Item 08 - Backup-Panelist_Info — original pdf

Backup

ACME Funding Panels: 2027 Grant Cycle Review Panelist Short List + Bios Why We Use Panels Peer review panels are considered the gold standard in public-sector arts and cultural funding. National best practices (NEA, NEH, and all 56 state/territorial arts agencies) recommend peer panels because they ensure: • Objectivity & Fairness – Reduces influence of individual bias and increases trust in outcomes. • Transparency – Public meeting recordings, reviewer bios, and clear rubrics. • Accountability – Documented scoring, written comments, and conflict-of-interest protections. • Equity & Representation – Diverse reviewer pool supports culturally competent evaluation. • Scalability – Distributed review allows hundreds of applications to be evaluated thoroughly. Austin has consistently used a panel-based model since the late 1990s, evolving the process over time with improvements in training, transparency, scoring, and public access. Panelist Recruitment & Composition • 814 Total Review Panelist applications • 357 Review Panelists needed (estimate based on applications expected) • 365 Potential Review Panelists on this Short List (due to availability and conflicts of interest, we always aim for a buffer) Location • 324 from the Austin-MSA (89%) • 41 are from outside the MSA (11%) ACME Funding Applicants? • 234 are NOT applying for funding (64%) • 75 are applying for funding (21%) • 56 not sure if they will apply for funding (15%) Gender Identity: • 252 women (69%) • 89 men (24%) • 19 non-binary (5%) • 5 Prefer Not to Answer (1%) Race/ Ethnicity: • 137 White (38%) • 79 Hispanic/Latine (22%) • 76 Black/African American (21%) • 27 Asian (7%) • 25 Multi-race/ethnicity (7%) • 8 Prefer Not to Answer (2%) • 6 Native American (2%) • 4 Race/Ethnicity Not Listed (1%) • 2 Middle Eastern/Arab/North African (0.5%) • 1 Hawaiian/Pacific Islander (0.2%) Age: • 56 in their 20s (15%) • 110 in their 30s (30%) • 109 in their 40s (30%) • 50 in their 50s (14%) • 36 are 60+ (10%) • 4 Prefer Not to Answer (1%) Non-English Languages Spoken: • 67 Spanish • 12 French • 5 Hindi • 17 other languages with 3 or fewer speakers Potential Review Panelists (alphabetical by first name) Adam Adolfo ADAM ADOLFO is a producer, stage director, choreographer, and designer, having directed Shakespeare, musicals, opera, and staging several world premiere plays across the country. He was honored with a Fort Worth Weekly Visionary Award for his outstanding contributions to the Artistic Community in Tarrant County. Mr. Adolfo is the first and only performing arts professional to receive this distinction. The Live Theatre League of Tarrant County made him the recipient of the Rudy Eastman Diversity Award for his work with artists and audiences from underserved communities. Formerly the Executive Artistic Director for Artes de la Rosa Cultural Center for the Arts and mastermind behind its 5-Year American Classics Initiative, Adolfo also served as the Managing Artistic Director of The Living Opera, the General Manager for the Award-Winning Weathervane Playhouse, and as a Production Associate at the Arizona Theatre Company, the only LORT Theatre producing out of two cities. A graduate of Stephen F. Austin University with a Bachelor of Arts degree in Theatre, Adam studied with the prestigious Texas Shakespeare Festival and was recently nominated for Outstanding Director of a Play in the 2026 Austin Theatre Critics Awards for his work on Austin Rainbow Theatre’s production of Sagittarius Ponderosa. I've been living in Austin for just under 2 years. My time here in Austin has been spent as a freelance stage director with multiple Theater companies in Austin and the surrounding communities. Having served on Grant panels for the Texas commission on the Arts and the Dallas cultural Center and the Fort Worth Arts council. I would like to continue that form of community service in my new home here in Central Texas. I moved to Austin almost two years ago and have attempted to integrate myself into the Live Theatre scene while finding opportunities to explore the arts and culture communities at large, especially as it might relate to the LGBTQIA & Latinx communities. Having run opera, theatre, art galleries, and educational initiatives in my career of 20+ years, I find myself frequently looking for opportunities to use my unique creative point of view. Alfredo Aguilar Alfredo Aguilar is the author of the forthcoming poetry collection My North County (University of Akron Press 2027), and one prior collection, On This Side of the Desert. He received his MFA from the Michener Center for Writers and has been awarded support from MacDowell, the Bread Loaf Writers’ Conference, and the Stadler Center for Poetry and Literary Arts. His work has appeared in The Yale Review, Waxwing, Poetry Northwest, and elsewhere. Born and raised in North County San Diego, he currently resides in Central Texas. (alfredoaguiar.net) My community involvement has mostly been helping run an open mic in previous local area. More recently, I was a graduate student at the Michener Center for Writers at UT Austin, which helped me engage with various literary communities in the city. I'd be interested in helping review applicants for this grant in order to help champion organizations that are doing transformative work for and within the creative and cultural ecosystem in Austin, especially those that may have been overlooked. My connection to the literary community in Austin began when I was admitted for my Master of Fine Arts at the Michener Center for Writers at the University of Texas at Austin. It was here that I first began to learn more about the organizations and bookstores that contribute to the fabric of the literary community here. After graduating from the program I stayed in the city and have remained active in the literary scene, largely by attending readings, workshops, and on occasion sharing my work with an audience. From my experience, Austin has a vibrant and welcoming literary scene with a number of organizations doing good work that contribute to it. Prior to arriving in Austin I attended and for a time helped in organizing an open mic in Southern California; this is where I first developed a strong relationship to a local writing community and where many of my ideas surrounding literary citizenship came from. It's from this space that my ideas, both personal and professional, about community first formed and still inform how I move through similar spaces. Eysia Allen Eysia Allen is an Austin-based technology professional, creative, and community advocate with a background in computer science, health informatics, digital media, and project management. She holds a Master’s degree in Computer Science from Alabama A&M University and a Bachelor’s degree in Health Informatics from the University of South Alabama. Eysia works in technology while also supporting creative and community-focused initiatives throughout Austin. Her experience includes social media management, graphic design, content creation, event promotion, and working with local artists, authors, businesses, churches, and cultural events. She also serves in leadership with Black in AppleCare, helping create opportunities for connection, professional development, and community engagement. Through her professional, creative, and volunteer work, Eysia is passionate about expanding access, supporting underrepresented voices, and contributing to Austin’s growing cultural and creative community. I lead social media and outreach for Greater Mt. Zion, promote an independent author, co- lead Black in AppleCare Austin, mentor peers, volunteer on student career panels, and support community events through faith, technology, and the arts. want to help ensure Austin’s arts funding is fair, inclusive, and community-centered. My experience in QA, social media, HBCU leadership, mentoring, and creative promotion equips me to evaluate applications objectively and thoughtfully. My connection to the Austin community is both professional and personal. Since moving to Austin, I have intentionally looked for ways to contribute through technology, creative work, faith-based service, and community engagement. I help manage social media and digital content for Greater Mt. Zion, where I support outreach, events, and community-focused programming. I have also participated in initiatives that highlight Black businesses, creatives, and professionals in Austin, including interviewing local business owners and supporting events centered on Austin’s Black music and cultural community. Professionally, I work in technology and have a background in computer science, project management, digital media, and content creation. I also serve in leadership within Black in AppleCare, where I help build community, create programming, and connect employees with professional development opportunities. As an HBCU graduate, I bring a strong appreciation for preserving culture, creating access, and making sure historically underrepresented voices are included in decision-making. Through my work with local artists, authors, businesses, churches, and community events, I have gained a growing understanding of Austin’s creative ecosystem and the importance of supporting organizations that preserve the city’s cultural identity while helping new ideas and voices grow. Tiara Allen My name is Tiara Allen, and I currently work full-time at the City of Pflugerville, melding my love of public libraries and background in marketing to promote library services to the greater Pflugerville area. I also work part-time at KUT 90.5, Austin's NPR member station, as a weekend host and occasional reporter. I currently host during the Sunday morning broadcast of NPR's Weekend Edition! Additionally, I offer social media management and content creation services to nonprofits, arts organizations, and mission-driven small businesses. My professional background is diverse, and I have several years of experience providing customer service in the fitness space, public sector, restaurant industry, and retail environments. I hold a BBA in Marketing from Texas State University and am currently completing a Master's in Nonprofit Leadership at the University of Pennsylvania. I enjoy serving on review panels. currently work for the City of Pflugerville, and I have joined the staff Art Committee, where we review responses to our RFQs for murals, statues, and more. I have also served on review panels for writing contests. DJ Ladybug - self Spaceflight Records - Staff, ex-volunteer (3 yrs) Babestock Music Festival - Staff (1 yr) The Gallery ATX - Working Board Member (3 yrs) Future Front - Advisory Board Member, Volunteer (2.5 yrs) I was born and raised in Austin, Texas and have been engaging in the arts community here since I was young. I began as a flute player in school bands and have since engaged in choruses, musicals, electronic music festivals, and everything in between! As a native to Austin, I've seen Austin's creative scene evolve over the years and seek to preserve its iconoclastic nature while also allowing local artists to benefit from the population and economic growth that we've experienced in the area. Eloisa Almaraz Eloisa (Elo) Almaraz is a New York native who centered her career on advocacy and outreach. Combining her love for Anthropology and Sociology, she has dedicated her service to leadership development and social impact. In 2011, Elo jump-started her professional journey as a Trainer at the Posse Foundation - New York site supporting Scholars throughout their undergraduate journey, and in 2017, shifted her focus on expanding the nominating network and recruitment approach as the Program Director at the Posse Foundation Bay Area, an opportunity that brought her to California. With over 12 years of expertise in diversity and inclusion strategy, she's aided companies and organizations towards engaging communities more equitably. Elo leverages The Pax Crew<https://www.thepaxcrew.com/about> to steward groups and agencies to embody a decolonization-focused praxis. Outside of work, Elo partakes in community service cleaning and gardening projects, and explores holistic practice to ground and connect with nature. Actively participated in community-led initiatives & projects focused on strengthening relationships between business owners, residents, & community leaders. Consulted City Council representatives to utilize the outdoor public space for workshops. Excited to engage in community-centered, participatory processes. Interested in learning more about the arts & culture community through the application process, and looking forward to being part of a panel, ready to support with the review process. Austin has a deep history of incubating music, arts, and innovative experiences. Since moving to Austin, I've volunteered in the SXSW conference, currently co-support a select number of restaurants with curating visitor's experience, and I serve as a project consultant focused on equitable engagement. I find communities thrive most when people get involved, businesses do well, and companies give back. It has been transformational for me to attend festivals, arts district events, and concerts in the park. The city's investment and support tells us a lot about the importance of preserving the city's culture, establishing trust, and strengthening the social fabric. I'm excited to connect with the Austin Arts, Music, Culture, Entertainment to learn more about the applicants and the ways the city will continue to expand the vision in for 2027. Paul Alvarado I’m co-founder of Fantastic Fest, former asst. to Oscar winner Guillermo del Toro, former board VP of Hyde Park Theatre. My first job in Austin (30 years ago!) was marketing/PR director for the Paramount Theatre, followed by a stint w. Austin Opera. Austin has been my home for 30 years (more than half my life), and the most fulfilling part of that has been the arts, culture, music and entertainment community — which I’ve had the privilege to contribute to, and love to help support and nurture. chelsea amato my personal website is: www.chelseascreename.com I am involved in the visual arts community in Austin I want to be able to have an input in what art is selected and uplift alternative and interesting emerging artists I am a visual artist located in Austin and part of the Austin arts community Stephen Ameh I have actively supported my community through volunteer service, professional collaboration, and civic engagement for many years. I enjoy dedicating my time, knowledge, and resources to initiatives that uplift individuals and strengthen communities. I am interested in serving on a Review Panel to use my experience in finance, leadership, and community service to support fair decision-making and help identify programs and organizations that create meaningful and lasting community impact. martina amende Arranging successfully interactive community arts organizations i Examples are concerts -Austin Civic Orchestra with Rick del Castillo as a collab at the Long Center and next year at the Rosette , a non -profit of new music produced by me Elevate Austin artists to be able to work and produce who normally do not have access to funding opportunities as work internationally but also reward decades beloved musicians who could use help with creating a new project especially if innovative. Kathryn Amerson Member of Friends of Folk Art & WSSA. Volunteer w/Austin Classical Guitar. Active with school/PTA associations 1990s-2010. Was a member/officer of North Loop N’hood Assn from 1998-08 Linked nonprofits to underserved schools as AISD Social Worker. I’ve been fortunate to live in a community that dedicates effort & money towards making art accessible to all. It’s time for me to give back. And I want to help elevate people whose art & story has been overlooked. Beth Anderson Beth Anderson is a fiction writer and Professor of Communications at Austin Community College. She has lived in Chicago, DC, Dallas, Houston, Austin, and on a sailboat. She holds an MFA from the Stonecoast Creative Writing Program and an MBA from the University of Texas at Austin. An alumni presenter at the 2026 Stonecoast Winter Residency, she has also presented on writing at the International Conference for the Fantastic in the Arts and Worldcon. Her short fiction appears in Not One of Us, Akashic, Horror Tree, and other publications, and her manuscript for The Brunettes was a finalist in the 2025 Writer's League of Texas Manuscript Contest. A long-time film nerd who spent many years working in the industry, she also writes about pop culture on her Substack. Follow her at seebethwrite.com, @bethanderson.bsky.social, and seebethwrite.substack.com. I spent five years as Director of Marketing and Communications for a nonprofit, historic independent movie theater. I have also provided pro bono marketing, communications and PR services to multiple arts, education and environmental nonprofits. I have some interest in this. I teach writing at Austin Community College. As a fiction writer, I'm part of the literary community here, having paneled at Armadillocon (Austin's science fiction and fantasy writer's convention) for four years, and I'm also active in several local writing organizations including the Writer's League of Texas. On the film side, I'm a supporter of local film organizations such as the Austin Film Society, Hyperreal Cinema, and the Paramount. As a former marketing and communications director of a film nonprofit, I have deep understanding of the film industry, marketing and communications, and nonprofit arts management. R.E. Anderson As Workshop Manager at the Morgan Papermaking Conservatory, I develop arts programming, teach bookbinding and letterpress, and collaborate with artists and the community to expand access to traditional craft and arts education. I value the impact public arts funding has on artists and communities. I would welcome the opportunity to contribute to a fair, thoughtful review process. Willie Anderson Willie S. Anderson, M.Ed., is a community advocate, educator, media producer, published children's author (A Grand Sunny Day, Wynter, Take a Bow!), and founder of A Golden Deed, an initiative dedicated to somatic literacy, creative writing sanctuaries, and community- centered program design. She currently serves as the Director of Community Outreach and Volunteer Services at Child Inc, overseeing community partnerships, volunteer development, and resource expansion for early childhood development programs in the Austin area. Holding a Master of Education in Curriculum & Instruction (e-Learning/Technology) from Concordia University and a B.A. in Broadcast Communications from Freed-Hardeman College, Willie is also certified through Breathe for Change as a yoga teacher and mindfulness facilitator. She brings decades of experience spanning special education, English as a Second Language (ESL), adult basic education, and non-profit administration. Over the past 30 years, she has served as a volunteer broadcaster and producer for KAZI 88.7 FM and formerly directed the Open Studio program at Austin Access Television. Additionally, she serves on the planning committee for the Austin African American Book Festival. An Austin educator, author & KAZI 88.7 host since 1992, I serve on the Austin African American Book Festival Committee, write grants for BIPOC nonprofits, direct Child Inc. outreach, and volunteered for years with Ballet Afrique. As a two-time Nexus grant recipient, I want to support fellow Austin artisans contributing to our vibrant culture. Having served as a reviewer for the past two years, I have grown in this process and wish to continue giving back to the arts. As an Austin-area resident for over 30 years, my personal and professional commitment to our local cultural ecosystem is rooted in deep, multidisciplinary engagement across early childhood and special education, community broadcasting, literary arts, somatic * Community Leadership & Education: As Director of Community Outreach and Volunteer Services at Child Inc, I focus on expanding community access, resource development, and equitable programming. Grounded in my Texas Educator Certifications (Generalist EC–4, Special Education PK–12, ESL Supplemental) and M.Ed. in e-Learning and Technology, I design educational initiatives centering accessibility and holistic development. * Media Arts & Grassroots Voice: For over 30 years, I have served as a volunteer broadcaster and producer at KAZI 88.7 FM, working to amplify local voices and cultural narratives. Previously, as Media Arts Coordinator for Austin Access Television, I directed the Open Studio program, training community members to harness media tools to share their stories. * Literary Arts & Somatic Literacy: As a published children's book author and founder of A Golden Deed, I lead trauma-informed mindfulness, creative writing, and literacy initiatives. Through projects like Write Forward and INKubator ATX, I combine creative expression with somatic practices to foster community healing and resilience. My connection to Austin's cultural ecosystem is strengthened by ongoing work with local organizations, including the planning committee for the Austin African American Book Festival. Austin’s creative community thrives on cross-sector collaboration—where artistic expression intersects with civic engagement and wellness. Having served as a City of Austin grant reviewer and received local cultural funding, I offer a well-rounded perspective on both the structural support artists need and the transformative impact creative work has across our diverse neighborhoods Ibiye Anga I'm a curator producing art exhibitions and cultural events across Austin, including 'Presence' at Austin Central Library. Upcoming: our first official gallery show at Dougherty Arts Center, Jan 2027. So grateful to serve Austin's arts community. Having served on Mid-America Arts Alliance's national review panel, I bring that broader lens to Austin's local context. Review work stretches me deeply. I love supporting inspired artists/workers building our city's cultural community. Skyler Baker I'm a native Texan who has worked with performing arts organizations (theatre, opera, and symphony) as a professional and volunteer. I specialize in arts marketing and programming. I'm new to Austin and looking to get involved in the arts community. I'm interested in serving on a Review Panel because as an emerging manager in the arts and cultural sector, I'm eager to gain knowledge of the application process and the tools that will inform my future contributions to Austin's vibrant