• and Snuthlllnd l'tnre rnom on lo1dln1 whut, ~01 Red River, $:160. Nath1.nle.l Jont>s, rl'roof, underpin and arM one room to r.ar oC naldenee, 23()1 Rru,cwood, 140. Mr~ . nyron Ml·.<:hctl, repair rnof of res. idt>ncr, 160r, Wr,,lo \'<'l" road, S26. Wt!,-t. avr-nuc,' U00. Mn, Claudia 81,wman, rcroof realdence, -U03 Avenue G, S:?00. E. C, Stewart. atuccn addition lo ntflce 11nd atueco canop,Y, 1220 South Consrc,a, 1 ◄ 85 . Miu Ellen Undqul11t1 df'..atroy barn and erect. frame raraae, 602 Ea1t. .17th 1treet, 136. · Mra, Goodwin, repair lnhrlnr o( bulld Jns and erect. optn air barbtcue pit.,. 1303 Lavaca, 175, U, S, government, cut. hole• ·-ln · wa11• oC ator-e bulldln1 tor paaaaseway1 200 WNt Sixth. SI.Cl, J .01eph eat.ate, l"On11t.rut:l office lnalde ol hulldlni:r and s;-encral •Iteration, 106 Eut Flt>11t. 1tretl, $160. Avenue B, StSO. Mra, DeU11 Carey, reroof realdence, 4206 £. D. Roe, tr.root rnldr-nce,- 112 Weat A, Ror Thomu, attach fr•m• 1ara1e to A. nov Thoma,-, move ft11.mc 1ara,re to rer,ldence, 1017 Eatt. '3rd atreet, StOO. 30th 11treet, 1160. anolhf'r Jot, 100( East '3rd street, Sl&O. J. 8. l''rh:ell, con\'tort attic Into bedroom, l'.! 11 Alta Vial.A, ,2fi •. De•l' lc C. McDunld, rta.11 In back porch, 1701 Enfield road, $260, Ed R, L. Wroe and Mbr, Ruth l\ry, remodel Atvre bul\dfnt, 700 Conrreu ave• nur, 1300. A. Donley , repair and reroot N!1ldtnce 1 1606 l.r-ona. 1lrect, $8U. M. r,, Canion. ~l'.'neral Tf!palr to rul• raulint! Let.er, reroot residence, 3S06 dence, llll Wtst. 20th 1lreel, Sl,000, Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 46 of 10717e c 1 0 , 1 9 3 9 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . A 1 1 Classified Ad 6 -- No Title The Austin American (1914-1973); S STIUCTLY PnlVATE, dnlrahret comlntt.. a11IY tile . rrmm, 1ho,nr,.srn•1rr, convenlen1..l..o bu,. ◄ 0061 turnlal1f(l rr,v ■ t.o FOR RENT: Iara• •111clc,u1 bedroom, hlt' Jy furnhhPd with r.lahtl!cnth century furniture. Cloa• In, lOOli Luaca. Sutt• able tor - bu ■ inrM 111:•oplc. nEJlROOM. PR1VATE hnth nnd utrance. J1hono lhnu1onablc. HU .West.. :?2H1, ~DOI·,, " • 1201 nto Granda: op1101lte P.cnlior hll:h, l'relcr tc.nchtn nr emptn,ed pcr11on. cnmtnrlAble up1Uln bedroom, 1chnol J1hona e .. saoo. ·Rental .Bu11eth1 PHONE 2-6201 '. DWELLINGS UNFUllNISJIED 2010 Wh:Mta, 10 rnnm1 , • .•• , •• un&.on 705 Wr.11t tOth. 11 R .. 3 n ...... s no.no 1912 . Guadalupe, 12 n .• , U:a. , , ,S 76,00 Plfi Cnlnrado, 7 ronma ,,, . .-,,,S: 70,00 800 t:.Aet 8th St,, 7 -ronm1 ..... s :15.no f;11n Antonio n,-., • room, ~ .. . .. s :ut,nn \'(. Sf!,•cnth, 2 rooma .... $ 13,00 2103 ArARTMENTS UNFURNISHED ma w. 38, a R., n •. ,. ... .... , 12.nn ,1a·. "''"t. Annh!, 3 It., . .•.... s 10,00 You Want tqBuySome:'..Real· Estc1te? Then Start Reading Th,ese Ads to Find the Leading Values In Jrnpcqved and Unirpproved C,ity_ and ·Co~nty Properties · . . . . · . . · .. RENTALS . RENTALS REAL ESTATE · REAL EST ATE · REAL ESTATE REAL ESTATE 87-Rooms Furnishod Harrison-Wilson Co.'s 100-'-Hou<os Fo, :salo I 00-Houso·s' For _Salo I 00-Houso, For Salo · I 00-Houso, For .· Sale :122 WHt. fith St. CALL THESE MEN FOR CHEERFUL SERVICE UN£VERSITY LOCATION $75.oo- ~1~l~"t:;;t~~\t1~':"~i~'°;i~~ In ut,ll.nl 111ml hhth i1cl10(jl. Nico fl , l11Nt rnom 1tucr.11, J.argc Hvlnsr rnom, dlnlnR room, licltcben, nvt>rylhln« modr.rn •nd 1ip 0 to.d11tr,. A J;"oo•l 111h11tnnt111I home, thl1, C•ll u" for APJ,olnlmr.nt ln 11ce , Tr.rm11 1-:1 c,u,h. h11h'"rc •Pml•anm111llr, . . PAUL O. SIM.MS CO, l'hr,ne 2 .. f!02l 322 Wtal 6th SL UiO:l · NORTJIWOOn Rn11.d. I,lvlnc-dJnln1 rnnm. nlndte. Kltr.hcn, 3 herlroom11. 2 · h11.th1, 11cN"tn porch. $6825, furnllht!d, S6:lll1J unfurnl1h11d. Owner, 37:?0, YOUR CHOICE Sherwood Forrest or . . Tnrrylown fnl' ule twn Jovp,]7 fO(')ffl hnmo: -pr•ctlc11lly new. Hoth In ehnlce loeatlon1 .rm<i nn ■, pnclou■ lnU , On bu1 llnN, Prltc,I S6i'M.OO 11nd 16,000,00, i,ouenlon. C•ll C11n Rl"o 2•iG110, lmn1rdlntc fi Owner ha11 rRACTICALLY n•" hou,e, ¾ LARGE ti.crc tnnvenlcnct!t, Clo1• ;round., City In. n~oc,.d, rhone fif'IF2. t:lllot.t. A1·e you looking for a furnished apartment? A four room rurnb.hed apartment ,md HO J'lt"r month Income frnn,, two four•.room apartm~nll, eomrletely furnl1hd. Price $12,000 Pemberton and Environs Ntar1F new l'cmberton Hchr:bla hornea ce Westover. Pruton. Wathen, Hardoula. J•rrat.l • and Harri• 1hown on •hart. notfc<"-Som• lnwttln1I, open tor 70ur lmmed!al-11 ln1pectlon. Ta know whd b to be hid In Pemberton Hrli:hu and lnrrulro ll the Pcmbtrton .. n.-lron1, lleh:ht.a ,nHl<"e convcnlcnllr locnted In Pcmhcrton Hclcht.1 at Elhrld&:• and Hart.fcrd. Or phone 2 .. 1101. WAI.WJG. IlJtt.J)JJWI .. & BRUSft IN THE HEART OF J~Nl~JELD W,- t,,.,,,,,. thb mr,,J,.:rn, attrMth·eo onto r..tory J,::nch apart.- •varlmcnt. 101-loh for Salo ou~~~f'1,;, 0~~~~•nTh1i:: ,~'.8~;"' .. k°.:L lt2 frel !ronla1re on 11n etite atrrcl •Ith almf'l1t. "' :?00 foat. rltplh: S:.rtrceci1.1:1 •<'flt t"od• Df11 I 30-16 or Z•tiZ91, tr,C11. rl11pk1 hrkk ::.~. !~du.tw: h!i1'i" ,..m~(!~hn:::~nJ:~ __ ~_i .. _._e_h_•_tr_J,_h_l. ___ ____ _ ·Goon BUYS Are WAR BONDS And tOTS Jn , UPLAND . ADDITION ,::"'~T.~~! ~~lllco~-~t~=~y l~~~~,tr:r~~ "'r1i-~ rtnl.ed -co11tln11nm1ly at• • rrnt11I thll ~~111h~•>;,.~;.1~•';,"ri;~n."i'1'i1;t;n,oo:"X~ :~ 11~~~U:r~L :;·~•:OC~• b;11~t':.nm;,:•u1~ Harrison-Wilson Co. R-r-11.I f:.,111t" , Jnn1ranrr, l-'lRn11 11n1I nt-nlab wuh .,, 131 \\'nt ilh St~ !'hone :?•6201 INVl-:STMEN"T. SHACK on Kood lot, hlntk lh-cd In for dura~ pa\·rm<'nt. ran he tlott. UOO, R-7260, 1-'0R SAt~Et Du11ln 1 nrar Unlv'111lty. com• m'3nllF c<'nt.rr 11.nd hu1 Jlnr. Shown br nox K-:!4G, apri,olntmrnl. Nr, ni;:-1!:nb. Amt'Tlran°StatC11mAn .. I JJA\'F: • fr-w of thP nkrp,l homr• In Wf"tt,t .Am1tln. Thry nrr. srolnR fut. l nlcfl 11101\d 111one hnmr, 6 room11 11n,I 1lec11l11R J"IOtch, l•n:-c room11, l'hmty ,ihndc, ,:11.ras.e 11riart mf'."nt. Will r('nt. !or ,:?s a month. Prltr n.&on. 1-Ari:-e · nlr:1'! hnmt', fi hMlrnoms, 2 b11th1, l'f'"mh.,..r!nn llchrhu. Slon1' eon,trucllon. l1rfrc:- -,o,r.no. Nlee frn.m~ Imm~. U"n11tlf11l 11.lry room,, :I hedrnnma, h,i,th. rrl~t1 SB,-400, tA1l. 1\ul'Hn, Nfrr. 6~h111m cotl.alfr. ~·Hh l11t~~ ,iltti,lnc Mrrh, Wf!'ll ron11tnict.d. '.fllentr 11h.nrlt', Prll"r. U,l'iOO. "•,-.t Au•tln, li-rnum tottni::r, Nlei, lo-c•• llnn, Price U ,IS no, J. W. f'lnurnny, R18 Wit'1t. 'ilh , rh, F,0:! ◄ 7, Cto~,.d Sundll)', U1e )'our bond11 tn p11 tor )'our tuttlre home or ,,.-e will accept. them u pa)"• mrnt on lot p~rchu~. A. HOWARD OSBURN llEALTDR · Drown Dldr., l'hone :?•8338 or l!-32i0 )l111. I~amm, - 2•H86 HAHGAIN TARUYTOWN LOTS . CIH>rc-e cornt'r t.Wn Jot, In Turyl<lwn _p?aer with t-rcr1 and view, 11 $:!,000.00 \."&lue for onl1 11,~00.00 on rr:11on•bl11 term,. ~ E.. Ahh:rlmm with C. Wendlandt & Sons 1?3 W ~t. 8th St. rhon.- 43H I 03-Suburban Proporty Bannister Acres Ll.n-f! lnh flhrl ~~ actr. t.racb on Ean11h, trr Lane, hhi:h )~\·,I lractl, N!a.on•bl!! rrlcn, usy turns. 11nd u1trlct!on.1 WatPr •nd lhrht. avallablt. C. Wendlandt & Sons JZ3 \'rut 8th Sl. _Phone ,'3:58 SUBURBAN HOME LOCATED ON SAN ANTONIO HIGHWAY Ju.-t. 1outh nl \\'Ullamson crttk nn the Sa.n Antonio road l11 thl• modt"rn . rat• ~:• ,:~•':~~"Ja~~e 1ki'~hhtt~~r~~~d the J..ltr::hcn and In ftoor■, Linoleum bath. Hot. water hrattr, Thi• houM: 111 !oi:-alt-d on ntarJy an acre or Jtrouncl od ha. aJI cllJ,' convcnlenct'■ includ. ln1t water, llrhta and s:u. J'rkrd at c,nl)' SJ;,2M,no. Trrm1 un be ,rnnR"rd. Th-111 property U -,·acnnt and Immediate r,o:11H'llelfln can hf" obtalntd, 6 ACRES GOV'ALLB $4000.~ ti:~k th:!m1" ~Ith l~~s::rc~ room houu, (no 11:11), bun, 011tlmu■ 1111, fttN, J:"(l()(f orchard. A lari• pec11n 1r,lendld pl11ce for chlekrn• and bns r•nl'b, St"e ·thla · lnday, call J. I,. Nfch• ol" 8-5~27, o!' Mr, Hartnn, 2--49"6 . . PAUL , 0. Sil\lMS CO. J'hotu! 7•5021 32% WNl Slh Bl, 10 ~t,f~l~~hh.11 s51 .~ 1iil.100. 1i':iri~i~"br hD:b F~2il1 Atnl('rlc.,h•Slah."lman. Z ACnES ln dt.r, }",meed chicken hau1,11 nr barn, Concrete floon. Gard,n, fruit ~ . Nll"a hoUM! llhd fl"NUnda, Call Hou .. t.on and ButJ,r, S-5283 and 2°6,433, I 04-Acreage 1D ~\CRES Snuth A111tln, rfr.h lt,·t!I land, tlna ror- aabdh·f■ lon, u.ooo. Allen, 361tl, FOR SALE: rull acra on Eood llrNt. Wnndl'rfut Investment. Pine aoU. Dl ■ I : .. 14.ti&, 1760.00. Good ttrm,, I 06--F,irms and Ranchos FOR SALic: A ,ull ·lmJ'lroved rum, be·i, mn .. . AUltln. Good black mnt. rock Janrl. I'horil! R-Piti07 or Ai 0, Tune , In J. D. C&r• toll. KTne,.;...500 on )'Dllr : dl■.1----fl"tt)' 120. acrea. sto,noo.oo. · Sunday 1,00 o'c1odi:, · FOn SALE or uchanr-'1 220 aere l■ rm . In Wllllam,nn cc:mntr,· WIii Ci)nlfdl!:r · clur ruldt"ntlal In Austin, Genraelown, nurnet, nr J..nmpa111.1 · f~r t1art. . Price SG~.00 _ per ,er,, Dox: l,•2'8, .Antnlcan• · _ St■. lrtimnn. · · · · · .. _, .. Hafriso:n ,'··W,JUsrirt:'Co. ·R. e·a lfY• ·n:~,in:~turn · · SEE THESE AND OTHER OFFERINGS WITH US , • : . :· · • · • • C c • t". . - " REAT~ BARGAIN:JN DUPLEX.APARTJ\1ENT · Located only t~velve blocks wc.,lo!: CongrcM Av~Due 'is this wonderful bargain consl.ltlng of a nice two-story duplex npnrlmcnt. The dawn• •lairs hos live rooms and bath completely .•furnished · nnd the upstairs four rooms nnd bnth unfurnished and · Is situated on n level. Jot !nelng on a. pnvcd street-near .community centers; churches. nnd,: cltv park, This properly would make R ·wonderful home nnd · hove n nice 0 lncmno or would pay boiler thnn 105. Ill! n rental lnveslrnent. ·Wo only ask thal you give us. the prlvllegc ot showing .you lhls ba1·galn rind It wUI not toke nny sale.,mnnshlp lo convince you of Its value, Tho prlco ls only $7500,00 and can be handled on rensonnblc terms. ·. ON THE WEST.SIDE Near schools, playgrounds, church . and. bus Is this . modern, nttractlvo frame home that ls Ideally nrrnngcd into llvlng•dlnlng . room comblna• tlon, kitchen with tile drn!n, three excellcnl bedrooms and Ille bath, It's In good condition nnd cmnplctcly furnished and. the· prlco ls only $5850.00, Steadily renlcd at ~5.00 per monL11, Sec·_ Ibis oUerlng with us. OUT OF T~HVN OWNE,R has authorized us to soil hls former··homa at a real bargain price, It's localed on paved Travis Heights Blvd.; on a 100'xl5D' Joi thnt gives yeti a view of tho entire city. The homo Is of frame construction . conlolnlni five nicely nrrnngcd rooms, sleeping porch and bnlb, . with n laundry, ll•me, or storage room in . tho basement. . It need., · some · minor repairs but Is sllll a bnrgoln -at $4250.00 unfurnished or $4500.00 with the fur• nllurc, Coll !or nn appointment. ,' ,• · · · ON THE EAST SIDE , and south. of First si;,cct we hiive this frnmc home thni If In excellent condition . nnd nlccly arranged Into combination Uvlng ood dining room, .two bedrooms, kllchcn with tile drain nnd bath, Locnted In on excellent ' neighborhood on .a regular size level lot. The prlcc ls 'only $2150,00 and excellent h:rll13 , can be arranged. .. · • . · A, B, Beddow A. D. Chapmon I. B. Clark Olin Crow S. M, ~JlWC 2-1902 B-6933 0098 B-5896 8-1310 Cla!COCC Floumoy 2.0005 J, T. Hen•lelt 2-3632 S, ·P, : Kinser · H. H ; Lnng Som H. WbltUo , 8-4430 2•2043 8'2309 Harrison,;, Wilson · Co" Real Esta le, Insurnnce, L<lnns · and. Rentals l\lcmber Austin Real Estate Board 13) WMt 7th St. ·phana 2-6201 1 4 Tirkk Brick 8 2 1 rrri: LOCAno:r z.oc: .. nox J rrrE Travl1 · Ht>hthla w~1t.-clclse in West Stttlon Travl1 -Hch:hta Trnvl~ · Ht>lihta HOMES RANGING FROM · $2,000 UP il d -5 Ji R 1 •· 2 8 6 m Brick 1 a 1 s ; Briel< R 4 i R ' R 3 ~ R 4 8 ' i½ Brick R ' • Stucco • 3 1 T a 2 T s l g 2 l • s z 6 ' 2 6 2 1 • 2 I R 4 • Tirlck £ a 2 Fram• Frame Frame Fmme 1''rnme- Frnmi,, 6 2 1 Fram1' · Frnme- l Fnutl4 _. l F~me North &-ct.Ion l Fratu .& 2 1 Frama g 2 1 Frame g 2 1 Frame g ·2 1 • Frame ' 4 2 1 a . - 9 ,.§ J~ =I • i 1 • 1 • 2 5: i l . Rock. • l • 2 1 • 2 1 • 2 • 2 1 ., 2 • 2 1 Drlck Brick Fram, North Stttlon. Drlck We11t. Se-i:t.lon. Frame Weit s«Uon flrlck. llrklc Frame Urkk Cut.at.on, nosedal~ Sturco CutAton1 Northw.,,t Srctlen Urick Frame Rock Frame North Sccllon Frame North. Sttllon WNt 8C"Ction Travl1 Hcdi.hlll n~dale Wnt. Si'Cllan Tra\'I■, J-lelsrhla Hn!lf!'rullt! Jt~lto rrmhcrton l!rrktTWood• Northea•t Section Travis Jirlr;hb \Veit Section Norl.hea1t Section Northea1t. Sect.Ion Roudall'! North SccUoa, Okie llch,:ht. Roardalc · North~1111l s«t.lon North Section North - SccUon . NorthwnL Sect.Ion . Nonhenat Section Fram• · Soulh .Austin Bt7kl'rwooda F.ntlcld . ' Soath Auatln Tn1Vl1 Hel;rhb 6 3 1 l .6 2 6 2 llotedale Fratne l Houston &'Butler-Phone 8-5233 106-Farm, and Rancho: 1108--Waniad: Roal Estate IT'S GOOD TD LIVE IN TUE CGUl>'TRY DUR PlmDERTON ll•l1ht. Olflc• hu f.!llrly 2:60 urs uce:,U«inntly ,eperaUVe s:ood ll'J ACRE farm. •Ith G ~m hou1e. _Good farm. Dox U-241\, AmerJun.. 1tock 5tatt!-sm•n. hi:~:.a;.ol Th~~e frbm • A~:,t!ii ~f,tlaf~ (ffd nftlnK; but moal of th• · land 11 In exct>llent. 1cml•woodt!d paat11re11 with new 1ht"cp and Roal · proof - · fencet. There Ill n l'll!t'l'J well and wlndmlll and • veD" lnU'rcatln.s P"rmanent 1prlnr, a ran.ch hnm,e. •m•ll new barn, corn,l1, 1arden and otthard. Prlcrd al SAAOO.(ln, Elecll'lclty 1a avall• able DOM', PouNalon naw, rcmm ft,·11 155 11rn 11tock farm not far from AusUn nnri' n••r nefR"flflorln~ tawn on -puma .. n1'nt crffk, lf■ an ei:cc1hmt. 5rra1ln11" propN1tdon With only twenty acres cul• dvntl!tl", bal•ncr- tn uc~llonal 1.-rawth ot mttiqulte, bermude,, and John11.on ~rat ■, W•tered by p,rmancnt ■:prlna on htnalde l\t tine rnd o[ puture and crttlc d: other. Thrre f1 a big rambllna old farm hou1t. 11.lvible ba'rn, and there ue ae ■ ttt"rlne- bl,: Jive oaka about over paatarea for shade. Prlr~ 15500,00. 0 \VIL~ LEAS~ or mod 1ru1 lunr.l. l'hnr.t 8•7tlSS, . bu1 8~, to l ,~0 acrf'9 liOl Ea11t. ht 1trttt. wlllln.i: and abJ.e purehuen foi- ~= _·i~=~an13 l~~t,:~u..:! ~:~ \\'lll'd to the J..ake. YClU?'. Inquiry 11 Ir,.. _vlted. , Jlhono -2•1101. -Wallins:, Dnid !leld • Dnab. WA?.'T TD DUY · Modet'n 1--room brtck or aton1' heme, mnat Pemberton · hnc 2 bath,. 43-tG. En!Jtld, Hcl1rht. . ·or Ilrykerwooda. i PARTY llOVING tn Au1Un wantl modern I :~:.St.!~=~~telt, ·Box U•:?46, Amt'rJ .. FOR l'RO?dPT 1-r"lee and fut ,at« In clti- ■nd ■ uburhan ." hctnu. Call E. T.. ~!«k,. 8-7169, .WILL :· •you SELL YOUR .HOME .., Wt! nN"d Homes ·and Apntmcnll We know how to .cit, And have cuh bllJ'en . tor -Ytiur propert, Ll11l what. )·ou h,we tor . nle wllh u1. SaU,tncllon 1runrant«d to l.ioth · bu)·rr nnd arUrr. IMPERIAL CASH DtJYEn ''111!tda '.:. homt.· run,,,.hod er unfnrniilhl'd, Muet ·. b11 • tnodtrn. An11wu ' •t .once. Not alZ'enta. Phone 8-11GG. I OR · 'l room · hotiH . . 3 -- bcdroom1. l'rckr 0 .. ,_. •bly 11.·-_' brlck,. liocated on 11n,·11.'tl atrc~t. ·, On W,ut. 1ldr-. Sulblbla tc,t _· p1tr1onrt1?e-. turmi.cc. ': Prko aboul $10,000. Plo0r l'hone 3860 ·or ·," 2-655,, CONSIDER t:XCIIANGING very hl<h trnu for Kood· ?C\'rnuo ~11roducfn1r, 11ropi:rlY ~choice norlhn~~. ·actt•i:e. auitabli, for . au~!l'lr.lon. , -,\mcrlcan- Staktman. lJox · ' T--246, · .. · · CAS!l --FOR eqult:, ,. ,-oUrau"'o It well lo cated. ·Alao ·(arm• .ud - ranchc■. D11.v11 · llould{n. 2•'13'.l, , 4260, __ :' · WF. DUY ·and 1tll rca.1 t'fila.lo tor cnel-.. List )'our llt"opet1)' . wlth. ua, · Q11lek u. l'C!rt •orvlce. ; • · · · , PAUL O; SIMMS CO. i ffl , Weat Gtb '. SlrPlt •·,:·• ·, , ,J>hon, ~-t.021 DO YOU IL\VE A nnch, ,tock farm, or- (arm? 1t . tn. l han clients rNdy lbt It with me. to bur; K. c: MILLER 606 San Jacinto .Phone ·11303 JOO ACRES <ond r•rmlnr J.nd, l!M0,00, Tom McKcn.r.lt", Driftwood, Tau, · 275 .1\CRE farm 1,nd ·ranch. JOO •ctta fine chocolate IOAtn land !or c:uJth·aUo11.- All trrracrd, 8-roorn boUM!, , room ltinant hou1,e, Lllr«l' crttk. I1Jenl1 wat."°. Price $40 per ac~ :32 acrn fine undt land. Below D11troc, !~nd~i1,c~1tl::!~nJ1~t. r:'a~!10::;;;\•io; 1111.ock, Price $16 ]let acre. St.TOR .lonn. On" £OOd r.rop wJII 1u1.1 Cnr It. · Lnu oC llmhcr and gnod Toad.. Saw-mltl Just · mu\'ed cloi«, b7. • 120 acra nl!'ar blcDnde. · ,4,room hous~. H . •c1•ea: va1tun-, -iO ac~• wood1 1· 30 acrN culUn.tton, J'lrlcr 120 pn aere. J. W. Flournay, Rlll Woe11t Glh · St. 'Phone S-9:?(i. Clo,~d Sundn>·· . · . :co 30A~n.~1J~ ·r~:~""l~.S~,1~11.F~ll~~;tt. Imm L«.khatt. nolllnw b111ck land wllh HiO ■ t'n"!I In eulUvfttlCln, b■ hi1nc.e- Pill• ture, On1y fair lmpro,·emenb. · A good i,ror,nlillon and 11tock, Price SB,'i&0.00, With 12,250,00 ltboral term, on t"a•h payment. Yc-ry bnlanct", for R'Cn('ral farming- 14 acre• - IR' Catd~~ll Cout,l;: loe~trd ,]~ Ml, S.E. fro,n Au,tln, ZV, Ml. N,E. from _ ·M<"ndon. on O.S.R. Jth:hwaT. tt-·JLh ?• 1tt:rt"a r.ond Tnlllng bt..ck J,md !fn c!1!~1i!~0t~iio~~y1:c~r1n~1~~v~m;~d propo,.IUon fnr &t!nt!r11l h.nnlni.:~ J•rfca IU00,001 With $1,000.00 · <.uh pa,. mcnl, v~r7 liberal term• on bal•n~ ·· ,, '. 122 acres In Cat1b.-rll ~u~tr, l~aW 18 . t!.!:m ~Ji .. ,1~~':1d~U,:~1"b:J.;t ,}}\Rh~:!~: : \.ood talllnsr black land with 100 •ern In cultlvallntt. · F•lr lmpruvnnt'llt.a. : An ucelh!nt. home . 1oCAUnn and . • ·· rood , PtoPOttlllon for · El'n~rat - rarmln1t.; •tack : . nr 'POt\llry. -l'tll"fl ' :ss,,oo;ao •. Wllh .. lib• ' ~r•l ·cn•h· r•nnl!-nt, \'t1T·attr1c:tlre_tl!nn11 i ·:·· , '. _· ~ ·.··., • ·r,, on , b1Jane!e • . ,.- ,'.' •f ,,- · Harrison-Wilson Co. _l'hn_n_•_~_•l,...2,0 __ 1 _____ 1a_1_w_._n_h_S_L GU Colo. St.Wm. H. l!RIGIIT Tel 2•1087 NOHTH AUSTIN · $3750- !llnlnsr t~iraet~l~l/.1YY~~~e nfrt.'H: b.-a l1Mroom,. Jun lh·lnJt rnnm, kltch .. en nnrl lll• hl\th, h•rdworwt lllk1rll, C11II H. W. H11r• :!_.IJ-l!i, "" .,. r .. Nlcht1J1, s .. ,un::, !Lln, Rund•>· thl1, Trrm• Sl:?00 ca1h, 1,nlancc uml•nn• nual!y. fnf' A('Polntmf'nt room, hr.•uttrul to Jll!f! SUUUH.BAN 110MB frir 1111" Juat. out.Ide nf the di)' of Aunln. 6 ronm fr•m~ ho,1u, nn hl.ir lot, dnuhle 1t•rarc. "II C'C'ITIVPnlt>nrr!I. Fmnta on crnve1 rnad, th, !.!! lnrn.tlon. U,MO. S:!,liOO down, C11.n ur.!lnJ:c mnnlhb' f!1t>·mrnl1 on halant:r-, l!.11n RI\''-' J)Mllt'Mlnn •t oner, lklx 133, Krl"', Tt'l:.n!I, PA UL O. SIMMS CO. Phone 2•M21 32:! Weit. f;th St. I'ltlVATE' l'AnTY want. tn bur 5 or R ·wclll 1ldr, with 1crttn room hau1r, porch •nd - llreri11c,, 8-72,0, Nl-:Wt,Y }'URNISHF.D modern cott11i:-e hr owner. 1-'cnccd bt1ck )'Rrll. Phnnn :!-i685. "4 JtOOM houa:r wlth srlnNI porch and hath on apriroxlmatrlr 2 ncret1 of land. ~ hlockl limit.a anrl bu1, UliO().()I) o•h or tl!rm11, Phone Oi':!, from citr -IIUH:r .'tJIIU•:•; )'""'" hy r.cintr11.clnr hniml', own 1111ncl11u1 U.260, AI1n h(1mn, unchn. J-:. T. llrckil, R•71GtJ. h .r.re, nU,er ltir room~. f,i,rm1, Unh·crsity Acreage Home £stat" Jn~l 11l1rl'i'I on the m11rk~t lhl11 out .. ,tanclhlR hUl•tor home or nne a.nit :?,3 · a-Crll" of rolllnR R"round• with ll't'<! ■ and ~brub,. !11clns: fltominl!nt. PllVed •lrHL. nrar lhl" unh-c,r~lty 11nd Rnbt. 1-:. Lee ~choal, hu l11rgr tl'itldcnt'o or U,rce llf'clrnom,. 11tud,·, Hvini: room with rnl flrf'J'lacr. 1llnln5: T00m, kltchrn, l11t1Z'r rorctiro,, 11. 11.-cU 0 1iulll houM, nn concrete tnunddion, huilt for "omtort 11nd hu •mr,11(' <'l{}'lt'l", lM-t'n admlr \'nu 111.vi, ln5: thh lllacr, \vhrn t>ll11itlt1c 11,nrl now It bi yn11r ns,porttu,lty In · hnr U.- to r the .tXt-f'tillon111 J\riee n( $11,000.00. C1II Mr, 1\hhrrimm n.t C. Wcncllnnrll & Sons t.xh1dvt1t Aatnta Wt>tl ~th 81rN'l Phnn,e .CH!. PAUIJ 0. SIJIIMS CO. J•Mn1111 2..ti0:!1 ,. 3:?2 w .. ,t 6th St. . GARAGE APARTMENT SOUTJI St:CONO STREET Jfa,·r. R room~. ~ 1111.th•. UJ)l'Jt'r eon~l1ta nt 3 room•, hath, Now rente!ll, Income $:.!O rnonthl}· . !..c1w<'r h111 6 J'O(lm•. h•th, 11ml 11hower, rartlJ,· completed, Ownt>r hlld to !ra\'11' town an McounL o[ lllncu In ,!amll)'. ,i,t,d monrr. TM■ lnwer 1111artm .. •nl will rent fur .s:15 monthly, An ln('Offl(! of S55 peor low prien o! only 12,861), F9r t111rolntment ull JOHN L. ALLEN Phone 11-:?Hn · mnnth. Nt'•t · ~dtool •nil 111111 Ill • ft nry lltUi, Umr l-"C1r FJYJ-: RO<'JM homr, .. Jtood Joc11,tlon, nlcu In now, H,600. 00. J,'l\rtl. C ■ o move Wetl wonh the monl?Y. Dial 2..J ◄ 66. :i IIEO!l'oOM hom~ . .. ~onct .Jonklni:- and In l'rf<'e.l rts:hl. $li,Z60.00. loC"ation. 1wnd · ,)!._h foan . Plal ~-3 ◄ 66, . $5850 A modern Ii l"nom brick hnmr, r.om111elr- N, b, Wt"&the~JIO,?n, Home f'hono 2-A7U G05 Norwood Duiltllnc J'hnne %0 D246 r~. 11, Kim:, Hom• J'hone 2•9U7 mLT,TCAN ol< Gtm1 llA~IRY 001 WF.ST 6th1 comrorbb1e bll'!'llr-oom In OVF.IU~OOKJNG LAKE . hlll11, am•11 hou11f! for twn, :!0:x20 room, kltchPn, bath, AH connnlence1,· Phono n-10 •·2, loveol)' atuceo hnm~, walkfm: · dl•lllnco town, Oltkcn., courll"II, s.:16:37. , DATU. · NEW bedroom 11ultr. Y~nellan 6 ROO?II l1Ulft1 cloll't, bu11, 1rar11t, U6, 111i111Ja, lOl West at-U,. C018. rock nnN!r hou,.,, nlcdy fur .. nbhe,1 In North Au,.ttn. Adult.a S~5 11cr trtonth, John J,. Allen. Phont:1 l!,:!'49, Oft"ICERS: courJ,F.S: bCll\llltul locatlnn In, i:trculatlmr 11lr, cloae 111.. hath, 111~ Enflt1r! Ro•d. ~-2HG, ' nC>OMS, bath. drmhle ~ATlll~c. W't!ll fur• nl•hc1I. U5,00 month. -.Nn •m•ll chl1• _ _ rlr_,_n,_R•_R_B&_o_, _ _ _ _ _ _ _ _ _ ATl'HACTJVP. JU-:DllOOM, 1llllnJ" room, tub, a1,u:lau1 rrlote clo..clll,· waliclmr df1t,111ce town, Slllt1r• · day :,,ftern.r,nn, Sundny. Mond•F dter h ■ th. ahowt'r, 11.b.. 1002 Wnit An?nt1r!, LOVEl,Y COMIUNA'rJON •1,·1111,;--Hl11.~pmi: toom for nnr. or twu., urivutr tt1lr11nrr, Priolr front 1>0rd1, tile Int.th, .a:arasre, f.\'t'r)rthlnJ: furnlshe·d. 2,:c,,;,, SOUTHEAST kltcht>n homt!, 901 West 2:!ntl, Tt'I, 309', prlvllt's;~ optloul. 111-:DROOM, llAtal:C! nnd rriute ROOM· WJTU prh·11h! h11.th, Wllltama Ho ~I, 303 Jo~r.L 10th. SOUTHEAST m:DROOM, Nl<"e furnllnt<', i:ood n.,(ahtterhnod, Oo bu" ·urir. Phont! 6578, Trllvh JfolahU Rh·d.· 2 Dl-.:DROOMS, 1 •dJolnlni:: bath Other .501 W. nrar bath. Nur Unlvenlty • 10th, ,1e.1. FURNISHt;ll HOMFl M7 w. 3riTH RTn1-:n ••h,,. rnom11 •nrl 1IN>r,lnsr J10rch, Mo,·e In W~n .... rlay. no.no. C. I,. DAGGETT, Z.OB!D }'UltNISHEt> HOUSfo:: ftnd •crN'nPrl tM)rch, hath ,.nd R'HrftR'r. Cnn• ,·r.nlrnL tor 111111rtmt"nt,-, lOOS~~ WfchlUI. Gatai:r, llox C-2 ◄ 6 Amt"rkan•St.ate•• m11n, /i. Tooms 12 ROOM furnl1htd .nchzlibnrhood. Phone ~-3&i,S, hn1111,-. Unlvcnltr l-:Nl-'JJ,;1,0, COMPJ,Y.TF. !urnh•hlnin. 6% room• wilh rental or hnu1r. C11II l,c- twrn 11-11 •· m.; 6 :30-7 :30 ri, m. · 8.SOU. WU.I, SHARfo: furni1hfd 5 J'oom hnuu with quid couple nr 't'm1>lnyt!d a:lrl1, Rderenctt '"xchansred, H-HOZ, ROOM JN home, 11tl\'llte' rn~tantt, b11.th 11nit Jlar•s:e to J'lf'rmancnt l]er•cm. Call ·,6877 Sunday or .ftrtr.r 6 ::10 cv1:nln.£"1, - - - - - - - - - }'OR UENT: ■ hare tt,·r. mnm hnu,e with 11rm)' ofnrt"r and wlfr, bu~ - llnro. Con• to C11mr Swift. Ucr1utrom ,;pnf<"nt FIPld. 2103 }:. }"Int. -4~:11. NU111!r~r h,~;_c~;~1;:,;j;~ 1:;_,";:~· ,..;.'i'~i 94-Houses, Unlurnishod Cnns:n:-11L 802 S,rn Anmnto. ]'hone • ~-i66G, h· • furnhhrd. And l111lh frama hnmf! on lb·dt r,u·k. rh,,ne 8,8607 or 67,P, two II room and t'ornl'!r Int. In TunP. In J. D, 8AR~OLL KTBC 190 ap ro·ur dl•l e,·rrr s\lnd•r 1 :09 0 1clock. Th~ flM•t FRENCH PLACE location· In t·rr.nch l'l•c•. 5 room hnme •nil hrr11kb11t nfk'lk. Thr. rorutrnr:tlnn, Con1i1UI · nt 2 bt'flt nt large 1'10Uthc1111t. bc1lronm1, luKe: llvtnJ:" rootn, dlnlni:: rnc,m, kitchen 11nd hreak• fut nonk. TJ1e h•th with 1howPr, V11ntt- 11 ... n hllnd ■, 'l c-nr ,:11r1ure with 1wfni: nvrr iloon · nn • l,1ra-e corner lot. With mnAt. rr('clou• lawn <'O\'l'rt'd with cnrriet M"rn•,, h('llUU!ul 1hrulihery nnd lrt'f'II, J-'aclm: L'A!tt Ori P•\·td ■ lrrt-t. C11rli1, de. 1 htock f:rom bu,, Thi• homt- hu nnlr hten builL about a )·ren, Owner oc• cupltt but. )'rm can Ht lmmffllah1 11n1• ~~!~:i)' ~~:cl.r~ct~ t:. ~·~6r0~~~~1J~::t A DUPLf:~ CAIi JOHN L. ALLEN R-~uo .,ARM\'- COUPL•:s: llo•L •llradlY,.., Cl"an room11., Kitchen 11rlVlle1ca, .Ho, WNl ,-\_\·e_n~r.. 8•2HS, l!,0 ◄ 36. _- SOUTHWF.ST ROOM nlc~b -·rurnllhed, hatht J"lrlvale- home, · unlvrnlty nefth• horhood. f'u(er adult.I. Call 332', r.t:NTl,l-:MAS r • 1-:tA•:<;ANTl,Y 11rlv11le ,\tso g11.rns:e hnth, hf'.ullrul furnbhf'rl r~k room, b•th. bu1, romn, home. os,,. LAKB . AUSTIN, Car nttr-i.u.rr, latl:1111 t1outheML mnm fnr two, r,rivall!' hath, 111,lenn)' , Rr.