arts scene. Coyote Balderrama Coyote Balderrama Shook is an Austin-based museum education manager and cartoonist. Their comics and visual essays have appeared in a range of literary journals and websites, including Vox, Kenyon Review, Michigan Quarterly Review, Split/Lip, Shenandoah, Puritan, and Superstition Review. They were the winner of the 2020 Leiby Chapbook Award with the Florida Review. As School Programs Manager for the Texas State History Museum, I am familiar with a variety of arts, folklore, and cultural education nonprofits and organizations. I have regularly collaborated with local artists and craftspeople for museum programs. As an arts educator and community artist, I am deeply enthusiastic about high quality art and cultural programs taking place in Austin. I am proud to be part of such a vibrant community of artists and have seen the power of quality artistic programs. I am both an artist and arts supporter in the Austin community. In addition to regularly identifying performance and teaching artists for partnerships as a museum programs coordinator, I have reviewed and assessed artist grant applications for a range of cultural organizations and nonprofits, including Texas Commission on the Arts. I regularly attend performances and cultural celebrations in Austin, including with Austin Opera, Ballet Austin, Ballet Folklorico de Austin, Austin Symphony Orchestra, Texas Performing Arts, and Austin Civic Orchestra. Stephen Balentine I write music as a solo artist and in a touring rock band, playing gigs across Texas and Online with international acts. I did this ealier this years and it was a great experience. Lamanda Ballard As a marketing executive of 10+ years, I've led campaigns and brand growth for startups and community organizations, served on nonprofit boards, and this year reviewed grants for Austin Community Foundation. I grew up around family in the arts and Danny Simmons personally introduced me to different arts early on, and that access shaped me. I want to help Austin's artists and orgs get the same kind of real, informed support and belief in their work. Aurora Banks My family has been in the Travis County and Bastrop County for five generations, and I grew up on the east side of IH35; attended Kealing Middle School and A.N. McCallum High School Fine Arts Academy. While homeschooling for grades four through seven, I picked up violin lessons, and continued my classical training at Kealing and McCallum. In eighth grade I joined the Classical Guitar ensemble, then joined the Ballet Folklorico after-school club in ninth grade while simultaneously dedicated to orchestra as a violinist, participating in all through twelfth grade. For my freshman and sophomore years in college I attended Austin Community College as an American Sign Language Interpretation major and joined the Student Government Associate for two years as a Campus Senator. I began working at Dell Seton Medical Center in the Environmental Services department as a housekeeper. After working there a few months, the Senior Supervisor mentored me to become a Supervisor, and eventually the Assistant Director encouraged me to complete additional trainings to become a Safety Supervisor. The management team revived my drive to seek higher goals in professional and educational settings, and to lean on my community for support. My last role at Seton was Operations Manager, a role I had desired, trained and sacrificed for. Since then, I always inquire more, speak up more, and adjust fluidly when aligning opportunities to lead cross my path. I have 5 years experience in Operations Management, testing and facilitating training programs. Most weeks I attend events all over Austin: poetry slams, open mics, educational panela, creator meetups/networking, etc. Volunteer at Riches Art Gallery. Along with learning from seasoned professionals and gaining a deeper understanding of the grant process, my goals include ensuring support and resources reach indispensable, underserved communities. My professional experience is rooted in hospitality and environmental services. I became a certified Safety Supervisor in 2021 after completing OSHA training courses, going on to complete safety compliance evaluations daily. Most recently, I worked as a Mural Assistant with Raasin In The Sun for their Art For All program and participated in a local artist showcase produced by ATX Artists for Social Impact. Delan Barrett Delan Barrett is an e-commerce entrepreneur, clarinetist, and community advocate dedicated to enriching Austin’s vibrant cultural and business landscape. As a minority and female business owner, Delan founded an e-commerce brand specializing in meaningful baby and pet keepsakes, helping families celebrate life’s milestones. Her experience navigating product development, digital commerce, and brand growth provides a practical understanding of creative entrepreneurship, budget management, and sustainable business operations. As a performing musician with local chamber ensembles and the Austin Philharmonic, Delan frequently brings live classical music directly into public spaces. Her performances have enriched prominent Austin institutions, including Austin Public Library branches, the Texas State Capitol Rotunda, the Bullock Texas State History Museum, and KMFA 89.5 Studios. Combining artistic practice with small business leadership, Delan brings a well-rounded perspective to the grant review process—balancing creative vision with fiscal accountability and a strong commitment to equity, access, and representation across Austin’s arts ecosystem. My Austin community work spans arts accessibility, civic service, and mentorship. I perform at local libraries to make music accessible, volunteer with the food bank, and co- founded an organization mentoring female entrepreneurs to foster equity. As an Austin creative, I want to serve on the ACME panel to ensure public funding supports our city's diverse, vibrant voices. My firsthand industry experience allows me to provide objective, constructive feedback for an equitable review process. As an active performer, organizer, and volunteer, my connection to Austin is rooted in enriching our community through accessible arts, entrepreneurship, and youth engagement. As a clarinetist performing with local chamber ensembles and the Austin Philharmonic, I have dedicated myself to bringing live music directly into public spaces— including Austin Public Library branches, the Texas State Capitol Rotunda, the Blanton Museum of Art, and KMFA 89.5 Studios. Furthermore, as a registered municipal vendor for music and instruction, I understand the practical intersection of public arts programming and civic partnership. My commitment to community building extends across sectors. Recognizing a need for peer support and resources for local business leaders, I founded "Women, Inc. ATX," a network created to empower and connect women entrepreneurs across Austin. At the grassroots level, I also mentor young athletes as a volunteer coach for youth sports teams, fostering teamwork, equity, and personal growth. Through these varied experiences, I have developed a deep, practical understanding of Austin’s creative ecosystem. Austin’s strength lies in its diverse, interconnected web of independent working artists, non-profit cultural hubs, and grassroots community groups. However, maintaining this creative vitality requires intentional support—addressing challenges around affordability, equitable funding access, and long-term sustainability for artists of all backgrounds. As a grant reviewer, I bring a balanced perspective that honors artistic rigor, community impact, and fiscal accountability. My firsthand experience as a performer in civic spaces and a community organizer enables me to evaluate grant proposals with empathy, objectivity, and a genuine commitment to sustaining Austin’s vibrant cultural fabric. Zulia Barrios Zulia Barrios is a North Texas Criminal Justice alumna who found her way into the sync world through curiosity, persistence, and a passion for helping independent artists grow. During the pandemic, she dove headfirst into sync—scanning IMDb pages, studying TV credits, and attending industry panels to build genuine relationships with music supervisors. Her commitment has led to placements across major platforms and networks, including Netflix’s Rhythm + Flow, The CW’s All American, CBS’s Bob Hearts Abishola, KSG Hawaii’s My Partner, Heartbreak Falls, Michael Keaton’s Knox Goes Away, as well as features with the NFL on FOX Sports and Disney+ on The Kardashians and many more! When she’s not working on placements, Zulia spends her time attending local shows across Austin, advising artists on how to leverage their music for TV/film opportunities and build sustainable revenue through sync. She continues to champion creatives by creating access, sharing knowledge, and connecting artists to the world of music licensing. I am a music coordinator based in Austin, passionate about helping local artists grow. I’ve hosted SXSW and BMI panels on sync placements and worked behind the camera as a DP, supporting artists in bringing their music to TV and film. I want to serve to encourage and guide both emerging and established artists in Austin’s creative community, especially those serious about their craft but limited by funding. I spend a lot of time in the Austin music scene, attending local shows and connecting directly with artists. Beyond just watching performances, I work hands-on with musicians—advising them on how to leverage their music for TV and film placements, build sustainable revenue through sync, and navigate the business side of the industry. Being active in the community not only keeps me grounded but also allows me to bridge the gap between independent artists and the larger music licensing world. Julia Barron I am a nonprofit professional, writer, musician, and multidisciplinary creator from Baltimore, Maryland, driven by my passion to build connections through shared values and serving my community. My creative practice spans musical composition, performance, audio-visual production, and creative and journalistic writing. My creative and community centered foundation deepened in New Orleans, where I earned a B.S. in Music Industry Studies at Loyola—gaining hands-on experience across the creative and business sides of the industry. Immersed in cultural preservation, I worked with iconic institutions like Preservation Hall and the New Orleans Jazz & Heritage Festival , published an independent literary magazine, and reported for ANTIGRAVITY Magazine. Since moving to Austin, I have built a career in nonprofit development and operations, community outreach, and creative production and support. At Wheatsville Co-op, I balanced board governance and meeting facilitation with community partnerships, community outreach, and conceptualizing events steeped in culture, music, art and community. In my development operations work at the Central Texas Food Bank, I direct end-to-end gift processing and acknowledgements, manage donor database integrity, oversee financial reconciliation, author organization-wide SOPs and workflow trainings, oversee admin volunteers, and support grant proposals and stewardship communications. Active in the Association of Fundraising Professionals (AFP) and Grant Professionals Association (GPA), I back my practical experience with my professional certifications in project management, nonprofit management and grant writing. Whether engineering database workflows or collaborating across departments, I balance technical precision with the human side of community work. I bring creative empathy, administrative discipline, and structured leadership to every panel and project I serve. DevOps, Event Planning, Vol Engagement and Coord, Central TX Food Bank; Membership & Community Outreach + Board Admin, Wheatsville Co-op; Creative + community vol positions; Film and music production assistance; Pro bono grant writing + more! W/ a background in grant work, data analysis, community service, music industry studies, and arts/culture writing, I offer a sharp, creative eye. Eager for experience fairly evaluating applicants to meet city criteria + sustain what makes ATX unique. My lifelong commitment to arts, culture, and humanities is rooted in a desire to understand the history, traditions, and networks of support that build community and sustain local creative ecosystems. Artists and entertainers, community organizers, and historically underrepresented groups form the foundation that fuels our cultural identity and economy, engaging residents and visitors alike. Having lived in Baltimore, New Orleans, and ATX, I enjoy learning and sharing about my cities' unique qualities and intertwined subcultures. Since moving to Austin, I have truly immersed myself: attending live music and film screenings at historic venues; enjoying entertainment in areas like Red River and East Austin; visiting museums and galleries; taking theater, writing, and film classes; supporting local makers; participating in the Austin Public Producer Program, among other pursuits. I prioritize learning about minority communities whose contributions fundamentally built Austin's signature style, making it a world-class destination. Amplifying these histories alongside today's creative zeitgeist ensures our story remains accessible and compelling to all. My personal values and professional background meet at the intersection of collective support, innovation, and genuine human connection. In my development operations role at the Central Texas Food Bank, I serve through a lens of equity and dignity, believing all residents deserve opportunities and resources to live well. My creative pursuits; work in data analysis and resource development; past advocacy for musicians; city-wide outreach at Wheatsville; and extensive volunteer service, combined with certificates in NPO management, project management, and grant writing, equip me to assess applicants thoughtfully and objectively, adhering to criteria. I can help ensure HOT revenue is strategically reinvested to equitably support creatives, events, and organizations; bolster cultural districts; and boost tourism. Kate Batdorf I volunteer with the Austin Animal Center and stay engaged in Austin's creative community through my own art practice and local arts events. My project management background has strengthened my ability to evaluate applications fairly and thoughtfully After attending a grant workshop, I realized I don't yet meet the two-year production history requirement to apply as an individual artist. Serving as a reviewer is a meaningful way to learn the process while supporting Austin's creative community. John Bateman Former Executive Director of a regional arts council in Starkville, MS, with experience in program management and development, including a 50,000 attendee art + music fest. I've volunteered and served on boards. As a working creative, I have extensive experience with nonprofits in several regions: currently based in Chicago, I've lived in NYC, Dallas, and Starkville, MS. Because I don't live in Austin, I won't have inherent bias towards favorites. Amita Batra Amita Batra is a story-driven nomadic choreographer rooted formally in Kathak, the Indian Classical art of storytelling as well as modern / contemporary dance. Amita’s methodology in addition incorporates the concept of character work in movement to tell seamless stories without ever saying a word as she additionally has a background in Theater, Bollywood & improv comedy. above everything, Amita’s work is made by humans for humans for various mediums & experimentations including camera, stage, site-specific work, immersive dance theatre and more. credits / clientele include the Academy of Motion Pictures, Good Luck Elvis - Unreleased SAG Feature Film, Broadway-bound DDLJ Musical Director Aditya Chopra, Nisha at NBC- Universal, NY BAF Aladdin, Grammy-nom Radhika Vekaria’s Warriors of Light Album & more. I believe in the power of storytelling through movement. I host dance workshops focused on using one's own experiences and channeling them through movement to express the story within. I also work with artists including other dancers and musicians. I'd be interested in serving on a review panel to view the work of those around me and see a reflection of the kinds of thoughts and feelings present in our community today. To exist in the field of arts of any sort is to be connected first and foremost to yourself but additionally to the world around you. The energy of the Austin dance community is exists within me and my work spanning from a variety of global audiences most namely storytelling dance / dance theater enthusiasts as well as Indian classical dancers & followers. My background, rooted in Modern / contemporary dance as well as Kathak, the Indian Classical art of storytelling, is focused on using the body as simply a medium of storytelling & allowing one’s own body language to exist as it is with whichever discipline a dancer practices. Creating this type of choreographic work that honors the individual while telling collective stories has brought about a shared humanity, a humanity which is shared with a community of people who simply connect to the humanity of the work, unbound by race, age, gender or any such man-made identity box We create. In addition to this, it’s always been important to me that I share the power of such a craft with non-professional movers as well through education & also empowering more marginalized groups, most namely south asian women to trust their bodies as a form of expression. It is my belief that everyone has the power to express themselves through the language of the body, so I am consistently hosting workshops that serve as a form of dance therapy and practice of allowing an understanding & freedom of a student’s own movement. The way I see it, Austin’s cultural community has pockets, different groups with different expertises & my practice allows all to be honored, coexisting in the body & channeled as a form of expression. Bethany Battaile I've been creative since early on, in drawing, poetry, writing, performance. Chronic illness has changed much of the expression of art I have now, and design is more forefront, even so, I continue to try and hope to decipher the role and representation of art and music in society positively, though it can be distinctly challenging as a career, yet as anything, with the right structural foundations, even in the crevasse of a rock, plants can flourish. I've been creative since early on, in drawing, poetry, writing, performance. Chronic illness has changed much of the expression of art I have now, and design is more forefront, even so, I continue to try and hope to decipher the role and representation of art and music in society positively, though it can be distinctly challenging as a career, yet as anything, with the right structural foundations, even in the crevasse of a rock, plants can flourish. In my youth I was more greatly involved in community building and support activities. It was a nice time, and I wish everyone could feel the joy of helping build a greater community. I think I have a unique perspective in I was raised by artists, and know the types of individuals who may be seeking grant funds, and am very thorough in trying to be all encompassing about the criteria to make a proper judgement. Austin is known as the music capital, there is a vast display of art, and these programs are inspiring and comforting to know about. The hardships of artisans, musicians and creatives is a under played hand in many societies, and could be structured for good so much better. I hope such occurs daily. I believe in the healing it can bring. Austin is known as the music capital, there is a vast display of art, and these programs are inspiring and comforting to know about. The hardships of artisans, musicians and creatives is a under played hand in many societies, and could be structured for good so much better. I hope such occurs daily. I believe in the healing it can bring. Jennifer Bechem I serve Austin's creative community through public art workshops, community partnerships, artist mentorship, and prior service as a City of Austin grant reviewer. I also participate in local arts leadership and creative organizations. I'm interested in supporting a fair and thoughtful review process that recognizes diverse artistic practices and meaningful community impact. I appreciate the opportunity to help strengthen Austin's creative ecosystem. Misha ben-David Working musician since 1989. Previously employed as a broadcast journalist. Member Austin Music Commission 1999-2002 Degrees in Human services and Theology. Seeking to expand the recipient pool beyond traditional population sets As a senior musician, I'd like to see seniors and the disabled cultivated as part of recipient pool. Gustavo Bernal Gustavo Bernal is a filmmaker and video editor with a passion for storytelling, film editing, and visual effects. Born in Caracas, Venezuela, he has strong roots in his Hispanic heritage and multicultural background. He earned his Bachelor's degree in Animation and Visual Effects from the Academy of Art University in San Francisco. With extensive experience in the industry, Gustavo has worked with prestigious advertising agencies and production Adrenalina, and Warner Brothers Television. His editing portfolio includes projects featuring renowned personalities such as Spike Lee, Quest Love, Thalia, Aurora, Moby, Gorillaz, KT Tunstall, Lily Allen, actor Nestor Carbonel, musician Robin Thicke, restaurateur Danny Meyers, and Magic Johnson. His work has earned him numerous awards in advertising and independent filmmaking, like The 2025 Texas Society of Architects Award for Excellence in the Promotion of Architecture through the Media, in honor of John G. Flowers, Hon. AIA, AIA Austin 2023 PRESIDENT'S AWARD FOR Promotion of Austin Architecture Through Outstanding Documentary Filmmaking. His film Tiny Victories 2.0: A Tale of Empathy has been showcased at film festivals worldwide, including in Venice, Copenhagen, Tokyo, Rio de Janeiro, Dubai, Chicago, Dallas, London, and the Better Cities Film Festival in Detroit, where it won the Emerging Ideas Award. It was also featured at the Archtober AIA Queens' Architecture Short Films festival in New York and the Western Australian Museum—Boola Bardip in Melbourne. Gustavo has presented his knowledge on storytelling in architecture and film at notable events including AIA Austin Design Excellence, the Texas Society of Architects Conference, and the AIA National Conference. For five years, I led a volunteer team of teachers and parents who taught science, healthy resources, and nature at my son's school. The program, known as Becker Green Classroom, has been an award-winning initiative for almost 30 years. I am interested in serving on a Review Panel because it provides an opportunity to contribute to the advancement of creative excellence while supporting fellow artists and professionals. My connection to Austin’s community is rooted in my work as a filmmaker, photographer, educator, and storyteller, particularly within the city’s architecture and design community. Since 2019, I have been actively involved with AIA Austin, where I have documented and collaborated with architects, designers, educators, and community leaders. Through this work, I have developed a deeper understanding of the people and ideas shaping Austin’s built environment and cultural identity. My professional background in film and visual storytelling has allowed me to work across advertising, documentary, commercial, and independent filmmaking. I bring that experience into my work in Austin, using film and photography not simply to document places, but to preserve the voices, experiences, and values of the people who contribute to the community. My involvement with AIA Austin has also led to projects such as the Women in Architecture Profiles series and my current independent film project, ATX-ARCH: Space Poetry. The film brings together the voices of 28 Austin architects and designers to explore how architecture influences the way we experience and inhabit the city. Through this project, I have spent significant time listening to and recording members of Austin’s creative community and developing relationships across different generations and practices. I see Austin’s cultural and creative community as one built on collaboration, experimentation, and a strong sense of place. At the same time, I recognize that Austin is changing rapidly, making it increasingly important to preserve the stories and perspectives of the people who have helped shape the city. My role within the community is to help capture those stories and create meaningful connections through film, photography, education, and visual storytelling. Nayantara Bhattacharya https://www.austinchronicle.com/music/checking-in-tara-bhattacharya-stages- interference-fest-women-making-noise-2020-12102834/ I am the founder of Antumbra Intermedia Events & Installations and have organized Interference Fest since 2019, focusing my activities on LGBTQIA & POC and Disabilities; working consistently with intersectional creative communities for 10 years. Being proactive with feedback and learning about individuals and organizations who are doing important and effective work in our community, puts the scorer in a truly privileged position. I would appreciate the chance to score again. My name is Tara Bhattacharya from Austin, TX and I have run Antumbra Intermedia Events & Installations since 2014. I have over a decade’s worth of experience as a promoter and producer of multidisciplinary events for Austin. I present work for and by BIPOC, LGBTQIA and Disabled communities. My concerts include ASL Translation and are open to the Blind and DeafBlind communities in Austin. I have a degree in Art History & Conservation in New York City and through my education it taught me how to recognize and nurture Art and Artists, and by working in independent small galleries. not-for-profit and DIY spaces how to work closely with the local community and often times with meager resources and means to create impactful cultural events. For the last 13 years it has been one of the greatest privileges to live and work in Austin, TX and support the local community through different multidisciplinary events, with artists working in a variety of forms and mediums including, dance, poetry, music, sound, video, film, performance art, sculpture etc. I aim to contribute to our beautiful and thriving artistic landscape for as long as possible. There is so much talent to nurture and help grow in our community. i I started Interference Fest in 2019 and have slowly grown my ideas and activities as to how to support underrepresented individuals with the majority of my time an energy. In 2026 the events are going to be frequent towards the end of the year, in the past the festival has been three or four days in a row. Interference Fest is the very crux of my mission to support creatives and help them to produce work in diverse and creative environments with maximum support, available to them. Myrissa Blanco I appreciate art and I want to keep Austin weird as over the years it has lost that charm. Oscar Botello Currently in Board of Directors at All Rhythms www.allrhythms.com Formerly: member of the Board of Directors of Austin Civic Orchestra https://austincivicorchestra.org Formerly Director of a non-profit in Monterrey, Mexico https://www.edam.org.mx Interest in knowing about the projects in different art disciplines in Austin Help and guide other musicians and acts to present their projects for funding. Darien Bowyer Darien Elicio Bowyer began graphic design & video editing in 2016, using Adobe Photoshop CS6 and Sony Vegas Pro 13. What started as a way to stay connected to the gaming community while taking a break from playing video games quickly developed into a passion for visual creativity. He contributed behind the scenes by creating Youtube, Twitter, and Twitch avatars, banners, and other artwork for Call Of Duty content creating teams while continuing to participate alongside their members. As time went on, Darien found himself helping individuals, teams, and organizations bring their ideas to life through logos, flyers, thumbnails, and other visual content. He continued expanding his skills by learning software such as Affinity Photo and DaVinci Resolve. More recently, Darien assisted laborers and a film crew in directing and showcasing work methods for a training video designed to teach individuals how to build and assemble screen panels used to advertise products at Scheels in Cedar Park. At 24 years old, Darien considers himself blessed for the opportunities he has received and remains motivated to grow. His passion is to use creativity and artistic vision to help individuals and organizations establish a professional visual identity, capture attention, and create meaningful opportunities through his work. Darien Elicio Bowyer began graphic design & video editing in 2016, using Adobe Photoshop CS6 and Sony Vegas Pro 13. What started as a way to stay connected to the gaming community while taking a break from playing video games quickly developed into a passion for visual creativity. He contributed behind the scenes by creating Youtube, Twitter, and Twitch avatars, banners, and other artwork for Call Of Duty content creating teams while continuing to participate alongside their members. At 14 years old, Darien experienced a major setback when he came home from High School to discover his belongings had been destroyed by his father. He moved into his grandparents' home and began rebuilding his life by salvaging what remained and replacing what could not be repaired. Through his experience, he developed resilience and a stronger determination to create something meaningful from difficult circumstances. As time went on, Darien found himself helping individuals, teams, and organizations bring their ideas to life through logos, flyers, thumbnails, and other visual content. He continued expanding his skills by learning software such as Affinity Photo and DaVinci Resolve. More recently, Darien assisted laborers and a film crew in directing and showcasing work methods for a training video designed to teach individuals how to build and assemble screen panels used to advertise products at Scheels in Cedar Park. At 24 years old, Darien considers himself blessed for the opportunities he has received and remains motivated to grow. His passion is to use creativity and artistic vision to help individuals and organizations establish a professional visual identity, capture attention, and create meaningful opportunities through his work. Using Adobe After Effects, Photoshop, Davinci Resolve, and Affinity Photo, I can evaluate project feasibility and budgets. Editing content gives me insight into digital engagement and how applicants can effectively market to cultural tourists. I want to serve on the FY27 ACME panel to conquer equity for Austin's independent artists. My work with local musicians and illustrators gives me a grounded view of the resource gaps and systemic barriers emerging creative faces. My personal and professional experience within my community is diverse. What I can bring to the city is relevant and eye catching advertisement through my artistic evaluation that I have accumulated over 10 years along with the knowledge I have grown up to know by living in the City of Austin for 17 years. Being very intrigued with the history and creative aspect of my environment makes me a strong candidate because I am passionate about the introduction to new comers and how accurate it must be. I understand right timing across all aspects from producing/releasing content and how it is tied to the ecosystem, from historical education to creative production. Social media and certain tags trigger pop ups in feeds is crucial along with connections through networking within our community for people who don't live here. Attracting families and friends to visit Austin as a safe environment for many years to offer with many various activities that won't feel repetitive due to different folks vacating from all over. The personal & professional experience I have within my community is diverse, I have designed cover art flyers for local baby showers, album/single covers, video thumbnails, AVI & Banners, and etc. Knowing the dimensions and overall pixel quality for these platforms are all similar but slightly different as some require different file formats which sometimes need to be converted for the best visual advertising purpose. The same procedure also applies to videos but may be more tedious as there are multiple frames in a video rather than a single frame that makes a picture. You also have to take into consideration that everybody who stays in tuned with their community may be watching on a monitor, television, or phone which is different to the human eye due to screen size. The different video quality choices range from 720p, 1080p, 1440p, and 4K. Standard capture resolution is significant but ultimately depends on the destination of where the video will be uploaded. Such as TikTok is vastly viewed from a phone which can be posted at 1080p (1080x1920) at 60fps since they do have a slow down feature. If posted at 30fps, and watched at a 0.5x speed can result in the video being choppy. Tiffany Braden * General Manager of a non-profit dance studio * Weekly volunteer at Austin Bat Refuge * Founder of anti-litter initiative No Trace Austin<https://www.instagram.com/no_trace_atx/> * Neighborhood Association meeting attendee * Local performer/show runner with strong organic social media following As an aspiring grant writer with an advanced persuasive writing based degree, this panel experience allows me to learn while helping my fellow Austinites access the tools they need to keep our city a vibrant, diverse and creative icon. Amanda Brown I grew up 30 minutes outside of NYC and was raised by a single mother. I studied in Rhode Island and Sydney, Australia, and have traveled widely. In the last few years, I’ve discovered 14 half-siblings and my biological father through 23andMe. My family is closely tied to the queer community - several of us identify as queer, myself included, and many of the others were raised by queer parents. I’ve never been interested in fitting neatly into one archetype. I have a B.A. in Mathematics and a minor in Creative Writing. I have a spreadsheet to analyze everything (including every band I’ve seen live), but I’m equally interested in the stories behind the numbers. Creativity has been a throughline in my life. I danced for 17 years, including teaching at a summer camp; performed in theater; participated in speech and debate; hosted a college radio show called “Music Undercover” (playing cover songs); published poetry; wrote for my college newspaper; and co-produced several short films, one of which was selected for RIIFF, an Oscar-qualifying festival. I’ve always found my way back to music (singing and piano) after writing my first song at age 6. I know all the best karaoke spots and music venues. Professionally, I’ve spent the past decade as a marketing strategist, working across agencies, e-commerce, enterprise technology, and now pharmaceuticals, where I help bring rare disease treatments to market. I’m passionate about how artistic creation, and the sharing of it with community, can give us a shared language, a sense of belonging, a healing or catharsis bigger than any one person. How it can teach us how to hold one another and ourselves in the biggest and hardest and smallest and unexpected and defining moments. Founded 200-member service club. Built youth group. Former volunteer chair (ServiceNow): food bank, cleanups. Local business owner. Active in neighborhood forums. Attend local music, film, comedy. Commission home designs from diverse local makers. I dreamt of calling Austin home 10 years before it was reality. I’m here for its music, film, and WEIRD. As growth and gentrification reshape the city, I care about funding diverse creators so Austin stays bold, inclusive, and unmistakably itself. After first visiting Austin, I spent 10 yrs trying to move here. The city has a heartbeat that synced with mine - the music, culture, art, intersection of nature & city...all the quirks that define "Keep Austin Weird." I saw the bats fly out from under Congress Bridge for the first time -- standing among folks from all walks of life, strangers gathered together. I was inspired by and connected to something bigger. It took years of reflecting on that moment, even writing creative pieces about it, to realize "something bigger" was Community, and it is my cornerstone. I got a bat tattoo about it on my forearm. Since moving here 5 yrs ago, I've attended hundreds of local events - Pride celebrations at Cheer Ups, live music at both ACL theaters in the same week, Hyde Park Storytelling, ColdTowne comedy shows, performing myself at Stubb's. I love supporting touring artists too, and built my home for it. I've hosted SXSW artists, 4+ bands, and a poet so far. While working at ServiceNow, I created and led an Austin Volunteer & Social Committee. I organized shifts with Central Texas Food Bank, Town Lake & Shoal Creek litter cleanups, and snack kit making for Caritas. I also planned social outings to help employees build meaningful local connections. At the neighborhood level, I run a small business selling artisan finishing salts and vend at local markets, connecting me with a network of Austin-based makers. I’m also active in neighborhood buy/sell/trade groups where I support & rely on my neighbors - from sharing items for free with those who need them to sourcing things like pepper plants. In outfitting my home with custom interiors & furniture, I insist on supporting LGBTQ+ & BIPOC local artists as much as possible. My community involvement is a mix of leadership, hands-on service, small business participation, and everyday community-building. I’m especially passionate about diversity and supporting the local creative scene, ensuring communities have resources to thrive. Denise Brown Denise Brown is the Director of Education at The Williamson Museum. She has worked as a teacher in Lampasas ISD. She is an avid singer and has served on multiple boards here in Texas and in North Carolina, including for Arts and Culture, Museum, and Choral boards. She has a passion for history education and literacy for all. She has also worked in nature and science museums. Denise Brown is the Director of Education at The Williamson Museum. She has worked as a teacher in Lampasas ISD. She is an avid singer and has served on multiple boards here in Texas and in North Carolina, including for Arts and Culture, Museum, and Choral boards. She has a passion for history education and literacy for all. She has also worked in nature and science museums. I sang with Amphion Youth Choir. I spent a few years volunteering with the LBJ Library. I was part of a service sorority at UT Austin. I am the Director of Education at the Williamson Museum and plan many of our public education events and schools. I am passionate about funding helping grow our community and giving back to a community that has given so much to me. I plan history based events for the Williamson County and Travis County communities. I also present traveling trunks in community classrooms and run field trips. This is all through my role as Director of Education at The Williamson Museum. I volunteered with the LBJ library from 2016-2019. I have received training in cultural heritage and museum education through my Museum Studies masters program with Johns Hopkins. During this time, I worked with World Heritage and the missions in San Antonio. Our museum is a member of Austin Museum Partnership which has helped me learn about many of the heritage and art entities in Austin. I also attended UT Austin for my undergraduate degrees. I am currently raising my son (8 months old) and wanting to introduce him to a community full of art and culture and history. Outside of Texas, I spent 3 years in North Carolina where I worked at a regional history museum and as the director of a park and nature center. I also have served on the board for Cumberland Choral Arts in North Carolina and on the Lampasas County Museum Board here in Texas. I plan history based events for the Williamson County and Travis County communities. I also present traveling trunks in community classrooms and run field trips. This is all through my role as Director of Education at The Williamson Museum. I volunteered with the LBJ library from 2016-2019. I have received training in cultural heritage and museum education through my Museum Studies masters program with Johns Hopkins. During this time, I worked with World Heritage and the missions in San Antonio. Our museum is a member of Austin Museum Partnership which has helped me learn about many of the heritage and art entities in Austin. I also attended UT Austin for my undergraduate degrees. I am currently raising my son (8 months old) and wanting to introduce him to a community full of art and culture and history. Outside of Texas, I spent 3 years in North Carolina where I worked at a regional history museum and as the director of a park and nature center. I also have served on the board for Cumberland Choral Arts in North Carolina and on the Lampasas County Museum Board here in Texas. Kierston Brown I currently serve alongside and on the board for a few local organizations and social clubs. Some of the initiatives I‘ve supported recently are Black Mamas Village food pantry, My Sisters Keeper DV org, Lead Her to Purpose mentor for a day and more. As a native Austinite and regular consumer of the various opportunities Austin’s ACME allows us to explore, I provide a firsthand perspective that will allow me to review applications with community impact and audience in mind. Tamara Brown I've worked as a Fashion Stylist/ Model /Designer for the past 3 years, published multiple online articles, am a musical performer, and SXSW Vol., between Austin and San Antonio. My understanding of the arts, and hands on experience, is substantial. As a creative myself, I am constantly fascinated to understand and learn more about how others choose to bring culture, art, and music into their community though innovative and non-traditional mediums. This review panel allows for that observation. Maria Brown-Spence I have spent the last several years working directly at the grassroots level in Austin to provide community support and advocacy. In my professional life, I work as a project management and communications consultant. I have the empathy of a community leader who knows why these programs matter, but I also have the technical background to ensure that grant funds are being managed responsibly and effectively Natasha Buckner As Principal of One Fourteen North, I support Houston’s MWBE/HUB business community, volunteer with Dress for Success Houston (entrepreneur admissions, pitch judging), and stay active in local civic life as a home educator and community builder. I bring hands-on procurement and operations expertise from advising Houston small businesses, and want to help ensure fair, rigorous evaluation of proposals; supporting equitable access and strong outcomes for our local business community. Regina Budet I organize accessible community events for people with visual impairments, including art crawls, museum outings, and recreational activities. I collaborate with organizations to address accessibility barriers and volunteer for healthy vision events. I have experience with accessibility and collaboration in the arts and I am an advocate for underserved groups to access the creative wonders in our community. I believe I can bring a unique perspective that would be valuable to the review process. Juan Buitron help people on fixing documents and also being volunteering on several stuff im interested on serving as a reviewer in anything dealing with history, design, or anything. Vanessa Burden I am involved in my Music Community as a member of HAAM, influencer for Levitation, HAAM day and other musical events. I have worked with many of Austin's nonprofits including Girls Rock Austin, DAWA, OfColor ATX, Forklift, KOOP.ORG, and MAS Cultura. I served on a review panel for Nexus Grants and found the experience invaluable. These panels are insightful as to how and who gets funding based on how each group defined themselves and their mission within our city. Dawn Burnside Dawn Burnside's story begins in Harlem, New York the historic epicenter of Black culture, creativity, activism, and artistic excellence. Growing up surrounded by Harlem's rich cultural legacy gave her a deep appreciation for the power of art to inspire change, preserve history, and strengthen communities. She spent her youth immersed in the sounds of jazz, the rhythm of hip-hop, and the wisdom of neighborhood storytellers, experiences that shaped her lifelong commitment to cultural preservation and community leadership. "Harlem is more than where I'm from, it's part of my soul. The art, music, and resilience I witnessed there taught