-fl'rll"nCt'I Hcham;t>rl I'hone mn F2, Nie•~. COOi,. co-mrnrtnbl• rt)("lm, clo.111! In, 111.th and :(:!HAS:~, 100S Rh·,,-.l11r. Phone <&92, J.'nO:-."T ROOM nn bu ■ JJne /nr J.iu!lu only. PrPftr •~lll~tl 1'foman. Klkhrn rrlv• )417 llt-R"Nt, Travl• Rt-lKhta Hnulcurd. :;:.s-o:u1. uch11.ni.:NI. ne!erenrt-11 nooM?ttAT•: WANTED sdrl ,ln,rk- clor,e in. ~-U~li. otmrln.tf'd hr tn nice room: t.,;,ln h<'t.la; AIJt CO?-:UITJONt;n room, 11rh·.ntt. balh, ,howc-r, 1,rh·11hi Pntnncr, .Ell.Tit~•• tilt- fl-2708. SINGLI-: nEnnOO!-f, 10 per month to t'ffl• rlorc-d JlerM1n, T"l"rht1~e :.nu. J.AllGF. "•ELT, W!nlllatcd htd~m•. nit-I'• JOO J.aurrl ,l.anf'. 2-763C, ly furnbll~I. Fo~,t.ltt:iJHn~ J',';,',';!. 1,S~•·r~~',~. 8,;';~\~ • l'OR m:IIT g room hou .. , , mil"' nut on I EDGEi\lONT-BRYKER• WOOD ADDITIONS SUPERB FIVE ROOM ROCI{ HOI\IE S,n Anlnnln hl•hw•>•, A•◄ 727 nr In• 11 oulr• o< l'k•••nt 11111 rlllln1t atal/nn, }'O~~n~E.frI. tl~h~n!o~~JOi,t~•II ho1111e OUT IN SUi\11\IIT PLACE BETWEEN fiOR !i!I00 Po•t RDRd, CloH hi. i:rnunrl~ U6 mnnlhlr, J'hone 661-'2 , LAfiGF: HOUSF.. C1hr conu!niet1cHo. Acre Cra1i }'flUr t .. Jq, hone Anet lie thr. !Int on1 tn Jrt. tu •ftflW )'nu thl ■i 1ur,t>rb five tnom rr..c'k home · out In Summit Ph,re hrhm•n .Ellgt>mont anrf Drykerwood •d· ,Htinn•t nnly one h11lr hloc.k from bu• •nit four hint.kl from 1rhool. IL 11 a. s:r11nd, that. •le-aant, at11.tcly 11rn11erty will m11kc :,.-nu r,rnud to nwn. Thll! pint nr aro,md f11 lar~e ,.-Ith wondr.rfu1 1hfld, f'c! b•ek yarcl tn live In, The t'ntlrt riricmt.l'fl {1 hand11omt'lf •hruhhNI •nd the la~.-n I• r,rrolty. Ah.,olutroly 1hown hy 1ppo1nlmut. only. RENTAL§ Far Comrlde J.l,t. Call Buratti & Montandon Company 719 Colr>ndo Strut .Phone 3·6HII MOn•;nN FOUR ronm unfurhhhrd bomto. J.outcd hm mllr• 111outh flt the city lhnlt,11 on th°' S•n Antcinla h!ahw&)', AH rltY convl'nlencrt lnclurllnit hot. walt'r, 1itht. and R'H, Nnrlr •n arra of ;-round. Rental s:to.oo rrr month, Harrison~Wilson Co. 131 W, 'ith St. Phon• 2-6:?0l 95-Businoss Proporty · GROUNDS Ah.UO. on Writ 12th with "n · 11nu1u111ly w,11 bunt li hrd rOOm. 2½ I• In hllh htime. The entire hnu111 vrr.• 1:00.I condition that. the ktlehen nrcd• tcf111l11hlm:. ,\ aran,I In. -cation, ennvc-mt-nt. to 1chonb, 11hopplni: crnt~r 11nd fnr Sl!,500. Dl"l 30-16 nr :?•G:?Dl, .Mrs, She!• fl<ld, HDMEFINDER, town , A gon,f bu)' r=-.cerL ,rnrth lnvratlclllnc-ntd,r but modernized and arand floor rlan- b·n •loty, (n1mt locntrd within walk• Sni:- d[1t,i,r,.ec lo .town nn pu·ccl atrttt •nil close In f'.Ommunlty f'.t!flt<'r ,i,nii bu11• renll'tl fnr sr.n lln-P, Th., dnwn1!.alu 1111 furnl1hPd and . the uriltalni would rent. lnr & Ilka •mount IC furnb,hr.d, On1T n.5-00. Vrory few If an)' like thl11 nn lhe marbt. Dtnl :1046 nr 2•6:?0J, Mr1, Bh•rrleld, IIOMF.t'INDER • trllmf! A NEAT 1m11ll 5 room rntUla1t with oak floop, tlh·d hth 11m) dr11in• . li,oArtl nn Inr1rt- s:round,r. I00xHtn (el't. lhe r.e~r l"tt'lna:: /cnr.f'cl Ami rrOfllR {rnct!ri'. fioml ptac~ for r:hkkcn• •n,l ~•rrlcn. ~c•t~d In the nnrlh p11rt f'lf town ctnHt ln ·huA 11nrl 11rhnol11. U.260 an,I . worth th• mnnl"y, Oi11I :'4R,tili nr 2-1121\1, Mrs. ~hdfirhl, REALTOlt JIO~IF.1-'JNDEIL · Mll.l,IC'AN I. HAMBY 207 Wr,t 'ith StrrPt Real F,,atalt', In1ur1tPC'e & Mti:, Loana OUT IN WEST AUSTIN CHOICE NEW MODERN SIX ROOM BRICK . . HOME rroc:r111llnatl!'I~ .. ~m beat rour Umt to sret t:h()kr, n1'w, modern, 1b room thhi hriclc hnme 1ltu11tl'1I nul fn hlahly re,. . 1trlc-tet1 Tarrr-Town ·Numbt"r Six, con• nnlt""Mh· lr1utrtl to bu• and community f'l?nt,rr. Thr two lovelr hedroom1, lnrs;e room, room, 111aclou1 dlnlni: llvlnc kltcbrn, l1 ■ 1.h an!I ■ tudy are ""n"l1 t-11.ch ind t!\'r.t)" dl!UIIJ. Tha modt-rn In pint or 1rround lo,·cly lars:a wllh trtta, •hrul1A 11n1l _Eraal. Thi• prPltY bnme will •a.tllf1 rour nrlde or owner• •hip, to lrt u, show It. )·01;3 , Shnwn by •rrio~n\mt>nt nnlr. r."1111. u ■ 111.nrl ill PAT'l'EHSON & ,JONES CO. PATTERSON & .TONES CO. (iQS. Norwood Dullrlln1r Phone :.02,6 I,, l[. Kini:. Homf' l'hone 2·0"417 N. D. l\'ulhitnirnan, Hnme f'hone 2•871' l\todern Home and Income -0 room1, ~o n1tttin1r ot •Ix lmlrnonia and 6 b.11,th•. a110 • •tri•rnte bulldlmt with 'i Md:room1 11nrl 7 b1.th11, loc•tr1l on , •11me fol, Unlv,nlty nl'hrhborhood. room hriu1s And R room hou1e (alu"d room· R'•t111e tlt"epln;:- porr.h} alao lncnh'd on corner lot 11parUnit•nt.. All 100.dO-I" about 6 ltloekt unh·enltr, Price 112,000, · £ ur,lt. ariArtm,nl hnu.,. (5 unlt11 /urni1hrd) S 11•ra3;1"11, m·ar Unh·r.r,lb•t WIii ron• •Mer Au•tln rMlrlento Jn trarfr, Frlcc $18,000. Wiederkehr & Wiederkehr RF.A!, F.STATF. A m:NTAI.S , rhtinl'I !!•fi3:?I. ~Mi~6I 307 \\'Nl ':-th TWO BLOCKS WEST OF U. CAMPUS ON CORNER I.OT thr ,i,nd lncaUnn 11nd Y.ls:ht mom homf', Fh·n bedrooms. Uri· atalr~. hvn · ln,·f')y C'M) room11 with rrh·i..t~ l1.n.th,i. nm,·n•lalr~. lil'lnsi room, "dlnhu: roam, kluheon thrtt hcd• mom:1. On" ·· eompl«-tr hnth, one hair h..th. Thi~ h an lltncth·c homf!', with front pnr,eh. Gnarl lnr,,.. rondition. Within ta•1, l1lock1 or th" Unh·enlty umpu~. This I• not II nru• Imme, l,ut. lmmt>dh1te 1ur• thr rnunrlin.£11 11re unu1ually s;nod, You c•n live here 11.nrl hll,·e nn lnromt, of Sl00,00 nr rnnn,, Jl('r month. For 11n lmmt>d[atf!' ul•, SlO,OOr>.-00, · · 3 BLOCKS E. CONGRESS .AVE. twn-Atnry hnmr. Up11lalr,. tt-nl«I 11ul fnr IF.0.00 twr month, fur .. nl•Mil. J\ownH•lni, rrntr,I fnr $:?li,00 rcr month, nnC-irnlthed. Think · ol• thl•, onlr Jt,'260,00, lmml'dl11te HIP, Ela-ht Tnom lnr C. L. BAGGET'l.' Payne & Wiley C0: line, SHMl,On lnt' hear . bm, REALTY BARGAINS · Hyde P11rk Home t:l!tliti.Q'l wlll purch•11• " big ('On1!or1".bto fram.- hml~P. fn Jfydc parl.. Loeafrd on • corner ,cllool, •to:rn und rhurrhff. Conithla or two his cool l1r11 room11. Jh·JnR" rnom, ·dining ifou!ln In " room, kltd1rn nncl bath. s:oml •t•tc at · J"t!palr11. 'fc"m" «'lln b, uranG"ed. Shown, br appolntmr.nt, Suhurlian Home \\'Ill p1m~h11•c • pr11ctlt'J11I.)' nrw •II morlern <'on, frame home "-'Ith ,·rnl•nu" nn - • halt acre .or i:rouncl. Jtlah 11nrt ('ool, T"-'O htdroom!I, 11rreocrml Porth, lh·lna: rJlf'lrn:·c11nln51 rt'nrn.'kltchcn 111.nrt hath. Plenty of rp0m for r.hkkr.na, irartr@n •nd 11. tow. Nrnr mn1rnr11lum· iil11nt.. Cati rorl ·".'riflOlnt~tnl to ,-re. Apart mcnt Hof cl Location $11),000.1)11 wUI purchu~ 11 hhr cnrnr.r lnL the Cottltnl on a p•,·f!d Jnr-lltfon II hiJt (qr rrlce,I for • · qul,elc clo1• in nt=11r .oitrttl. fo::irtc~Jlrnt I\PIUlmf'nL hntel, . ,nlit, Cati 11:11 -1n . ■il'C. South A~slin Collage SZ,?r.o.oa will 1rnrch1u1e • 1ub,lantlally hum, houJ1a In South Au.tin-"""" Dede• · r1~-i.:h;~~.c•ti~~1.~.t• Cfl~h1~:t10~1fi~h~ri and dln{!tlt, 'f"rm• t1f $!15o.oo ·cuh 11nd th,o balance ;f'fttY, · . . Enst•Sidc Home $1,rino.oo : wlll vurchiM a .anotl foul" room cottu,. ne.r ,1rhool, lrRn•rortatlon and },~~~fJr::;~~f on~•thlrd c,uh ~hd the · Payne & Wiley Co. Mernbtn ol lhe ' Au,Un Real E1tatc1 Boar1I II 00?.t s iamf ··b . .th , tor ullt hy ""'ntt; · 11105 Leona. ~·rrlce S2,&oo, ·. IMMEDIATE ' ·.I'OSSESSION, No/ au Spt'f'dw■ r, .3 :tf)Oms, bath. sr11raar1 · Jot. ao I by Jl'i6 fL, ·only 12,000,00, Hr.nry Wend• l ■ ndt, .' 123 ,l'(cal 8th St. rhon• 4:188. · . . . . NEAii Al,DRIDGE . PLACE •·. ,vf!'1t. · Dl Guadn?upe 1lrHt~ this well•lor.alt",t . riroiirrt..Y ot 75 foet lront. •nd 196 fttt. re,I. depth .-1\·ltb ··otd 1lx-room frllme: · rl,mce · and tr!N!1,- nn . Pfl\'td atreet, nnn• re,.t,lont wlll fnr · $2,600.00. Sl'f'! E, Ahlorlmm . ·._.Ith C. WENDLANDT _· tih Bfti!!t· ~ri~~:e ,e;{s~nt1. : U!3 Wn, 11('11 NIC .. :IS l'UnNISHl::l> · hPdtrotn arlfolnlna" ROCK ST()TIE. J:nod Jl"'Catlo·n lot Rtof'rr1 .torr nr r.lf'11.nlnR" anrl preolnsr •hop. South Aun.In. Call 2-7i71 or 381D, hath fn rrJy11tt> h~m,., · walkfrnr di•tnru: e tnwn, hut:. • 'fr1. Ji-Hilil. 89--.Room and Board VACANCIES, 112 Wf!At 18th; 1onuth, ,outh• i,orch. Shn'l'frr1 · . . "'NI. TOOrl'\I, Slf'f'l'ln1r luh, ltt,dd atr\·Jt:c. :?-0111,, VACANCU:S: 1!-ll Cnlor,do. Bpe<lal noon meal,. Phe,n• ::.o5U, A1TRACTIVI-~ noum~F. room. JI cfo•~U, 11rlut.e ht.1h &nil entunCt', r.ood mub, li•U1:?. CaU ·dtrr fi, 1%0:? \\"EST 111.,·tnuf! tor r.-nt tn wnddns: rnnm with nr without i:lrl, Ilrmltl~ hn,mt nionl! 2.0169. 90-Housohoping . Room., FISP. ROOMS •nd hou,ekttrlmr room• a.cniuu and lndt's~riilc-nt 'Tomr.n, r11r i:-radu11tn, Jd~•all)' Jocated, :?,{H8. LIGllT HOUSJ:KEl-:l'JNO roomr, 13,lO 11rr w~k, 130$ Cul :lrd St. . '2.50 Mra. Il•rnard, 91-Apartmonts, 1'-urnished 91.-Acreage For Rent }'OR n1-:ST: Twn hundrf'<I 111.'.'rP. tum with srnod hou11t! anrl 111.11t. Utt', J,, :.t. r11.lm, I Round Rock, Tt"::a. ■ 1. i,AnTY TO farm fiOO IICN'• bottom l11nd nnr llutr,,11. Third 11n1I fourth. MH!\t : hau si:oad J.avau,, Atntln, Tf'xu. tr11ctor11, rte. O"'nrr, 1610 97-Mlscellaneou, Rontals LARGE STon•; room ,mtt.iihle tnr work .. I •h.iz, or 1for1.rr, utmtlrs. Rh-·<'r, Phnne :!,:1581. .4ith. RN! · 98-Wanlod: To Ront, LeasP WANTED ·JAIMElllATEJ,Y hy two bu1t .. nl'H alrl1: dr.lre ,mall furn[,.hr,I 11r11rl mtnt . or ronm nPnr unkr.nilty. Call Sund11r~ Ji•Gl:!1, UNIVY.RSIT\' PROFESSOR. r. arf.11, room unrurni,hNI hnusr. ntrdr. Now nr l"t"r, l'rrmanent~ 8-6225. tine Ii, f11rn.hhNl arntmt'~t 5 HnnM llaltu, will exch11111re far fur• J,.,wn. nl•h"rt nr unfornl11h,.,I nputm~nL or hm1,f' ln Au,tfo. 2-28:Jt. In 011.k UNIVJ-:J1R1TY t'J\CUJ,TY . mtml1rr ,•rn11ld llkn' lo nlrr. rurnhhrtl nl!ls;hhorhnnrl, Tri. R-O: ~"J er 1)171-233. .houM", renL l•J,~llMAN.:N·r LOCAi. ·('11\IPltt . wanLA nnt. ! or G room hom<", 6,\'70, to · HOlfTJIJ,;AST LAIIG~; rtlf', ~lode:rr, ,nnable. 111111 flllil. t'nn\·enlrnCf'I, Vf!:r)' lw,d""'m . kitchen• rPA• ,02 W.etl -8th. AVAll1Allt,l-::- "Nl-.:WI,'\" dtcnr11l"1l fl.nd n(!w furniture In dnw111t11ln furnlahttl •r ■ rt• mcnt In twD 1torr duplex on ..,tot. •Ide at. no l.nm11r- IJ11ull'v11r1t. 8 bra-I! room• 1111jl b111h: 1ar11re: lot. over :!00 !t'el- 1lrr11, A51artm1rnL 11hould he fm1prr.lr1I ln•ltl, t"I 11111..rcel•t". $:17.50 11lu• . $1.MJ ,;11•. w11ter, for nH ulllltiN' · lnclurlln,c f'IPt'tricit)•, 11. m. · S111ulHy or ].•hnne 2-IH7U. ln1t1cclion n(tcr 1(1 · UJVJ.-;nslot; ·•roUIUST ciamp nfren :S8 huullrul cctt1.i,:::c-1 with low wttkly rntN lu famlllea. )'rivatc b11th1, laun.d111, ■ l10 trnller •ruace. Sh•tl• lrttl, Manaaer Sfrr.1, teltphone ,4C70, Dl•?t~~,.Ft~~IL~~i;:ru:;n!nrlco~o;m;,r~t , ·· ·. Phone !!-7'M. :HiO:I Guadnlupt>, COUPI.E :I rotim. klrr.hen reo• frigrr ■ llon. Nt'1r Im• and •lnrr. 21 U Oxford., , J'honc :?-0110, ririvU"s:ca, -THRl-~1-: ROO~IS down 1talr■, 1crrent.-d !;,~ck.d~t'~~- .i;;1vA~~(i:~r;"n~·h·~~ 11;.s:Jt ·l'URN!SHY.D GJ\RAGf; ,ipartmr-nt. V•n'"" tl•11 bHnrh1, •lt"clrlc,i,I r.(rl1~r111ltnn, All· · ' ' hill, nafd,· $10 mo11th, . I"'hone :-HOP. llUST . HAVE - turnl1hed apnrtmenta and homN fnr prrmnnrnt lcnnnU. O. G. Hofhrfn~. rhot1c- .C3H WANT TO Ju10 26 t,Q 16 •cl'e (arm Har A1.11lin , W, J.. Borde-rs, Roule 6, Dox Hl, Aui1tln, . Jn,;1.1.0 .1\IJSTIN l We thr,c,. ,vuuld lll<e to blll! 1om.ehody'1 nelahhor. hut flret mu•l li nr G room., u11furnl11hNI mo,·t' Into " ,. hnu~e, cl<'11n 11nrl In r:ood lnc-111ity, We'll he permanent. and prol.t!ct ,·m1r 1inwcrty. llc-t. lC><"al tt!rrenr:r■,, C1nrnlJ Smyer11, · , A111tln Holt"I, Uoom 1221. l 1honc. •361, . (J,,c,a,·ol! numht"r at dt11k.) WANT.ED TO. r.:int; 5 or room un, turnl■ hcd ·hot11c nnr 11chnol. North of rh·rr. Natlvl'! Tl"xnn~. I'rrn1uent Au,lln rcaldentl, J'di,1h.•unt t'nli:lr1N!r. Wife •nd 2 chlhlren. J,ocal r1t!ercn~1. C111I R,22:?-l, ti MXJ,~CUTIVY.. _. RESIDENT ot Au1Un tor · . 10 yurt "M·hh •m•II · •dult !amity, 3, 6, '1 room llnfurTtf1hM ho~ae. At~uetomt1I ln aMnr heat. nf · nr,, 0388-2,1.llfll, ELDEnLY .COUPI,t-: want am111l Curnl•h• rd ho111f! or · tl"t floar · 11partmflnL r,1. vato bath. , l'hona s~1uo. _JS,nooM , Jo"1tr brfc)r, , bJock bu,., ntAr tom- . munlt.Y, centtr, ,u.oo. nUla. 1181d. i-9869. REAL ESTATE ·. ,92-Aparfmanh, Unfurnished I 00:.:,.,!'iou;os For Sale . APAnTMt:NT UN~'UllNISm;o, r,1,.1. \·.,: cntr,111cc, , fiar,ui:e, 1 block, bu ■• S16 . \ .'-- mnnthh', nm, n111tl. ' 2102 Ga.rdtn. atr,el. tn cau11lr, 'l-'OJt RENT: · 2 or 3 room, ·r:- _mile ot mR1znealum plant. Phono .!';-900,, .DELJGJIT!'UI, ' UNt·unNJSHEn ' ~ • room Earaae apiutmr.nt, Dtaullful 11trround• . • f•\lftl, r-lt~• rt'for.,nt'PI r(!(1ul~cl. No chll• dren. No J)l!tl. Will turnl1h H heli%'0t'lm lt1tllt'II, 1ur ~ f'mplaJ:f'd g,_6280. 1'D88t;ss10N ·AT. ONCE ,• ht-droom . _home on bu.¥ Hntt. close _to "'ihoal Rnd -• trroeery. : 1-l'ttdt paint. nar. aaln •t. · 13,000, · Ea1, lt>rm1. ,_ Call Dloo,. hum 2 .. 0166 or 8-62-49, · _· PR I OED -' FOR Immediate -■ ale-:-2 atory . t~!t~! · b~~oot:th 2 ::!~•.~fr!~·17J~~ •; furn&ct!, 00-200 foot. lot wllh lrff•. Olou , In · .Wctlrleld. , Mra. Gambtell, 8•8173- 2,1021, . - . UNf-'IJRNJStU:n IIRTOI\ n11nt, .•, ~rooma 1\'lt.h bath !or couple, Hl23 . Enfleld, 1ttr11R'~ aput,: STORY ANO half rock homo In· r<osedale, Jmmedlat• poue11fon. l'rlu $T,~fi0.00, 1 Tern,,; Phone Hush H, WIikin,, 2•6982, i )?eJuberton Heights \ ' ' ,' ' ' ' ' ' . •, ::-,:;u~~~!· i::i~L,~~ · ~hY~ T\f~e\a~ . I• In . Jtcr!cd contllllnn ·.and hH . four bedrooni■, two · complete l.11e .httth1, nne · with , utr11 1hmnr - atall 11nd hall on 11.ec,,nd tloor; Large (lntranre' h1111; 1lv• h,a- ' ?'O(lnl, dlnlnar .mom, ·.drn, kitchen · •nd .• na"'·lff'r ,. room '. ·on_- flnl . lloor, Wood ·· hurnlnl · llrcpl111.co · and £All fur• ·Lot beautiful• nacr, 1\y-oo(&T •: 1ansrr. \ Zl~:~~d■rape_d ~~It~ ' curb ,· a_nd -cnnc_rct~ '.A. HOW~\Rll OSBURN .. _ ncalt.oi- . . · ' · . . . Bro,rn RuHcffn.- , . . -Phone z.53a, Mt1, Lamm. l'hone 2•H85 W s .LE\VIS·· :'' :,. ·34:i_ Du;a, St.~ ·::Atiufn, : T~~~-~ ·. ·. • ,'.. · . .- : ; ~i .: \ .. ::·.: , ·l'.O; Ho;,:: 2:1D; ·.· .. , -_,:-.- , Near Dripping. Sp\'lngs .•··.· . ,· c;;;;,d\:i::. A~ r.~~~O~j•~t,_~~)~~!;~} \ ·. · Wrll _,,.Ith_ wlndrnlll . ~nd · l·:1111rlll11, '·.H · ·::(:.~~t!i~b;,:i~1-~_~o'~e0.n~r:&:\f:ti:~::~ 1 1::tr~t·a~~-' ~=tc'.~J~:!.::~~.~.~-~-~- \ '~ , . ,, ' ' ' .. '••1 · -. . an.~ ::Roa .:E1tatit if::J'•:-:-•.~, '_-·- · WPROVED ·on unlmproW!d ·.1akf!i •.·or,·-•uh---· in~ ·u~·lt: "~p~;~~nt· i1~~~~----~~~;1~lei; ·:1~;: ·_:· ': . -:~t~~ n!:~Jl1~Ws.:- -~~~~~~t~::~~-; rur'nbhed · ·CottafO,--; · WANT TO hup · now · ·: all c~b. ~o~ a1e~t. · rhono·evaa.·: ·:" .. :·.'. · F0R SALE:)'t, 1cl'e·· 1u'~ ~t;·~~•·'rri~~- I 10"" 'W - : . wl~dmlll. : I"rked ,,1.~o -i,er::,crt. ...,,.111. ••d ·Manor •. Well lmpmvod, .No •· . . ~ -tint • rock. Gnod · well .. o! water ,,. ilftd 8AM STEWART, _l'HDNE 2-1on · nhhtd, Price IS,000.. •. d ' . · . ·, · · · Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 47 of 10717e p 1 2 , 1 9 4 3 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 1 5 Classified Ad 4 -- No Title The Austin American (1914-1973); O RENTALS h.tratti & Montandon Company 1 Ht Colorado Slrrc:t Phone lloU'8 )Un ROOM~. 11lr~r,ln11r potrh, saraaP. I nrar hu11, All l"ily cnnvf!nlPnr.N, '\"f'111nn• , T~I;: rdrrrncNI, 1013 Eut 63rd, Illd;-e Carrison-Wilson Co.'s Rental Bulletin PHONE 2-6201 For Complete List 'Iarrison-Wilson Co. at Eat.at1, Jnauranct, Loan ■ and Rental• l:U Wett 1th St, l'hone 2°6201 -Wanted: To Roni, Lease Enst Side Frame $2,500.00 1, tho lo• i,rlu i,l1t•d on . thl1 bis frame hou1e or taur room1, and bath, Nf!ar town, 1chc,ola and tran11pnr• talion. Tum ■ of U00,00 u1h and the . b1J1nce tnonthb·, · ~yde l'ark . Home 13·~0·~~:1~1Jr:,~::· 11~1::at!!:.z:.'•rtr:1i::: Toom. and kilehtn, Thi ■ 111 & w,11 built litUe paper and paint will home, a m11ka a U,000,00 valu". Tenn, can be arran1ed. West Side Near '!'own Within 011 w111klnr di1tance or town and 11choo11 t1 thl1 bis frame home of two NICE BRlCK bome at Drownavllll'. Jar1• 1:t t;~t C:!U1'inc::r:r.r~1t c~':t~ ~~c:.n nnhmcrs. Price 18,160. J, W. Flour .. \Vf'lt 6th St., Aff1Un, Texu. noy, 111R l'hone 8-920, 1•011t!11lnn in JO dara. NlcP. , room collaRl', stOOd l~atlon, E11t Au1Un, l 1rlce U,600,. · Nice 5 room colt.Age anrl. Jars:• 11HP1nc porch. Prlc~ .$3,250, Nice 1hade tren. Nice 1lone hom", 2 hf'droom• and Jars• alee-plnK ~rch, 2 ,J"ar 1lono Earas:e ar,artm,nt. Price $6,600, Suburban boml', 6 roomr, 3 be-droom1, all convenience,; al,o nice .( room. hou1e • ,rnd one ftCr~ fine h,nd, rhlckl?n hnu1ea. J. F. FJourno1, Phone :rrlrl"! $7,!U,o. IMJZ.f.1, Clo1cd Sunday, titJ:',i'';nJ'vt:fh. ~r:~. dl:!~rr. r;:,1:i I ·w~E~II_A_V_f:_r_o_r -,-ol-e_o_n_• _o_f_t_h_• -.-.-.,-, .. -!, ~~~•ea~;, U,000.00 ra,h a~d the bal• modern, , unll. apartment. In Au1Un, Revenue $2,880, Edwin .McKellar. Hi0. and pai,er. A l'ffll bars:.iln at U.'U0,0O. '.••1ci,;11 COUPl,E ••nu nk,lr rurnl,h• MOVE IN TODAY 2902 EAST 1ST STREE'l' :!.~~~nt ";~n:•;;m;~L or •m••, OPEN FOR INSPECTION ·,NTED1 FIVE or 1b: room tmCurniabl?cl $3,500- ·t.~d1f1~~:,~e t~~J;~!~~~e~ ~n t~f:hr:~ ::3 i!'tlir~~ 'rT!r~~ni1:~: .~VU11\!n~~~~~ · ~nn;v:~t contlat. of two bedroom1, bath, llvln1r room and kltchrn. SltuRtcd on a lavt'lf 11outh front lot with 1ldewalk1, curb ,and ff!nced In back yard. Drive out 11nd ll'e thl• today, Trrm11 Si60,00 euh, balance lamllr lMANENT want furnl1heJ-unfurnl11hcd hou1e or 1r1a.rtment nea.r town, hlrh 1chooL !0'l81B, 1!~. h;~it~o.rh~d. ~OUl,T . Asalln 0 PAUt m()~th a::: Wl'lt 6th Blll'et Sil\11\1S co. Phone '2·&021 NEW COTTAGE In •rra,·11 llr.h:hts. Two room. kitchen with Mdroom, ' llvlmr tile drain, llll larae room,. bath •Ith floou, nnellan 11howtr, Hardwood hllnd1, double sar111r. and atore room. Occupancy Nov. 1, U,300, Sl,200 for . ~tiulty, balan~ S26 month F,H.A. Dy ownu. Phone 8•6,l:?8, · OPEN FOR INSPECTION 3206 EAST 5TH STREE'l' HOME WITH ACRE $4,000- i~m~h"w1f~":f 1!~~.;~1:, ~~:~~ llvln1 mom, kitchen, Jlou1e bu brPn newly papertod, painted and romplclely Llnolcum on kitchen and renovated. bath room floor,, hydro su, Situated nn· an acre nf Eround, A wondu(ul plaee for chlckr111. See thl1 today. open Crom 0 a,.n,. to 6 p. m. TC'rm1 fJ,000 ca•h, balane1? monthly. ~LY FURNISHED live room hnuH, ouble sara1re, 2:31' lntllan Tull, Tar• ' . , ,tow~,. ,tS&, 2-ttt160 nr 33&2, ·, , c; SHARt-: .. nlcn• 15 room Curnlahed col• g 6 .with married _couple without chll .. ·en for 135,00 pt.·r month, Call 6321, WORTH Tm: 'MONE\" :rH with R'QO(l rnck honu•, anod l>H• re, fine chicken fRtffl, CJon · In. l'rlr.• a been reduced, Owner HY• 1ell to,, y.·,.. 11.\'e·uveral aood•homet tor u)e, Cllll ' . · . . . -~ ¾aY,. . , · IMPF.J\IAT, LANO CO.a • • ' , . J G,u~~•lupe 81.. . Ph, 2,3166 m;1bcrton nnd Envi'rons :. ltul, near))' new, p11fnteil brick, nnl'• ,rlcd realdcmce, having U1rf'e bedroom• two bath1, and featuring·& moat ,t t?ntrnnee hall, ·active Rroupln,c of room, dlnlns room, and 1un lnsr •ch, NPwly dono 11nd ftt1h and nmlnK lhrnu1rhout. Almost. 11ertec:L ,u condition. Gmund,r are moN than ,. le-el wide, arl!' 1hn.1.bbcd and r1dred ,d11eal)fd. Garn11:e for two can. Own .. by our1r.h·e ■, unoccu11lr-d. and Im .. l'hone atvRllahlt?. $10,600, dlat.ely UH. 1 lli!KG.]R.ADFJW) .!'1.BR.USH •$10,000.00. I.arr• llnme, walklnr dl,tonce al town. C".nnd cnndlUnn. MRS. MAYER F.xclullvf! A1rent. s. s. McCall. I L · f S I · a 8 IO """; oh or 1½ LOT nn !'lartrord Road, Enfield 1ddl, lion. n,auUtul . ahade. · Priced rlsht. 2°&57', I 02-Business Proporty . . 8'!~ ~~f~'."it~t 1~ A MODERN GARAGE APARTMENT Located· In the northern part cit the city, on the bock ot n regular alze 0~~~~/l:i~t 1~~~~1tfa°i.mTh~':~NJ~a k~ti~e~~t k1i~c~~~~it~ fenced chicken ynrd with ~hlcken hou,e. Enough room, In front ot lot to build a cottage after the war. Immediate possession M the owner ls Jcavlnir Austin. Priced !or quick sale at $2500,00 •. Terms can be ar• · ranged. See It with us. 2-4002 i Clarence Flournay 2-9905 A. 13. Beddow · A. D. Chapman t; B. Clark Olin Crow s: M. D;epwc Harrison - Wilson Co. CALL. THESE MEN FOR CHEERFUL SERVICE • S. · P. Klnsor . H. H. Lnng 9096 8-5806 8-1310 iz.2943 . , 8·2309 Sam H. Whltila J. T. Howlett 8-4430 2-3632 8,6033 . Renl Eslnte, Insurance, Lonns and Rentals l\Iember Austin Real Estnie 'Board 131 .West 7th St. Phone 2,6201 CHOICE·SUBSTANTIALLY IMPROVED . 50 ACRE.BLACK WAXY.FARM . /_ TENMILESAUSTIN $4,000 Is the'. hargal~ prlc_~ for this choice, ·substantially I_ mproved ~O ncre block waxy farm situated within ten· miles ot Austin • nnd on a paved road •. The, farm house has faur nice rooms nnd n sleeping porch and a front porch. Thero. ls ·a good garage, smoke. house, born, poultry house, and other small out,-bulldlngs, A nice bearing orchard, well, two earth tanks and a large. underground cistern, This ls really a· good little corn, hog, poullry and cattle !arm. The present owner haa 40 head of cattle on this pince and. there ls plenty tor them to cot. Austin school bus • right by your door. Terms; Possession. . . · PATTERSON & JONES. CO. 605 Non,;ood Building .. L .. H. King N. D. Weatherspoon , . :,..:: Phone 2-9246 Home Phone 2-9417 Home Phone 2-8714 I 06--Ferms and Ranchc: I O~arms end• Ranches SI0,000,00. 122 •cre farm. ?ltodern homr~ eltttrlclty •• 2 EOOd well,. 1hetls, barn• milk houH, % mllN .i\uatJn. Call ~. D • Carroll. 8-811&7 or 6740, ·» 2700 ACRE· calU• r,.neh. " f'OOm ·hou-e. rr:ood well., 3 bl1t 1prlnn. Feneed. IH,00 acre. Call J. D. C1.rrofl. • Y.lcctrlcfty. · B,8697 or 67'9, In walklnsr distance on \Vf"st side lhl1 room cottare wllh h•ll•atudy, five 11cr("(!ncd )'IOrch and two baths, attic fan. newly dc,ror11tcd, a enff1pnct old hnme tirlec:d to 1ell at $3,9&0,00. Reuonablc ~rmt and i,oues1lon can be arransc:d. Se~ F .. Ahls;Timm, C. WENDLANDT & SONS Phone '388 123 W••L 81h Slr""t One: Acre Home l'Otth. Nr11r Fffdt!rlck1bursr road and · bU, line thla one acrtt place with neat frame home ot lhrco room,, bath and 1leep• ,rani:e and atore•room • Ins: priced At 12,&00.00. lmmedlat.l!' 'JW)11es• 1lon avallnblc. Call C, Wendlandt 6 Sona, 123 Wnt 8th s1r .. 1. Phone 4388, UU0.Q0, GOOD nld. 6 room home, New roof, 7 block• west Constrcn Ave. Ex• Jnc11tlon. Call J. D, Carroll. r.lu1lve 8,8507 or 5719, PARADISE-CATTLEMAN OR SPORTSMAN Dumf't Caunl.)''1 be,t 3,000 acrea on· Bu chanan Lake. ~•t s:raaa land any• whi1tu, Wat,r ••lor,. (',ood fc:ncc:1. · Nie. f:lt!Jds. A real buy at 1H r,er acre. Re• member, wa hue a Cc:w very choice ttlaen and wlll be s:J ■ il to 1how )·ou. S, R, Futi:i1ort", 4350-(!U(, GO'V'ALLE 3 ACRES $1,050- r,r ~t!l?;cr;:,,~~ !~:c:~~~~ Improvement.a. Well watl:r or clty·water &vallable, Land fine Ccr truck farmlnr. Call J. L. Nlchol1 Sunda,v S•!U7, lot ai,riolntment to IN! thl1, PAUL 0. SIMMS CO. . rhone :!•SOU H:! Wett &th Slrttt ' J UNJT ·.-uan •P•t'tment. nHr com• munlty center, completely furnlahM In• eludln:c 3 PIN:lrle Income to $105,00 1m month, llvo In '7&,00 one •nd other 2 wlU ktt?p up 1u,ymentJ1. 16,760.00, Rea1om,bln term•. Call 2 .. (667. fee bo1e11. NORTH AUSTIN NEAR GRADE SCHOOL WALI{JNG. DISTANCE UNIVERSITY U,200 I• the husra.ln Jlrlce for thl• fl•e room frame cotta,re nut In Nor1h Au,. Un, within five hloclu of nakrr ■ chonl tJ"n1'-:~~ft/';~!::n~!~ck'fh~ l,h~i;n~c~c'!: home hut It 111 11. 11&n"IY modern hom" with Jlvln1t room, dlnln« room, kitchen and twn htdMt1rn11 ant: a two,tar RH· alt(', Ld,u• 11how )·ou this J)ropcrty and quote )'OU lf"rm, of: purchue llnrl ar• ranat! for pontufon lo 1ult 1011r re- quln!menta, PATTERSON & ,TONES CO. Phnn• 2-9246 801 Norwood .nulldln• ' L. It. Klnr. 11nm, Phone 2-907 N. D, 'Yeatherap()On, Jtomo !'hone :?,17U SUBSTANTIAL INVESTMENT, R . unlt brick apartment bulhllnc, Excellent J,,.. r.atfnn 1816.nO. tnonlhly fncnmr. Price US,000.00, Shown by appointment only. Call . !tlr1, Norton, .fi3U; IO~Wanled: Reel !:state LOOKING FOR. dbt/nctlvt home on Wfl Sid~. anywhf!~ from $10,000 to $30,000 ConfldenUn.L Dox M,:51, Ame-rtun State-sman. DO .!f~!~:e_:,.11:~~JY ~~,-!a!!,;::;~~t°,mi i~:rJ:..sn~i~i:nia:~end. , Dos P-261.,;'. WILL- PAY e:.:tra aood tirlee for 1tricU1! modern rnldtnce, or older home IU: l:tn:::uon. Box 0--251, Amcrk•~~ WANT· TO buy, 100 to 1000 '.acre rnnch:• wonlrl consider Jarac:r ranch. or 11:ood.l cf~~iiob!