me that our stories have power and deserve to be celebrated," Dawn often says. "I count myself blessed to have lived and walked the same streets as legends like James Weldon Johnson, Langston Hughes, and Doug E. Fresh, just to name a few. I have an obligation to be legendary like those who paved the way for me. Harlem has raised some of the most amazing people, and I have the honor and privilege to call Harlem home." Inspired by Harlem's legacy, Dawn has dedicated her career to creating spaces where Black stories are celebrated, artists thrive, and communities come together. After relocating to Austin, Texas, she found a natural home at the George Washington Carver Museum, Cultural and Genealogy Center, whose mission is to celebrate the global contributions of Black people closely aligned with her own values. There, she became a driving force behind the city's Stay Black & Live Juneteenth Festival, helping transform Austin's Juneteenth celebration into one of the region's premier cultural events. As the Executive Director of the Carver ATX Foundation, Dawn continues to build programs that preserve African American history while creating new opportunities for artists, entrepreneurs, and cultural organizations. I'm a former employee of the Carver Museum as the community engagement specialist I'm very interested in serving on the review panel to help the future of Austin's culture and arts My personal and professional connection to Austin’s cultural and creative community is rooted in a lifelong commitment to preserving Black history, supporting artists, and creating spaces where communities can celebrate and share their stories. Growing up in Harlem, New York, surrounded by Black art, jazz, hip-hop, activism, and neighborhood storytellers taught me that culture is a powerful tool for education, connection, and social change. After relocating to Austin, I found a strong connection to the George Washington Carver Museum, Cultural and Genealogy Center and its mission to celebrate the global contributions of Black people. I became deeply involved in Austin’s cultural community through the Stay Black & Live Juneteenth Festival, helping grow it into a free, multi-day celebration featuring nationally recognized artists, scholars, musicians, poets, and local performers. I bring more than a decade of experience in large-scale festival production, community engagement, fundraising, partnership development, and cultural programming. I have secured more than $300,000 in sponsorship support and built relationships with Austin artists, nonprofits, cultural institutions, entrepreneurs, businesses, and community leaders. Today, I continue this work through Legacy on a Plate: The African Diaspora Food Festival, using food, music, oral histories, cooking demonstrations, scholarship, and storytelling to preserve African, Caribbean, African American, and East Austin culinary traditions. My understanding of Austin’s creative community comes from working directly within it and listening to the people whose culture has shaped this city. I believe cultural preservation must include investing in the artists, chefs, entrepreneurs, historians, and tradition bearers who carry these stories forward. My goal is to create opportunities for cultural workers while ensuring future generations understand, celebrate, and continue Austin’s Black cultural legacy. Robert Byington I've been an independent filmmaker in Austin for over 30 years, with well-documented projects that have played and continue to play all over the world. Happy to include further documentation: https://en.wikipedia.org/wiki/Bob_Byington I've been working on a project that's winding down, and have always enjoyed doing review panels --have done so at Colorado College, with AFS, various film festivals, including SXSW and the Milwaukee Film Festival. I find the process to be edifying. Shunya C I was a high school science teacher of 6 years where I brought in city employees to discuss projects and tied them to learning standards and projects. I led our photography club and photographed city events, school events and volunteering events. I'm now working in the arts and would like to see what the other side of the grant process is like. I am anticipating applying and helping others apply in future rounds. Estefania Calderon Andrea Calderón is a Mexican multidisciplinary artist whose practice explores memory, identity, migration, and humanity's relationship with the natural world. Working across textiles, natural fibers, installation, photography, printmaking, and community-based practices, she draws inspiration from Indigenous knowledge, ancestral traditions, and everyday rituals. Her work invites reflection on belonging, reciprocity, and the ways culture is carried through material, place, and collective memory. In addition to her artistic practice, Andrea collaborates with artists, cultural organizations, and communities to develop interdisciplinary projects that bridge contemporary art with traditional knowledge. Her work has been exhibited and presented through exhibitions, public programs, workshops, and cultural gatherings in Mexico and the United States. Organizer and founder of IN SITU, creating mutual aid fundraisers, markets, and encuentros for BIPOC communities independently for 5 yrs. Former Cultural Director at Nixta Taqueria, facilitating inclusive events celebrating identity and community. I want to serve on the panel to uplift community-centered art and ensure equitable funding for Austin’s diverse creatives. I bring lived experience as an organizer and cultural worker committed to inclusion, transparency, community, + representation. My connection to Austin's community is both personal and professional. As a Mexican immigrant and multidisciplinary artist, I am committed to preserving and sharing Indigenous knowledge, traditional arts, foodways, and community-centered cultural practices. I believe culture is built through relationships, and my work focuses on creating spaces where people can gather, learn, and connect. Since founding Colectivo IN SITU in 2020, I have organized cultural markets, exhibitions, workshops, and Encuentros that bring together artists, farmers, educators, and tradition keepers from Austin and beyond. Through these experiences, I have built strong relationships across Austin's creative community and developed a deep understanding of both its richness and the challenges many artists and cultural practitioners face. My work is centered on creating accessible, community-driven programming that uplifts underrepresented voices and strengthens Austin's cultural landscape. Ivan Calero Zodiac Records to expand artist development by funding professional recording, music production, marketing campaigns, music video production, and nationwide distribution. The funds will also support essential business operations, equipment upgrades, Zodiac Records will use the grant to expand artist development by funding professional recording, music production, marketing campaigns, music video production, and nationwide distribution. The funds will also support essential business operations Hector Campos Hector has delivered leadership and organizational effectiveness trainings and consulting to national, state, and local nonprofits for over two decades. Throughout his career, he has promoted, advanced and integrated social justice and an equity lens into all capacity-building activities to ensure that public sector agencies equitably thrive and achieve their goals. He continues to do that important work at Mission Capital. Most recently, Hector was the Training Director for a national nonprofit capacity-building organization that delivered trainings and consulting on leadership/management, individual and organizational development, effective communication, team building and diversity, equity, and inclusion to public health agencies. He was also the CEO and Founder of Campos Training and Consulting Group. In that capacity, he managed a successful training and consulting firm implementing cost-effective staff development training and coaching that resulted in increased employee job satisfaction, team trust/communication and organizational effectiveness. Outside the office, you will find Hector listening to music at various venues throughout Austin, taking landscape photos, riding his bike at local trails and/or kayaking on Lady Bird Lake I have worked in the profit field for 30 years in organizational development, staff and board training. At these organizations I have managed federal, state and city grant funding. I have also volunteered on several nonprofit board of directors. I have participated in grant application review panels for many years including DHHS, TX DSHS and City of Austin Cultural Arts Division. I value the opportunity to be able to influence how funding is provided to nonprofit organizations. I have lived in austin for 17 years. I attend many Cultural art and music events. I have worked in the non profit field for over 30 years. I worked for several non profits that received city of austin funding and served in the mayor of austin race and equity task force. Rick Carney Rick Carney is an accomplished guitarist, performer, and music education executive who has shaped the modern landscape of contemporary Rock music instruction. He spent decades balancing a high-octane performance career with top-tier pedagogical leadership. As the retired Director of Music Education for School of Rock, Rick played a pivotal corporate role in scaling the world’s largest music education franchise, designing curriculum, and mentoring instructors across hundreds of global locations. On stage and in the community, Rick is a mainstay of the vibrant Austin, Texas music scene. He served as Chair of the Austin Music Commission, advocating for the local creative economy and supporting the city's diverse musical ecosystem. He is also widely recognized for his heavy, energetic guitar work in the underground Punk Rock band Jesus Christ Superfly, as well as his performances with the Roots Rock outfit Gravy Boat. I was a member of the Austin Music Commission from 2015-2020, and chair for the last two years. I am currrently the Dirctor of Music Education for the School of Rock, the largerst Rock Music school in the world with 80K+ students. I will soon be retiring from my day to day responsibilities with the School of Rock and transitioning to a part time consulting role. This will allow me to continue to serve Austin's music community. I have been active in the Austin music community since moving here in 1986. My band had moved from our college town in Illinois and I became the band's de facto agent and manager and established many connections that remain today. The DIY Punk ethic required being part of the artistic community as we worked together with Arts organizations and community venues to produce events. After starting another band, I also became the booking agent for the Cavity Club, an all-ages venue. The club was ground zero for the Austin underground, but I also booked national touring acts such as Green Day and Sublime. In 2005 I opened the Austin location of the School of Rock. It was the 8th School of Rock location and the first in Texas. The Austin school has taught thousands of students and employed hundreds of musicians. Producing more than 75 events a year, the School of Rock uses a variety of venues and contributes to the Austin musical ecosystem by supporting venue staff and service workers. Today, School of Rock alumni can be found playing and working at virtually every music venue in Austin. I also served on the Austin Music Commission for 5 years, representing D2, where I have lived for over 40 years. As Chair of the Commission, I navigated emergency funding for the music community during the Pandemic. I also championed the Agent of Change ordinance, which protects both neighborhoods and legacy venues. Lorenzia Carter My involvement is rooted in education. I work with students, families and the community to create meaningful learning experiences that connect the classroom to the community. I also support multicultural events through my school district. Making meaningful community impacts is a passion of mine, hence teacher. I value fairness and thoughtful evaluation to ensure that Austin's art and culture are brought to the forefront. I am excited to support and ensure funding is awarded fairly. Marylou Castillo My community involvement is centered on over 25 years of founding, leading, and expanding LUPE Arte through my skills as an Executive Producer, grant writer, curriculum designer, & community outreach specialist while mentoring local artists. As a community outreach specialist, it's important to keep the arts accessible and impactful for our community. Having an audacious vision to expand sustainable art programs to marginalized community members is imperative for all communities. Eboni Ceasar Dr. Eboni L. Ceasar, PhD, LCSW-S, is a social work executive, clinician, educator, entrepreneur, and community leader with more than 20 years of experience advancing behavioral health, workforce development, nonprofit governance, and community- centered systems change. She serves as Director of Social Work in the Department of Psychiatry and Behavioral Sciences at Dell Medical School at The University of Texas at Austin, where she is a member of executive leadership and oversees or influences a broad portfolio of clinical, educational, workforce, and community-access initiatives. Dr. Ceasar is the founder and CEO of Elixir Austin, an interdisciplinary behavioral-health collective. Her civic leadership includes serving as Board President of ArtesAméricas, Board President of Texas Jail Project, President of NASW Texas, and a board member of Healthy Futures of Texas. Across these roles, she supports culturally grounded public programming, youth and family wellbeing, disability inclusion, storytelling, public media, visual advocacy, and the leadership of communities most affected by inequity. A Black woman and citizen of the Muscogee Creek Nation, Dr. Ceasar brings lived and professional insight into the intersections of culture, race, disability, behavioral health, family systems, public institutions, and creative expression. She is a Spanish speaker and was recognized as a 2026 Austin Under 40 Mentor of Year Award recipient. Her reviewing experience includes evaluating grants, academic and workforce proposals, community programs, personnel decisions, strategic plans, and multimillion-dollar initiatives. She is committed to transparent, equitable, evidence-informed review and to honoring the distinct artistic and cultural traditions represented throughout Austin’s creative community. Executive leader, clinician, educator, and nonprofit founder. I serve on nonprofit boards, lead community behavioral health initiatives, mentor future professionals, and partner across education, healthcare, arts, and public service sectors. I value fair, transparent, community-centered funding decisions. I hope to contribute my experience in behavioral health, nonprofit leadership, evaluation, and cross-sector collaboration to strengthen Austin’s investment in community impact. As Director of Social Work in the Department of Psychiatry and Behavioral Sciences at Dell Medical School, I help lead a broad portfolio of behavioral-health, workforce-development, clinical-training, and community-access initiatives. I have more than 20 years of experience designing programs, evaluating proposals, stewarding public and philanthropic resources, developing interdisciplinary teams, and assessing whether budgets, staffing plans, partnerships, and proposed outcomes are credible and aligned. My connection to Austin’s cultural and creative community is also grounded in board and community leadership. Through ArtesAméricas, I support culturally responsive public programming that elevates Spanish-language, Latino/a/e, and cross-cultural expression. As Board President of Texas Jail Project, I help center storytelling, family testimony, public media, photography, and visual advocacy as tools for public education and systems change. As a Healthy Futures of Texas board member, I support youth voice and public education, including creative platforms such as its student film contest. I am also the founder of Elixir Austin, where behavioral health, disability culture, creative expression, and community engagement intersect. I understand Austin as a globally recognized creative city whose cultural strength depends upon whether artists and communities historically excluded from funding, visibility, and institutional power can participate fully. I bring particular knowledge of Black, Indigenous, Latino/a/e, neurodivergent, disabled, justice-impacted, youth, and family communities. As a reviewer, I would apply the published criteria consistently, recognize culturally specific and interdisciplinary practices, distinguish evidence from aspiration, and provide constructive comments that respect each applicant’s artistic voice. Debbie Celusniak Austin-based artist Debbie Shands Celusniak creates acrylic landscapes on wood inspired by her love of exploring the trails and natural areas of Texas and the American Southwest. Her paintings combine bold color, strong design, and a deep appreciation for the natural world. In 2026, she participated in an Artist-in-Residence program at Carlsbad Caverns National Park. Debbie spent more than 30 years working in graphic design and art direction at the Texas Medical Association before becoming a full-time artist. Over the years, she has also taught art classes, led workshops for children, and been involved in community arts programs. She currently volunteers with the Travis Heights Art Trail, helping support and promote Austin’s local arts community. Arts are central to my community involvement. I led children’s art workshops, taught at the Dougherty Arts Center, organized art programs at Westbank Library, chaired the Rollingwood July 4 Parade, and support the Travis Heights Art Trail & artists. As an artist & longtime community volunteer, I would be honored to contribute to a fair & thoughtful review process. I hope to better understand Austin’s grant evaluation & learn more about the diverse & vibrant arts community I love being part of. I have been part of Austin’s creative community for many years, both professionally and as an artist. I worked for more than 30 years in the graphics department at the Texas Medical Association, building a career in graphic design and art direction before becoming a full- time artist. Today, I paint landscapes inspired by hiking throughout Texas and the Southwest, and I participate in local art shows and community arts events. I have always enjoyed being involved in the community and sharing my love of art with others. I have taught art classes, led art workshops for children, and helped organize art and chess programs through Westbank Community Library. I currently volunteer with the Travis Heights Art Trail, helping with fundraising for this long-running Austin arts event. Through these experiences, I have gotten to know many different parts of Austin’s creative community, from individual artists and makers to arts organizations, educators, and community-based programs. I really value the way Austin’s arts community brings people together and celebrates the creativity, history, and character of our neighborhoods. I would enjoy the opportunity to bring my experience and perspective to the review process. Katie Chance I'm eager to serve on a Review Panel to support Austin’s creative community, applying my experience as an artist and educator to provide thoughtful, equitable, and constructive evaluations that strengthen local arts programs and cultural initiatives. I am eager to serve on a Review Panel to support Austin’s creative community, using my experience as an artist and educator to provide fair, thoughtful, and constructive evaluations that strengthen local arts programs and cultural initiatives. Tova Charles teacher, early literacy coach, and instructional leader with KIPP Texas and Austin Achieve, and currently works as a Curriculum Designer with Houston ISD. She is pursuing a doctorate in Instructional Systems Design at Sam Houston State University. Tova is the founder of Impact Lab, a professional learning venture that produces teacher- facing resources, coaching, and digital products centered on culturally relevant pedagogy and adult learning design. Alongside her work in education, Tova has been part of the Austin Poetry Slam community for two decades as a poet, host, and organizer, including nearly ten years of touring and performing nationally. That experience shapes how she approaches every room she enters, whether the goal is a poem or a lesson: know the audience, respect their intelligence, and make space for other voices. Website: teachinspirethrivelab.com 20+ years in Austin’s spoken word scene, running Austin Poetry Slam and hosting Women of the World Slam at the Paramount (400+ patrons). Touring artist, 10 years. K-12 educator turned founder of Impact Lab, plus teacher coaching and coaching apps. Spoken word is underrepresented in art spaces, and I want to ensure that voice is heard. I also have children in this community, and I want them to have educational spaces that are culturally relevant to their experience too. My connection to community runs through two channels that have always fed one another: the stage and the classroom. For more than twenty years I have been part of the Austin Poetry Slam community as a poet, host, and organizer. I have held the mic at open mics and marquee events, coached and encouraged newer writers, and spent close to a decade touring and performing in venues across the country. What that work taught me is something no training manual could: a community is built one voice at a time, and people show up when they know their story has a place to land. Austin's creative culture has always been sustained by that principle. It is a city where a room full of strangers will sit shoulder to shoulder on a Tuesday night to hear a poem, where artists build the infrastructure themselves, and where the most important cultural work often happens in small venues, on the East Side, and in spaces held together by volunteers and love. Professionally, I have spent fifteen years in education as a teacher, instructional leader, early literacy coach, and curriculum designer, including work with KIPP Texas and Austin Achieve. I hold an M.Ed. and am currently pursuing a doctorate in Instructional Systems Design. Through Impact Lab, the professional learning venture I founded, I create resources and coaching that help educators design learning experiences that are culturally affirming and genuinely useful. Those two paths are not separate. The same instinct that makes a poem land makes a lesson land: know your audience, respect their intelligence, and tell the truth. Whether I am on a stage or in front of a room of teachers, my role is the same, which is to create the conditions for someone else to find their voice and use it. Josie Chiu Austin resident since 2020 with 2.5 years helping implement the Certified Wellness Coach program, administering grants to schools and community organizations that expand behavioral health support for underserved youth and young adults. I have previous experience overseeing the implementation and use of grant funds for the bettermen of the communities they are meant for. As an Austin Creative with two years of experience working in the public sector for the CA State Department. Grace Chomick Grace Chomick is a lifelong artist with a passion for community. She comes from a family of creatives of many disciplines, from visual artists to writers, dancers, actors and beyond. Originally from Beaumont, Texas, she grew up in Florida before attending art school at the Maryland Institute College of Art (MICA) in Baltimore, MD and eventually moving to Austin in the summer of 2014. At MICA, she majored in illustration with a concentration in printmaking and graduated with honors. Her professional career has been focused on pop culture and the arts, often working with artists all over the world in both the development and production areas of their work. Since moving to Austin, she has been involved in the local creative scenes as both an artist and a fan. I have been a volunteer for multiple arts organizations. I prioritize supporting local arts by attending art gallery openings, Austin Studio Tour, local artisan markets, local music shows, and supporting our independent movie theaters. I believe that if I can be part of the review process then I can use the knowledge gained from this experience to understand what a successful grant looks like and help advise local creatives and organizations as they apply for future grants. On a professional level, I have been involved with institutions that are beloved within the Austin community in regards to film and pop culture (Alamo Drafthouse and Mondo, an e- commerce company that used to be the pop culture collectible arm of Alamo Drafthouse before it was sold to an out-of-state company). I also have years of professional experience as an apparel screenprinter, often printing t-shirts and other merch for local artists, businesses, and organizations. In my personal life, I am a visual artist. Prior to the 2020 pandemic, I participated in a number of artist markets selling art prints and t-shirts at various coffee shops, breweries, etc. around Austin. In recent years, I have focused more time on attending and participating in locally focused group art shows at various galleries and other venues around the city. The Austin Studio Tour is one of my favorite cultural events in Austin and I make sure to attend every year. Since 2024, I have been a regular volunteer with art and culture nonprofit, Future Front, where I have helped out with gallery openings, art markets, and festival events. Outside of the visual arts scene, I love to attend local music shows at various venues around town. Many of my friends are talented musicians and play regularly throughout the city. It's a great joy to be able to support them and see them express their art in front of an audience. I consider myself a small part of the local music scene in that way, as well. With my experience and connections to various artist communities in Austin, I am happy to say that the arts in Austin are alive and thriving. I have found that both myself and many of my creative friends have a good amount of opportunities to be active in our creative community. I look forward to being able to participate in the grant process to allow even more creatives in Austin elevate and thrive. Farahin Choudhury I am an arts enthusiast and participant and enjoy being around artists and creatives. I dabble in film photography and use local photo labs in Austin to develop/scan my photos. I recently worked as a house manager at one of the comedy clubs for Moontower Comedy Festival in April. I've volunteered for the following events and venues: SXSW, Moontower Comedy Festival, AAAFF, Moody amphitheater, Paramount Theater. I've had different roles across these experiences from theater usher to event operations and coordination I'm interested to be more involved in arts programming and funding that would help continue sustained programming for the community. I want to learn about what it takes to review and provide funding for long-standing events/programs around Austin. Most of my experience and exposure with the arts and culture scene in Austin has been in a volunteer capacity. I have been involved with many events and venues such as SXSW, Moontower Comedy Festival, concerts at Moody Amphitheater and Paramount & State theaters. I have immersed myself in these spaces because I enjoy them and I want to know how they operate even from an event operations perspective. I also became involved with the Austin photowalkers community which is a big group of photographers of all backgrounds and formats who come together to take photos around town and to learn a little bit from each other about photography and the mechanisms/theory/techniques. I have attended events hosted by different cultural groups that serve their respective communities, and I hope that continues for years to come. Dorothy Clemons Erby Dorothy is a philanthropy and organizational strategy professional whose work sits at the intersection of community impact, systems thinking, and organizational effectiveness. Her experience includes supporting philanthropic initiatives, coordinating cross-functional projects, developing systems and processes, and working alongside program and executive leadership to translate complex ideas into actionable strategies. She brings a thoughtful, observant approach to her work and is particularly interested in how organizations understand community needs, define meaningful outcomes, and create structures that support long-term impact. Her professional experience has included work across philanthropy, public health, program strategy, and community-focused initiatives. She has also worked with the University of Texas at Austin through a public health study, contributing to an experience that deepened her interest in community-informed research and the relationship between institutions, lived experience, and public impact. Her approach is grounded in curiosity, careful listening, systems thinking, and a belief that strong ideas can emerge from many different places and perspectives. She is especially interested in learning from people doing creative and community-centered work and in contributing a thoughtful, equitable perspective to conversations about impact and opportunity. I bring experience in philanthropy, nonprofit partnerships, and community engagement. I facilitate cross-sector collaboration, support equitable grantmaking, volunteer in community initiatives, and serve in leadership roles advancing health equity. I’m committed to equitable, community-centered decision-making. I value thoughtful review processes and look forward to applying a strategic, fair, and collaborative lens to help identify investments that create meaningful community impact. I do not have a longstanding personal or professional connection to Austin, and I want to be transparent about that. I have visited Austin once and was struck by the warmth, creativity, and sense of community I experienced. This opportunity stood out to me because it would allow me to learn more intentionally about the people, organizations, artists, and cultural ecosystems that make Austin what it is. My professional work has centered on philanthropy, community impact, organizational systems, and the ways institutions can better understand and respond to the communities they serve. I have also worked with the University of Texas at Austin (UTA) through a public health study, which strengthened my appreciation for community-informed work and the importance of listening to lived experience when evaluating programs, ideas, and potential impact. I see serving as a reviewer as both an opportunity to contribute and an opportunity to learn. I would approach the process with curiosity, openness, and respect for the distinct cultural and creative landscape of Austin. I understand that meaningful review requires more than assessing an idea on paper; it requires consideration of context, community, access, creativity, potential, and the ways an applicant’s work may contribute to a broader ecosystem. While I am not an Austin insider, I would bring an outside perspective grounded in systems thinking, community impact, philanthropy, and a genuine desire to understand and honor the work happening within Austin’s cultural and creative community. Rita Cofield https://www.linkedin.com/in/ritacofield/?lipi=urn%3Ali%3Apage%3Ad_flagship3_profile_vi ew_base_contact_details%3B5sePBEI8SV2ZncZ%2B%2BIyg%2Fw%3D%3Dhttps://www.li nkedin.com/in/ritacofield/ I work with the Los Angeles community in my job and in my volunteering role - listening to what places are important to them and helping them to understand the designation process to share that importance with the broader community. I would like to serve on a Review Panel because it helps me to know what is being done in various parts of the country. Being a part of the panel would give me an opportunity to learn and bring best practices into my work here in LA. My connection to the Watts community is rooted in my professional work in cultural heritage preservation, community engagement, and advocacy for African American historic places. As Interim Executive Director of Friends At Mafundi (FAM), a cultural arts and preservation advocacy nonprofit, I have supported efforts connected to the preservation and revitalization of the Watts Happening Cultural Center, an important cultural resource in Watts. Through this work, I have collaborated with community leaders, preservation professionals, and cultural organizations to help secure resources, build partnerships, and advance strategies that celebrate and protect Black cultural heritage. My professional training includes an advanced degree in Heritage Conservation from the University of Southern California, research on historically marginalized communities in Los Angeles, leadership in the African American Historic Places Los Angeles (AAHPLA) project, and ongoing work in historic preservation, cultural planning, and community-centered engagement. Through AAHPLA, I have helped to identify, document, and elevate African American places and stories that have often been overlooked in traditional preservation frameworks. The project emphasized equitable community engagement, relationship- building, and collaboration with community connectors across Los Angeles. Like AAHPLA's work in Los Angeles, Austin's cultural ecosystem depends on preserving historic places, supporting creative expression, documenting underrepresented histories, and ensuring that cultural resources remain accessible to the communities that created them. I am particularly interested in how arts, culture, and heritage can strengthen community identity, foster belonging, and serve as tools for equity and community development. This perspective has been shaped by my work in preservation, cultural resource advocacy, and community-based cultural initiatives throughout Los Angeles. Susie Colca I’m a musician, promoter, event organizer, metal jeweler, regenerative gardener, have been a community health educator, community outreach volunteer, community health educator, community resource navigator, a file clerk, and intake specialist. I have been a recipient of the city grant and want to give back with service to my community in any way I can to pay it forward. It’s my civic duty as an Austin musician. Thereisa Coleman I am applying to serve as a cultural funding review panelist because my professional life has been devoted to thoughtful, integrity-centered evaluation and to strengthening the communities that creative work sustains. As Director of Testing & Evaluation Services at The University of Texas at Austin, I oversee complex assessment systems and craft policies that ensure fairness, clarity, and consistency—skills that align closely with the careful review, pre-scoring, and panel deliberation required for cultural grantmaking. My background includes more than fifteen years of evaluating programs, proposals, and institutional effectiveness. As Director of Institutional Research and Assessment at Huston-Tillotson University, I guided accreditation processes, analyzed outcomes, and supported mission-driven initiatives by weighing diverse forms of evidence with rigor and sensitivity. These responsibilities required discernment, attention to nuance, and the ability to balance quantitative precision with qualitative understanding. Assessment has been a throughline in my work. I also served on the United Way for Greater Austin’s community development grant review team, where I assessed nonprofit proposals with a focus on equitable impact and community voice. As Assistant Director of the Honors Program at Huston-Tillotson University, I coordinated cultural enrichment programs and arts-based events that deepened student engagement. I am motivated to help ensure that organizations reflecting Austin’s diverse stories receive the support needed to thrive. I bring analytical strength, a reflective approach to scoring and feedback, and a deep respect for the artistic and cultural communities that define Austin. I would welcome the opportunity to help steward public resources in a way that honors the city’s heritage and its evolving cultural voice. As a former Master Gardener, I contributed to public beautification and educational outreach projects that promote sustainable landscaping practices. I also volunteered with the United Way for Greater Austin, connecting individuals with resources. I believe in the power of the arts to strengthen communities and foster connection. As I value civic engagement and local collaboration, I am eager to contribute my time and perspective to support programs that enrich our city’s cultural life. I have considered Austin my home for more than two decades, and my connection to this community has been shaped by the places, institutions, and people who make this city’s cultural landscape so distinctive. I moved to Austin in 2002 and have lived in South Austin with my spouse, a faculty member at Texas State University, for many years. Our roots here run deep, and we are committed to the creative and cultural life that defines the region. Professionally, my understanding of Austin has been enriched through my work at two anchor institutions that hold significant historical and cultural meaning in the city: Huston- Tillotson University and The University of Texas at Austin. At Huston-Tillotson, Austin’s oldest institution of higher learning and a historically Black university, I witnessed firsthand the importance of preserving cultural heritage, supporting community-based arts, and amplifying voices that have shaped East Austin’s identity for generations. My work there grounded me in the city’s history, its creative resilience, and the power of culturally rooted institutions to transform lives. At The University of Texas at Austin, where I proudly serve as a long-standing member of the staff, I have experienced the city’s cultural ecosystem from a different vantage point—one that spans disciplines, ages, and artistic practices. UT’s academic and creative communities have broadened my understanding of how the arts intersect with education and civic responsibility. Mercedes Collins Mercedes Collins is an Austin-based creative, community builder, and nonprofit leader whose work centers on connection, culture, and creating opportunities for people to engage with their community and thrive. She is the Founder and Executive Director of We Outside ATX, a nonprofit organization that creates community-centered experiences through recreation, wellness, culture, volunteerism, and partnerships. Through her leadership, Mercedes has developed community programs and led the delivery of more than 120 events and experiences, while building partnerships with local organizations and businesses and creating opportunities for community members to participate, volunteer, and grow into leadership. Mercedes earned her degree from The University of Texas at Austin, where she majored in Black Studies. She began her creative practice in photography while in college and later expanded into videography, content creation, and digital storytelling. Over the years, she has used her photography and video skills to help Austin-area artists, organizations, businesses, and events document their work, strengthen their media presence, and expand their audience reach. Her experience across Austin's creative and community ecosystem includes working with DAWA, The Smokeout, Black Makers Market, Where Yall at Though, Austin Parks and Rec and other community organizations and initiatives. She is also a former educator and has received nonprofit and leadership training through multiple organizations. Her work is informed by more than a decade of experiencing Austin as a student, educator, artist, volunteer, creative professional, and community leader. She is particularly passionate about strengthening opportunities for Black communities and other historically underrepresented communities to create, connect, lead, and shape Austin's cultural future. I founded We Outside ATX, where I’ve created 120+ events focused on community and wellness. My experience also includes teaching, minority studies, nonprofit work, building partnerships and creating opportunities for people to connect I get to bring my experience as a community leader and program builder to the review process. I also want to learn from other perspectives, better understand how funding decisions are made, and help support work that really serves our communities. I came to Austin as a student at The University of Texas at Austin, and over the past decade, this city has become the place where I developed as an educator, artist, nonprofit leader, and community builder. At UT, I majored in Black Studies, which deepened my understanding of Black history, culture, representation, and the importance of communities having opportunities to preserve and tell their own stories. My creative journey also began during college through photography. Since then, I have expanded into videography and digital storytelling, using those skills to support Austin-area organizations, businesses, artists, and events in strengthening their media presence, documenting their work, and reaching larger audiences. My connection to Austin's cultural and community ecosystem has taken many forms. I have worked with with DAWA, The Smokeout, and Black Makers Market; served at Greater Mt. Zion; worked as an educator; and volunteered with and supported a variety of local organizations and community initiatives. At DAWA, my experience as Venue Manager gave me an inside view of the work required to create spaces where emerging and established artists, organizations, and communities can gather and create. Today, as Founder and Executive Director of We Outside ATX, I create community experiences, build partnerships with local businesses, develop volunteers and emerging leaders, and help create safe cultural spaces. This work has also led me to receive nonprofit and leadership training through multiple organizations and recognition from the City of Austin for my community impact. Having experienced Austin's through many hats, I understand both its creativity and the work behind sustaining it. I also understand the importance of ensuring that artists, organizations, cultural spaces, and historically underrepresented communities have opportunities to create, lead, preserve their stories, access resources, and help shape Austin's arts and cultural trajectory. Jessie Contour https://aet.utexas.edu/people/contour-jessie Jessie Contour is a creative technologist, educator, and game designer with a passion for interactive experiences in art, play, and education. She has worked with AAA game studios, museums, educational programs, and startups, contributing to projects that range from launching video games with global teams to designing a permanent exhibit at the American Museum of Natural History. As an Associate Professor of Practice and Associate Chair in the Department of Arts and Entertainment Technologies at the University of Texas at Austin, Jessie actively supports students in navigating the ever-evolving world of interactive entertainment. A frequent speaker at industry events like GDC, SXSW, and Women in Games, her research explores innovation, immersive media, and interactive storytelling. When she’s not teaching or creating, Jessie owns a strength gym in North Austin and competes in Strongman. I'm a Professor of Teaching Practice at UT, working daily with students. I own a gym where I organize community events, competitions, and fundraisers. I've also worked with NYC DOT as a guest artist on public art projects and on their review panel. I want to contribute to Austin's arts community and know reliable contributors are essential for success. I can provide balanced feedback aligned with project goals and rubrics, and am happy to manage panels if needed. I am faculty at UT Austin Art and Entertainment Technologies. I teach courses on game design, digital art, animation, art installation, fabrication, and storytelling. Stacie Cooks Active volunteer in the Austin community; the Black Fund and Hispanic College Consortium-grant reviewer; Foundation Communities- tax site manager and supper club volunteer, financial counselor/ facilitator I served on a panel before and I really enjoyed it. I learned a lot about the grant process, the artists and art/cultural endeavors happening in Austin and I would love to be a part of this again. Crystal Cordero Crystal Cordero is an Austin-based artist, producer, and creative whose love for the arts is deeply rooted in growing up in Austin. She fell in love with the culture Austin seemed to bleed—from walking South Congress, hearing musicians at the Continental, watching someone dance to their own beat on a street corner, and