~~!G n~:i~lf.ul~K,!ld~ _T_•_xa_a. __ . _ __ . __ ·. _____ :., :~:~ 1 WILL DUY comblnittlon farm anrl raneb! ~-:i1 'sJ~t f~.n.:tn~~. :"alt~. ~nd irru!~; . PATTERSON & JONES CO. 606 Norwood Dnlldlnc L, H. Klnr, llom• Phone 2-0HT N, D, Wnlherapoon, Home Phone :.nu l'hone 2•9246 AN UNUSUALLY. beautiful 7 room br:.:k on marnlflc:ent shaded 11ltt-. Another ,·try prfltty 4 bedroom, 2 baLh outfit. Edwin J.tcKellar, 9810. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 48 of 10717c t 1 0 , 1 9 4 3 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 1 7 Obituary The Austin Statesman (1921-1973); D Obituary PHILLIP SOLOMON CLARKE SR. The body ot Phillip Solomon Clarke Sr., 88, was sent to Hemp stead by the Weed-Corley Funeral Home Friday morning. Funeral services were held at the Episcopal Church at Hempstead at 4 p.m. Fri day. Burial was in the Hempstead Cemetery. l\lRS. ADALINE _P. CALL Funeral services for Mrs. Adaline P. Call, 78, were conducted at the Weed-Corley Funeral Home Friday at 11:30 a.m. with Dr. Kenneth Pope o!ficiating. The body will be sent to Indianapolis, Ind., for burial. JAI\IES C. KIBBY Funeral services for James C. Kirby, 88, longtime Austin resident, were held at the Weed-Corley Fun . era! Home Friday at 11 a.m. with Dr. Edmund Heinsohn ofticiating. The body was taken to Moody, his former home, for burial at 2:30 p.m. in the Moody Cemetery. BARNEY G. BATES Funeral services for Barney B. Bates, Austin resident for more than 15 years, were held Friday at Cor sicana. He died Thursday at hig home in Corsicana. lllRS. STANTON ALLEN BARTLETT, Dec. 24.-(Spl) Funeral services for l\lrs. Stanton Allen were Thursday at the Heart field Funeral Home. She died Wed nesday at the home of Houston relatives. l\lrs. Allen was born near George town in 1878 and came to Bartlett as a girl. Two oons and her husband preceded her in death. Surviving are one daughter, lltrs. Taylor Cavitt, and two sons, Harry Allen of Beaumont and Tom Allen of Houston. Funeral RICHARD WHITLOW RANDLE services for Richard Whitlow Randle were held at the Cook Funeral Home Friday after noon with the Rev. Patrick W. Arm strong officiating. Burial was in Memorial Park. F. 0. U:SDEN, SR. Funeral services for F. 0. Lin den Sr. are pending the arrival of out-of-town relatives. The body is at the Cook Funeral Home. · ARCADII?, DONLEY Arcadia Donley tlTetl Friday morn ing m a local llospital at the age of 91. He is survived by his daugh ter, l\lrs. Benita Doniey Acosta of Austin; two sons, Raymond Donley and Willie Donley of Austin. Fun eral services will be held Sunday at 2 p.m. at the Guadalupe Church with burial in Oakwood Cemetery. F. 0, LINDEN SR. Funeral services for F. 0. Linden Sr. will be held from the Cook Fun eral Home Sunday at 4 p. m. with the Rev. Walter Kerr officiating. Burial will be in Oakwood Ceme tery. Pallbearers wlll be Adol1 Young, Gilbert Erickson, Hil'iard Nelson, Carl Pearson. Tobie Fritz and Segfred Burklund. GUS JOHN KAATZ TAYLOR, Dec. 24. - (Sp!) - Fu neral services for Gus John Kaatz, 68, were held Friday atternoon at the Condra Funeral home. Burial was in the Taylor City Cemetery. Native of Germany, Kaatz had the past 40 ' He is survived by a son, John R. Kaatz of Caldwell, and a brother, Fred Kaatz of Lubbock. lived in Taylor years. for One son, Albert Kaatz, lost his life in the early months of the war. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 49 of 10717e c 2 5 , 1 9 4 8 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 3 t Pf.ACF O P DI.A.TH STATS OF TEllAt co..,.. .... :O•·-''l'r,_,_1"'1==' - - - - - - - -- •••c .. ,e, NOc....~ ... ~ ... • . , ___ • __________ - - -- -= ;-;:;;;;;:;-:.u:",_~,_;'!:"=.:•"::"=":::":::--,===----- 1 C:!TY oa a. , uu. ,..,.. Arcttdio D<>nl♦T O• OfCfA4 1!U --------------------- - -----------------------•! TEXAS Ot:'.PART'4£".HT O F HEALTH BUR EA U OF VITAL S TATISTICS STA ND.ARO CEf(TIFfCATE 0~ D £'.ATM ••Iii• tt••rt . ,.. ""'-• ••• .. ... .,. • • , .. fl,...._._ 541l -J R 8) Ra •-~v St. An-••,.- / L&H llflt ott Ill U U)'IH C:• w kt• c OtAT'1 OCCVfr--0- - . . ; 111a1oaHC• ~r t-( ~ tM OltC:( .__ _ _. . ..... ,,. • .__..,oo,-.,, (= :f.'.,..,, J.ue t.111 " " - - - - - a co• TIAA• 50 of 10717YOUNG DONLEY IN FRANCE The Statesman (1916-1921); A YOUNG DONCEV IN FRANCE, "The ship on which I Rllllcd hall nr rl\'ctl Rarch· oversc'f\,." slutee Arcnlllo essn:.io to hi• relnll\·ca Donloy In n. in thl~ cit)". onley has mn.ny friends In lhls cit)'. I JOINS MARINE CORPS, Stacy_ Dyer Wilhite wnR enltoled In tho marine rorpa: ycHter<Jll)', Mr. ,vii ' hllc rcslcnou Crom tho B. M. A. In or der to cnlh1l In this brnnch ot lhc sen·• lee. JIIH home IR In l.!ookvlllc. 'J'cnn. 0c-nr~nnt ,vuson of the ,'>cat martno rccrufttnc- oCtlcc IH rec:clvlng me .. t111agm1 trom yurioUR purlH or Urn country Hint Ing thnt lorat ho:trUH will no longer re leaRc 1ncn In deferred cllutslflcallon; tn dlcn.tlng lhnt the order IH t;cneral tn the Unlt<'II StatcR. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 51 of 10717u g 7 , 1 9 1 8 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 5 Display Ad 65 -- No Title The Statesman (1916-1921); J To the Citizens of Piustin and Especially to the Relatives and Close Friends of Our Dead Soldier· and Sailor Boys ~ Then, w Ill be anolhcr 111emorial scrdcc for our dend sohller nnd snllor hoys held ut the Majestic 'l'hcnlcr In this rlty nt 3 : 30 p. m, · ol Suudny, January 26th, Jn19 , This will probably be the last rnc:morlal service held . • The Wal' Is now hn(lpily m·cr, nnd o,·or right, nnd there will be no need for the recurring quarterly mcmorlnl scn•lccs, ll!I orli;'lnnll}' plnnned. On No,·ember 10th, 19 ls; we hnd n memorial scn·lcc In the Majestic 'l'hcntcr In this city, It wus a most lm(lrcssil'c event. We i! e~lrc to bold II slmilnr memorlnl sc1·1·ico on lite nrtcrnoon or January 26th, 1919, Up l11 November l 0th, J 918, I had the nnmos or tho soldiers nnd sailors !isled below who hnd boon killed In bntllo or died o! wounds or sickness contrncted In tho service, I cnrnestly desire tho nnmes or our soldier and snilor boys who hn,·o died !ram slc:k11ess or wounds or been killed In· bntt1c ·s1nco thut date. I hal'c no posslblo menus of knowing who hnvo tllccl or been killed in the scrl'icc exee1>t n5 rclalil·cs or friends Inform mo. The CILY or Austin earnestly cleslrcs to honor !Ls \'nluc<i soldier nllll sailor dc:1d, hut It cnn not honor them unless their names aro 11ropcrly 11uulo known lo lltoHc In authority. I therefore hero nguin nJ)penl to those who mny soc tills slnlcment to dlligcnlly examine tlw sumc, and IC any Austin or '1'rn,·ls County uor has died or hcen klllecl In the scri·iec whose nrunc is nol llstccl below, l enruestly desire to ohluln tnformatlou or that ftlct with the 1011st pos• r :blo dcluy. It will ecem unklncl a nd un!irnleful to our honorccl dcncl shoul<I their clisllngulshccl services not Ile made known to those who .. desire lo flUY crer}' rcs11cct lo tholr memory that itl In their power. WHITE Bl~THEA, WJLLIAM A. llASFOUD, WILLIAl\l B. DJ~NEDIC'r, CARL S. BERGSTROM, EDGAR L. BULi,, RICIIARD l'. CASEY, W. J. CREA'rON, LeROY D. CLARK, WJLLIAM CALVIN CAVH,Elm, JOE E. CUA \VFOilD, EARi, R. Cl,A YTON, HOBERT WH,LIAM CAMPDhlLL, PAUi, H. . CARDWEl,L, MISS J\IARIE (Army Nurse) . DAVIS, JIM DAVIS •• JAMES E. JR. DullLANC, DONLEY FOSTER •. 'l'IIOMAS HODEll"r , •. . . . GAUZA, SACREMENTO IUJNNIG, GUSTA!• HI!,!,, .MAR'I'IN C. 1-IUTCIIINGS MAJOR EDWIN KEMP, JOHN' E. KlPPENBROCK, CAUL L KLUNKERT, CHAS. LEM KOCH, EUGENE LOUIS MITCII Ell,L VANCE AIOREl, AND. SINCJ,AIU MURRAY, JAMES I'. 01,ll'HAN"i', TERRELi, M. PENN, EUGENE D. RAVEN, EXRL J. ROBI~Y, WAUflllR SCHEUDING, WAL'I'ER TH'S STEWAUT, OSCAU W. SCRIVENER, J . I'. TAYLOn, IWWAUD ·'fAYLOJt, 'fHOMAS H. 'l'lsMPLE'rON. PlrnS'I'ON TITUS. RJ;;NA J. COLORED BURDl~'I'T, l.ONNlls CLACK, J.;Ll,18 Ja, CLl.;MEN'I'S, JA/r!ES Cf,AltK, EIJWARIJ llAHHIS, OLl,IE JtUIJLfN, DAVID l'tJTNt.;Y, IJts\VEY A. SCOTT, ATClllSON Owln,; to the Incl thnt the Dau,;htcrs or the Cn11fcclcracy observe January 10th or eucb yc11r, that being Gcucrul Hobert K Lccc'H birthday, as a Memr.,rial Uay In honor of llohcrt M. Lee and nhm aR n Memorial U.iy for Stonewall ,lnc kson, nt their request tho memorial exi,rciHeR hcrcloforo proposed l.o have been held on .lnnt•ary 19th, have been postpon1Jd unLll January 2Glh, 1919. . Since my request to the publi<: Cor ndclltlonal name• made In ttu, ncwapnpcre or this clly on ,fanuary Gth, the lollowlni: names huvc been furnished me, some sixteen In number : I renew my lnststencc lo the relatives nncl rrtcnds or nur d•,ad soldiers and sailors that at the earliest practicable moment they give me Lhc nnrnc:1 or such adclltionnl soldiers und aullore ua arc within their knowlecli;c. WIIITJ,; ARBUCKJ,J,;, TOM IIA!tNARD, JOIIN JU. l•'ISIIJ-;n, ,JOHN It . . 1O!'/J-;s, Af,FU!-; D PEARL JONJ,;S, MISS MAM!J,; (Army Nu~se) Kll,l,lsllUl,W, l•'l,OYD s. J.11.LAIW, JAMES~•. Jft. LINDSJ,;Y, J . IJ. PINCKNJ-;Y, CHAHl,lsS E. PINSON, JU!s .J . TUHNER, II. GRAD\' THOMPSON, MAURJ,;NAS Lil.IT, ALVJ,Y 1"01.0ttJ<:t, T110~11'80:-;', MAILCL/8 . Al LIiia mcctini; to ue hold on .January 20th nezl. I will explain Ill/ 1,lan for a memorial In honor or 0111· soldier and sailor dead. Rcsi;cctCully, A. P. WOOLDRIDGT~, Mayor. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 52 of 10717a n 1 9 , 1 9 1 9 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . A 5 MORE THAN 75 TRAVIS COUNTY SOLDIERS GAVE LIVES IN GREAT WAR The Statesman (1916-1921); J MORE THAN 75 TRAVlS . ... . - COUNTY SOLDIERS CiAVE ltVES IN CiREAT WAR ~B WI'.A.'l'ESMAN is publishing a list of sixty-nine J. rravis county boys who <lied in the sm.-vicc. 'l'houglL this Ii.st is practically complete, yet it is certaiu. that 'l'he public is requested to some names have bel!Il omitted. help complete the list, and any info1·ma'tion which could be added to the accompanying list will be appreciated il addressed to the editor of 'l'hc Stutesman, SeYenty-Clve or more Travis_ county boys died In the service: nlue of these records are on Ille with the Mnyo'r, but there a few have not yet been obtained. Mnyor Yett Is an:,:lous to add these present tile or records. · · Slxty wlllch to his Below are tho names of those on file. There are two alphabetically arranged lists, and nnmes not !ound In the first Ust may be In the supple ment. The lists; follow.: llETHEA-Prlvate Wlllhun A.; use ~3 yroa;a; place ot: death, Camp AJ.eucou._ base hospltnl, Ft-nnce; dnte, s~pt. 1:. 1918: CllUSe, pneumonia, . BASFO:RD-Corpornl "W')lllnm B: n::-c, 24 years; branch ·of ser\·lcc, Co. G, 134th regiment, 34th dlvll!lon lntan try; pince oC .death, Camp DL""C, N. :r.: death or death,. Sept. 26, ins; cnuse, spanish lntJuenza., UENEDICT--Cllrl · Stone; .fourth Clns• mldl!blpnw.n; nge, 17 yenrs; bmnch ot servicc1 nn.v:r, U. S, no.val nca<l- 01ny~ pla.co ot clcnth, -, U. S. nnvnJ nc:.ulemy, Annapolis, ?\-Id.: dnto of de.1th, Oct. 21, 191&: ·cause, spinal menlnsltts. IlERGSl'ROU-Prlmto Edgnr L,; nge, 21 yen.rs; bmncb · o.t sec,.•fcc, depot bt·Igadc, Cump Travfa; place of defith, Ca.ma, Travt·s; dri.te · ot denth, Oct. ~2, 1918; cnus_e ot di!ath, pnAu moula, BULL - Prh'llte Richard P,; nsc, 22 yc:1.rs~ branch . of service. coast _nr .Taclnto, special tlllery, Fort• S11n duty nt signal . station: place ot di,alb, Auotln; elute oC denth, Oct. 17, 1918; cause oC death, pneumonia. CA..CIEY-Pri>"'lte W • .r.: o.ge, %2 years: branch ot service. inta.n try; place of den.th, Engli, Pa.s6; d1tte oC c,,atb, Oct 30, 1918; cnuso or death, pneu• moula.. .. CREA TON-Second· Lieutenant LeRo}' D,; age, Z: ycnrs; branch ot •ervlce, 166th lntnntry, A. E. P.. Fta.nce; place ot death, killed .In acUon; dato ol death, J'uly 28, 1918, CLARK-Wm. Gulyln~ age 11 years; bm.nch of'" se,nice, jun tor nilyaJ re sen~e corps: place ot death, Camp Dr.wey, New London .. Conn.: dn.tc ot date, June 26. 1917; caw;e or deaUt, . i;plnal ruenlngltls.. . , • . C..I.YtU.'ER-Priv11.te .To_e E.; ngt,, 2~ years; branch or service, lntn.ntry, 18 months- In service; pince or deu.lh, Dallns: <ln.tc ot death, Dec. 18, 191",: en.use ot dentti. pneumonln contract ed nt Camp Bowle. . . . CRAWFORD-Earl H., fireman on U. S. S. Glacier: age za. }•en.rs: branch of service, navy·, U .. S. S. __ Glu.clor; , place ot dea.th, nbo<Lrd ship: dnle oC death, Sept. 17, 1917: CllUse-oC d<'tlolb, accident on ship . .. ~ CLAY'l'O!'<-Prlvato nobei:t "\Vllllnm: age, 21 yenrs: brnnch ot scNlce. training detachment, Colleg& Sln• tlon; plllC0 . or de:ith, - College. Sta tion; clnlo or .deuth. Oct; 10, •-1918; caW10 ot denth. pneumo·ntiL. .. . . CAMPBELL-Private Pnal Howard; n~e. 23 yrors;" brnJ;lch ot service. Co. ,. I lS, C'1omp Mabry, S. A. i.11, ; place of den.llt .. Camp I.L-ibryt date of den.th, Oct 12. 1918; cause ot death, pneu monla. DAVIS-Jim Lillig. tlon not 1w11Uable.) (Other lnformn DA VlS-Prh-.&te Jn1!le" E. Jr.; branch or se-rvJcc, 360th inlnnlry, machhttJ gun company, A. ·E. F .• France; place oC lleiilh. Fl':Ulce~ date or death. Sept. 20. 191S; en.use of <lenth, tron> w·ounds received in aclloa. DU BLANC-Corporal J'oltn J.; age, 20 years; brn.nch or uervtce. 117th · supply tra.la, Ud dl.-tslon: place or ,tea.th, Vite!. France: date oC ,tea.th, Dec. 21, 1917: cause ot deatll, pneu monia. DONLEY -PrlY:tle ,\rcndlo; age, :s years; branch oC soi ,·tc<:, Co. l,, 14-ttii lntnntry. A. E. F .. l•'"l·u.nco ; plac e ot doatn: Ft'nn·ce; dnto or dent!,, Oct. 6, 191&; cu.us<> o! deat.b. wound,, re ceived In actlc,n, FOSTER-Sergt . 'J:ltomas Hobert: ai;c, ll years; branch or serTlcc. Co. D. 132d m.nchlne gun b:i.ttallon; place ot death.. Camp Bo,v-lc; do.ta of death. Nm·. 20, 1917; enll!le ot de!l.lb, pneu- . mania. GARZA-Prh-at& Sacremento; ag,,, 23 yenrs: brn.nch ot aervlcC', Co. 3S'. 165th depot brlgnde, Cnmp 'l'rn.v1a: place or death, Crunp Travis; dn.te o( <lenth, Oct. 12, 1918; c-,rnse ~ death, pneumonia. J-IEJNNlG - Prh-nte Cluatnlr.: ai;e, ~1 yo.tti:.lj brnn.cb of se,·vtce. 213d tnf:io. try; place or death, Camp Bowie; date or death, Dec. 15, Hl7; cnuoc of deoth, pneumonl1'. lllLL-Mu.rtln C: place of death, went down with Tuscnnla; date uc death, Feb. H, 1915 . HUTCHINC<:1-MaJol' Edwin; ngc, ~s yenrsj branch ot aen•tc.._ 1,.lst reg1- n1e11t, 71st lnruntry brigade, 36tlt dl vl,don; place ot death, Fronce; date, between 6th nnd 10th October, l~H; cause ot death, killed t::: action. KJ<;MP - Coxswain Joi\.:, E . ; ng,,, U ytars; branch ot Hcn·ict, navy: J>laco oC den th, nbonrd U. S. S, Plttsliun;; d:l.te ot denth, Oct. 20, 1918. X!PPENllROCK-Llcut Carl L.; ar;e, 23 years; bra.nch ct service, t:!tth ordnance depot; Jii . .ace at: de11th, Caml.l Bowie: date: oC death, Oct. 19, l!J18~ l-::1-usc or death, pneumonia. KOCH-Sergt. Eugene t.,oufs: ni.:-e, !!~ years; branch ot scrvJce, quartcr- pince o! death, mlU!ter's coJ'jIB: aboard U. s. transport; dn.t e or deuth, Sept. 30, 1918; ca.use o! llca.th, pncurnonJu. ll!lTCHE:LL-Prh·o.lc Vance; n.~e. 2~ years : br:mch oC ser\'lee, or<lnunce ctepnrtment; pluco of dcnth, Cami> Bowle; dnte oC death. Dec. D, 1917; ca.uMc o! tlcath. pneumonia. UORE.I.ANI>-Slnclalr; Army Y. lll. C. A. se..:t·etury; age. 33 years: IJrunch of sen·lr.e, Southern depnrtmont, L M, C. A.; pince o! delllb, Norman, Okin..: dale or ueath, Oct. 5, 1911>: cnusc a( dc1Lth, pntmmonln, ca.used tram. t'Xposurc to epldomic h\ nurs ing ~!ck soldiers nt camp. ~IUHR.AY-Cnptaln Jame.a. P.; age, 33 ycar8; branch o.C sen-tee, engineer- lag corpt11 camp HumphroyK, Va.; place ot rleath, Austin i date ot death, Sept. 28, 1918: cause or deo.th, pneumonia. :tollowt.ng Influenza. OLIPHANT-Sorgt. 'l'errell M,,; age, 31 yea.rs; branch ot service, quarter• nu,ster's corps; place or death. Ca.mo Cod)", DomJn1r. N, 1\1.; dnte or del.Llh, Oct. 21, 1918; cause ot dea.th, pneu• 1nonla. PI-JNN-Pr!vute Eugeno D. (N'ollco ot promotion to ttrut Ueutiennnt after death), Age, 22 yeo.rs; br.wcb oC service. U. S. oJr service; pla.ce at death, Fogg!a, Italy; dnto ot death, May 20, 1918; cause o( death, fell lo aclton. RA.VEN - Private Earl .J.: age. l& years; branch ot service. 49th hen<l• q_uarters company, coast o.rWlcry (No other COl'PS. Camp Eustis, Vu. lntormation a.vail:u>le ). ROBEY - '\\'alter; age, :t yen.rs; branch ot sen'ice, U. S. na..\·y, Q,uar- pla.ce ot tcrmaster •ecolld class; denth, Hampton Ron,Ls, Yn.: c!Ato ot death, OcL 10, lnS; c:al!30 ol death, Jmr.umonla. SCifE:RDLL'\G-C:ulct ,va1ter Tips; a~• 25 yea.rs: branch 'lt se.n·ice,. ,naYal n.'1.-,tlon. Seattle, Yin.sh.; pince ot death. Scuttle. 1\"a.:W..: date of de..'l.th, OcL .w. l91S; cause o! clenth, poea• monla. ST.l,JWART--Oscnr W.: age, 17 years; hr.inch of .•!'n'lcr; nnvy; place of de:itll, abo:11'11: U, S. S.· PlltsbllJ'lr; ,lat,, of d""-th;''Dcc.•22, 1917. TATLOR-Prl>"'lte F1nt Claa11 Toomns Roy; nge. :?O yearn;· hrnnch or serv ice. Co.. D, 141st lnfuntry; place o( death, Camp Bowle; dnte oC death, D<,e. 30. 1917; cnusc·ot dcatb, 1meu• I rnonl,. I TEl>U'LE'TON-'Pri~'llte Preston; :lb"C,: 31 years; l>ranch oC service. motor truck company SOS: place ot death. : ROS])ltal Romsey, Ha.~sblre coun-1 t;i-. E:ngi,\Dd; dnte or r,eat:b.. Oct. 1. j Ull; caDS<> of de:iih. unknown. 'l'l'TUS--n,,na J'.; bra.nch of servlcc, marl:llo ftH'll'I. F:a.nce; place ot doalh, -..ou::ewhe-e 1:t F'ra.noe;~ dn.te ot d""111, . .\prll l!I. 191B; cn.ase of d""1h, gat'lliCd. Jtlac c or dcmth. Crtmr,----€1ot1y·: date JJecc1111Je1·, 1918; cautrn, 1mcumonta. which 1:, n non - communlc:ablc d.ls ease, ll.'Ul.ll!S--Prh-ate Ollie; age, 26 years; plnco or dooth. Camp Dodge, Iowa; unto or death. October, l9llt llUDLL.'° - Prh-ato Thwld; ngc, 18 years; branch or sP.rnce. 25th inCn.n• try; place or dcnlh, Sch.ofield Bar rack., Honolulu; <late ot death, Juno 9, 1n 1; cause oc death. spinal mon lng!Us. PUT,\"RY-Dewey .A.; J)lacc of dcnlb, Ca.mp <::rant. Ill. . SCOTT-Atcl1lson; br:incb of sen-ice, ongfnc~rlm:: corps: place- at den.th. Hoboken. N . J.; dnle ot de'11..b,, JuJy • 9, 1918. Names for MemoriiaJ ·services, Sund:1y, January 211. 1919. · ARBUCKL~Prlvnte Tom; age, 22 years: branch ot seri .. lce. company I. 3GOtth 90th D1,·lslou; 111,u,e at dea.lh. killed In action, buried a.t GJorienY Cemetery; date, Novem .. her :2. 19ll.. tnfu.ntry, 191! class: enrolled tor u .. S.. ser ,·lce-, Atalioned a.t Camp Lob~n. liouston, Texas; died o! 1rncumo11i!.I December ll, 1913. KERLIN-Scrgc:wt AJ!'rotl; ai;c, ~3 :rears; bra.uch of scn·lcc .. Company I, :It50th Intanlry Secliou; place ot death. some,-.•bcre in France; tl:ite1 about November 2. 191S; cause, died o! wounda received In action. KLAER!\ER-Prh-nte Eclwhrd IL; nge, 3!? years; brc.nch at setvicc, Mecluu1- lc:1.I RepaJr Shop No. 301; place o( dc.'l.t.h, F'"ort HlUls; date-, Oct.J>her 15, 1918; cn.o:,e; lnftncnzn.. · KLUNKE.RT-Prlvnte- Ch,."\l'les:· ni:;o, 22 years;_ b1"3nch or aen·lce, :.HJth Dh·islon, 360l11 lnf:.c.nt.Ty; pince of llea.th, b ... ranco:- data.. November 2, 1918; cause, killed ln action. LARSON-Prh'llto Gabriel E.; o.ge 24 yen.rs; branch of ser,·lce. Compa.ny _ I. 360th lli!antry, 90th Dlvlslon; place or don.th, i-nnce: causo, Idlled In ao Uon: WU.e. November 4, 1918. LILLAI!.D-Jame,, F~ Jr.: u.r:e. :s yea.rs; br1tnch or sor,·tce. Coinp.i,ny 90th Dlvlalon: I, pince or death. Fr.lnce: date. No\'em ber -1. 1918; ca.t.181\ kllled ht ncllon. LI1''DSEY-CorpoNI J. 8.; nire. 21 yours; branch or ••rvlce, 360th ln place ot tnntry, Nntlon:il Army; doath,, Fraoce: date, November 4, 191S; cause, killed In BCtlon. Int.ontry, lGOLlt :MAC DONNELL - Capblln Albert SnOC<l; age. 21 ycru:s; bran,,n or scr ,·lce, Headquarter~ ,DIYlmon of Lha 91st DlvWa:m; · pince or death, Port ot Debnrk.m!Oll HD111>ltal. St Na ri,.ir.,. Fra.ntt: date, Doo<=ber n. Ul3; C3l25e, dled ot woands rece1Ted from nun bcm:lll. MIX!HE-C&ptaln Charlus Joe: ~ %5 ;ymn,; bn.nch o.t 11ervlct1. lith DI Wil<ala. :nh EnglnfD!lll; p1&ce ot. den.th. BDm~ In l"ranoe: ~ Qetobu 1~ 1:1111; caw,e. 4led of wu"""8 re- ceJved in u.ction. whilo crosaingo the .. .Argo11ne River. ,v-a3 U\\·a.rtlect Dis~ tln~uished Ser\'ice Cross tor bravery In this battlo. Pvt. Ernest; age.. aa years:. branch or servtc~. i ~!~':~~ny h~s;f i,::~ l~~~~\,:;:cc f,~ I PEARSON-lat Cl.'.LSS 1''"rJ.I1cc; da.te. Decen1ber ca1u-;~. pneumonia.. lil. tftlS; PINCKNEY-bl. Lieutenant Charle,. Ji.!.; nge-, 33 years: brnnch ot se:r,~tcc, lh,:i:.d,iun.rlen:J. (jth Re,glmcnt Flel<l .A,•Ullorr: pince or death, Camp Zach ery Tn.ylor, Loulsvlll.,. Kl·.; date o! 19lr,; ca.uso ch.nLtll. 1mcumonla.. .December 20, P1N8ON-Prlrnto Joo J.; ~r;o, ~~ you.r~: branch ot sct·vlcc, Compnny c, 16Stb nei;lment. In!nnln,; plac:a o~ dmlh, somewheto tn !"i-u.uco; tlu.to, dlecl ot Octobet• l-1, woumls rocelvl'tl In n.cl1on. cau"'1, ins: sMrrH-rrtvia.tEJ Oscar: n.({ei 22 yearij: bru11ch or service, ll lst Inrnnlrr, 36th Dh·l•lon; pluco ot clenth, k;aed In ~~f~~n In France; <late, Nov~mbe1· 9, !12 ltc.ars: THOMPSON - Corpoml M:;i.,rrenaa; lnu.nch ot aorvlce, u,;11, Com1>«ny D, Hist Infuntry; pklCO ot death. in J?rnucc: ttomewhcru dCLtO, October 21, 1913; cause, kllle<I In battle. T Uft.l'iil:l\--Prl\•ate H. Orady; 111,;'e, n )'ea.nt; brunch at ocrvlce, AJr Ser vlc~ '.l'ralu!n1< BchooL Kelly Flak! No. f>]U..CQ ot dttiuth_. Kelly 'F•leld j dn.te, !!; Documber l&. oouoo. pnou• monla.. 1918; . ULIT--Corporal AlYey; "ll'O, 20 yoor•: branch ot sen·lce, compnny D, Hist lntantry. 31th Dlvl~lon; placo of do:a.tb. 11omewhere In Ft"nnce; dntn, October :5th, 19U; CU.UM, <lied ot , wounda NICclYed la action, '1 '\'".AOER-s~rgeo.nt lL }, .. : ag_f,f - : bfflQcll o! sen·lce, Uonpitnl Corp:,; Col.,..,,d, uunDTTT - Private Lon:::lc· n,:-P " IlAIDIERT-Henr:n F1slCTIUe. Tcx<U!; a.gs 21 yea.rs; Alli5tin :MAchlru, Gun Co.; dJed nr ;pneumowa. Ja.nuazy -1. !Sll. EILEilS-Geol'!lll; Colton. Te.us: n.ge, u yen.rt!; dlecl In 1rmnce of pneu- monla., Oct. 4. 1918. year•; brn:nch of servlc,e, intnntry; 1 FISHER-Private J'obn n..; nse. lO ~.;~ ~r"1~sfrn~ ®ti yea.rs; branch ot eervlce. ComJ)llJIY ! D. 325th Intanur. S!!nd Dlrlsion. ~.,,,:o,, Slla:nlflh mnmmza. Private E!I1,i 1".; :ai:,i. :21 i pi:µ:,t of dew,,. France; ca.nso. kllled In at:tlan; date. October 1!. 191!. yPm:11; borncl.t aI sen'lne, !ntantrr, pl:u,~ of aeath, Camp C.'Tnut, In.; J'O~Corpomt A1frt:d b"ll.rl; =%3 odlltP nr amith, Oct. :ti. DlB .. :ca..,se .oC I ;voan; bJUnch ot s.erv.lce. · Compan7. c. 360?ll Re,;1ment In!anl.ry, 110th Dl- .aeaO. ,meummilA. Tl8lon: ~lac• at dca.th. somewhere ln France; .dat.!I. November S. lJlli; ca.mte. dle4 of wollllda noceb'ad ln ba.tUe of .Arg-on.n~ Fures:t.. CL.ACX - • CL'il:M:tllNTS-James. Stm,,,llan,; "11:1', - · brmu:'!h ctf aervic" c,,. ~ 1!11f:1· -n e~ COIJlll. :r,{:;,i, ~ dl!llfh, .N.or-- :folk. -va.. years; T'\act, of rflll.th. ·-:a t'DC'.li!.t",_ Cnmp Tmvl~ dD.te t.i Oeafh. s.__~ ~ r. .111111421. ""'1'tlcmnllt.. llllll~ oC1W811 CoLAXK - "Pdnle 1llitmu'a:; c-e, D · 1.101''ES--.Mln JdJl.mle .(Arm;r Nurse); membr:r Tr='i• Coun:t7 ne~ered Nursell' !\.uucln.tlu.n;; z,,adw,.tad trom .&DRln Plalb,7ter.!a.n .Sanlt.i.rlum la -of Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 53 of 10717u n 2 4 , 1 9 1 9 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 2 Austin to Honor Memory of Travis World War Dead: Legion Has Charge of ... The Austin American (1914-1973); M r~ / / Memory of Travis World War Dead\ , Legion Has Charge of Pro- gram at 3 o'Clock at Majestic Theatre. ' I Today the time hae a,:a.ln con\& whon tho people ot the ta.rgHt n~• the tlon in the world f')ft.URe R.mld lnun· R.tcf\lrs or ltfo R.nd for a few shoi·t hourn ,1tter their tribute to tho heroes ot w:-.r-to those who s;:;we thelr Uve:ii fhn.t their no.Uon rnti:;ht hn.ve freedom and justlce tor the G0th annlrer• I lden. ot pl::icl~g an.And today 111 Aary of the McmorJn.1 Day cclebra tlon:'I, tor th-> n. wreath of ilowcn on tho gn."l:cs of tn11 cn eold.lcrs w zu concelvetl In the voar 1866, In n.n old cotonlal mo.n• Rion of Columbus, , Georgia.. . ~It'll • • John Tyler of thl11 place wn.s the :first to call together & group of friends and aslt thnt they join ln tho TllUlll v.