spending time with friends at Fran’s after school, to late-night community showcases and Selena tributes created by friends. Those experiences shaped Crystal belief that art is not separate from a city—it is part of its heartbeat, its identity, and the way people connect with one another. Through her creative work and Cristal Experience, founded in 2023, Cristal has produced and curated multidisciplinary performances, collaborated with local artists and organizations, and helped create opportunities for dozens of artists to share their work. Her professional background also includes more than 15 years in leadership and financial management within a local teachers credit union, along with training in leadership and financial management. She brings that financial perspective together with her lived experience as an artist and producer. Cristal has experience with grant writing, grant-funded programming, and grant review, giving her perspective from multiple sides of the funding process. She is passionate about supporting artists because she understands how much heart, vulnerability, creativity, and resourcefulness it takes to bring an idea into the world. As Austin continues to change, Cristal cares deeply about where artists fit into its future. Rising costs and disappearing spaces can make it harder for creatives to share their hearts with the city they call home. She hopes to bring curiosity, compassion, practical experience, and a deep love for Austin’s creative spirit to the Elevate grant review process. Austin is where I call home and where I pour my creative ideas into! As the founder of A Cristal Experience, curating creative shows blending all art forms! I also offer mentorship for fellow creatives! I assisted ACME as a reviewer and enjoyed reading just a small portion of all the ideas our creatives have and am just in awe of the talent passion and drive I saw and want to help again! My connection to Austin’s creative community has deepened through my work as an artist, choreographer, producer, and curator. Through Cristal Experience, founded in 2023, I have produced multidisciplinary events featuring dozens of local artists and collaborated with venues, organizations, and independent creatives. I have experience with grant writing, grant-funded programming, and grant review, giving me perspective from multiple sides of the funding process. I understand Austin’s creative community as one built on imagination, collaboration, and persistence. I hope to bring my lived experience, financial perspective, and deep respect for artists to the Elevate review process. Eleanor Cote Eleanor Cote is a program and communications professional with experience in community outreach, education, program management, and stakeholder engagement. Much of her career has centered around creating and supporting programs that expand access to educational and community opportunities, particularly for students and underserved communities. Eleanor previously served as an Outreach Coordinator for GeoFORCE Texas at The University of Texas at Austin, where she planned and executed large-scale educational programming for hundreds of students each summer, built partnerships with schools and community organizations, and supported fundraising and stakeholder engagement. She also led communications and digital media efforts, creating content that helped grow awareness of the program and connect with students, families, alumni, and community partners across Texas. With a background in geosciences and experience in research, program evaluation, resource management, and community engagement, Eleanor brings both analytical perspectives and emotional resonance to the work she does. She is passionate about supporting initiatives that strengthen communities, empower people, create opportunities, and contribute to the creativity and culture that make Austin such a special place to call home. Most of my professional career has been mission-driven work, working with programs that focus on education and community outreach. My experience gives me the structural knowledge needed to evaluate proposals and maximize their community impact. I bring a valuable generational perspective on how younger communities interact with local cultural-focused programs. Serving as a reviewer allows me to directly support the transformative local projects that our city will benefit from the most. I have called Austin my home for the last 8 years, and the city has played an integral role in both my personal and professional development. It was the green spaces and rolling hills west of Austin that first sparked my passion for studying the Earth, while my experiences working within the community ultimately led me toward a career in outreach. My network and support system I have built and grown is largely thanks to the robust sense of community Austin has to offer. Most of my professional career has been rooted in mission- driven work, supporting programs focused on education and community engagement. Through that work, I have had the opportunity to build relationships with people from a wide range of backgrounds and measure impact of the work we've done. I’ve gotten to see firsthand how community-centered programs can create inspirational opportunities, creating and strengthening bonds within people. Austin's blend of culture, nature, and people has shaped many of the opportunities that have brought me to where I am today. Jamal Crier www.linkedin.com/in/jamal-crier Board member with Austin Pride. Former Chairman of the Youth Historical Commission of Montgomery County. Drag supporter and assistant. I want to be on the panel to be a voice in the room that supports the inclusivity of creatives all around Austin. I believe my unique perspective brings a great voice to the conversation and ensures the LGBTQ+ community is present. Austin Pride board member and former Chairman of Youth Historical Commission of Montgomery County Susannah Crowell I've been a theatre practitioner, performing artist, and teaching artist for young children in the Austin area for around thirteen years, and in NYC for five and a half. Member of the B. Iden Payne Awards counsel, teaching artist at Creative Action I'd like to learn more about government arts funding and the decisions that go into what to fund - also excited about what projects local artists have cooking up. Yannah Culpepper Hi, I’m Yannah. I’m an independent recording artist and singer-songwriter based in Austin, Texas. I’ve always been drawn to music and creative expression, and over the years I’ve had the opportunity to build relationships and collaborate with other creatives in Austin’s arts community. Being an independent artist has given me firsthand experience with what it takes to develop an idea, create meaningful work, and continue pursuing it even when resources and opportunities aren’t always easy to come by. I’ve worked alongside local artists and designers, and those experiences have given me a genuine appreciation for the many different people and perspectives that make Austin’s creative community what it is. I’m excited about the opportunity to contribute to the arts community in a different way through this review process. I would bring my perspective as an artist, an appreciation for creative work in many forms, and a genuine desire to see Austin’s artists and creative community continue to grow and thrive. As an independent recording artist, I’m active in Austin’s music and arts community. I’ve collaborated with local creatives, worked alongside top Austin designers, and am passionate about supporting the city’s vibrant cultural arts scene. I’d love to serve on a Review Panel because I care deeply about Austin’s music and arts community. As an artist, I’d be honored to support local creatives and help recognize the talent that makes our city so special. As an independent recording artist, I am actively connected to Austin’s music and arts community through my creative work and collaborations with local creatives. I have had the opportunity to work alongside established Austin designers and other creative professionals, giving me insight into the dedication, challenges, and opportunities that shape our local arts community. As an artist, I value the diversity and creativity that make Austin’s cultural landscape unique, and I am passionate about supporting and contributing to a community where artists, musicians, designers, and other creatives can continue to grow, connect, and thrive. Erin Curtis Erin Curtis is an artist living and working in Austin, Texas. Her recent work is interested in representations of nature, ornamentation and their historical roots in weaving and ritual. Curtis’s work explores utopic ideals of beauty and structure, meeting with process and the chaos of chance. Primarily working as a painter, she also creates large-scale site-specific installations and public art projects. She has received grants from the District of Columbia, Dallas Museum of Art, the Andy Warhol Foundation, and the City of Austin. Curtis has had numerous solo exhibitions in the last 10 years, including at Flashpoint Gallery, Washington DC, David Shelton Gallery, Houston, Galveston Arts Center, Conduit Gallery, Dallas and MASS Gallery, Austin. She has created commissioned works for the University Health, San Antonio, Chicago Transit Authority, Moody Center for the Arts, Houston, City of Washington DC, Art in Embassies and The City of Austin. Curtis has attended the Skowhegan School of Painting and Sculpture in 2010 and been awarded fully funded residencies at Anderson Ranch and Vermont Studio Center. In 2008-2009, she was a Fulbright Scholar in Jaipur, Rajasthan. Curtis graduated from Williams College with a BA in Liberal Arts in 1999 and received her MFA from the University of Texas at Austin in 2007. I have been a working artist in Austin for the past 20 years. Primarily working as a painter, I also have completed a number of public art projects and large scale commissions in Austin and throughout the country and exhibited in galleries. I am interested in being part of the funding process from the other side. I would like to be a part of the community that reads and understands the diverse and varied artists and creatives that call Austin home. I first came to Austin in 2003 and received my MFA from University of Texas at Austin in 2007. Since then I have been an active and engaged member of Austin's visual arts community- attending many exhibitions of my peers and community members, as well as showing my own work. I am a founding member of MASS Gallery in 2006 and remained a member for 5 years. During that time I curated public exhibitions, events and helped see the gallery transition from a casual diy space to being a properly established 501 c3 space. I was awarded a City of Austin Public Art commission for Pedestrian Geometries (2013) for a series of 20 sculptures installed along 3rd Street downtown from the Convention Center to Shoal Creek. I have had solo exhibitions at Women and Their Work Gallery (2011), Big Medium (2016) and The Contemporary Austin's Gatehouse Gallery at Laguna Gloria (2013-2014). Additionally, I have been included in many group exhibitions other Austin Galleries, including CoLab (2019) Art Palace (2007) and The People's Gallery (2009). I understand Austin's creative community through the lens of participating for over 20 years as an artist- seeing both the changes and the continuity. Austin has a diverse, dedicated and ambitious creative community that is inspiring to see and participate in. Andrea Daniela Andrea Daniela was born to be on stage. A dynamic singer, violinist, dancer, and actor raised in Houston, she blends deep mariachi roots with a fearless, modern edge. Her career has taken her to international stages and acclaimed theatrical productions, earning recognition for both her powerful voice and magnetic presence. In 2019, she was a member of the world's first Mariachi Opera with the Houston Grand Opera and in 2022, she starred in a production of American Mariachi with the San Antonio Public Theatre. Now based in Austin, Andrea Daniela was an official 2026 SXSW artist where she debuted her album "Mariachi Mestiza y Mala Mujer”, a bold fusion of mariachi, cumbia, pop, and hip- hop that celebrates culture, duality, womanhood, and self-made artistry. As the founder of Houston’s first all-female mariachi band and the creative force behind her own entertainment agency, AD Entertainment she continues to redefine what mariachi means for the next generation. Beyond the stage, Andrea is a visionary force - bridging art and community impact. Through her work in programming, placemaking, and grant writing, she creates immersive experiences that center community and art, from drum circles to creative retreats and cultural markets. With roots in entrepreneurship, real estate development, and creative marketing, she is committed to building spaces and events where artists can thrive. Andrea Daniela was born to be on stage. A dynamic singer, violinist, dancer, and actor raised in Houston, she blends deep mariachi roots with a fearless, modern edge. Her career has taken her to international stages and acclaimed theatrical productions, earning recognition for both her powerful voice and magnetic presence. In 2019, she was a member of the world's first Mariachi Opera with the Houston Grand Opera and in 2022, she starred in a production of American Mariachi with the San Antonio Public Theatre. Now based in Austin, Andrea Daniela was an official 2026 SXSW artist where she debuted her album "Mariachi Mestiza y Mala Mujer”, a bold fusion of mariachi, cumbia, pop, and hip- hop that celebrates culture, duality, womanhood, and self-made artistry. As the founder of Houston’s first all-female mariachi band and the creative force behind her own entertainment agency, AD Entertainment she continues to redefine what mariachi means for the next generation. Beyond the stage, Andrea is a visionary force - bridging art and community impact. Through her work in programming, placemaking, and grant writing, she creates immersive experiences that center community and art, from drum circles to creative retreats and cultural markets. With roots in entrepreneurship, real estate development, and creative marketing, she is committed to building spaces and events where artists can thrive. I lead a community organization called 3ecielos, through which I host arts-focused gatherings such as markets, drum circles, retreats, open mic nights and art jams. I am passionate about connecting with others through art. I was recently awarded the Live Music Fund by the City of Austin so I would like to give back my time and energy in order to contribute towards other deserving artists being awarded. I think it will also help me apply for other grants in the future. I would definitely consider myself to be a leader in the creative community as my mission in life is connecting and empowering others through art. I have been hosting intentional community events such as markets, drum circles, retreats, open mic nights and art jams and even offering affordable housing to creatives for over 2 years here in Austin. In 2023, I founded Houston's first all female mariachi group Mariachi Amor a Mexico and recently started the Austin chapter of the group. As the founder of my own entertainment agency, I am proud to provide unique and cultural experiences for my clients while helping creatives create a sustainable life through their art. What I appreciate most about Austin is the fact that it is filled inspiration at every corner. I truly true feel like I am thriving here because I am surrounded by so many other talented creatives plus there is always a fun creative event happening from art galleries to live concerts. I try my best to contribute to the diversity and culture of the city through everything I do. I am grateful to live in a city that offers many opportunities and programs to artists like myself. Last year 2025, I was part of the Artist Career Training Program with the City of Austin and I actually won 2nd place in the pitch competition. This year, I was awarded the Live Music Fund by the City of Austin so I would like to give back my time and energy in order to contribute towards other deserving artists being awarded in 2027. I would definitely consider myself to be a leader in the creative community as my mission in life is connecting and empowering others through art. I have been hosting intentional community events such as markets, drum circles, retreats, open mic nights and art jams and even offering affordable housing to creatives for over 2 years here in Austin. In 2023, I founded Houston's first all female mariachi group Mariachi Amor a Mexico and recently started the Austin chapter of the group. As the founder of my own entertainment agency, I am proud to provide unique and cultural experiences for my clients while helping creatives create a sustainable life through their art. What I appreciate most about Austin is the fact that it is filled inspiration at every corner. I truly true feel like I am thriving here because I am surrounded by so many other talented creatives plus there is always a fun creative event happening from art galleries to live concerts. I try my best to contribute to the diversity and culture of the city through everything I do. I am grateful to live in a city that offers many opportunities and programs to artists like myself. Last year 2025, I was part of the Artist Career Training Program with the City of Austin and I actually won 2nd place in the pitch competition. This year, I was awarded the Live Music Fund by the City of Austin so I would like to give back my time and energy in order to contribute towards other deserving artists being awarded in 2027. I think it will also help me apply for other grants with the City of Austin in the future. Frederick Daniels I am 59 yrs old live in Austin I was born in Tyler have lived in Austin since early 2000 I volunteer have worked in Theater of the oppressed just want to help I am Austin Resident and a Army Vet. My personal connection is I was a homeless vet thru interventions and programs have been housed for many years. I learned about Theater of the Oppressed as a way of relating our experiences thru Art which is Beautiful any way Art contributes to our City and the well being of Citizens should be applauded and recognized Joseph Davidsohn I've built my career in entertainment as a tour manager, booking agent, and executive producer of multimillion-dollar public and private events and shows, working alongside sponsors, artists, producers, and venues. My career has been spent evaluating talent, budgets, and production plans, then deciding what deserves backing. As an Austin resident, I want to bring that judgment to the panel and help public dollars reach work that lifts our creative community. Taylor Davis Taylor Danielle Davis is a curator, cultural arts producer, public art facilitator, and landscape designer who has been producing artist centered events and exhibitions in partnership with private, non-profit and city arts organizations for the last ten years. By shaping curatorial concepts, building relationships with artists, and aligning with the right partners, she creates programs and exhibits that engage communities, illuminate cultural themes, uplift emerging artists, and open pathways for sustained artistic growth. With a background in design and construction, cultural production and project management, she has curated over 20 visual arts exhibitions in Austin and San Francisco, produced dozens of public programs including educational workshops, artist development curriculums and public art programs. She has partnered with major non-profit and city organizations in Austin, including Future Front Texas, The Trail Conservancy, Women and their Work Gallery, MASS Gallery, City of Austin Arts in Public Places, Waterloo Greenway, Martha’s Gallery among others. Taylor is passionate about creating engaging conversations with both artists and arts leaders by emphasizing the importance of the artistic process and the value of connecting artists to the communities that shape them. She collaborates with artists, organizations, and cultural partners to activate curatorial projects, public art strategy, community engagement design and cultural programming and welcomes inquiries from those seeking thoughtful curation, community-centered creative strategy, and support for emerging artists. As a curator and public art advocate, I’ve organized visual arts and community programs in Austin for 8 years, serving on key nonprofit and city boards to support public art strategy, community engagement, artist development, and cultural events. Pairing funding opportunities with local cultural initiatives to spotlight Austin’s diverse art, music, and public-space history. Exploring how I can support the rubric and review process to better match projects and organizations with city funding. I’m deeply connected to Austin’s cultural and creative community through my work as a visual arts curator, community programmer, and producer. Over the past eight years, I’ve collaborated closely with artists, nonprofits, and civic partners to shape programs that reflect Austin’s diverse creative landscape. My practice centers on supporting underrepresented artists, strengthening community access to the arts, and building pathways for sustainable creative careers. Professionally, I’ve developed a strong understanding of how Austin’s arts ecosystem functions—from the needs of small and mid‑sized nonprofits to the priorities of city-led cultural initiatives. I’m highly knowledgeable about nonprofit arts organizations, their constituencies, and the structural challenges they face, including funding, capacity building, and community engagement. My work frequently involves helping artists and organizations navigate the City of Austin’s cultural funding programs, including various Cultural Arts funding, and various public art opportunities. I have experience both applying for local funding and supporting other artists through the process, offering guidance on eligibility, narrative development, budgeting, and compliance. I’ve also served as a reviewer for microgrants, residencies, and public art calls, giving me insight into how selection panels evaluate proposals and how artists can best position their work. These experiences have shaped my understanding of Austin as a city where creativity is deeply intertwined with community identity, civic participation, and cultural equity. I’m committed to continuing work that strengthens this ecosystem and expands access to meaningful creative opportunities. Stefan Del Bosque I've been Performing in Austin since the mid-2000s. I've been producing shows and managing venues since 2012. I'm a member of the HAAM Musician Advisory Committee. And I've been an LGBTQ+ ally my entire life ! I'd love the opportunity to help out my community in the best ways possible. Community is what it's all about ! Nidia Del Mar I’ve only been in Austin 3 years and have only recently become a member of a local choir and volunteering for a local org. I have various levels of community building and facilitation in other states and cities going back almost 20 years. I am endlessly fascinated by the creativity humans express and enjoy experiencing and exploring creative works and ideas. I consider myself a very open minded individual and would love to add my unique perspective to the panel. Antonio F Delgado Antonio F. Delgado is a bridge-builder, musician, technologist, and nonprofit leader whose work connects the arts, education, and community impact. He is the founder of Science In A Suitcase, a nonprofit that expands access to STEAM education through hands-on robotics and creative learning experiences for underserved youth. As the bilingual family musician Tío Tóto, Antonio performs original music at libraries, schools, museums, and festivals across Texas, creating joyful experiences that bring families together through music, movement, and storytelling. He is a Texas Commission on the Arts Touring Artist and is passionate about making high-quality arts experiences accessible to communities of all sizes. Antonio has served as President of Emerging Arts Leaders Austin, advocating for artists and strengthening Austin's creative ecosystem. His career also spans leadership roles in technology and nonprofit operations, where he has helped mission-driven organizations improve systems, increase capacity, and better serve their communities. A graduate of the City of Austin Artist Career Training program and a member of Leadership Austin Essential Class 47, Antonio brings a collaborative, cross-sector perspective to every project. His work is guided by a belief that creativity is a powerful tool for connection, learning, and positive social change. As a grant reviewer, Antonio values artistic excellence, community impact, equity, and thoughtful stewardship of public resources. He is committed to approaching every application with curiosity, fairness, and respect for the diverse voices that make Austin's cultural community thrive! Website: https://tiototo.com<https://tiototo.com/> | https://scienceinasuitcase.org<https://scienceinasuitcase.org/> | https://ohantonio.com<https://ohantonio.com/> TX Touring Roster Artist educator, musician, nonprofit leader, and technologist. I create family programs, serve on nonprofit boards, mentor community leaders, and collaborate with libraries, schools, museums, & community organizations across Texas. I was a panelist during the last ACME round in Jan. I truly enjoyed my time. My connection to Austin's creative community has been built through more than a decade of creating, serving, and advocating across the arts, education, and nonprofit sectors. I believe strong cultural ecosystems are built when artists, educators, and community organizations work together, and I have dedicated my career to helping make those connections. As a musician, I perform throughout Central Texas as Tío Tóto, creating bilingual family programs for libraries, schools, museums, festivals, and community events. These experiences have given me firsthand insight into the importance of accessible arts programming and the many ways Austin's creative community reaches families across neighborhoods and cultures. Beyond my artistic practice, I served as President and continue to serve on the board of Emerging Arts Leaders Austin, where I have worked alongside artists, arts administrators, and cultural organizations to strengthen our local arts ecosystem. Professionally, I have also supported nonprofits through technology and strategic planning. As the founder of Science In A Suitcase, I have partnered with schools and community organizations to bring STEAM education to underserved youth, reinforcing my belief that creativity, science, and the arts are deeply connected. I also participated in the City of Austin's Artist Career Training program, which provided valuable insight into the City's cultural funding process and the challenges artists face in sustaining creative careers. Combined with my experience as an artist, nonprofit leader, technologist, and educator, I bring a balanced perspective that values artistic excellence, community impact, equity, and thoughtful stewardship of public resources. I would be honored to contribute as a grant reviewer by bringing curiosity, fairness, and respect for the diverse voices that make Austin's cultural community so vibrant. Hayato DeSouza Hayato is an improvisor, musician, and a playwright. He previously won the Nexus Grant in 2024 to produce the radio play Anything Goes!, using the majority of the funds to expand accessibility and marketing to the deaf and hearing impaired. Since moving to Indiana in 2025 he spends more time on nature trails, as well as learning to crafts in the fabric arts or basket weaving. Heavily involved in local improv theater with teaching, musical directing, and performing. Further by the shows I staged I was able to receive a grant, and put an a show ASL interpretted live radio play show, connecting and tying in different locals. I was so grateful to get my Nexus grant, that I try to bring that experience to help future artists in their pursuits. Additionally I reviewed last year and I had fun seeing all the new creative projects. My connection to Austin's cultural and creative community is largely through improv theater and local sketch shows. Beyond just doing shows with castmates, I would also write/direct shows to cast as well as teach improv and musical improv. Outside of the local theaters, my brother and I would often collaborate to work on a cooking comedy show to feature traditional dishes from out backgrounds. Professionally I worked at a local Japanese grocery store where I would prepare foods or help customers find specialty goods. Additionally, I had been volunteering for a local prep kitchen to make food for Austin Bikes Meals. Currently my volunteering efforts are in invasive species control around parks and trails. Luiz Desouza Luiz Coutinho is an Austin-based professional percussionist, drummer, and bandleader with a career spanning several decades across international and local stages. Originally bringing rich rhythm traditions to central Texas in the mid-1990s, Luiz has become a staple of Austin’s vibrant world music, jazz, and Latin music communities. He is the founder and director of The BatiKum, a project dedicated to authentic, organic percussion arrangements and cultural fusion. Throughout his career, he has recorded and performed alongside prominent artists and long-time collaborators, continually contributing to the dynamic evolution of Austin’s live music landscape. "Since 1995, I’ve driven Austin cultural exchange, collaborating with artists from Africa, India, Mexico, Cuba, PR, Asia, M-East & Americas. As a HAAM member playing benefit events, I deeply understand the needs of our local creative workforce." "I want to serve to ensure public funding supports true cultural diversity. My 30+ years as an Austin artist and HAAM member give me the objective, community-first lens needed to evaluate proposals and sustain our vibrant creative ecosystem." I am a professional musician, percussionist, and educator based in Austin, Texas, with over three decades of active involvement in the local and international cultural community. Since establishing my career in Austin in the mid-1990s, I have dedicated myself to enriching the regional music scene through live performance, studio recording, and cross- cultural music education. My connection to the Austin creative community is built on long- standing collaborations with local artists across diverse genres, including jazz, traditional world music, and Brazilian rhythms. As the bandleader of my own independent project and a collaborator on numerous municipal and regional cultural initiatives, I deeply understand the operational, financial, and artistic challenges local creatives face. My experience spans performing at iconic Austin venues, contributing to grant-funded community projects, and mentoring emerging artists, giving me a well-rounded perspective on the vitality and needs of Austin's creative ecosystem. Amy Dietrich Amy Dietrich is a San Antonio native whose love for sports was sealed the moment the Spurs won their first championship in 1999. What started as playing sports growing up, evolved into full-on fandom and an intrigue for the behind-the-scenes magic: everything from events and tournaments to activations and fan engagement. A Texas A&M Sport Management grad, Amy turned that passion into a career path that spanned nonprofit development and large-scale fundraising events before landing in the corporate world managing national partnerships for singles events at Match.com<http://match.com/>, helping people find love IRL across the country. She’s now helping pickleball people find their “perfect match” on and off the court with DiNKR. Currently based in Austin, you can find Amy playing indoor and outdoor volleyball and pickleball, sweating it out at MADabolic and yoga, strolling Town Lake, assistant coaching for a local Special Olympics team, or training for her next half marathon. If it involves community, competition, or a little organized chaos, she’s in! DEV MANAGER Cystic Fibrosis Fdn mgr event budgets, committee and donor engagement, sponsors DEV COORD National MS Society org community initiatives for engagement and visibility COMMUNITY ENGAGEMENT INTERN SA Sports organized wellness initiatives Austin is filled with talent, history, and diversity. With the proper resources, together we can build community and make it a desirable place to live and raise families. I want to serve on this panel to make that happen and see our city prosper. As an active adult, I have attended and participated in many local community events, concerts, recreational sports, and am an avid trail runner and walker. I believe the parks and trails are the heart beat of the city, arts, music, and fitness community. Austin is filled with talent, history, and diversity. With the proper resources, together we can build community and make it a desirable place to live and raise families. I want to serve on this panel to make that happen and see our city prosper. My experience and background includes Assistant coach indoor volleyball, Austin Special Olympics - 1 year DEV MANAGER Cystic Fibrosis Fdn mgr event budgets, committee and donor engagement, sponsors DEV COORD National MS Society org community initiatives for engagement and visibility COMMUNITY ENGAGEMENT INTERN SA Sports organized health and wellness initiatives Mike Dominguez At Wasserman, a global entertainment firm, I supported social-impact initiatives by reviewing and vetting nonprofits and community partners for entertainment clients and internal programs. I also bring civic engagement and nonprofit board experience. I am interested in helping Austin direct resources to strong, community-centered creative programs. My experience evaluating nonprofits and partners for entertainment and social- impact initiatives would support a fair, thoughtful review process. Madison D'Ortona I have served as the community engagement and development coordinator for the Breakthrough T1D Greater Austin chapter, PR volunteer for the Austin Dance Festival, and public school dance educator for ten years. I am interested in serving on the Review Panel to better understand the grant process and to give back to the arts community in Austin as I pursue my PhD in Dance. I want to support arts programs in the Austin area. Paolo Dumancas As a 1st-generation Filipino-American, professional musician, producer and nonprofit leader, my career bridges between Austin’s arts, advocacy, and community organizing spaces — creating platforms where underrepresented artists and causes can thrive. A nonprofit ED, grant applicant, and working artist producer actively building partnerships across the arts, I bring firsthand insight into funding narratives. I’m committed to equity- driven review that reflects the depth of our creative community. Diane Dye Dr. Diane Dye is an executive advisor, speaker, and organizational strategist who helps founders, CEOs, and leadership teams make better decisions when the stakes are high. Drawing on more than a decade of experience advising leaders across industries, she combines evidence-based management, change leadership, and practical business strategy to help organizations navigate growth, transformation, and uncertainty with confidence. She is the creator of the BRAVER™ methodology and the Evidence-Based Decision Model, frameworks designed to replace assumptions with disciplined thinking, experimentation, and measurable results. Diane is also the host of the Brave Business podcast, where she explores the decisions that shape organizations through candid conversations with founders and executives. Dr. Dye holds an Ed.D. in Organizational Change and Leadership from the University of Southern California and a master’s degree in Communication Management from USC Annenberg. Whether she’s speaking on stage, advising executives one-on-one, or facilitating leadership workshops, her mission is simple: help leaders make better decisions before problems become crises. Scored grants last cycle for AACME, Proscenium Players board member, actress, Reno Little Theater, V&T railroad, I know performance I am looking forward to giving back to the city of Austin again. I learned so much from the last grant cycle. Doctorate in organizational change and leadership, masters in communication management Served on the review panel last year and I look forward to returning th I am a past board member for three years, actress, and producer for Proscenium Players in Carson City, Nevada, actress Reno Little Theater, V&T Railroad. I have attended some local auditions, primarily at the Fallout Theater but have not yet aligned with a local casting. I also served on a committee that helped develop outdoor spaces for performance art and tourism recreation in Carson City, NV. I’ve been pleased to contribute as a reviewer for AACME and look forward to doing it again this year. Nakia Edmond My community involvement includes serving as a Grants Manager for the Austin Area Urban League, supporting programs in workforce development, housing, and health. I also contribute to grantmaking, nonprofit partnership, and capacity-building efforts. I value equitable, transparent grantmaking and want to help ensure funds support programs that create meaningful community impact. As a grants professional, I enjoy evaluating proposals, identifying strong projects that deserve funding opportunities. Harry Edohoukwa Harry Edohoukwa is an independent singer-songwriter and the creative force behind Staff Jacket LLC. Rooted in Austin's music scene, Harry spent five years as Assistant Registrar at SXSW and built a following through the city's DIY venue circuit before expanding to national and international stages, including a performance at Lollapalooza and a European tour. His music has been featured on KUTX's "The Breaks" and in the Austin American-Statesman, Austin Chronicle, EQ Austin, and TODO Austin. Harry continues to write, record, and perform, with a new project underway. He collaborates frequently with fellow musicians and brings an operational perspective to the creative industry, having worked in administrative and business development capacities within the arts and wellness sectors. I served 5 years as SXSW's Asst Registrar, volunteered and performed for EQ Austin's Un Dia benefit events and collaborate with Austin musicians on tours and co-writes. Also been featured on KUTX's The Breaks and in EQ Austin reaching ESL communities As a working Austin musician with grant, touring, and industry experience, I'm interested in reviewing applications to help ensure funding reflects Austin's diverse creative ecosystem and reaches artists building sustainable, community-rooted careers I'm an independent singer-songwriter who spent five years as Assistant Registrar at SXSW, giving me an inside view of how Austin's music industry and cultural tourism ecosystem operates. As a performer, I've built my career through Austin's DIY and community venue circuit, coffee shops, galleries, and community-driven spaces, while also touring nationally and internationally, including Lollapalooza and a European run. I've collaborated closely with other Austin-based artists on recordings and shared bills, work I see as part of building Austin's cultural identity beyond its borders. I've also navigated the grant and application process myself, including as a recipient of a Sonic Guild grant, which gives me firsthand understanding of what makes an application both authentic and effective. Beyond performance, I bring an operational perspective, I currently handle marketing, outreach, and infrastructure-building work, which shapes how I think about sustainability and growth for artists and small creative organizations, not just individual output. Felecia Edwards 1. www.k-costa.org has a brief bio. 2. Going back I have served on the Executive Board as Webmaster and Treasurer for the Local Chapter (Travis County Chapter) of the National Organization PAHCOM, Professional Association for Healthcare Office Managers between 2000 and 2010. I was in the healthcare field from 1991-2019 and was fortunate to retire in 2019 at the young age of 49. I Founded K-COSTA.org in March 2026. I am currently "self" employed by my organization. During the time I served on the Exec Board of PAHCOM I coordinated speakers for Management Continuing Education, rallied Sponsorship to fund meetings and communicated monthly or quarterly with CPA's to maintain transparency of the local Chapter's finances and tax filing. Served as Treasurer for the Travis County Chapter of PAHCOM, coordinated educational meetings, speakers and vendor sponsorships. Represented healthcare practices at community events and participated in local civic advocacy. I would welcome the opportunity to serve on a review panel and contribute my experience in nonprofit leadership, community engagement, and program development to help support fair evaluation of arts initiatives that benefit the Austin community. I am deeply passionate in recovery centered community outreach. As Founder of K- COSTA.org, my days consist of art as therapy, inspiring hope and healing. Rebecca Elder Rebecca Elder is an experienced cultural heritage preservation consultant who has performed over one hundred preservation assessments over her career. In 2014, Rebecca founded Rebecca Elder Cultural Heritage Preservation to provide preservation advice to clients holding history collections. Rebecca has also worked at Amigos Library Services, the Harvard University Libraries and the Dolph Briscoe Center for American History. She is adjunct faculty at the Schools of Information at both the University of Texas at Austin and Kent State. She also serves as coordinator for the National Heritage Responders, a team of volunteer conservators and allied professionals who respond to disasters. Rebecca is a Professional Associate member of the American Institute for Conservation. Read more about Rebecca at www.elderpreservation.com I am a preventive conservator who works with small and tribal museums, archives and libraries to help them figure out the best strategies to preserve their collections. I also am a volunteer co-chair for the Texas Book Festival. I served on a review panel during the last cycle and found it a very rewarding way to leverage my expertise to help my community. It was a fantastic experience and I would love to do it again. I have been a resident of Austin since 2000, and have been an active consumer of Austin's culture since. I have been a supporter of the Austin music scene, and now attend theater and opera productions from companies large and small in the city. Austin is my favorite city in the world, and I can't imagine living anywhere else. Professionally, I am a trained book and paper conservator who has transitioned to preventive conservation consulting, helping libraries, museums and archives find the best ways to care for their collections. This includes some understanding of historic buildings and environments as well as collections care needs. I am also adjunct faculty at the School of Information at the University of Texas at Austin, which helps keep me connected to the younger people who make Austin such an exciting city. Paola Emhardt Right now I am part of 2026 cohort for curator fellowship at Central Library in collaboration with ofCOLOR I am finishing an MA in art administration, Grant writing is a big part of it. I would like to serve on a review panel to have a real life experience ,but also to help make sure the city gets incredible projects done. Kyle Etie AISD teacher & performing musician for many years Grant reviewer Sam Fahnestock I have coordinated the Historic Landmark Commission and communicated and worked with neighbors and local communities. I have also helped with Preservation Plan community engagement. I am interested in contributing to Austin’s cultural and built heritage, despite having moved away. I would like to work with the community again and help preserve history. Jennifer Fidler * Yoga Teacher - I taught classes at the Y-Townlake & Y-East for 2 years. * I currently teach yoga classes at LA Fitness, & have taught there for 3 years (at various locations) * Travis County CASA Mentor * Marketing Coordinator would table at local events I love Austin, art and diversity and would like to serve on the review panel in support of all of these - and to provide my own diverse perspective when reviewing. Giovana Fields Gio is an Austin-based R&B singer-songwriter whose music blends soulful vocals with modern storytelling inspired by classic R&B and Southern influences. As an independent artist, she has built her career through live performances, songwriting, and community engagement while developing creative projects that connect audiences through authentic storytelling. Throughout her career, Gio has performed at festivals, community events, and venues across Central Texas, earning recognition for her vocal ability and dedication to the