·hlch thOl" wore nil pcr- tormlns- · alone, l\Ud since thnt time the custom ha.,1 been· obsc:''.cd every Originated In 1888 History doe■ not tell tor whom 'Mn. Tyler mouTncd: perhaps a hrother, hu3b:in.J, tntbcr--but her sorrow cnU3t'd h e r to reach out tn B)·mvathy 1.0 oth~r r.orrowt\\1 b~arts nnt\ etn:rt n.n ldcn. thnt hn" been n thousnnds ot people comtort to Hlnct. It w11.11 on ApTll 26 that the (ln.y waft !Inst obsorvcd i t.he 1\'0Unds o! the dv11 -wa.r were trc!Jh la tho hearts were Jand, ft.lid Aching- aten.Ung to cemeteries to bedcclc tl1c ,;-ra.vcs of soldier ■ one and hueba.nds who hnd <lied fighting for the blue or th~ £T3.Y; r,crhar,a the rnlrncle o1 the ■ Prins-the longlng ror com• rndes who hA.d gone beyond-per• hnps a. ycnrntn,; ot ono atone: in her grJct, who with tbousande ot oth .. era could not find· the grave ot fhelr loved once, cauaed this com ... tr.g together tb&t joins the North and South aga.ln, ].lrs. Tyler called together _. the women ot her town and organized a Lndlcs' Memor1a.l aaSoctaUon. The women went .trom her home to Ltn ... wood cemetery in Col~mbus, whero the !ormal Memorial day exorcise\• wo.!e held, and where they aolem Y pr""1lsed lo cn.n-y on the 11weet task o! decorntln,;- the 111ottllcr dcnd on tho aame day ea.ch tbo ,;mvea of 1 }'ear■ yc:~~ithin a. vory tew the Mca. hail swept tho natton until ~Jemorln.l daY became a lego.1 boll• do.y, so decreed by congreaa. The date, bow.,ver, ts ot,Uonal with the ate.tea themselvca: several southern states adhoro to tho original April 30, when tlowcra ore tn bloom tor the tlecoro.Uon of tho srn.vc:,. Gen ... orn.l John A.- Logan ot clvll wa.r tamo; 18 credltecJ :wlth the !Jret gen oral proclamatton 1ettlng a.side one · 1\Iemorlnl do.Y each year as a. dny ot trlbute, · North Follow• South. Jn 1868, when Loi;nn wn.s com ... mnfld c rwln~chJe.t ot tho G . A. R., report ha■ it tho.t his wlto returned .trom o. aouthorn visit ~n-nd told. how the grn.vea of ea.ch con!cdcra.te eol• dler at Petersburg . was dccorn.tctl ''Dia.ck It wru then that Clo.,;. n:ii;-. lt was . thnt Din.ck then 1~:tg1c'' J.,c,g"o.n Issued a.n order trom G. A. It. hcu.dqus.rters on May 6, 186'.i, maltin,; m~morlo.1 day a. north ... trn o.s woll n1 a. southern custom. 'i'G, Tru.v1s Poet No. .Amcrlco.n Leston. has arranged a. 11rogrnm honoring 100 decep.acd ex•soldtcrs wr10 nro burled bCTO wh!Ch wlll be held o.t the ?Jajestlc theatre o.t 3 o'clock, to be followed by tho deco .. ration ot tho grnves in thO dl(!or cnt cemotorice. Opening the pro ... ,:;ram, Cn.ptnln :Arthur Strnmlcr o! the lo co.I· na.t1onnl gun.rtl unit, wlU tho lead tho a.udl cnco tn an.yJng pledhO oC o 11('.g)ance to tho Clu.g, which ,;ocs: "I vlodg& olleglance to the OU&' o! the United $la.tea o! America nnd to the Republic for which it stn.nda, one no.lion tndlvsl hli, with Uberty and justJce tor n.11.''. Civllln.n acluJts vdll tako the plcdsc hy etandlnE: nt attention; hnts or!; 11c rnflns 1n unl!orm render the rJght hand salute. · Harri• to Spoak, June C. Harris. Austin ·Attorney. and the tint 'rexan to · volunteer ls for service 1n tho . world war, tho ,;pC'a1tC'r tor the acternoon; a chorus o! o\"er 23 voJcoo will tur• nlsh th& rnueJc progarm, and the locu.l nntlonu.l gun.rd unit wlU !ur niah th11 color bearer ■ tor the serv The 1>rosrnrn will end · aa a. ice. 11alute Js fired, under tha d!r,cctton ot Captain Strnmter, aa ''taps." Jone!!, PQntotoc cemetery, France; Alfred KerJln, Amerfcan cemetery, France; Lawrcnco B . KlnG", C. L. Klppen brock , Glenn Bruce Kirk. Oakwood cemetery, Austin; Charles Amcrlcr:i.n K(unkert, cemetery, Franco ; Leon l{och, John Elson Kemp, Eugene L . Koch, Elbert Kruae, Ga briel Lorean, Jo.mes Jo ... l..lllnrd, Jo.col) S. Llnllsey, Ra.rnon Lovo, Oa.JcwCJod. cemetery, Austl!'l; B. F. Le11.th<: rwood, Jonea ceme• tory, Austin; Alber t S. McDonnell, American cemctcr),·, France; D. · C. McCa.lcb, Oakwood ccmctcr,·. Aus tin: Hurvcy A . Mccown, \VIIIUarns cometcry, T~ch; Hugh lt. Mc Koy, Oo.lcwood cemetery • .Austin_; E. Me- 1,aslcy, Beth •El cemetery, Austin; Vance lUtche\1, Greenwood · ccme t Cl')', Colorado sohool house, !Dl?l : Vallo; Frnnlt ,v. Moore, Oakwood Fro& .Austin! Pea.r,son, WAR DEAD J'nmcs . R. BrlS"ht, Now Brauntola; Rena J. 'l'om Arbuckle. Oakwood eeme• ltolJe:y, Round· Rock Tho name and plnco of bur!al ot cemetery, Austin: Joo J . tery, Au ■ tln; ,v. J, Drock. liln.rvln If, Turner, The Clty ot Auatln ht11 co-oper• ated with the Tmvls Polt tn every wa,y possible tor tbta occn.slon i vroclamat1on1 from atat• and cltY oUIClals ho.Va naked the aid of the public In don&tlng tloweu and in attending the ceremony, and every dvlc nnd pn.trlottc club in town hnu cndornc,t tho x>lans, ccmotery, Austin: · Slnclnlr More land, Seguin cemetery, Sesutn; Jame ■ P. Murray, Oakwood ceme tery, Auatln; Terrell Ollpha.nt, ' Georgetown cemetery, Georgetown: · Ernest 'Minion · church cem,tery, Elroy; Eugene Doak Penn, Oa.kwood cemetery, Au•Un; Willi• A. l'erry, Ly11,0n · Springs cemctelj·, Lytton Springs; Charle• E. l'Jnckney, Oakwood .Pinson, decl'.n.scd cx-·iiorvlcc men and women Amerlc:&.n ·cemetery, r~rnnco: George or 'l"rnvls county ot the world w•r Pool, Earl J, nnvcn, At. H. need Jr., Oakwood cemetery, Austin: V{n.lter tallow: cemetery, • John R. Barnard, Round Rock: Cllrtord H. noc-ers, tcry, BprJnklo cemetery, SprJnkle; Wll- Walter T. &:hordln&', Hubbard D. : 11am Ii. Do.atord, Oa1twood , ceme .. Smith, O ■ car lf. Smith, Oakwdod ; tery, AuaUn; Robt. A, Bo..uer, Mount cemetery, Austin; Travl11 L. Snow 1 Calvary cemetery, Aualln : Henry A. American cem ~t ery, I•'rnnce; o,cat' Baum,;,rt, Carl B. Denodlct, Ocorue ,v. Stewart, R ound Rock ccm~tery C. Bengenfr Jr., Oo.kwOod ceme- Round Rock; Prei,ton A. Temple: tery, Au ■ Un; ..A. C. Berger. Live On.k ton, Iinynlo Chapel ctmetery, Au, r.o mctory, Mancbai::.:i: Edgar L . tin; Thomae R. Tayfor, Onkwood Bcrs11trom, Hal Drn.mletto, Howard cemotory, Austin; Arno Tausch, S. Bremond. 'fltus. ItJeho.rd P. Bull, Onkwood ceme- Amerlt!n.n cemetery, F'rance; Grady l\{arenua Thomp.!!on, C. Caldwell, Po.ul Howard Campbell, Tate ••.••• , Alvln Ultt, Santos 1..o ... new ■ ect1on, Oakwood cemetery. paz Vere1Stlquo, Oa.kwood cemetery Austin; Fro.nk Carrion, Mount Cal- Austin; ,v11unm_ \Vnteon, DrJctwood vary comet,ry, AueUn; WJllla.m J. cemetery, Driftwood; .Fred ,vo.tltn• ·cometery, Austin; ,;er, Oakwood cemetery, Austtn · Casey. Bog,ty Joel Edwaril Ca.yfleor, H. B, Clag- G, P. Henson, Wlmborly cemetery olt, WJIIJam G. Clnrk, Robert w . .Wlnmborly. ' Cla)"ton, E&rl H. Cr.nw..tord, Lero~ List ot 'l'raVls 'bounty colortd ex Bates Cro.ton, Arcad1o Donley. service men a11d location of gra.ves: Oakwood cemetery, Austin; John 1. Lonnto Burdett, Jke· Darn~s c~m(I Du Blanc, Je.mes E. Do.Via Jr •• Jn te~y, · Wobben-lllo: Eilts A. Clack, Amertcnu comctcry, Franco; George city cemetery~ Seguin: . Etl\\·lu Ellers, Lutheran cemetery, .,AuaUn• Cla.rk. Bethany cemot.ery, Aust.in; George F. Etuott, Oak.wood "eme: ,TnmC1a Clement.a, Dctbnny ceme tery, Austin : Frtd . E~o8 , -.. , Cedar tery, ·Austin; 1VOUnm C. Dewltty, 'Valley cemetery; J1Lme1 _ Ferrta, In Watera cemotery, Austin; Clennon :Mount · Calvary, .A.usUn• John ·n. Eva.n1, .Mount CBJvary cemetery tor Fisher Amerlcn.n cemet,ry· France· cotonf!i,. Au■ tln: James Glover, .l. O. Ford, ·Manor cemete&'Y, Manor; Bethnny cometct:Y, Auaun; Frank l{abboU. Mount Co.tvary cemetery Thomns ll. ]!oater, Bo■quo _. cerne- tcry. "'a co; John .W, ·- r-uch!, Lil~ tor .. colored, Austin: · Olllo lfarrta. thern.n comotery,- Ptlugtlrvnte:: Ed.; Ike -~a.rnea cemctory, Wcbbatvlllo: win L. Felter■, Clntide B •. Glllbrou.th, WIii · D. HolllllS, Mount Calvary Walter· On.Qzert, O&kw0od cCme-.. ce,:uotery tor cotorod, Austin; David lery A·ustln• ·· so.cra..mE!nto ~ ··Garza L. . Hudlin, Jlethft.ny cemetery, AUi• • Un; Wl,tte Joyner, Pnrk Sprtng-a l\r nnor come ery,, . .- anol"., ' I.ta.rry lf. cemetery, ?.ranor; Wlllta · Merritt, George, •Ro;,er C. Go.rec, Tho~a• v.. Plummora cemoterj, AuatJn .- D A Oro.ham, Hnrry A.· Halphen~ Oalt ... Putney Houston· Ei'noet hob~rt; ,•.-ood .t:cmctcry, Aua~ln; J'ohn ·~am-- son, c8aar Creek ·cemetery, Cedar llton, Bog-G'}' cometery, A.u1~ln; Roy Creek: · Monro• : Sampaoil~- Park Ha.wk, Oakwoot1 com~tcry, Auadn; Sprlns• . c«1mcttery, .' llanor; Allen Ou•lav lJennlg,,Elgln cemetery. El• l!lmmo, . ·l'crk , Sprlnga · , cem■ tery, gJn: V. o.ller Hornaby, HornabY Mo.nor; 5oe Tlado.le, St. . Paur cem•• Bend cemotery, Auattn; . EdwJn _. O. tfll'Y, .Au ■ Un. Hutchlngs, Marvin Hankin, ·Oo.k• . lncompleto · )lat o( •'l'ra.yla county wood ccmetciry, AusUn; Lco11 Jira- t'Olorod cx-scrvlco men wlth rotar• ,;ok, Ga lneA\'llto eemcter>,', .-.Dalnea• .cnce to locntlon nt graves: .AfrJJI ... vlllo; Alfr,d l!l, Jon••• . Live · Oak ■ on ·scott. Lillig cemeteey; · Elli• :ttlDlotory, P""':cbaca.: .Mia ■ Mamie Clarie, ·· ·•- • ·. 11.r • . ' ·. t' · ·· · . ' Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 54 of 10717a y 3 0 , 1 9 2 6 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . A 6 55 of 10717DEATHS and FUNERALS The Austin American (1914-1973); J DEATHS and FUNERA~~ i • MR& 0. II. MANSBENDEL FUneral services for l\lt'L Qc,. tilde Shipe Mansbendel, 112, ol 3824 Avenue F, were held At : Weed-Corley Funeral Home Sat . urday. Rev. 'Ibeodcn McEiro.v and Rev. Charles &imners offi. dated with burial In Oakwood . Cemetery. Pallbearers were BllJy Am• atead, Elmo Cook, Arthur Fehr, Albert Franklin, Cayson Fuller and J, B. Malone. LEE TABOR I Funeral services for Lee Tabor, ol McDade, 81, who died at his I home last week, were held nt, Rockdale. Graves.Ide services were at Cobb Cemetery In Thornton. Rev. Lloyd Taylor ol South Austin Baptist Oiurch o!ficlatcd. Survl,'0?'11 Include his \\idow, Mrs. Martha Ella Tabor; two 90ns, Roy Taoor of · Austin and two James Tabor ol McDade: daughters, Mrs. Ruby Castlow and Mrs. W. J. Carlisle ol Aus tin: 11 &randchlldrm and alx ireat~chlldrcn. Pa1lb,!aren were Wayne Law• rence, Roy Tabor Jr., Norman Stark, Ronnie Tabor, Jim Lever· ett and Billie CasUow. MRS, LURENA FLEMINGS Funeral servires tor l\lrs. Lu rena Flemlnp will be held Sun day at 2 p.m. lrom Mt Plell!a?lt Mlsslonary Baptist 0,urch at .Alum Creek with Rev. H. Hill of ficiating. Bwial will be In Alum Creek Cemetery under direction ol King-Tears lllortuary. Survl,-ors Include six daugh teni, Mrs. Aller Lee Payne ol Houston, Mrs. Ollie lllae Foster of Manor, Mrs. !llary Robinson of 'ul.bbock, l\lrs. Ophelia Arnold, Mrs. Melvina Johnson and Mrs. Ethel Jackson of Austin; two 9JN, Robert Flemings of llous ton and Simon Flemlnga o! Au1r tin; and two slaters, Mn. Lcnnle lilll of Dale and lllrw. Came Ma nor of Austin. l\m8. GEORGIA BENFORD Funeral fM Mrs. services . Georgia Benford will be held at 2:00 p.m. Sunday at ML Olive Baptist Cl!urch near Bastrop with Rev. Oulrlcs Harris officiating, Burial \\ill be in ML Olive Ceme tery under direction ol Fuller Mercer Sheffield Funeral Serv ice. Survivors Include her husband, Henry Benford of Cedar Creek; three daughters, Mrs. Mary L. I ·' Benford and Mrs. Nola B. Brown,1 : : both of Bastrop; !lfrs. Bertha Leo1 '~ , Gnidln~n of Georgl!town; one1 lltary Johnson ot 1 . sister, Mrs. Kyle; one brolher, WUlle Sum mers of Schertner: five grand- children; four i,tea.t • arandchil dren. I 1 Pallbearers will be Leon Ben ford, Green Thompson, Leroy Harris, James Odis Jones, Rob-I ert Benford and WW Higgins~ Burial was In Assumption Cem<> tery with milltary graveside serv- Ices under direction of Mission •.!. RAYMOND DONLEY R. Fwii!ta:I services for Raymond i Donley Sr., were held Saturday at-Our Lady of Guadalupe Cath• j · : oUc Olurch wllh Rev. Joseph Sarn- I i mon, OMI, olficlating, · \ . , . • : Funeral Home. ! . •, .. , :: ~~~:~.~~:.a.~~ Pallbearers were his sons, Man uel, Robert, Joe, Edward, Frank . and Raymond Donley IJr • John J . Stemnadle, Jr., 63, ol JOHN I, STEBNNADLE, JR. • a member of St. Mary's Cathollc Olurch and a llfelq resident of · Alm!n. . , ) Survivors Include his widow, Mrs. Theresa Stemnadle of Aus tin; his mother, l\lrs. N e 111 c Stenuiadle of Austin; three sons, John A. Stemnadle ol Del Rio, James J01epb Stemndle an d • Rodney Gene Sternnadle, both of Austin; ftve danihten. Ml'I. H. G. Llnacomb of Austin, Mrs. E. J. : ; LafOSlle of Salina, Kan., Mrs. D. , , Savant of Boosler Qty,' La., Mrs. 'Marvin Hlclanan of Roundup, , · ·~ ·Mont, Mrs. T. W. Darling of Cas 'per, Wy.; m-o brothers, B. Stem- :·; iu,.dle and R. Sternnadle, both of Austin; eight sisters, !llrs. Bessie Kutalek, Mrs. Walter Stevens, Mrs. Andrew Crolley, Mrs. Neille · , Armstrong, !llrs. Elllott Haehnel, , Mrs. Herman Schwarzer, M rs. '.\ Mary ?tfilchell and l\lrs. Walter , 1 Lingo, all of Austin; and 16 grand 'children. q · ·'l11e body Is at Hyltln • :-.tanor :: '; Funeral Home pending funeral 1~ arrangements. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 56 of 10717u n 3 0 , 1 9 6 3 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . A 8 Austin Men Returning From Foreign Service The Austin American (1914-1973); D Austin Men Returning From Foreign Service rrom thratrr.~ nf npcrn.tlon~ acrn,:~ thr. Pacific r,:turnins: thrcr. A11$tin men ;m: i furlou~h.; nn rotation ;~~:~~ ~c:1~-!~t h;;~,r;1~~~~nc~~dquar- 1 ~-Sgt. Charle~ M. Powr.lt J,: ex• · peeled to arrh·.- about 0cc. :?O ;1t F'ort S.im Homton and will comr. nn tn Austin to \'i:rit hi_c; pi1rr.nl!l, who li\'r al 4:l07 Avenue B. Hr. ha~ hrrn in thr. Southwc!-l Pacific area for thr pa!i:I .11 month$. T-5 Jbymonrl Q. Df'lnlf'.r. mrmh,:r of 1hr. r.na!-l nrlillr.ry mrp!l, iit rr• turnin$.? hnmr: aftr.r th·P. mnnlh.c; in the A~iatic Pacific are.i. He i,: rx.; prclcd to .irrh·e in Trx;:i~ Rhnnt Dec. In Austin hf' will vi ... it his r,arcnt:i;, Mr . .:ind Mr,: . ltaymond Onnlr.y. 160~ LCOO;"t i;trcrl. l!l. ... amr.c; Pvl. Charlt.-~ iii: rrlurn ln;: from :tl month$ duty thr in Chin;,-Rurmq,Jnciia thratr.r tn ,·i~it hL~ ,Jamt'J[, Sr .• 406 f:. fRthrr. C. Wi\lriw !'itrcct. hiJI'. Relurnin,c tn \'i!'iit p,ur.111., . Mr. and Mr, 0. C. Paine-. at M.1n i~ T-Si::t. Rnbcrt C. J'lainr.. r.hAtR, Hr. hu: !ipent thf" pa!'-t l:l mnnthl'- in tht? Crntrnl racHic Arra nnd ha-" 40 r.n,nb;ll mi~sion~ tn crN'lit A~ i:unnl"r on 11. hombr.r. hi.111 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 57 of 10717e c 1 7 , 1 9 4 4 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 2 2 Display Ad 179 -- No Title The Austin American (1914-1973); S * Western *********** -tc * Bandstand i * * ** * RAYMOND DONl£Y,, Mrr. *********** )t)t DANCE TONIGHT-ladies Free -t( ii( fealurln1 -tc ~ ~ Coming Fri. Sept. 25: RICK ~ ~ "?' -,t( .... The Pioneers e::!u~d'!~r: .°~~:• SIKES from Abl11n1 4900 S. CONGRESS HI 2·9l~6 Soclable Atmosphere , )t Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 58 of 10717e p 2 0 , 1 9 6 4 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 1 3 Place 5 Candidate In Race The Austin Statesman (1921-1973); F Place 5 Cancliclate In Race in of w;i .c; hr. for! issued hC'c:tmc displriyin~ lhC' warrnnt JI)· S.ln.l 1101\'W Stoll Wrllrr I n,wmnnrt OonlC',·, rr.:11 cstalc· thcat~r man:u:cr.i nian · and 1·m.•Ml:w first! thr J'l<'rson · to file for plate 5 in thc i .upromini:: CHY Council clcctinn. ! J>ta<:r !i is btln;:- ,·3catcd hy 1 Councilman Trm'i.1; t..1Huc who ; i.!< runnin;: a;:ain!iil Mayor Harry • .\kin iu pbcc 4. · nonlC'y, ~t told ;m Austin American rrporlcr that he is : ·"primarily the rral rstatc, ,businrss and secondly a public :rC'lations man." or JV,! Studio : ~Janai:-rr :u-rcslccl Monday : J)onll'y was ~~rrnini:: hy ,\ustin polkc nn l1 or :,•h3rgf' lewd motion riil'turc films. • nonlc•y jail out :Turs.day on S300 hond ~et hY 1, ·_·,,u!'!ticc of the J>c;icc Ooh Kuhn 1 whn DnnJ('\·'s anl'sl. : nonir~· said he ronsiclcrcd lht' .' .arrest and rlmr,i::e "a personal 1 :nrn11cr. rn have more lo ~ay :aho11t it l;itcr," he !iaid. : An at'li\'(! campaigner tor the rair housing ordinance ·Jorc1I ·drfcatrrl in a citywide. election , :1ast fall. Donley said his council nn :ral'c would n n d "tourism" "ln1r,rovin'" : •. !nllnwin~ fair on up ;housin;: lssrn.•." · . lie said he decided to run for, .'1he cound\ last August. A native :or .-\u!itin. Donley ran ror the .~Slate legislature in 1060 against · :Johnny n. nogcrs. "l'rc been vcrv ;1ctive in the ~lirlrls o( show im.sine.ss, 11i~ht .clubs and entertainment tind I ;tr.rl 1\ustin has not· nearly ils 1Jotrn1 lat in ;reached · clnelopmcnt a Ion~ these lines," :nonlcy said. h(! w a s. s a i ti : nonlry :pr1rtic11l..irly intcrc.stl'cl in better; t a u r I !i t t :development l11tC'1Tcgion.il '. :a11rac1ion~ : ;Hw~· 3,i. • ,\s far as lhc rmr hnu~1r.g1 :tssuc Is concerned, Donley s,1icll ·;he was particularly lnlcrcstrtl in! ,seeing lhat Ille fcdcr;1l housil1;; i I ;law is "lmplcmcntrrl here. to hring I : "I'd flkc 10 work : heifer underslandlng to the lair :J1ousin.1: law,'' Donley sahl. " It, thcl· ;5till needs ;proper spirit." : Althot1Gh Donley Is the first tol place •!Ile lom,crl :councilman Stuart MacCnrklc, :o;;, has hccn nominated by ;petition to run /or that flOsltin:, -_ end is cxpcclcd to announce this ~week whether or not he will I~ to be gi\'cn hascd :,long- the for of 5, . ;a candidate. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 59 of 10717S A R A H O W Z E S t a f f W r i t e r e b 1 2 , 1 9 6 9 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . A 6 Candidate Faces City, State Suits The Austin Statesman (1921-1973); M Candidate Faces City., . State Suits 1Jayor candidates laxes Donley ,Jr. is being sued by the state for the city and failure lo pay nearly $1.000 in delinquent in sales connection with a business enterprise he was involved in. City Attorney Don Butler said he is not sure at this point whether the tax question would disqualify Donley if he were elected mayor, but said he would study the matter. ils collection "While part of lhe sales tax is due to the city, the nature of raises a question," he said. The city charter has a pro1•ision that candidates with liabilities toward the city ma)' not serve if elected. Donley said the suit is a the suit mistake, and said (Sec SUIT, Page :\8) Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 60 of 10717a r 2 4 , 1 9 7 1 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . A 1 e SUIT (Continued From Page I) holding company should have been (i(ed against that a managed the operation at 6208 North Lamar known first as Latin World and later as Dunce World. Ile said that directing the suit toward him at this time means "the obvious motive can only be political." The suit was filed Tuesday in !26th District Court through the state attorney general's office state comptroller, and nlso through the city nttorney's office. and the The suil asks a judgment or taxes, in delinquent $997,68 plus six per cent interest over the period from .l uly 1969 until the date or final Judgment. Donley said "I wish to state for the record that I had a briefing with Mr. Lattimore or General's the Attorney Department way back in early 1070." The candidate said tlrnl at time he outlined his that dealings with the business in question. then immediately He snid his role was "in the repairing and remodeling and gelling the business ready to turr.ing everythil1ll go, over the lo corporation, management Latin World, Inc., an artificial person having legal powers under the Texas corporation franchise laws." Donley said, "I wish to I - thing clear make one lhe never ~andlcd any or funds, received nothing when sold, I spent money and effort, and time on what turned out to he, for me, a non,prorll organization. l "I, as a person, do not owe any laxes as they nllegc to the state nor the city," he said. In "Thi.; the wake is without a doubt another rine example or the co n l I n u i n g political p e r s e c u t i on instead or prosecution on the part ol the higher-up politicians whose the people's integrity and them eroding in conrldence of rapidly scandals rocking the Capitol alter the SEC investigation," said Donley, Accot0'.llng 11, Section 2 of the City Charter, at the time or his election to ofllce, a councilmnn "shall not tho in arrears payment ol .uny taxes or other liability due tlm city," to Article be in regarding Buller said he is studying the the question wording or the city charter provision and the nature or the sales lax, Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 61 of 10717Display Ad 206 -- No Title The Austin American Statesman (1973-1980); A VOTERS OF AUSTIN CONGRAIUIAIIONS FOR DOING SOMEIHING ABOUI fHf MESS AT CHY HAll AND THE OUTRAGEOU Sl Y HIGH UTILIIIES . IN A RECENT POll !AKEN Of PEOPLE COMING OUT Of ABSINl!E VOllNG - A GRIAI MAJORITY EX · PRESS!O DEEP DISSA IISfAC IION WITH PRESENI CONDI IIONS AND SIAIEO IHEY HAD VOTED 10 IHROW OUI IHE PRESENT OFFICE HOLD CONGRATULATIONS ERS . ALSO TO THE THOUSANDS MOU WHO ARE READY TO MARCH 10 THE POLLS SATUR DAY AND VOTE FOR A CLEAN SWEEP , HELP END THE MONEY· POWER BOYS ' REIGN - BY VOTING FOR PEOPLE POWER WITH POPULIST IRAYMOII> D!!!LlJR. AS MAYOR " · ,,1. u, ., II on1u,, Ill., UN,. 1,1 •lill , 0 11 LUC IS I-UII U . 1' 10 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 62 of 10717p r 4 , 1 9 7 5 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . 7 6 Send Flowers Share 1923 2014 Beresford Funeral Service 13501 Alief Clodine Rd Houston, TX BORN DIED FUNERAL HOME RECORDS Sponsored D View more records for DONLEY on MyHeritage ONLEY Jr., Raymond 63 of 10717Raymond Donley Jr., 90, passed away in Houston, Texas on September 23, 2014. He was born on September 26, 1923 in Tampico, Mexico to Raymond Donley Sr. and Delores Quiñonez Donley. He Was Just 3 Days Shy of Turning 91. He was in the U.S. Army during World War II, when he fought bravely at the Aleutian Islands. He had a Love for Ball Room Dancing, Politics and playing the Card Game Canasta. He was a resident of Houston, Texas at the time of his passing and always reminisced about his earlier years in Austin, Texas. He is survived by his Brothers, Manuel Donley, Edward Donley and Sister, Lupe Manchaca. Daughter, Beverly Cregar- Donley; Sons, Raymond Donley III, Dennis Donley, and Billy Donley; three grandchildren and two great- Graveside Services and Interment will be at the Houston National Cemetery on Monday, September 29, 2014 at 9:30 grandchildren. AM. Beresford Funeral Home http://www.beresfordfunerals.com/ They are located at 13501 Alief-Clodine / Houston, TX 77082 / Ph: 281.933.9090 Published by Austin American-Statesman from Sep. 28 to Sep. 29, 2014. 64 of 1071765 of 1071766 of 1071767 of 1071768 of 107174/19/22, 1:27 PM Beautiful Songs and Good, Heavy Sounds - Music - The Austin Chronicle https://www.austinchronicle.com/music/1998-11-27/520687/ Beautiful Songs and Good, Heavy Sounds BY BELINDA ACOSTA, NOVEMBER 27, 1998, MUSIC photograph by John Carrico There are people who remember when Sixth Street was Mexican. Before the calle ancho (I-35) appeared, and even some time after, the Sixth Street that was Mexican didn't end at San Marcos street. It continued west through Sabine, Red River, Neches, Trinity and San Jacinto, ending at Brazos street. Today's Sixth Street is what tourists and college kids "do." It's a pulse point for South by Southwest, Halloween, and New Year's Eve street parties, and where UT football fans converge to celebrate victories or drown their defeats. But when Sixth Street was Mexican, it was different. Though its existence was as much the result of segregation and containment as necessity, it was also a vital hub of social activity, where gente who worked as porters, dishwashers, bus boys, and maids, along with field workers from Taylor, Bastrop, Manor, and other outlying areas converged on Sixth Street every weekend to take care of business. The señores would have a drink or two (or three) in a cantina, get a haircut, buy a tool, a new shirt, or a pair of shoes. The señoras went shopping at Piggly-Wiggly on the corner of Sixth and Red River for the week or the month, depending on how much there was to spend and how long it had to last. Children tagged along, eavesdropping on adult talk, or escaped in search of their own fun. Young people came to Sixth Street to check out the scene and each other, and the old people watched it all over coffee and pan dulce. https://www.austinchronicle.com/music/1998-11-27/520687/print/ 1/8 69 of 107174/19/22, 1:27 PM Beautiful Songs and Good, Heavy Sounds - Music - The Austin Chronicle When Sixth Street was Mexican, nightfall didn't put it to sleep. Clubs like Los Cuatro Copas, El Gato Negro, Blue Sky, Dante's Palladium, the 609 Bar, the Brazos Bar, the Austin Bar, and Rio Rita were havens for people who worked hard during the week and came to Sixth Street at night to relax, drink, dance, and listen to music. "This street was the mecca of orquesta in Texas, right here in Austin, Texas," says Manuel "Cowboy" Donley, nodding toward the present-day Sixth Street outside the Hernandez Cafe near Sixth and Waller. "We'd have musicians ó good musicians ó come from all over: Houston, San Antonio, Corpus. Back then, it was songs, beautiful songs, and good, heavy, original sounds." For Donley, "back then" means the Forties and Fifties, and when he says the musicians were good, he should know. He was one of them. A composer, arranger, and performer, Donley is considered a pioneer of Tejano music, the hybrid of American pop forms like big band and rock & roll, with traditional Mexican conjunto. While he does not have the mainstream recognition of Tejano musicians like Little Joe Hernandez, Ruben Ramos, or Freddie Fender, one thing is clear: The Sixth Street of Donley's youth ó now situated as the Eastside of Austin ó has never forgotten him. When the dapper 70-year-old musician entered the Hernandez Cafe for this interview, he was greeted with friendly nods and handshakes, and addressed with the ultimate of sign of respect: Maestro. Donley was born in Durango, Mexico in 1928. He moved to Austin with his family at the age of seven. He took an early interest in music, following the lead of his father, a classically trained violinist who once played with the Durango Symphony. By day, Donley's father was a barber, but at night, he led his band, La Orquesta de Ramon Donley. The young Donley began his apprenticeship as a musician hanging out in his father's barbershop, where musicians were as likely to come by for a haircut as they were to break out a fiddle or accordion for a couple of tunes. By the time he was 11, Donley had taught himself how to play the guitar and later, the requinto (a type of six-string guitar). At 17, Manuel and his brother Robert were playing informally for church festivals and street fairs. "It was usually, 'Hey, you want to play? You know this song? Okay, okay, let's do it,'" chuckles Donley. In 1949, the 21-year-old Donley formed Los Heartbreakers, the first Mexican-American band to play rock & roll and rhythm & blues in Austin. They played all the Sixth Street clubs and at Parque Zaragoza, a popular venue for the biggest Mexican-American bands of the day. But it was the orquesta music of the early Forties that captured Donley and led him in 1955 to form his own orquesta, Las Estrellas. Not content to simply reproduce what had been done before, Las Estrellas infused Mexican rancheras, polkas, boleros, and ballads with expressive horn arrangements, influences such as big band, rock & roll, and rhythm & blues obvious in the band's music. It was during the early days of Las Estrellas that Donley earned the nickname, "Cowboy," given for his performance style of standing near the front of the stage like country & western singers, instead of sitting behind a music stand. On the surface, the gesture seemed innocuous, but it turned out to be a symbolic breakdown of the barrier between "high" class and "low" class. "You cannot underestimate what that did," says Isidoro López, a longtime Austin-area DJ. "That [performance] style made it more loose, made [Las Estrellas] more accessible to the public. It also helped break the stereotype of orquesta music being rigid. You have to remember, we were all working people, blue collar workers ó it was a question of attitude and perception. Manuel and others before him took the best of both worlds: the sophistication https://www.austinchronicle.com/music/1998-11-27/520687/print/ 2/8 70 of 107174/19/22, 1:27 PM Beautiful Songs and Good, Heavy Sounds - Music - The Austin Chronicle of orquesta and the enthusiasm of conjunto. The result is Tejano." The original Las Estrellas were six, including Rudy Sánchez, Joe Sánchez, Andrew Zuniga, Emilio Villegas, Mike Amaro, and Donley. Like many Tejano musicians, they were all self-taught, with one important difference: They knew how to read music. As the group's arranger, Donley taught himself to write music. "We forced ourselves to learn how to read and write," says Donley, "in an impressive way, you know, so we could attract good musicians. There were guys coming through who played with Stan Kenton, Harry James, Pérez Prado, Luis Alcaraz ó guys involved in world-wide orquestra. Also, there were a lot of music majors at UT, good readers, good musicians from all over the country. Horn players were in abundance. At times, I had gringos and some blacks sitting in with us, good musicians from all over the country who could cut it." https://www.austinchronicle.com/music/1998-11-27/520687/print/ 3/8 71 of 107174/19/22, 1:27 PM Beautiful Songs and Good, Heavy Sounds - Music - The Austin Chronicle Eventually, Las Estrellas grew to 12 musicians with four trumpets and four saxophones. Fred Salas of San Antonio ("he was a genius"), Luis Guerrero, Fernando Villareal, Roy Montelongo, Nash Hernandez, Edward Coronado, Manny Guerra, and Homer Salinas were a few of the prominent musicians who played with Las Estrellas. "That's one of the things about the band," says Leon Hernandez, owner of the Hernandez Cafe and a longtime friend and admirer of Donley. "There would be a lot of musicians that Manuel would bring in, break them in, and then they'd go play with other groups or start their own bands." Donley expresses no hard feelings for this fact of music life. One thing that becomes clear when talking with Donley is that he's apt to praise the accomplishments of the musicians he's worked with more than his own. This is not so much humility, it seems, but a devout appreciation for fine musicians and the music they make, along with a sense of accomplishment for having worked with them. "Homer [Salinas] had two degrees in music, but was a UT law student when he played with me," Donley recalls. "He played with Luis Alcaraz, and did some recording with him, and even sat in with Stan Kenton and Harry James." Salinas was the soloist in the Pérez Prado 1955 instrumental, "Cherry Pink and Apple Blossom White." "With Homer Salinas, it became a big, big hit. Now, it's a classic." Attracting talented musicians to Las Estrellas encouraged Donley to write arrangements that featured their talents, and in doing so, demonstrated his own talent for creating complex harmonies for several horns, guitar, bass, and other instruments as needed. "I wrote dozens and dozens and dozens, maybe even a hundred arrangements," Donley estimates. When asked just how many instruments he can play, he's characteristically self-effacing. "Real good? I don't play any!" He laughs. "No, I guess you can say I know the fingerboard of just about every instrument. I have to know the depth of an instrument as an arranger. I have to know the trombone, how it sounds where I want it to sound, and the flutes, the clarinets, the altos, your trumpets and treble horn. When you do orchestration, that's something you have to learn. And then the guitar itself, it has such a wide range." San Antonio musician Fred Salas played with Las Estrellas for three years, and is another of the musicians Donley regards as one of the most talented with whom he has worked. "He would come to my house and we would hang around and then I'd catch him with all my arrangements spread out on the floor, and he said, 'Some https://www.austinchronicle.com/music/1998-11-27/520687/print/ 4/8 72 of 107174/19/22, 1:27 PM Beautiful Songs and Good, Heavy Sounds - Music - The Austin Chronicle people say you're lazy. How'd you manage to write all this?' That was flattering." Again, Donley laughs. "I've never known as complete a musician as Fred Salas. He was the one who played the keyboard on Freddie Fender's 'Before the Next Teardrop Falls.' We were buddies. He was always at my house on Monday morning, ready to get the lowdown on everything that happened over the weekend." Donley and Las Estrellas cut their first single in 1955 on the Crescent label with "Lluvia en Mi Corazon" and it quickly became a hit. Another hit, "Flor Del Rio," came in the early Sixties, and is credited with inspiring parents to name their newborn girls 'Flor.' Because Mexican-American or Spanish language music was unrepresented in the mainstream recording industry, a cottage industry of small record labels began to emerge throughout Texas ó Corona in San Antonio, Valmon in Austin, El Zarape Records in Dallas, Disco Grande, Nopal, Crescent, and many, many others. All were catering to an ignored but hungry audience. The process was no-frills. When a band like Las Estrellas came to town, a record label owner (sometimes with connections to a small radio station) would offer a one-time fee to cut a single or an entire LP. It was quick pocket money up front, but with little or no return from subsequent sales. Yet, this makeshift approach of making a few hundred platters and broadcasting them where Mexicanos were most likely to see and buy them was an important marketing aspect for musicians whose success largely relied on word of mouth. It also made the albums a precious cultural commodity. Leon Hernandez remembers when Las Estrellas's Flor del Rio was cut. "The band was going to play in Seguin, so I said to Cowboy, let's take a couple albums to Rosita." Rosita Ornelas hosted a Sunday afternoon radio program featuring Tejano music, a new and growing occurrence in the Sixties. one is for me to take home!'" "We took her two albums, and I said, 'Rosie, this one's for the station ó and before I could finish, she said, 'And this Few commercial radio stations would play Tejano music, but during the Sixties, small stations began allowing more and more air time, providing another vital link between musicians and their audience. Cowboy Donley y Las Estrellas toured Texas and points across the nation, recording dozens of 45s, vinyl, and even wax platters along the way. In 1978, they made their last recording. Though Donley continued to perform, with and without Las Estrellas, they lost widespread visibility, particularly in the then-exploding Tejano music industry. "All these things were happening at once," explains Isidoro López. "You had the newer generation of Tejano musicians performing and recording. At first, only a few radio stations might give an hour to Tejano music. Then, all https://www.austinchronicle.com/music/1998-11-27/520687/print/ 5/8 73 of 107174/19/22, 1:27 PM Beautiful Songs and Good, Heavy Sounds - Music - The Austin Chronicle of a sudden, you had whole stations with a Tejano music format. Promoters were taking chances on the 'new' sound, and recording and getting airplay was real important." By the late Seventies, Tejano music had finally caught the attention of the music industry. Labels like Arista, Sony, and EMI created whole divisions devoted to Tejano or Latin music, and began to pour money into new, young musicians who could appeal to a young and more affluent audience. By the time Tejano music finally began to take off, Manuel Donley was 50. Though many of his early compositions are performed and recorded by a newer generation of Tejano musicians including Ruben Ramos and Nash Hernandez, the use of horns, and more importantly, the complex horn arrangements Donley created, were being diluted or dropped altogether. "Manuel's music, even when it gets complex, he keeps it harmonizing at fifths and thirds and so on," says Luis Zapata of Gatopardo Productions, who first encountered Donley's music in 1995. "But when other groups try to do his music, the layers disappear because they can't keep it up." "Nowadays, it's real hard to find a good horn player, because there's not much demand for them," says Donley. "The newer Tejano musicians are hardly utilizing the saxophone, the clarinet, the trumpet ó it's just keyboards and synthesizers and all that. The human element is gone." Zapata further points to the arrival of late-Seventies easy listening music as a factor in Donley's disappearance during the Tejano boom. "Easy listening is based on simplicity with arrangements that are easy to digest. Manuel never changed his sound. Not because he was an idealist, I think, but because it was natural for him to keep it. But the result was that [commercially], he stopped being popular." Raúl Salinas, an East Austin-born writer and activist, takes a more acerbic view. "I think Manuel got passed by because the music industry recognized a couple of marketing commodities and went for the trendy. This society goes for the fax copy, instead of the original, which is what Manuel is." The accordion has such a prominent place in the Tejano music of today, it's difficult to imagine Tejano music without it. That is, unless you're Manuel Donley. He does not use the accordion in any of his music and his opinion of it verges on blasphemy to today's Tejano music fans. "It's a bad, tonic instrument. It's not a legitimate instrument, [because] it's limited to one key. It's okay for rancheras and for playing at the rancho grande or los laureles, and that's about it. You have to have at least two or three octaves to play [music]. You have to have all 13 keys available, all flats and all sharps and all that. But an accordion? There's no way I could use an accordion." As the Tejano music industry was coming to a rolling boil, Donley's career cooled to a low simmer, and he directed his attention back where he began ó to the guitar and requinto. This time, his interest was not in nailing rock & roll riffs, but in continuing to master classical guitar. When bossa nova became popular in the late Seventies, Donley was in good form. https://www.austinchronicle.com/music/1998-11-27/520687/print/ 6/8 74 of 107174/19/22, 1:27 PM Beautiful Songs and Good, Heavy Sounds - Music - The Austin Chronicle (l-r) Leon Hernandez, Luis Zapata, y Manuel "Cowboy" Donley photograph by John Carrico "The first time I heard an Andres Segovia recording, I couldn't believe it," exclaims Donley about the Spanish classical guitar master. "I couldn't believe it was one man. Where did he get all those fingers? But being as ignorant and determined as I was, I said, 'Well, I have one mind, like he does, and I have 10 fingers, like he does.' So I forced myself to go buy some music and I learned all the scales. All those seven notes, I learned them inside out. I explored all the combinations. I said, 'Music can't be that complicated. It's only seven notes.' I forced myself to learn all the classics on the guitar." Donley has been fortunate to have made a living as a musician, even when his visibility had faded. Weddings and social functions keep him occupied, as well as teaching music classes at Huston-Tillotson College. Over the years, he's written music and arrangements for several movies, including Remember the Alamo in 1954, Los Imigrantes in the late Seventies, and local filmmaker Hector Galan's Los Mineros in the Eighties. Donley may have retired in relative obscurity had it not been for an empty stomach, an old jukebox, and a few loose coins. "How did I find Manuel?" asks Luis Zapata. "Here, [at the Hernandez Cafe], in that jukebox over there. I was out with some friends that had played at the Victory Grill, and we came here for some food. I saw his name and it automatically attracted my attention because of his name: 'Manuel,' which is Hispanic, 'Cowboy,' Western, and 'Donley,' Irish. I put some coins in and the music came out, and there was this sound, this big orchestra with all these horns and harmonies, and such a beautiful voice." A former intern with local indie Catfish Records, and now associate producer of Latin Alternative music with La Plaga Productions, Zapata was working on a special project and invited Donley to participate. The project was never completed, but it did get Donley back into the studio after a 20-year absence. With the support of Tary Owens, president of Catfish Records, Manuel Donley y Los Estrellas recently released their first CD, Adios Chiquita, Exitos de Ayer y Hoy. https://www.austinchronicle.com/music/1998-11-27/520687/print/ 7/8 75 of 107174/19/22, 1:27 PM Beautiful Songs and Good, Heavy Sounds - Music - The Austin Chronicle Zapata is hopeful that the new CD will bring Donley some much-deserved recognition and introduce him to new listeners. Although the nature of Tejano music, which Donley played a part in defining has changed, Donley's talent hasn't. "He's a true artist as well as a musician," says Zapata. "Which is allowing him to [make a] comeback.'" Is Donley, at 70, ready to kick his career into high gear again? The gleam in his eye says "yes." "I always wanted to do anything that could be done," says Donley, stopping to think a bit. "I always wanted to prove, to see if I was for real or not." It's time for the rest of the world to know what East Austin has always known about one of their own: Manuel Donley is for real. Manuel "Cowboy" Donley will perform at noon on Sunday, November 29 at El Gallo Restaurant in South Austin and Friday, December 4 at the Continental Club. For more information, or to purchase the CD, Adios Chiquita, call Luis Zapata at 512/302-5237. Copyright © 2022 Austin Chronicle Corporation. All rights reserved. https://www.austinchronicle.com/music/1998-11-27/520687/print/ 8/8 76 of 10717MÚSICA TEJANA AND THE TRANSITION FROM TRADITIONAL TO MODERN: MANUEL “COWBOY” DONLEY AND THE AUSTIN MUSIC SCENE by Evangelina Liza Fuentes, BA, MSIS A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in History May 2019 Committee Members: Jason Mellard, Chair Katharine Salzmann Dan K. Utley 77 of 10717V8U Evaliza Fuentes Manuel “Cowboy” Donley: Originator of Austin's Modern Tejano Music Scene Manuel Donley. Photo by Clay Shorkey. Courtesy of the Texas Music Museum. 78 of 10717Texas-Mexican music is a direct descendant of Spanish and Mexican music while also being a distinct regional form. Contemporary performances by tejano artists include electric instruments and reflect advances in audio technology. Yet, before the integration of amplification, artists performed música tejana with acoustic instruments.1 The first tejano musicians and ensembles to “go electric” V9U originated a new music scene and altered the sound experience of their audiences. This new scene developed after World War II as other music genres in the United States experienced similar sonic changes. Amplification moved the big band genre into rhythm and blues, while country music’s Western swing evolved into honky-tonk. The electric transformation of the guitar and bass fiddle into amplified instruments capable of producing augmented volume makes the electric guitar and bass mechanically separate from its acoustic equivalents.2 The expanded sound carried by electric guitar amplifiers along with the use of microphones meant that large ensembles of nine to twelve members could be brought down to six to eight. The youth of the 1950s witnessed these collective transformations and actively altered the dynamics of popular culture at a fundamental level. A generational shift occurred, and dated trends and practitioners became old-fashioned. Rock and roll, electric guitars, and youth symbolized the modern. Manuel “Cowboy” Donley is a trailblazer in tejano music who represents this moment of transition. As the arranger, guitarist, and lead vocalist for Las Estrellas (The Stars), Donley transformed música tejana from a traditional acoustic sound into the modern electric sound that dominates tejano music today. As a 2014 recipient of a National Endowment for the Arts National Heritage Fellowship, the NEA recognized Donley for his contributions to the ethnic American musical tradition of orquesta tejana. According to Donley, the modern tejano sound experience is electric, loud, amplified, energetic, confident, and bilingual, and he asserts that these sonic markers are a direct influence from rock and roll. Donley explains the effect on orquesta tejana: “A new sound . . . just the guitar with vocalist and lead on the guitar, you know. . . . They considered me a monster.”3 In Donley, tejano music welcomed its first electric guitar hero.4 79 of 10717of the electrification of guitar in blues, country, and rock and roll. Tejano music, like other ethnic music such as bluegrass, jazz, and blues, merits closer examination through its central position in the Texas music narrative and, by extension, the regional music of the Southwest and the national music of the United States. Through the incorporation of electrified instruments, música tejana embarked on a progression that parallels developments in Anglo- and African-American popular music. Amplification produced a sonic distinction and separated the ensemble instrumentation into the categories of modern electric and traditional acoustic. Manuel “Cowboy” Donley introduced the electric sound to the música tejana scene in Austin, Texas, in 1955, and his musical advances and extensive musical legacy assist in establishing a new narrative of the modern electric tejano scene’s origins and its accompanying cultural phenomenon in the 1950s. Donley’s story also underscores Central Texas as a major player in a conversation that has often focused on San Antonio, Corpus Christi, and the Rio Grande Valley. The Austin urban Early Las Estrellas Advertisement. Courtesy of Manuel Donley. Donley’s use of the word “modern” for the change in sound experience from acoustic to electric provides another perspective to the current scholarship that describes “modern” orquestas tejanas in terms of performing a bimusical repertoire that combines Anglo-American and Mexican-American musical cultures. The modern sound of música tejana is V10U Manuel “Cowboy” Donley is a trailblazer in tejano music. . . . As the arranger, guitarist, and lead vocalist for Las Estrellas, Donley transformed música tejana from a traditional acoustic sound into the modern electric sound that dominates tejano music today. fundamentally electric guitar, electric bass, and loud drums. Donley used these instruments along with the alto saxophone, tenor saxophone, and trumpet when he established his amplified orquesta tejana Las Estrellas in 1955 and created a sound distinct from his acoustic predecessors. This period of transition in the orquesta tejana ensemble from acoustic to electric prior to the introduction of the electric organ represents a lacuna in the existing historical narrative that merits attention and research to credit the groundbreaking efforts of Donley and his contemporaries. Currently, the popular discourse regarding the “pioneers” of modern tejano music begins with the 1960s and fails to account for the contributions of musicians in the 1950s. In academic circles, the impacts on música tejana of the electric guitar and electric bass as well as the popularity of rock and roll hits such as “Rock Around the Clock,” “Maybellene,” and “La Bamba” have yet to be fully uncovered. This gap in scholarship stands in stark contrast to the exhaustive treatment area supplies música tejana with creators such as guitarist and band leader Manuel “Cowboy” Donley and producers such as Ben Moncivais of Valmon Records. Little Joe Hernandez, the multi-Grammy-winning orquesta tejana icon from Temple, Texas, says of Donley, “He certainly was one of my musical heroes.”5 Performing artists from metropolitan areas of Texas such as Austin, along with the associated music industry, must be represented within the tejano music narrative. In 1955 when Donley electrifies música tejana, the switch reverberates throughout the entire genre in a revolutionary shift away from soft ballroom instrumentals to loud popular narrative music. This transition marks a milestone in the development and progression of música tejana, and at its center is Donley, a twenty-seven-year-old guitarist directly influenced by country music and rock and roll. As a product of the Austin tricultural soundscape, a bilingual Donley creates musical innovations within his Mexican-American bicultural identity in response to his lived experiences. In addition, he 80 of 10717seized the rock and roll music of a generation in their teens and twenties and fused that electric and sonic energy with música tejana. This new, original sound laid the foundation for the contemporary scene. A Sound Infuenced by the Austin Soundscape Donley is a cultural product of his geography, and his musical style reflects his lived experience. His family heritage is Tejano-Irish on his father’s side and Mexican national on his mother’s side.6 With his family’s arrival in Austin during his childhood, he became bilingual and bicultural, a resident of Mexico de Afuera.7 As a first-generation Mexican American growing up in East Austin, his Mexican-American neighborhoods bordered African-American neighborhoods. Manuel Peña, in The Mexican American Orquesta, uses biculturalism to refer to a synthesis of two cultures, American and Mexican, including “the most dynamic of all bicultural practices—bilingualism and bimusicality.”8 This concept has relevance for the experience of many Mexican Americans. Yet, Yolanda Broyles-Gonzalez’s discussion of cross-cultural musical bonding and interethnic musical conversations may be a better fit for the Mexican-American population in Austin in the 1950s. Broyles-Gonzalez describes how “musical languages have frequently crisscrossed cultural, ethnic, class, and supposed national borders—a testimony both to the lived proximity of diverse cultures and to the transgressive magnetism of musical cultures across social boundaries of class, ethnicity, gender, sexuality, and georegion.”9 Another explanation that is inclusive of the African-American cultural influences of a city like Austin on the music of a Mexican American like Donley is Jose B. Cuellar’s concept of transculturation as “the complex combination of synchronizing and synthesizing processes that adopt and adapt, meld and blend, combine and fuse diverse cultural elements into somewhat new cultural expressions in innovative and inventive ways.”10 The radio airwaves of Austin in the 1950s predominantly offered English-language programming, but Spanish-language broadcasting was also available on KTXN 1370 AM. Both radio and television broadcasted a tricultural mix of Anglo- and African-American with Mexican-Latin music. The cross- cultural Austin soundscape influenced Donley’s guitar sound, and his position as a guitar-playing bandleader meant that he stood out in an orquesta scene where other band leaders such as Balde Gonzalez, Beto Villa, Isidro Lopez, and Oscar Martinez played saxophone, clarinet, or trumpet.11 V11U Manuel’s father Ramón Donley with early band. Courtesy of Manuel Donley and the Texas Music Museum. Anglo Cowboys, Mexican Cowboys, “Cowboy” Donley How did Manuel Donley come to be called “Cowboy,” and what might the moniker tell us about mid-twentieth-century Texas? On the most basic level, the ranching and agrarian life in Texas links Anglos and Mexicans. Donley was raised in an urban area with strong connections to nearby rural spaces. Both orquesta band leaders and conjunto accordion players recognized his skill as a guitarist. In Texas-Mexican Conjunto, Peña separates the Texas-Mexican conjunto ensemble from the orquesta by class divisions, citing perceptions that orquesta was more “sophisticated” and “high society.” With its use of bolero and danzón, orquesta developed middle-class connotations, while conjunto maintained its working-class identity with música ranchera (country music) expressing “the existence of hacienda and rural life.”12 Broyles-Gonzalez discusses música ranchera as songs that signify “that rural place of origin, known as ‘el rancho,’ where we lived before we moved to the cities and where the people can trace their deepest roots: the land.” In that geographic space, communities were bound together by the subsistence farming of corn, squash, and beans and life in little houses.13 Yet, I extend that the “rancho” is not just a sociocultural origin but a life that is indivisible from music. Ranch living connects to lifecycle rituals built on a soundscape that accompanies birth, adolescence, courtship, marriage, and death. Birth has the mañanitas (morning songs). Courtship has serenatas (serenades), and death has la despedida (goodbye song).14 The songs of this life are not just rancheras (country songs); they are also romanticas (romantic songs). Even the most masculine of caballeros (horsemen) can get lonely on a self-sustained ranch, and their thoughts will turn to love and Manuel “Cowboy” Donley:Originator of Austin's Modern Tejano Music Scene81 of 10717companionship. The archetype of “El Caballero” of knightly legend who protects his home, his family, and his community and falls in love with a beautiful dama (maiden) encompasses the themes of both ranchera and romantica. So, the music of Donley’s youth combines the ranchera and romantica under the larger archetypes of “El Músico” (The Musician) and “El Caballero” within “The Hero” subtype of “El Charro Cantor” (The Singing Charro) represented in Mexico by Jorge Negrete and Pedro Infante and in the United States under the hero archetype of the “Singing because I love cowboys and they would always have a guitar and sing to a señorita. . . . Then I started playing the guitar and attracting girls.” When asked to remember a song that one of those cowboys would sing to a señorita (a single young woman), Donley started strumming and singing, “Deep within my heart lies a melody, a song of ole San Antone . . . rose of San Antone.” He continued, “I used to love country music . . . and I have the guitar and ‘Hey, leave that thing at home.’ Oh no, I love to carry the guitar around. I was about fourteen or fifteen and I start singing. They start ‘postero,’ All the people looked around and the guy said, “Cowboy? Cowboy? Cowboy?” because of the guitar. You know Gene Autry, Roy Rogers and all that, they all had a guitar. And that was the beginning of the name “Cowboy” Donley, right there on 6th and Comal. V12U Cowboy” represented by Gene Autry and Roy Rogers. A charro (Mexican horseman) differs from a cowboy in the charro’s participation in the charrería, the equestrian sports of Mexico upon which the North American rodeo is built.15 The film careers of these men represented a parallel cultural iconography that was available to Donley in two languages. The popularity of their films made movie stars of Negrete, Infante, Autry, and Rogers. Relevant to Donley’s formative years are Infante’s Los Tres García (The Three Garcías) in 1946 in which he sings a version of “Cielito Lindo” (“Lovely Piece of Heaven”), followed by Negrete in 1948 with Allá en El Rancho Grande (Out on the Big Ranch) with a performance of the song of the same name.16 The compelling similarities of ranch life brought the Spanish “Cielito Lindo”17 and “Allá en el Rancho Grande”18 into the singing cowboy repertoire as documented in Songs of the Wild West and For a Cowboy Has to Sing, respectively. Three of Autry’s films, Rancho Grande (1940), Down Mexico Way (1941), and The Big Sombrero (1949)19 have relevance with their inclusion of Mexican tunes and English versions of the Mexican boleros “Solamente Una Vez” (“You Belong to my Heart”) and “Maria Elena.”20 Rogers’s film Song of Texas features “Cielito Lindo” among other Western standards such as “Mexicali Rose.”21 Donley shared his own boyhood memories of these film stars and his desire to learn to play guitar: “Of course, I love cowboys, you know. I’d go to the movies. . . . Cowboys were my heroes, you know . . . and I start playing the guitar . . . cedar chopper, you know, postero, hillbilly, all kinds of different names, you know, but heck I didn’t care. I loved the guitar and songs.”22 I am not sure how many famous singing cowboys sang “San Antonio Rose” when it became popular, but what is certain is that Bob Wills and his Texas Playboys became “national figures in American music” in 1940 (Donley would have been twelve) when their recording of “New San Antonio Rose” received a gold record and their style began to be called Western swing.23 The story of how a teenage Donley received his moniker “Cowboy” makes perfect sense because none other than a singing cowboy would walk the streets of Austin with a guitar in hand: I was standing in front of Cisco’s bakery on 6th street with a guitar and Del Martinez came, “Manuel you turn right there,” and he said, “Cowboy” (in a loud voice) because of my guitar, you know. All the people looked around and the guy said, “Cowboy? Cowboy? Cowboy?” because of the guitar. You know Gene Autry, Roy Rogers and all that, they all had a guitar. And that was the beginning of the name “Cowboy” Donley, right there on 6th and Comal.24 Peña attributes the “rancheroization” of the orquestas in the late 1950s to Isidro Lopez, as he emphasized the ranchero elements of orquesta in ways that aligned the genre with working-class conjunto. Likewise, I argue that Manuel Donley’s 82 of 10717singing cowboy stage presence and caballero archetype superseded previous separations between working-class and middle-class and canciones rancheras and romanticas. Isidoro Lopez, a long-time Austin-area disc jockey, explained the moniker and change in music scene in a 1998 article: You cannot underestimate what that did. That [performance] style made it more loose, made [Las Estrellas] more accessible to the public. It also helped break down the stereotype of orquesta music being rigid. You have to remember, we were all working people, blue collar workers—it was a question of attitude and perception.25 The tejano community of Austin embraced “Cowboy” Donley through the undeniable mass appeal of the troubadour who tells his tales of home and love through song in dancehalls, bars, and ballrooms. Today, ranching traditions and cowboy images continue as a source of creativity in música tejana. Manuel “Cowboy” Donley – “The Hottest Guitar in Texas”26 Donley was born in Durango, Mexico, in 1928, and moved to Austin with his family when he was seven. His father, Ramón Donley, had a musical career in Mexico as a violinist with the Durango municipal symphony. In Austin, his father was a barber and a musician.27 His mother, Dolores Quiñones, loved opera, and her sister performed it.28 By age eleven, he had taught himself to play the classical guitar29 and then later the requinto, a guitar tuned a fourth higher than a standard guitar and invented by Alfredo Gil of trio Los Panchos for use in introductions and interludes as a lead instrument in a bolero trio ensemble. 30 Church festivals and street fairs were his performance venues with his brother Robert when he was seventeen.31 The bolero trio genre is of particular interest to this study, with Donley’s primary instrument in his formative guitar stage being the requinto. He also credits the early development of his requinto guitar stylings to the mentorship of the members of Trio Latino that included Tomás Rivera, Ike Puente, and Trini Estrada.32 This group mostly covered songs by trio Los Panchos, a bolero trio formed in 1944 in New York City by Mexicans Jesús “Chucho” Navarro and Alfredo “Güero” Gil, and Puerto Rican Hernando Avilés.33 Yolanda Moreno Rivas recognizes the profound impact of Los Panchos: “El año 1948 marco la aparicion de Los Panchos y el principio del apogee de los trios. El predominio de las suaves voces masculinas, las guitarras V13U Manuel Donley. Courtesy of Manuel Donley. y el inflatable requinto creo un nuevo tipo de bolero y de cancion romantica (The year 1948 marked the appearance of Los Panchos and the beginning of the rise of the trios. The prevalence of soft masculine voices, the guitars, and the inflatable requinto created a new type of bolero and romantic song).”34 In 1949, Donley formed Los Heartbreakers and performed mostly instrumentals until a gig at Parque Zaragoza in Austin. A reluctant Donley sang “La Mucura” (“The Earthenware Jar”), a popular Colombian cumbia, for a demanding crowd. He shared with Juan Castillo, “There I became famous, but I never wanted to be a vocalist. The guitar, that was my passion.”35 In his text La Canción Mexicana, Vicente Mendoza remarks that “el instrumento favorito para el acompañamiento de la cancion es la guitarra y así debió de ser desde los principios (The favorite instrument for the accompaniment of the song is the guitar and it has been that way since the beginning).”36 After Donley’s breakthrough performance, he played with as many bands as he could while still being available for Los Heartbreakers.37 He could be found sitting in with the Ruben Perez orquesta, Conjunto Cielito Lindo, and the Brazos Bar musicians.38 It was during this time that Donley “bought an old pick-up in a second hand shop and put it on an acoustic guitar and made it electric.”39 His association with a variety of ensembles reveals Donley’s enthusiasm for his instrument and eagerness to advance his musicianship. Donley attributes his decision to switch to electric guitar to his skill on the requinto and the opportunity to display his flair: “No one else could do all the pickin’. They would strum.”40 In addition, this genre diversity demonstrates that he was performing outside the socio-economic class distinctions of middle-class orquesta and working-class conjunto theorized by Peña. Manuel “Cowboy” Donley:Originator of Austin's Modern Tejano Music Scene83 of 10717band, and country standards into his style.45 Donley made his own musical arrangement of “Blueberry Hill” for live performances.46 In 1955, Bo Diddley featured the syncopated percussive rhythm known as the “hambone” rhythm in his song “Bo Diddley,” and Little Richard recorded “Tutti Frutti,” which entered the charts by the end of the year. Chuck Berry’s “Maybellene” became a number one hit on the rhythm and blues chart and number five on the pop chart in 1955. Berry authored songs for teenagers with stories of school, automobiles, and love, and his electric guitar solos set a new standard for all who came after him.47 In the 1950s, young people were drawn to musical groups that spoke to their high school experiences, and they developed an intimate bond with the music.48 Donley also enjoyed Bill Haley and Larry Williams, and popular songs like “C. C. Rider” and “Mop Rag Boogie.”49 Bill Haley’s “Rock Around the Clock” in 1955 was the first rock and roll song to reach number one on the pop chart, which marks a pivotal moment for rock and roll entering the mainstream. He also had five songs on the rhythm and blues chart, which supports the view that rock and roll as a genre broke down social barriers during the 1950s.50 Donley’s love for these early rock and roll records and the influence of the resulting youth culture were timely in the establishment of his own orquesta. On Friday, May 15, 1959, Austin’s new Crescent record label debuted their first recording with Donley and billed him as “The Hottest Guitar in Texas.” With this advertised proclamation, Donley emerged onto the Texas music scene as an artist to watch. The record release party, which offered one free record to the first one hundred girls at City Coliseum, was titled “PAN AMERICAN FIESTA-DANCE AND FROLIC.” Donley and Las Estrellas were promoted as “2 BANDS IN ONE, Playing Rhumbas, Mambos, Cha Cha Cha, and a Long Selection of ROCK AND ROLL.”51 The advertisement also includes the address for Car-Val Studios as 906 1/2 Congress Avenue along with ticket information. Donley made the Crescent recording for Irene Couravallos, who owned the studio on Congress Avenue. According to Donley, she contacted representatives from New York, and they brought the sound recording equipment necessary to create 45 rpm records. She is listed as the songwriter for the bolero cha cha “Lluvia en Mi Corazon” (“Rain in My Heart”), which is backed with the polka “Quizas Tengas Razon” (“Maybe You’re Right”), written by Fred Salas. The label also designates the publisher as Car-Val Pub.52 However, the Crescent recording was not Donley’s first experience in a studio. In 1953, he recorded “Conjunto Cielito Lindo,” which consisted of Julio Ramirez on accordion, the Flores brothers— Cresencio “Chencho” on guitar and Frank on bajo sexto, V14U Manuel Donley y Las Estrellas Orquesta, “Lluvia en Mi Corazon” on Crescent Records. Courtesy of Manuel Donley. According to Sarah Wimer, Donley “made his first electric guitar using a single-edge razor to carve the body and attaching the fret board from a broken instrument.”41 While not an exact match to Les Paul’s story behind the creation of his electric guitar, “the Log,” which was made of a four-inch by four-inch strip of wood, an Epiphone guitar neck, and pickups, both stories demonstrate a capacity on the part of the musician for “do-it-yourself ” construction.42 When asked why he constructed his first electric guitar, Donley’s response was economic in nature: “Because Fender guitars started at $300.”43 Donley was also passionate about rock and roll, citing Fats Domino, Little Richard, Bo Diddley, and Chuck Berry as his favorites.44 Fats Domino appeared on the pop chart in 1952, and by late 1956 “Blueberry Hill” climbed to number two. Domino recorded his own songs and arranged pop, big Manuel Donley y Las Estrellas Orquesta, “Quizas Tengas Razon” on Crescent Records. Courtesy of Manuel Donley. 84 of 10717V15U Manuel Donley y Las Estrellas. Courtesy of the Texas Music Museum. Gaitano Rodriguez on upright bass, and Donley on requinto. They traveled to San Antonio for a session with Manuel Rangel, Sr. at Corona Records.53 Establishing Las Estrellas and the Creation of a New Music Scene English literary critic Raymond Williams offers a useful model for thinking through historical shifts in music genres as cultural formations, as he argues that any cultural moment witnesses an overlapping of dominant, residual, and emergent forms. The residual elements of culture contain characteristics of the past, while the dominant maintains the present, and the emergent puts forth new ideas.54 This framework can be applied to música tejana, our discussion of the orquesta ensembles, and the accompanying stylistic changes introduced by Donley. The orquestas tejanas were products of their post- World War II time and emerged to replace the dominant orquestas típicas of the late 1930s and early 1940s. This tejano form of the orquesta then dominated the scene and influenced música tejana, leaving the orquesta típica in the residual past. Then in 1955 with the introduction of the electric guitar— Donley’s moment—the modern electric orquesta emerges. As the modern electric sound rises to the dominant culture, the traditional acoustic orquesta falls into the residual space. This process of recognizing cultural moments as dominant, residual, and emergent forms disrupts the periodization that dominates the literature on Texas-Mexican music, most notably the works of Manuel Peña and Guadalupe San Miguel. In Tejano Proud, San Miguel identifies two eras during our period of study as “Post-World War II Developments, 1946-64” and “Before the Arrival of the Major Record Labels, 1964-89.” Following the Williams model, Donley and his contemporaries who originate the modern electric sound constitute a distinct era, a period from 1955 to 1964 during which they emerged onto the music scene and dominated the sound while acoustic orquestas drifted into the residual past. The next newcomers, Little Joe and Sunny Ozuna, with their tejano music market breakout Manuel “Cowboy” Donley:Originator of Austin's Modern Tejano Music Scene85 of 10717V16U Lalo Campos Talent Show. Manuel Donley with the Nemecio Carmona Orquesta. Courtesy of Manuel Donley and the Texas Music Museum. hits “Por Un Amor” (“Because of a Love”) and “Cariño Nuevo” (“New Sweet Love”) in 1964, respectively, appeared on the scene and initiated the decline of the 1950s originator groups. Little Joe’s biggest hit “Las Nubes” (“The Clouds”) in 197255 marks his supremacy until 1977 when Mazz emerged with the release of their first album with Cara Records.56 So, I propose that the two periodizations, 1946-64 and 1964-89, should be expanded to four, 1946-55, 1955-64, 1964-77, and 1977- 89, which more accurately reflect cultural developments and musical innovations while making space for the trailblazing efforts of the modern electric groups from the 1950s. Throughout the late 1940s and early 1950s, Austin had multiple orquestas tejanas that reproduced a big band sound with a soft rhythm section and acoustic string instruments. These orquestas included the E.R. Flores Orquesta, Ruben Perez Orquesta, Laurence Salas Orquesta, Nemecio Carmona Orquesta, Chano Carmona’s Orquesta Caribe (Caribbean Orchestra), Catarino Rios Orquesta, Matias Velasquez Orquesta, and Nash Hernandez Orquesta. Most of these orquestas used stock big band arrangements or traveled to the Acosta Music Company in San Antonio to purchase popular sheet music performed by orchestras in Mexico.57 In photos from the Texas Music Museum, both guitarist Donley and drummer Emilio Villegas (with a drum set including bass, snare, high hat, cymbal, and possibly toms or bongos) are members of the Ruben Perez orquesta in 1953. The picture shows one microphone and additional band members in the back row, including Andrew Cantu (trumpet), Manuel Espinosa (trumpet), Mike Espinosa (stand-up bass) and in the front row, Manuel Sifuentes (sax), Ruben Perez (sax), Ernest Perez (sax), and Carmen Perez (maracas and vocal). Donley is also pictured as a guitarist with the Carmona Orquesta (with one microphone) whose band members include Salvadore Reyna, E.R. Flores, Victor Lozano (all on trumpet), Chris Carmona, Chano Carmona, Nemecio Carmona (all on sax), with Macario Carmona (bass drum, snare, possibly more), Albert Amezquita (piano), and Mike Carmona (unable to determine).58 Donley and Villegas as members of orquestas tejanas were participants in the acoustic orquesta music scene and not only witnessed the transformation into the electric era but were instrumental in the creation of a new ensemble style: orquesta amplificada. 86 of 10717In 1955, Donley formed his own orquesta, Las Estrellas, driven by his new electric guitar sound. The self-taught guitarist also studied music theory and wrote most of the group’s musical arrangements. The original Las Estrellas were Rudy Sanchez (tenor sax), Joe Sanchez (alto sax), Andrew Zuniga (trumpet), Emilio Villegas (drum set), and Mike Amaro (electric bass).59 They were also self-taught and knew how to read music. The musical knowledge of the group allowed Donley to create expressive horn and saxophone arrangements for traditional Mexican rancheras, polkas, boleros, and ballads using American influences from big band, rock and roll, and rhythm and blues.60 Donley also changed the instrumentation of orquesta by “plugging his guitar into an amplifier, replacing the stand-up bass with an electric one and brush drums with drumsticks.”61 bass, Amaro shares that “the bass is driving the music . . . the dancers and all that.”65 Donley’s fans adopted the new loud, modern sound, and soon the group was in demand across Central Texas. As word spread, other bandleaders came to see Las Estrellas and incorporated Donley’s ideas into their own acts.66 Among these bandleaders were Manny Guerra from San Antonio and Johnny Canales from Corpus Christi.67 The band’s fame grew, and so did their tours of the state, from Dallas to the Rio Grande Valley.68 Beto Villa himself even contracted Las Estrellas to perform for New Year’s Eve in 1958 and 1959 at the Beto Villa Ballroom in Falfurrias, Texas. As his musical career progressed, Donley eventually had youngsters such as Sunny Ozuna, Freddie Martinez, Juan Perez, Oscar Martinez, and Johnny Herrera as his opening acts.69 Donley’s ensemble followed San Miguel’s description of post-World War II orquesta tejana with its continuing reliance on the saxophone.62 However, Donley emphasized Mike Carmona, while not an original member of Las Estrellas, performed with Donley in the early years. As a music historian, Carmona affirms that Manuel “Cowboy” Donley and Las Donley and Villegas as members of orquestas tejanas were participants in the acoustic orquesta music scene and not only witnessed the transformation into the electric era but were instrumental in the creation of a new ensemble style: orquesta amplificada. V17U the amplified guitar and bass as the sonic markers that distinguished his group from the contemporaneous orquestas of Beto Villa and Isidro Lopez. The use of electric guitar in his own band was complemented by the incorporation of electric bass. Donley explains the stand-up bass “would not produce the clear note to make a harmony with the electric guitar.”63 According to Mike Amaro, a guitarist who first met Donley in 1945, Donley approached him about playing the upright bass for Las Estrellas, but without any knowledge of the upright bass, Amaro declined. Then Donley suggested he consider helping them out by purchasing an electric bass. Amaro agreed and went to J.R. Reed Music Company at 902 E. 5th Street, where he financed an electric bass and amplifier. Prior to joining Las Estrellas, Amaro had performed trio style with Donley for occasional gigs. In teaching himself the electric bass, Amaro applied his guitar knowledge, relating the four strings of the bass to the top four strings of the guitar. He explains, “So I just put it in my mind that I’m going to play it like it’s a guitar.”64 In discussing the function of the Estrellas revolutionized modern tejano music by shifting the orquesta tejana paradigm to a unified rhythm section built on the electric guitar, electric bass, and drums. Carmona also attributes the key elements of modern tejano music to Donley y Las Estrellas through the distinct guitar style of Donley, the shortened separated bass notes of Amaro, and the high-hat/ snare combination of Emilio Villegas and positions this sonic arrangement years ahead of Little Joe y La Familia, the iconic orquesta tejana of the 1960s.70 In addition, Carmona extends Donley’s innovations beyond orquesta tejana to tejano music in general by differentiating multiple characteristics between his band and other contemporaneous groups. Beto Villa, Balde Gonzalez, and Isidro Lopez relied on fifteen to twenty members, the stage delivery of the big band era with musicians sitting down, long versions of instrumental tunes, predominantly ballroom dance rhythms such as danzón and waltz, and jazz compositions by Glenn Miller and Tommy Dorsey. Donley, however, featured six members, the stage delivery of country and western performers with musicians Manuel “Cowboy” Donley:Originator of Austin's Modern Tejano Music Scene87 of 10717V18U standing up, adaptations of popular music, predominantly social dance rhythms such as polka and bolero, and American rock and roll.71 When asked about the competition from other orquestas in Austin regarding Donley’s new sound and rhythm combination, long-time friend and former dance promoter Leon Hernandez emphasized the profound influence of Donley’s sound: Everybody picked it up. All the bands. Fred Salas, I mean Laurence Salas, even the conjuntos that were around. The people that were playing in the bars, ‘cuz there was fifteen bars downtown, each one of them had a dance every Saturday night. They all had their bass guitars, their drums, guitar, and accordion and they all picked it up quick. . . . Conjunto . . . didn’t have no drums, it didn’t have no guitar (electric), it only had the accordion, it didn’t have no bass. It was accordion, guitar and tololoche (stand-up bass) the three, that was a conjunto.72 In this account, Hernandez designates Donley as the originator of the modern electric tejano sound in Austin. The popularity of Donley’s amplification of the guitar and bass in combination with the drum set moved across the tejano music ensembles, from orquesta to conjunto. In addition, Donley’s incorporation of the rock and roll rhythm influenced conjunto music as well. There would be no need for a drum set without implementation of the kick drum on the downbeat and the high hat/snare combination on the upbeat. Donley shifted the entire sound of tejano music in Austin as musicians reproduced his new style. While prior to the 1950s, orquestas may have existed on both sides of the US-Mexico border, Reyna discusses factors such as music education in public schools and lack of financial resources as reasons for the lack of development of the same type of orquesta to develop in Mexico. The equivalent of the modern orquesta tejana does not exist in Mexico, which makes it a musical ensemble distinct to the tejano community.73 Donley and his contemporaries originated a uniquely Texas- Mexican musical form. The “Places” of the Austin Tejano Music Scene The late 1950s offered unique entertainment for Mexican- American music fans. The popular bands competed at various venues for the crowd’s affection in battle dances. Donley’s Las Estrellas participated in these contests and were often victorious. A particularly significant battle dance took place at the Skyline Club in 1957. The country venue on North Lamar at Braker Lane (infamous as the site of the last concerts of both Hank Williams, Sr. and Johnny Horton) hosted Mexican dances on Sunday nights. This particular battle dance featured the popular orquesta of Isidro Lopez from the Corpus Christi area alternating songs with “Cowboy” y Las Estrellas.74 Lopez’s ensemble consisted of four saxophones, four trumpets, piano, upright bass, brush drums, and soft electric guitar.75 Las Estrellas was comprised of an alto saxophone, tenor saxophone, trumpet, drums with sticks, electric bass, and Donley on loud electric guitar. In the first round, the groups were evenly matched, playing ranchera-ranchera, polka-polka, bolero-bolero and singing in Spanish. After intermission, Las Estrellas started singing in English with a rock and roll song. Lopez could not compete since he did not have any rock and roll material prepared. Las Estrellas won the battle.76 From this moment on, música tejana would never be the same. The influence of rock and roll demanded the incorporation of loud drums with sticks and an emphasis on the upbeats, metal mouthpieces for the saxophones, and amplification for the guitar and bass. The performance style of Las Estrellas also had to change from soft and shy to loud and happy. They created “un ruidoso (a huge noise) that attracted the teenyboppers.”77 Compared to the loud electric sound of Las Estrellas, Isidro Lopez with his sophisticated ballads and soft rhythm sections appeared outdated and old-fashioned. With the establishment of this new tejano music scene, members of orquestas tejanas experienced the transition from a traditional acoustic to a modern electric sound, as did the Mexican-American population of Austin. Del Martinez, the local promoter who gave Donley his moniker, arranged for them to perform regularly at the Skyline Club for its Spanish- language Sunday nights.78 Lalo Campos would make the arrangements for Club Avalon.79 They also made appearances at the City Coliseum and a place near Round Rock called “The Barn.”80 Just as Donley’s music began to raise a “ruidoso,” youth social dance styles based on the modern rhythms of rock and roll, honky-tonk, and rhythm and blues began to usurp traditional, adult ballroom styles. By way of live performances of popular hits in English, these 1950s orquestas amplificadas may be key precursors of the English-dominant recordings by artists of the 1960s Chicano soul genre. Donley and his orquesta are also the beginning of the all-in-one modern dance band in tejano music. Donley’s combination of electric guitar, electric bass, and drums in his ensemble gives him the flexibility to duplicate a varied repertoire in English that follows the multiple popular music charts while continuing to adapt Mexican- and Latin-American popular hits into his tejano aesthetic. Donley’s genius was his ability to relate 88 of 10717V19U Manuel Donley y Las Estrellas. Courtesy of Manuel Donley. in performance and on record to a bilingual, multicultural Mexican-American teenager or young adult whose musical tastes were informed by the diverse offerings of urban Texas radio. Amplifcation and Música Tejana According to Donley, “Amplification changed everything.”81 This statement does more than capture a moment in time. The single largest benefit of amplification is the increase in volume produced by the musicians, especially in a dance hall filled with noisy patrons in which the new “sonido moderno” (modern sound) could easily be twice as loud with half the previous number of musicians. Smaller groups had advantages for conducting the band’s business and organizing travel. Additionally, Amaro’s electric bass performance may have made tejano music history. Amaro recalls how “they told me that I was the first electric bass player, Mexicano aquí en (here in) Austin.”82 With Donley and Amaro playing amplified guitars, Las Estrellas became the first modern electric orquesta tejana in Austin and originated the modern electric tejano scene. Amaro also points out, “We were lucky. People liked it the way Manuel changed it. The small group doing big things, you know.”83 David Gutierrez, who performed with Donley from 1964 to 1970, explains that “the rancheras of Jose Alfredo Jimenez with mariachi and the boleros of Trio Los Panchos were converted to orquesta style.” Music was changing from the old style of instrumentals, danzónes, and waltzes to the new style of vocal tunes, polkas, and rancheras.84 Rudy Sanchez, the original saxophonist in Las Estrellas, first noticed Donley’s singing voice when he sang the hits of Fats Domino and Little Richard.85 Carmona recalls that “Manuel was a sensation—The Rolling Stones of Tejano.” Las Estrellas placed the spotlight on the lead singer, and their shows drew young audiences. Many older orquestas could not keep up with Las Estrellas, and some retired. Younger orquestas either adapted to the new standard created by Donley or gave up. Fans and supporters liked the new music and stopped following the old sound.86 While Donley innovated with his incorporation of African-American influences, he also continued to deliver música en español as the majority of his playlist, adapting versions of Los Panchos and Jose Alfredo Jimenez hits into an orquesta amplificada format. The incorporation of the electric guitar into Mexican- American orquestas represents the next step in a long line of music that has continuously featured string-led melodies Manuel “Cowboy” Donley:Originator of Austin's Modern Tejano Music Scene89 of 10717V20U and harmonies stretching back to Mexican folk traditions. The amplified “voice” of the electric guitar breathes new life into those traditional acoustic mariachi standards which often showcase violin or harp, and it also finds new modern creative expressions through processes of cross-cultural musical bonding, interethnic musical conversations, and transculturation. Donley heard electric sounds from both Anglo- and African-American communities and plugged those sounds into the canciones rancheras and romanticas that are part of his repertoire as an experienced orquesta tejana guitarist and reinterpreted them in his own modern electric style. As Leon Hernandez commented, the conjuntos tejanos adopted amplification to maintain their viability in a music market with a finite number of bars.87 In this blossoming moment of rock and roll hitting the mainstream, the lines of influence are fluid and dynamic. Manuel Donley as a Recording Artist In the two decades following World War II, local companies developed for the primary purpose of recording the musical talent of the tejano community. Many independent record labels arose throughout the state, the earliest being Ideal Records in Alice (1947), Corona Records in San Antonio (1947), and Falcon Records in McAllen (1948). Armando Marroquín and Paco Betancourt founded Ideal as a joint venture that not only recorded artists but also eventually began pressing their own records. Arnaldo Ramirez launched Falcon after some success in home recording. Manuel Rangel started the Corona imprint in San Antonio to produce local and regional talent. His business flourished through the 1960s and 1970s and was continued by his son, Manuel Rangel, Jr.88 Corona carries the distinction as the first label to record Valerio Longoria, the accordionist credited with incorporating “modern dance band drums in a conjunto.”89 In a later period of record industry expansion, Austin-based Valmon Records, owned by Benjamin Moncivais, recorded Little Joe in 1963 with a cover of the popular Rufus Thomas rhythm and blues song “The Dog.”90 With Austin as a focus for this study and Donley as the trailblazer of the new modern sound in the 1950s, I will be referencing his recordings made with record labels in Austin and San Antonio. My main source of information is the Strachwitz Frontera Collection of Mexican and Mexican American Recordings website, which catalogs information on over 110,000 recordings.91 Relying on the Ideal label from Alice, Texas, to identify sonic characteristics, changes, and developments in música tejana, Peña omits many of the mid- 1950s to mid-1960s contributors to orquesta tejana from Austin and San Antonio with recordings on Valmon and Corona. Donley recorded six 45 rpm records for Corona with his orquesta Las Estrellas, available through the Strachwitz collection database. While these records were made in the early 1960s, they are the most relevant to our timeframe of Donley’s incorporation of the modern sound into tejano music. “Ojitos Verdes” (“Green Eyes”) serves as an example of the modern electric sound; the plucked bass string and kick drum drive the downbeat while the guitar strum and snare/high-hat combination provides the emphasis on the upbeat.92 This rhythm section is a direct incorporation from rock and roll. While Donley’s recordings with Valmon during the 1960s are outside our 1950s timeframe, it is possible that Donley performed the songs live in the 1950s prior to their documentation on vinyl. While he revolutionized the music with his incorporation of the electric guitar and bass, Donley was still relatively late to the recording studio, even with one in Austin. Raymond Vasquez Jr. and his orquesta were first to record Donley’s arrangement of Roberto Cantoral’s bolero “El Reloj” (“The Clock”).93 Donley’s origin story of the song’s arrangement reveals how he incorporated the Austin soundscape into his Mexican music construct to create a tejano interpretation: I got that idea from the University [of Texas at Austin] at one o’clock, they had, the University, they had the chimes, the clock (plucks the guitar strings to the melody of the chime when the clock strikes one from the University of Texas Tower). I was listening to it, I was going by the University, and that gives me an idea, (plucks again) reloj.94 Others to use the clock tower chime reference as part of their introduction include Alfonso Ramos and Sunny Ozuna.95 In 1965, Donley recorded “Flor Del Rio” with Valmon Records, which became his biggest hit, and legend has it encouraged many fathers to name their daughters “Flor.”96 This hit signifies the height of his musical career in his ten- year ascent to the top. Donley’s version is in waltz tempo, and the song, written by Victor Cordero, known for his corridos [epic ballads] like “Gabino Barrera” and “Juan Charrasqueado,” is lyrically a tragic story.97 Donley’s interpretation reinforces the Charro Cantor archetype as a troubadour telling a tale of love and loss. The music business poses a highly complicated web of relationships between radio, entertainment venues, sound recordings, and, of course, the listening audience. Austin in the 1950s offered a predominantly Spanish-language radio 90 of 10717station, KTXN. The Mexican-American community could access radio programming that emphasized the Spanish language and their cultural heritage, which in turn allowed for the development of a youth population that was growing up with radio broadcasts in Spanish and English. These same youngsters, Donley among them, also attended public dances, and as the new sound of rock and roll gained popularity, so did the demand to hear those songs performed live. As the rock and roll elements of amplified guitars and loud drums fused with tejano music, the tacuachito dance form developed as the new standard for dancing to the polka beat. The dissemination of all these advancements occurred as Donley staccato notes, from formal dance styles to vernacular dance styles, coalesce to create the modern tejano scene in the 1950s. The electric influences of rock and roll, country, rhythm and blues, and multiple Mexican genres make the amplification of the 1950s the universal sound in tejano music. The previous separation of working-class and middle-class as distinctive audiences became blurred by the newly established youth music market. The fresh electric sounds came to dominate both orquesta and conjunto styles where hit songs were now determined by adolescents and not their adult parents. This period in música tejana history between Beto Villa and Little Joe y La Familia requires more attention. As Little Donley explains the switch to a modern sound: “Well, nobody else was playing electric guitar, they were all playing acoustic, you know, and I came out with the electric guitar and that put a whole new sound into orchestra and I got electric bass, electric guitar, and a loud drum.” and his contemporaries toured the state with their live performances. Yet for Donley, the lack of sound recordings produced by Las Estrellas in the early years may well have deprived him of proper credit for his musical innovations. Donley’s Modern Sound In 1955, Manuel “Cowboy” Donley reduced the large orquesta tejana to six members to get at the heart of what became the new sound of música tejana: the use of electric guitar paired with electric bass and loud drums. The smaller ensemble produced a new sound with lyrical, rhythmic, and sonic changes. This shift away from soft ballroom instrumentals to loud popular music marked a milestone in the development and progression of música tejana. Donley explains that the “electric guitar was playing lead, you know, and then singing and the big bands went out of business.”98 In addition, Donley’s new amplified and streamlined ensemble cut the trumpet section in half, sometimes by two-thirds, and the saxophone section by at least a third. Amplification allows for a reduction in the numbers of members while still producing a big sound. Prior to amplification, to be louder actually required more instruments. All of the factors in transition, from ballroom stock arrangements to popular music versions, from instrumental pieces to narrative song, from prolonged notes to single Joe himself has noted, “I feel [Donley] has not gotten all due him.”99 This approximate ten-year span from 1955 to 1965 witnessed a surge in record labels and music production powered by advances in sound technology and sound recording equipment. Musical creativity also flourished among musicians due in part to their mutual admiration and their willingness to explore multiple popular genres simultaneously. The youth subculture took over the primary music market, and their impact resonated in other ancillary music markets. In the 1950s, tejano artists initiated technical and stylistic innovations that advanced the sound and rhythm of the entire genre and in turn affected the participatory dance movements of the audience. Donley explains the switch to a modern sound: “Well, nobody else was playing electric guitar, they were all playing acoustic, you know, and I came out with the electric guitar and that put a whole new sound into orchestra and I got electric bass, electric guitar, and a loud drum.”100 Donley and his contemporaries incorporated an amplified sound into their ensembles with the use of electric guitar and bass similar to developments in Anglo- and African-American popular music and introduced new musical configurations in their ensembles, a sonic distinction that split the tejano music historical timeline into traditional acoustic and modern electric. This new music prepared the way for the tejano music explosion of the 1990s with artists such as Emilio, Selena, La Mafia, and Grupo Mazz. H V21U Manuel “Cowboy” Donley:Originator of Austin's Modern Tejano Music Scene91 of 10717V22U Notes 1 2 5 6 7 I use the terms tejano music, música tejana, and Texas-Mexican music interchangeably as the Spanish-language music created and produced by Texas-Mexican communities in Texas, the United States, and around the world. Brad Tolinski and Alan Di Perna, Play It Loud: An Epic History of the Style, Sound, and Revolution of the Electric Guitar, (New York: Doubleday, 2016), 16-17, 89-91. 3 Manuel Donley, interview by the author, December 1, 2018. 4 The twelve-string classical guitar virtuosity and extensive sound recording career of Lydia Mendoza is well documented. See Dale Miller, “Lydia Mendoza: The Lark of the Border,” Guitar Player, August 1988; Michael John Simmons, “12-String Power: The Master Players and Makers of the Double-Course Guitar,” Acoustic Guitar, November 1997; Lydia Mendoza, Chris Strachwitz, and James Nicolopulos, Lydia Mendoza: A Family Autobiography (Houston: Arte Público Press, 1993). “Tejano Music Legend Manuel ‘Cowboy’ Donley, 87, Still Strumming,” NBC News, October 1, 2014, https://www.nbcnews.com/storyline/ hispanic-heritage-month/tejano-music-legend-manuel-cowboy-donley- 87-still-strumming-n215221. Sarah Wimer, “The Godfather of Tejano Music: The Long Musical Journey of Manuel ‘Cowboy’ Donley,” accessed February 15, 2015, http://www.goodlifemag.com/index.php?option=com_flippingbook&vie w=book&id=17&Itemid=188. Américo Paredes describes a second Mexico as “Mexico de Afuera” (Mexico abroad) composed of all the persons of Mexican origin in the United States. Américo Paredes, “The Folklore Groups of Mexican Origin in the United States,” in Folklore and Culture on the Texas-Mexican Border, ed. Richard Bauman (Austin: Center for Mexican American Studies, University of Texas at Austin, 1993), 3. 9 8 Manuel H. Peña, The Mexican American Orquesta: Music, Culture, and the Dialectic of Conflict (Austin: University of Texas Press, 1999), 108. Yolanda Broyles-González and Lydia Mendoza, Lydia Mendoza’s Life in Music / La Historia De Lydia Mendoza: Norteño Tejano Legacies (New York: Oxford University Press, 2001), 193. José B. Cuellar, “El Saxofon in Tejano and Norteño Music,” in Puro Conjunto: An Album in Words and Pictures—Writings, Posters, and Autographs from the Tejano Conjunto Festival En San Antonio (1982– 1998), eds. Juan Tejeda and Avelardo Valdez (Austin: Center for Mexican American Studies, University of Texas at Austin, 2001), 136. 10 11 Peña, The Mexican American Orquesta, 150, 140, 158. Oscar Martinez, Tejano Music Talk, OSMART, July 2009, 28-29. 12 Manuel H. Peña, The Texas-Mexican Conjunto: History of a Working-Class Music (Austin: University of Texas Press, 1985), 9-14. 13 Yolanda Broyles-González, “Ranchera Music(s) and the Legendary Lydia Mendoza: Performing Social Location and Relations,” Chicana Traditions: Continuity and Change, eds. Norma E. Cantú and Olga Nájera-Ramirez (Urbana: University of Illinois Press, 2002), 188. 14 Vicente Mendoza in his classification of lyrical Mexican songs categorizes mañanitas, serenatas and despedidas as fulfilling a specific purpose or in relation to the particular time of day in which they are sung (“Segun el uso a que se destine or la hora en que se cante”). Vicente T. Mendoza, La Canción Mexicana: Ensayo de Clasificación y Antología (México, D.F.: Fondo de Cultura Económica, 1998), 69. 15 María-Cristina García, “Charrería,” Handbook of Texas Online, Texas State Historical Association, last modified June 12, 2010, http://www. tshaonline.org/handbook/online/articles/llc04. 16 Rogelio Agrasanchez and Charles Ramírez Berg, Cine Mexicano: Posters from the Golden Age, 1936-1956 / Carteles de La Época de Oro, 1936- 1956 (San Francisco: Chronicle Books, 2001), 73, 77. 17 Alan Axelrod and Dan Fox, Songs of the Wild West (NewYork: Metropolitan Museum of Art / Simon & Schuster Books for Young Readers, 1991), 47-51. Jim Bob Tinsley, For a Cowboy Has to Sing: A Collection of Sixty Romantic Cowboy and Western Songs, Covering the Fifty-Year Golden Era of Popular 18 20 19 Standards between 1905 and 1957 (Orlando: University of Central Florida Press, 1991), 130-134. “Gene Autry – Actor,” IMDb, accessed February 21, 2019, https://www. imdb.com/name/nm0000810/#actor. “Gene Autry – Soundtrack,” IMDb, accessed February 21, 2019, https:// www.imdb.com/name/nm0000810/#soundtrack. “Roy Rogers – Soundtrack,” IMDb, accessed February 21, 2019, https:// www.imdb.com/name/nm0001678/#soundtrack. 22 Donley, interview by the author, February 17, 2019. 23 Charles R. Townsend, San Antonio Rose: The Life and Music of Bob Wills 21 (Urbana: University of Illinois Press, 1986), 193. 24 Donley, interview by the author, October 27, 2018. 25 Belinda Acosta, “Beautiful Songs and Good, Heavy Sounds,” Austin Chronicle, November 11, 1998, https://www.austinchronicle.com/ music/1998-11-27/520687/. “Display Ad 75,” Austin Statesman, May 15, 1959, 22. 26 27 Acosta, “Beautiful Songs.” 28 Wimer, “The Godfather.” 29 Acosta, “Beautiful Songs.” 30 J. Richard Haefer, “Requinto,” Grove Music Online, last modified 2016, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/ gmo/9781561592630.001.0001/omo-9781561592630-e-4002294699. Daniel Party, “Los Panchos,” Grove Music Online, last modified 2014, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/ gmo/9781561592630.001.0001/omo-9781561592630-e-1002262737 31 Acosta, “Beautiful Songs.” 32 Donley, interview by author, December 3-4, 2011. 33 Party, “Los Panchos.” 34 Yolanda Moreno Rivas, Historia de La Música Popular Mexicana 35 (México, D.F.: Consejo Nacional para la Cultura y las Artes, 1995), 132. Translation by the author. Juan Castillo, “At 83, Tejano Music Pioneer Still Playing,”Austin American-Statesman, September 12, 2012, https://www.statesman.com/ article/20120924/ENTERTAINMENT/309249167. 36 Mendoza, La Canción Mexicana, 41. Translation by the author. 37 Castillo, “Tejano Music Pioneer.” 38 Donley, December 3-4, 2011. 39 Donley, December 1, 2018. 40 Donley, December 3-4, 2011. 41 Wimer, “The Godfather.” 42 Steve Waksman, Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience (Cambridge: Harvard University Press, 1999), 48. 43 Donley, December 3-4, 2011. 44 45 Mitchell K. Hall, The Emergence of Rock and Roll: Music and the Rise of Ibid. American Youth Culture (New York: Routledge, 2014), 11-12. 46 Manuel Donley Papers and Record Collection. 47 Hall, 12-16. 48 Ibid., 24. 49 Donley, December 3-4, 2011. 50 Hall, 15-16. 51 “Display Ad 75 -- no Title.” Austin Statesman (1921-1973), May 15, 1959. 22. 52 Manuel Donley Papers and Record Collection. 53 54 Raymond Williams, Marxism and Literature (New York: Oxford Ibid. University Press, 1977), 121-127. 55 Peña, The Mexican American Orquesta, 243. 56 Guadalupe San Miguel, Tejano Proud: Tex-Mex Music in the Twentieth 92 of 1071795 “El Reloj” by Alfonso Ramos, El Zarape Records, catalog number ZLP-1005, Strachwitz Frontera Collection. “El Reloj” by Sunny & The Sunliners, Tear Drop Records, catalog number TDLP-2006, Strachwitz Frontera Collection. 96 Castillo, “Tejano Music Pioneer.” “Flor Del Rio,” by Manuel Donley y Las Estrellas, Valmon Records, 97 catalog number VN-1003, Strachwitz Frontera Collection. 98 Donley, December 1, 2018. 99 100 Donley, December 1, 2018. “Tejano Music Legend Manuel ‘Cowboy’ Donley,” NBC News. V23U Century (College Station: Texas A&M University Press, 2002), 69-74, 86-87. 57 Donley, December 3-4, 2011. Andres Zuniga, interview by the author, December 2, 2014. 58 Texas Music Museum, “Austin Tejano Collection.” 59 Donley’s formation of Las Estrellas predates the establishment of Oscar Martinez’s orquesta by three years. The Oscar Martinez band was organized in 1958. 60 Acosta, “Beautiful Songs.” 61 Castillo, “Tejano Music Pioneer.” 62 Guadalupe San Miguel, Jr., “Música Tejana: Nuestra Música,” Journal of Texas Music History 1, no. 1 (Spring 2001): 9. Ibid. 63 Donley, December 3-4, 2011. 64 Mike Amaro, interview by the author, November 18, 2018. 65 66 Castillo, “Tejano Music Pioneer.” 67 Donley, December 3-4, 2011. 68 Castillo, “Tejano Music Pioneer.” 69 Donley, December 3-4, 2011. 70 Mike Carmona, interview by the author, December 22, 2014. 71 72 Leon Hernandez, interview by the author, October 27, 2018. 73 Ibid. José Reyna, “Tejano Music as an Expression of Cultural Nationalism,” in Collected Work: Puro Conjunto: An Album in Words and Pictures— Writings, Posters, and Autographs from the Tejano Conjunto Festival En San Antonio (1982–1998), eds. Juan Tejeda and Avelardo Valdez (Austin: Center for Mexican American Studies, University of Texas at Austin, 2001), 195. 74 Wimer, “The Godfather.” 75 This battle dance may have taken place prior to Lopez adding the accordion and bajo sexto to his orquesta ensemble. 76 Donley, December 3-4, 2011. 77 78 Amaro, Donley, December 4, 2011; Donley Papers and Record Ibid. Ibid. Collection, calendars for 1963 and 1964 with performance dates. Ibid. Ibid. 79 80 81 Donley, December 3-4, 2011. 82 Amaro, November 18, 2018. 83 84 David Gutierrez, interview by the author, December 17, 2014. 85 Rudy Sanchez, interview by the author, December 4, 2014. 86 Carmona, December 22, 2014. 87 Hernandez, October 27, 2018. 88 Alex LaRotta, “Música Tejana Recording Pioneers,” in Cowboys, Cops, Killers, and Ghosts: Legends and Lore in Texas, ed. Kenneth L. Untiedt (Denton: University of North Texas Press, 2013), 117-121. 89 Peña, Texas-Mexican Conjunto, 82-84. 90 LaRotta, “Música Tejana Recording Pioneers,” 123. 91 The Strachwitz Frontera Collection of Mexican and Mexican American Recordings, University of California Regents & The Arhoolie Foundation, 2015, accessed February 2, 2019, http://frontera.library. ucla.edu/. “Ojitos Verdes,” by Manuel Donley y su Orquesta Las Estrellas, The Strachwitz Frontera Collection. “El Reloj” by Raymond Vasquez Jr., Valmon Records, catalog number VN-1-023-A. Donley’s version also appears on Valmon VN-1-167-A, Strachwitz Frontera Collection. 92 93 94 Donley, December 1, 2018. Manuel “Cowboy” Donley:Originator of Austin's Modern Tejano Music Scene93 of 10717Manuel “Cowboy” Donley: Grandfather of Tejano Music     Donley is considered a trailblazer in Tejano music.  As the arranger, guitarist and lead  vocalist for the orquesta tejana, Las Estrellas, Donley has been designated by popular  reverence “The Grandfather of Tejano Music.” (Austin American‐Statesman Photoblog)    Donley was born in Durango, Mexico in 1928.   When he was seven, he moved to Austin  with his family.  His father, Ramon Donley, had a musical career in Mexico as a violinist  with the Durango municipal symphony.  In Austin, his father established himself as a  barber and a musician (Castillo, 2010).  His mother, Dolores Quiñones, loved opera, and her  sister performed it (Wimer, 2009).  By age eleven, he had taught himself to play the guitar  and then later the requinto.  He performed at church festivals and street fairs with his  brother Robert when he was seventeen (Acosta, 1998).    Donley received recognition as a vocalist when his band Los Heartbreakers and performed  at Parque Zaragoza.  Known for instrumentals, a reluctant Donley sang “La Mucura.”  He  shared with Juan Castillo, “There I became famous, but I never wanted to be a vocalist.  The  guitar, that was my passion.” (Castillo, 2010).  A reluctant Donley sang “La Mucura” for a  demanding crowd.  He shared with Juan Castillo, “There I became famous, but I never  wanted to be a vocalist.  The guitar, that was my passion.” (Castillo, 2010).  After this  acclaim, he played with as many bands as he could while still being available for Los  Heartbreakers (Castillo, 2010).    Los Heartbreakers had a regular booking for University of Texas students at the Varsity  Grill on the Drag.  Performing their version of bebop, rhythm and blues, and samba had  Donley say with a smile, “The dancers were jumping all over the place” (Castillo, 2010).  Los  Heartbreakers repertoire included George Gershwin, Xavier Cugat, and Carmen Miranda  (Wimer, 2009).    In 1955, Donley formed his own orquesta, Las Estrellas, playing electric guitar.  The self‐ taught guitarist wrote most of the group’s musical arrangements having studied musical  theory on his own.  The original Las Estrellas were Rudy Sanchez, Joe Sanchez, Andrew  Zuniga, Emilio Villegas, and Mike Amaro.  They were also self‐taught and knew how to read  music.  With knowledgeable musicians in the band, Donley had the flexibility to create  expressive horn and saxophone arrangements for traditional Mexican rancheras, polkas,  boleros and ballads using American influences from big band, rock & roll, and rhythm and  blues (Acosta, 1998).  He also redefined the instrumentation of orquesta tejana by  “plugging his guitar into an amplifier, replacing the stand‐up bass with an electric one and  brush drums with drumsticks.”  Donley received his signature nickname “Cowboy” when he  moved out in front of the band with his electric guitar and reminded a promoter of the  country singer‐guitarists of the era (Castillo, 2010).    94 of 10717Donley’s new loud, modern sound struck a chord with young fans and soon they were in  demand across Central Texas.  As word spread, other bandleaders came to see them and  incorporated Donley’s ideas into their own acts.  The band grew in popularity and soon  they toured the state, from Dallas to the Rio Grande Valley (Castillo, 2010).  Donley and Las  Estrellas recorded their first single “Lluvia en Mi Corazon” in 1955 for the Crescent label  (Acosta, 1998).    A noteworthy battle dance took place at the Skyline Club in 1957.  The country venue on  North Lamar at Braker Lane was known to host Mexican dances on Sunday nights.  This  particular battle dance featured the popular orquesta of Isidro Lopez in alternating songs  with “Cowboy” y Las Estrellas.  After intermission, Las Estrellas started with a song in  English and won when Lopez couldn’t compete. (Wimer, 2009).    His biggest hit “Flor del Rio” was recorded in 1965.  The song was so popular that fathers  were naming their daughters “Flor” and promoters calling from as far as Chicago and  Albuquerque (Castillo, 2010).    In 1974, at the request of Dr. Americo Paredes, Donley performed as a “corridista” for the  Smithsonian Institute’s Folklife Festival in Washington, DC. (Austin American‐Statesman)    In 1986, Donley was inducted into the Tejano Music Hall of Fame.  In 1997, he recorded his  first CD "Adios, Chiquita — Exitos de Ayer y Hoy.” (Castillo, 2010).    Donley’s most recent sound recording in 2012, The Brown Recluse Sessions, captures his  mastery of the guitar as he plays requinto on many bolero classics.   Raoul Hernandez gave  the CD four stars and commented, “East Austin octogenarian Donley summons that already  sepia‐toned moment on BVSC staple ‘Me Voy Pa'l Pueblo,’ embedded in this swoon of high‐ romance boleros” (Hernandez, 2012).  On Valentine’s Day 2013 at the request of Texas  Folklife, Mr. Donley was the opening act for the world famous Trio Los Reyes.  In the press  release, Texas Folklife acknowledges, “A noche romantica in Austin would not be complete  without its very own king of bolero, Mexican‐American trailblazer and Tejano music legend  Manuel “Cowboy” Donley” (Texas Folklife, 2013).    Donley continues to perform and most recently was part of the Austin History Center’s  project, “In the Shadow of the Live Music Capital of the World.” (AHC Facebook)          Acosta, B. (1998).  Beautiful Songs and Good, Heavy Sounds.  Retrieved from:     http://www.austinchronicle.com/music/1998‐11‐27/520687/    Austin American‐Statesman, July 7, 1974, “Show World” section, p.8.    Austin History Center:  https://www.facebook.com/AustinHistoryCenter    95 of 10717Castillo, J.  (2010).  At 83, Tejano music pioneer still playing.  Retrieved from:  http://www.statesman.com/news/entertainment/music/at‐83‐tejano‐music‐pioneer‐still‐ playing‐2/nRTfy/    Hernandez, R. (2012). Manuel Cowboy Donley & his Trio Romantic‐o: The Brown Recluse  Sessions (Mini Records).  Retrieved from:   http://www.austinchronicle.com/music/2012‐07‐13/manuel‐cowboy‐donley‐and‐his‐ trio‐romantic‐o‐the‐brown‐recluse‐sessions/    Texas Folklife. (2013). Texas Folklife presents “Una Noche Romantica” with world‐ acclaimed Mexican Trio Los Tres Reyes and Austin legend Manuel “Cowboy” Donley [Press  release].    Wimer, S.  (2009).  The Godfather of Tejano music: The Long Musical Journey of Manuel  ‘Cowboy’ Donley.  Retrieved from:  http://www.goodlifemag.com/index.php?option=com_flippingbook&view=book&id=17&It emid=188          96 of 10717State of Texas Proclamation    THE STATE OF TEXAS  GOVERNOR    To all to whom these presents shall come,  Greetings: Know ye that this official recognition is presented to:    Manuel "Cowboy" Donley    For more than 60 years, you have been a pioneer and innovator, never afraid to push  musical boundaries. Combining traditional Mexican sounds with other genres ‐‐ such as  rock 'n' roll and rhythm and blues ‐‐ you developed a Tejano style all your own.    From crowds of adoring fans to students hoping to follow in your footsteps, countless  Texans have been entertained and inspired by your showmanship, talent and creativity.  You helped to pave the path to success for future generations of Tejano musicians, and I  commend you for all of your hard work and dedication.    You are a true Texas legend, and I know you will continue making beautiful music in the  future.    First Lady Anita Perry joins me in sending best wishes.    In testimony whereof, I have signed my name and caused the Seal of the State of Texas to  be affixed at the City of Austin, this the 15th day of June, 2011.    Rick Perry  Governor of Texas      97 of 1071798 of 10717I DattY_i_!; .. (.~~✓ 1 /or-1.f"'~ Amount, $ .................... •· • ····· 2 d.t?e? d? ~ Payments,~ ··········································· ·· Due .. /!...... _ ............................................. . Interest Rate ....... L .~ ············-················ Address ............................................................ . Compliments- of / Buratti "& Montandon Co. 719 COT ORADO STREET AUSTIN, TEXAS Phone 8-6448 REAL ESTATE RENTALS INSURANCE LOANS 99 of 10717P A Y M E N T S 7 <J?i PAYMENTS t 100 of 10717, No. fllNIWAL OP' HUM ■ IJt MEMORANDUM OF INSURANCE - -- ------------------~-------- - ~JW)~DJtliJ~JJJ , . . , . . . Jllf')J.JJ,t PROVIDENCE . R. I. A Capital Stock Company This i, ~urni1hed simply 11 • memorondum of uid Policy 11 ii stond, 11 the dote of iuue hereof, and i1 given 11 • metter of informotion only ond confers no right, on the holder and impo1t1 no liebility upon this Company. THIS CERTIFIES, that policy numbered as above has been _issued. INSURED and legal representatives, FROM against direct loss resulting from any of the [P~,u~ (listed below) WHrewR"-VE ?I: PREMIUM INSERTED OPPOSITE THERETO /Column 6) and only on the property described and loca ted as provided hereon. AT NOON STANDARD TIME AT THE LOCATION OF PROPERTY Ootooor :W 194/; Ooi.ob3 . J.O . 191..9. TO FIRE ond Lightning EXPLOSION COVERAGE F E X R l on the Location EXTENDED COVERAGE-Windstorm, Hurricane, Hail, Explosion, Riot, Civil Commotion, Smoke, Aircraft, and Land Vehicles. J COI NSURANCE APPLICABLE ◄ TOTAL INSURANCE 5 TERM RATE PREMIUM $ 1, 000.00 No,mol S ~5. 20 .:;_.40 F. R. 20 $.04 Actual $ $ $ $ $ $ RENTS or Rental Value (Not to exceed $ a Month). $ TOT AL PREMIUM $ ITEM No. AMOUNT OF INSUllANCE DESCR I PTION OF P ROPERTY See d efinitioni of Building , Ho useho ld Goods, Stoc k, Furniture. Fi•tures, end/or Machinery, e nd Con tents. RATE ANALYSIS Lot __ Blk.__Map __ File _____ Occupancy-Gflll,.r 11-Wel.lir-e-- E,po,u••- C Of~CT ION W N building Bosis---:,5- RooLJ.5,,- Flue __ _ Texas Tenont __ l Addiess IIClt.X _ Coo••· % - - - l Attr1 u.!!_-- -~ . U"l~u olhtf~7u, p,ovid~d in1ure"<~ on P!" o"•~ prooittl.,., ~hall cov~r 0r1lv __ whlle in fhe desnlbf'ri bui1 1 1 - - . • If the Coinsurance Clause 1s not applied, no other fire insurance is perm1lted unless the total amount ir,clud ng I his policy on each lte,.;;- is inserted :n !he blanks which follow: Item No. I $ 1.&XJ. OO 2 $ Lou on building items sholl be payable lo tialtor .Eiwm ; 5 $ ; 4 $ ; 3 $ Awstin, Texas. as Mo•tgogcc or Trustee. Key R•fe _ -08 Tolol--S-S- E,per. 4J% 2J A'lnu:1I J; MERCANTILE G ,u Tolol __ Agent 101 of 10717- GREETI G SISTER HATTIE GOODE First Mother of the Year under the Pastorate of Reverend James E. Obey, Member of Sunday School and Missionary Society. 102 of 10717103 of 10717104 of 10717deaths and services The Austin American Statesman (1973-1980); O deaths and services-• Al/ information in the Dcalh.f and Services column i! proridcd by the funcr,11 home listed with each death f~~~fio~:.'c:c~~~!~i",~/7!!~~!~~~~,:.bout services, con• : •~ i- BAKER, Mn . Pauline G., 85, of Austin, died Thun• day. Scn·iccs 10 n.m. Saturday al Hyltin•.Manor Funeral Chapel. Gr:'l\'csidc scn·iccs I p.m. Saturday at Sunset Memorial Park in San Antonio. Sur\'i\·ors: daughters, ::!~: 1~r:~~ :fi~~t~~h\~.~~~1~·:~i~~~1~r ~~!li~~1:i;~~cr~: Mrs. Olga Hanson, Mrs. Minnie Baker both or San Anto nio; sc\·cn grandchildren; six grcat•grandchildrcn. CA VEN, Hubbard S., 76, ot Austin, died Wednesday. Graveside scr\•icts 2 p.m. Saturday at State Cemetery. Sur\'h•ors: wifo, Isabel Riddle Ca\'cn of Austin; son, Scott Ca\·en of lloustan; dnushter, Mary Gny lllen\'enu of Austin; two i:randchildren. ( Weed-Corley I CHESNUTT, Lillard F. 1 75, of Austin, died Tucsd.1y. Scn·iccs J :lo p.m. today at Jlyllin-~lanor Funeral Chapel. Burial, Forest Oaks Memorial Park. DOHERTY, Kenneth, -49, of Houston, died Mond:iy. Scr\'ices I p.rn. t"riday at Cnok•Walden Funeral Home. Burial, Austin Memorial Park. FERGUSON, Vivian L,, 73, 3543 Greystonc, died Tuu, dny. Ser\'ices J p.m. today al Weed-Corley Funeral Home. nuri:il. Austin Memori:il Park. Memori11l contri• butions in lieu of nowcrs. GOODE, Hallie, 99, 11i05 Leona St., died Snturd:iy. Wake 7 p.m. today at Fuller-Sheffield Funeral llnmc. Services -4 p.m . Friday at Da,·id Chapel MissioMry Uap• list Church . Burial, E\'l'rgrl'cn Ccmclcry. Sun•ivors: sons, JamcJ hJ. I .. 1rrt'mnre al Los AngclC's, J-:rnt'!I Goode of San f.rancis..co; dnughtcrs, Alll,n H. flnrgro\'C of El Campo, llclcn t:. \\'nit~! Austin ; 27 gr::mdchildren ; 18 grcnt-gr;frfUcluldren; hve grcnt•grcat•Krandchildrcn. HENDERSON, "Crlcket 0 , 5, of Austin, dic-d Tucsdoy. Gra\'csldc sen·ice!i 10 n.m. Friday at Memory La.,,,.n Ccmctc-ry in San :-.tarcm;. Sun·l\•ors: pnrcnts, Mr. and Mrs . Wayne Jlcndl'rsnn or Austin; brothers, Henry Phil• lips, Lyndon H.iy Philli11s. Dustin W,1)·nc llenderson, .ill ol Am;lin; siM<'r, MelJl;sa D,1.,..·n Phillips of Austin. ff'cn• ninston, San MarcosJ KELLER, Harold L., 80, !0711 DK Ranch Road, died Thursday . llosar)' 7 p.m , Friday at Couk•\\'aldcn F'u• ncrnl llomc. Ma!i:. 9 a.m. S.iturdny at St. t.ou is Cntholic Church. Survh·nrs: wilt', Margart'( F. fi:t'llt•r of Austin; son, Hobert B. Keller of Limn, Ohio; si!itcrs. Mt1rgan•t Deerwcstcr of 1'ol<'do, Ohio, Florence Unk<'r or Ontario, Canada; six crnndchildrcm; three creat-grandchildren. KOHN, Bird J., 6G, 2~01 l.a~·nmnnt Ave., died Tues• dny. Services I p.m. tndny nt \\'ct'd•Corlcy Funeral Home. Burial, Austin Memorial Park. SCHLESINGER, llan-y J., 53, 1000 llcrrywood, died Tuesday. Gra\'csidc 5cnircs 2 p.m. Frid3y 111 Capital Memorial Park. l\kmorial contributions in liru of flow• cri.. Survi\'ors: dnu~htns, Carolyn Boyce of Corr us Christi, Lea Novak of lfouslon, Trina Tillman, Tanya Tillman, both ol Austin ; Mns. Tom Schlcsi111ter of Sorlh C.Jrolinn, J.B. Schle.\in,tcr, Jell Schlesi11,:1•r, Al Smith, Ro~cr Tillman, all of Austin, Da\·il.l Smith of Dallas, Larry Smith ul Houston; siMcr. Ellen llnthhurn nf Con necticut; four grandchildren. l\\'ecd-Corlcy1 SCHLESINGER, Mollie, Sl, l000 llcrrywond. died Tuesday . Gravcsitlc Sl'f\'ic<'5 1 p.rn . t'riday nt Cari1nl Memorial Park. ~1cmorial contributions in lieu of flo"''• crs. Survivors: molhrr, l.urlin<' !lines or Austin ; dauAht• crs, I.en Novnk of lloustfln, 1'rin;1 Ttllman, T..inya Till• man , both or Austin; sons. Ua,·i d Smith of Dallas, l.arry Smith or llouslon, Al Smilh, ltoi,!l'r Tillman, both of Austin: four .:randchildrt'n. I Wtcd-Corleyl SHINN, Arlene, 62, of Austin, died Wl'1lncsdoy. Servi• ccs were Imlay. Burial, l.ockh:irt Cily Cemetery. Sur• vi\•ors: brother, Halph Shinn n( Austin ; sister, Mrs . Jeanne Atkinson o! ,\u!ltin . I Jfyllin-MannrJ SHIPP, Thomas 8., 75, of lloui.ton, died Tue,day. Graveside Sl'r\'lt'l'S •I 11.m. todny ul Austin Memorial Pilrk. Memorial rontributiom, m lieu of Un"''l'rs . 1Cnnk• Walden I SPERRY, Wade Randolph, RO, of Daytonn Drach, F'la., died :-.tonday. SC?r\'kcs Wl'rC? to,lny at Ua~~clt•Sum• mcrs Funeral llumt' in Daylona llench. Survi1,urs: ,..,.,fo, Harriet Wonline Sprrry of Onylona Beach; dnu~htrr, Mrs . 1-~mersnn T. Hh•wett of Austin; four grnndchildren; one J::rcnt-i;rnndchild. THAXTON, Mn. Lilias, R2, of Au!-tin, dird Wr!lnrs • day. Scn-icrs JJ :Ju ,1.m. Fridny Dl Ct>ok-WaJdcn Funcrnl Jlomc . Gran•suJe servicl'!. IO :1.m. Saturday nt Wharton Cemetery in Walton. Survl\•ors : t.·uusm, A.II. Wa,lsworth or Hay City; niccti, Mrs. 11 .V. llt.-111 Jr . of l.ot'khurt. WETEGROVE, Adolph JI. Sr., R7, 1-1 Trnil Drive, dieil Tucsd;iy , Services Ju a.m . l•'rul:ay al lfyllin·M,,nnr f,"u, neral C:hopd. Uurial, <Jakwmul C.:erm·tny . .Survivors: wile, Mrs . Mnry Wt•tcr,ro,·1! nf Austin; !Inns, Adnli1h II. Wctcgro\'c Jr . of Aust 111, W.P. Andrrsnn .Jr. of Hirmin~ ham. Al:i .; daui:htrrs, :O.lr!I. l. ucillt! Bronkrr~on of Austin, Mrs. Jp;rn Sanders of Pomnn;a, Calif.; !--.i!lleri;, Mrs. J.nui:.e llnp,:r of S:111 Antonio, ~lr!>o . ld:1 :-;ellll'lnn o! S11n ,Juan, Purrlo Hien; hvc gr:u11ld11ldn•n, Jh•c great• gran1khildrcn. WutTU, Harry O. Sr., 7:1, or :,.1.,nch:1r:1, ,lil'ff TueMlny. Sr-rviccs I ::111 11.111, Frid;1y at \\'itk,• -C;l:1y r·unr.rnl Jlnme. Burial. l.ivt! Onk Ct•mclcry. Sun-ivnr!I : ,laughl~r, Christine Culi.:l:11.icr of Houston; i;on, ll11rry o. Wirlh ,Jr. nf Del Hin; sistns, Ell:1 Men••llth of Manrhat'n . l.1llie Hurley of Winctka, Ill ., llrothu, Bill Wirth 111 S;m lie• nito; srvr:n gr:1ndchildrnn . YARRINGTON, "farlha, M Austin. di~rl Mrind:iy. Ser• vices 3 p.m, r·rid11y al \\'erd-Corlcy Fun1:r.il llornr. . Gr:ivesidc scrvit(!S l p.m. Saturday :11 Concord Crmc• tcry in lfnlncsvi;Jc. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 105 of 10717c t 2 5 , 1 9 7 9 ; P r o Q u e s t H i s t o r i c a l N e w s p a p e r s : T h e A u s t i n A m e r i c a n S t a t e s m a n p g . B 7 106 of 10717• - L. 107 of 10717