local music scene. In addition to creating music, she has experience producing live events, developing artist merchandise, and managing independent music releases. Passionate about supporting Austin’s creative community, Gio believes artists thrive when resources are accessible, evaluation processes are equitable, and diverse voices are represented. Her work reflects a commitment to building meaningful connections through music while contributing to the continued growth of Austin’s vibrant creative ecosystem. As an independent R&B artist, I've performed throughout Austin, collaborated with local creatives, mentored emerging artist, and actively support the city's independent music community through performances and creative partnerships. I want to help ensure funding decisions are fair, thoughtful, and community centered. As a working independent artist, I understand the impact these grants have and want to support opportunities for others. As an independent recording artist, songwriter, performer, and entrepreneur based in Austin, I have been an active member of the city’s creative community for several years. My work has allowed me to collaborate with musicians, venues, arts organizations, and local businesses while contributing to Austin’s diverse live music ecosystem. I have performed at festivals, community events, and venues throughout the city, and I understand both the artistic and business challenges that creatives face. Beyond performing, I have experience planning music releases, producing live events, developing merchandise, applying for grants, and building sustainable revenue streams as an independent artist. Receiving support through the City’s Live Music Fund gave me valuable insight into the grant process from an applicant’s perspective and reinforced the importance of transparent, equitable funding opportunities for Austin’s creative community. I understand how meaningful these investments are for artists and organizations working to strengthen the city’s cultural landscape. I value fairness, inclusion, and thoughtful evaluation. As a reviewer, I would approach every application objectively, considering the goals of the program while recognizing the many different ways artists and organizations contribute to Austin’s creative identity. Tomas Fierro I have volunteered for a summer at Imagine Art. A local art gallery and community. I am a very well-spoken critical thinker. I understand a lot of what creatives try to convey in their work and I try to find purpose or motivation behind an artist's work. Edria Fleming https://www.generalassemb.ly/instructors/edria-fleming/10807 have worked with nonprofit organizations in Austin as a volunteer and worker since I’ve moved here in 2005. a 20 year community member, I’m interested in the development and growth in our community. I have lived in the city of Austin since 2005. I attended the University of Texas at Austin and hold a Master's degree in Social Work. I have worked in various capacities in non-profits Susannah Fluger https://www.suefluger.com/about-1 I have volunteered with Art From the Streets as well as Keep Austin Beautiful. I organized a grassroots song circle and founded and currently facilitate a local philosophy salon. I would like to be involved in strengthening the arts community in Austin and believe that this is a critical time for the arts, with the introduction of A.I. muddying the waters. I believe in what humans can create and the value to society. I have been an artist and musician in Austin since 2012. I also teach art classes at senior living facilities and for hosted parties. Francis Force Frank Force has been building real-time interactive software for over 25 years, from AAA titles like DOOM and Red Faction: Guerrilla to LittleJS, his open source game engine with over 4,000 stars on GitHub. He runs Frank Force Games in Austin, Texas, where he works on engines, graphics, games, and tools, and writes an unreasonable number of very tiny programs. https://frankforce.com/ I have extensive volunteer experience with local Austin non profits including Town Lake Animal Center and Texas NORML. I have been a featured presenter at many events organized run by non profits including EFF Austin, Games Y’all, and Dadageek. I completed the Austin artist career training and want to stay involved by helping evaluate and support future applicants. Also I have an extensive background in digital entertainment and interactive design that could be helpful. I have lived in Austin for 16 years and now own a home here. I hold a Bachelors in Computer Science and I attended the 6 week city of Austin artist career training program. I have attended many music shows and art events in the city. I had my artwork displayed in Austin city hall for the people's gallery. I have worked at several companies in the city and know many creatives who live here. I have also volunteered at a few places in Austin before including Town Lake Animal Shelter and that one was seriously challenging. William Fox ACME reviewer during last season. Former high school communications educator and edtech marketing exec. Have previously performed with Gilbert & Sullivan society of Austin. Current Texas soccer referee for high school athletics. Former US Soccer referee. https://www.linkedin.com/in/foxwill For 20 years, my involvement in Austin has blended arts, education, and service. Former Gilbert & Sullivan Society performer and Paramount/AFF volunteer. Current Zach/Broadway subscriber. Long-time high school teacher and Brown Santa volunteer. With 20 years of experience as an Austin performer, teacher, volunteer, and arts patron, I bring a practical, community-focused lens to thoughtfully assess applications that will enrich our city's cultural life. ACME reviewer during last season. Former high school communications educator in ATX. Season subscriber to Zach and Broadway ATX. Have previously performed with Gilbert & Sullivan society of Austin. Chase Frank Chase Frank is a Singer, Musician, Songwriter and Presenter. She was raised in Long Beach, CA and has been immersed in music most of her life. She started on cello and piano in the fourth grade and stayed with strings. She has since has released 5 electric solo albums, and a double single in 2020. After relocating to Austin, TX, in ‘08, she started The Harms in 2012. As an event producer and talent buyer, she cut her teeth in her twenties in Long Beach, Orange County & Los Angeles, CA while also managing her music career. Her first large production, "An Evening with Allen Ginsberg" (1994), sold out. She followed it with two city-wide festivals -- "When Words Collide" with over 100 musicians & poets. Both were granted city & corporate funding. Frank studied audio engineering for 3 years and now resides in Austin, TX. Chase Frank Presents (1995-present) Highlights Brand Awareness Special Events, Social Media Services, Tour Booking - featured clientele include: Corona, Hard Proof, The Ghost Wolves, Bobby Blunders & more Independent Showcases Austin, Cheer Up Charlie’s, Swan Dive, Hotel Vegas, Mohawk. From performance to hosting including: "Get Yo' Mind Right, Party Boots, Independent Pool Party ‘09, SXSW -- Safe House (residency) Art exhibit / installation with over 15 curators Songwriter's Supper Club - (weekly residency 4 yrs) DiPiazza's, Long Beach, CA, a weekly dinner party & music showcases Curve (monthly residency, 3 yrs) female showcases, When Words Collide City-Wide Spoken Word Festival (1995 & 1997) featuring Laurie Anderson, Patti Smith, The Watts Prophets, Jim Carroll, John Trudell + 100 more :: Living Planet Presents Two years An Evening With Alan Ginsberg, 1994 - Sept 10, 1994 - Promenade Amphitheater, Long Beach CA Falcon Rising & Lucifer placement “Sweet Apple” opening track Radio - Over 50 CMJ adds for “Midnight Manor” 2010 | Tours -- Four West Coast solo tours ‘03-’08 | Two Texas tours, one nat'l tour w/ the Harms,| KUTX-Austin Music Minute Music performance, writing, recording, touring, booking. Press / radio / tx folk life radio program. A focus on supporting female musicians Would like to give back since I received a grant for 2024. I am a musician who currently performs in several Austin groups, and have music placements radio, TV, film. I have been trained in music composition, jazz guitar, live event production and currently manage and perform with THE HARMS. Shilda Fresch Former College Relations Assistant at Austin Community College, representing the college at outreach events. Volunteer with PBS children’s events, Austin City Limits, and Hopefully Sow, supporting arts, education, and foster youth. As an Austinite, I’ve seen our city grow and thrive. I want to help preserve and strengthen Austin’s creative vibrancy and diverse cultural ecosystem by supporting impactful arts and cultural programs. Richard Fruge I have been involved with live events, festivals, and local gatherings and street fairs (mostly musical) in Louisiana and California. I have also performed telephone and marketing solicitations for cultural and arts events, i.e., theatre and plays. I was initially interested in applying for a musical / art grant and came across the Review Panel application inadvertently, but decided it may be a good experience and helpful to the music community if I joined. Abby Frye Abby Frye (she/they) is a multidisciplinary artist and director specializing in narrative photography, visual arts, fashion, and film production. She is a proud first-gen graduate with a BFA in Theatre and a Concentration in Performance and Production from Texas State University. Themes of their work focus largely on the contrast between the artificial and the organic, glamour and spectacle, femininity and gender performance, sustainable fashion, our interconnected existence, and contextualizing trends through cultural and historical research. She hopes to inspire authentic connections and benevolent mischief with her art. Abby has also spent a decade working in communications, media, and creative marketing. Within those roles, she also been an advocate for all forms of social and structural equity within K-12 and higher education, communal, and creative spaces. https://abbyfrye.myportfolio.com I have spent a decade in communications, arts and media, and creative marketing. I've been a mentee and mentor. Within my roles, I've advocated for social and structural equity within K-12 & higher education, communal, and creative spaces. I am interested in supporting the brilliant visionaries of Austin, learning more about our community, and providing thoughtful discernment for a broad range of projects and individuals. I engage with Austin’s cultural and creative community regularly. I love to attend local art and community events, visit public libraries, and give back through my time or knowledge. I studied Theatre Performance and Production at Texas State University, have worked in a broad capacity of mediums/designs for film and theatre, and practice photography and visual art. Namely, theatrical direction, cinematograph, providing actor coaching, prop design and creation, set design, introductory carpentry, technical theatre skills, historical costume research, lighting design, critical theory and analysis, playwriting, and more. I also studied digital and film photography at UTSA. I was the Communications & Outreach Coordinator for the Psychology Department at UT Austin, which included managing outreach efforts and research database for the Children’s Research Center, and provided consultation on creative direction and design accessibility for their children and family guides. I co-produced segments with FOX7 News and CBS We Are Austin to promote the UT Psychology Department, the Bullock Museum, and UT STEM Girl Day. I taught media and outreach skills to groups of 6-8 interns every semester. I also lead all visual design, web design, and external communication. I have attended, engaged with, or volunteered one-off with a large variety of Austin creative organizations including dance, fashion, visual art, film arts, media, cultural and cultural heritage, libraries, literary arts, and so much more! Always down to support and learn from the heart behind the city. Jimena Gamboa Bonilla In 2024, I was a panelist for the Thrive and Elevate grants. I'm currently attending NYU for a Master's in Public Administration, focusing on innovation, investment, and impact. I plan to dive into sustainable systems for arts funding. I have a strong foundation in the historical context of Austin and its impact on marginalized communities. With the creation of AACME, I'm interested in how we can improve this process. I have strong project management and coordination experience. MARK GAMO As a designer and private label manufacturer, I merge professional strategy with community-building. I manage LosAngelesMoto.org and founded artistic communities through art, automotive, and fashion to create scalable, impactful community experiences I bridge the worlds of apparel design, motorcycle culture, and AI technology. By cultivating diverse creative networks, I aim to inspire innovation and drive positive change within our communities Vindhya Ganhewa https://www.linkedin.com/in/vindhya-ganhewa-a3ab35102/ Volunteer leader and volunteer ambassador for Central Texas food bank, Volunteer for Austin PBS and Austin City Limits, Volunter at Zach Theatre, former Travis Country election judge, group exercise instructor at Golds Gym, VP of my neighborhood HOA I would like to serve as an ACME Reviewer because Austin has brought me immense cultural joy and entertainment over the past nine years. ACME plays a vital role in inspiring our community to think bigger while also fostering meaningful connections. volunteer leader and volunteer ambassador for Central Texas Food Bank; Local HOA Board Vice President - Searight Village; volunteer at Austin PBS; volunteer at Austin New Church Eliud Garcia Eliud Garcia is a musician, educator, producer, and entrepreneur originally from Roma, Texas, whose career has taken him from South Texas to prestigious musical institutions and performance stages across the United States and abroad. Garcia earned his undergraduate degree in Music Performance from Texas State University before pursuing a Master’s degree in Music at Yale University. While at Yale, he also studied sound engineering and audio production, expanding his expertise beyond performance into the technical and creative sides of music. During his time in Connecticut, Garcia remained active as a professional performer, collaborating with and performing alongside regional symphonies throughout the area. His performance career also took him internationally, including performances in Germany, giving him valuable experience on diverse stages and in different musical environments. Today, Garcia is based in Pflugerville, Texas, where he owns and operates his own recording studio. He works with numerous Latino and regional Mexican artists, helping them record, produce, develop, and promote their music and creative content. His work combines his background in classical music and performance with his experience in audio engineering, music production, and digital promotion. Garcia is also the owner and musician of Forjados, a regional Mexican music group, and the owner of Valle Vibe Music, an independent record label and music distribution company. Through both ventures, he is dedicated to creating, producing, and promoting music while helping independent Latino artists develop their careers. From his roots in Roma, Texas, to his studies at Texas State University and Yale University, international performance experience, and current work in the Texas music industry, Garcia has built a career centered around music, education, performance, production, and supporting the growth of Latino artists. I am in Austin music educator, I work in the public school system as a private instructor. My passion for teaching is part of who I am, but also as a performer and leader for Zeñal Nortex, I make sure to keep things organized and professional. I believe to have read a few months ago that there was some problems with who got selected as the award winners for the grant. So my plan is to review them carefully and be fair with the process. My connection to the Austin community is rooted in music, education, and my experience as a Latino artist and entrepreneur. Originally from Roma, Texas, I have built my professional career in Central Texas, where I work as a musician, educator, producer, and recording engineer. My formal training includes a degree in Music Performance from Texas State University and a Master’s degree in Music from Yale University, where I also studied sound engineering and audio production. These experiences have given me a broad perspective on both the performance and production sides of the creative industry. Today, I own and operate a recording studio in Pflugerville, where I work with Latino and regional Mexican artists to record, produce, develop, and promote their music. I also perform with my own group, Forjados, and operate Valle Vibe Music, an independent record label and music distributor. Through this work, I have developed a strong connection to Austin’s diverse cultural and creative community. I understand the importance of Austin as a place where different musical traditions, cultures, and creative voices come together. I am particularly passionate about creating opportunities for Latino artists and helping independent musicians have access to the knowledge, resources, and platforms they need to share their work with a broader audience. My goal is not only to participate in Austin’s creative community, but also to contribute to its continued growth by supporting artists, creating music, mentoring others, and helping ensure that Latino and regional Mexican voices are represented and valued within Central Texas’s cultural landscape. Laura Garcia Laura Garcia is an Austin-based event producer, arts administrator, and operations professional with nearly two decades of experience supporting the city’s live music, entertainment, and creative industries. A longtime Austin resident, Laura has built a career at the intersection of business strategy, creative production, and community-centered experiences. Laura earned an MBA from the University of Pittsburgh, which included international studies in São Paulo, Brazil, and Prague, Czech Republic, and had previously graduated summa cum laude from St. Edward’s University with a BBA in Management and Marketing. Her professional experience spans event production, venue operations, marketing, organizational leadership, and entrepreneurship. Throughout her career, Laura has worked across festivals, music venues, nightlife businesses, and independent productions, developing expertise in operations, team leadership, artist relations, and the execution of complex live experiences. As the founder of Event Mode LLC, she has produced immersive events that bring together music, performance, and visual elements while managing the strategic and logistical components required to successfully deliver creative projects to their intended audiences. Laura is a two-time recipient of the City of Austin’s Live Music Fund grant, providing firsthand experience developing and producing projects supported through public arts investment. Her background as a creative producer and operations leader allows her to evaluate projects through the lenses of artistic vision, organizational capacity, feasibility, community impact, and mindful stewardship of public resources. I am an ally to the LGBTQIA+ community for over 20 yrs, producing and promoting special events. I was a volunteer Crew Manager for SXSW. I am a Volunteer Ambasssador for the Central Texas Food Bank, promoting their mission at events. I would like to experience the other side of the process and help facilitate grant acquisition for the right candidates. I have been part of Austin’s cultural and creative community for nearly three decades, having relocated here from the Rio Grande Valley and witnessing firsthand the city’s growth and evolution. My connection to Austin’s arts community began through SXSW, where I gained firsthand experience in live event production and developed a deep appreciation for the collaboration between artists, producers, venues, and communities that makes cultural experiences possible. Over the course of my career, I have worked alongside musicians, performers, artists, venue teams, and creative professionals across Austin’s evolving entertainment landscape. Through event production, venue operations, and entrepreneurship, I have developed a broad understanding of the opportunities and challenges facing creatives— from developing sustainable projects and reaching audiences to navigating the operational realities behind successful programming. My experience as a producer has allowed me to see Austin’s creative ecosystem from multiple perspectives: as a collaborator supporting artists, as an operator managing the infrastructure behind events, and as an independent creator bringing my own projects to life. I understand the importance of creating opportunities for diverse artistic voices and supporting programming that reflects the communities it serves. My professional journey, combined with graduate studies, international travels, and volunteer service, allows me to approach grant review with curiosity, fairness, and respect for the many perspectives that shape Austin’s creative community. I believe Austin’s cultural identity is enriched by the people who create, perform, and participate in the arts, and I am committed to supporting efforts that help sustain and strengthen the creative ecosystem we all share. Suzi Garcia I have been in non-profit administration for over 10 years, particularly in literary advocacy. I have worked with large foundations and small, independent presses. In addition, I have volunteered for organizations such as CantoMundo. I am passionate about the arts and about community building. I am originally from Arkansas as well, so I have a particular interest in the South. Eris Gentle I spent my childhood all around the South-- in Louisiana, Mississippi, Florida, Georgia, and Tennessee--but I've been a Texan for over 20 years now. During college I studied Creative Writing and Studio Art at Louisiana State University and then lived in New Orleans, where I sang in a rock band. Hurricane Katrina had other plans, however, and I relocated to Austin after becoming enchanted with its weirdness, and later Del Valle, which became my new home. I continue to work as a freelance artist and raise my two teenagers, staying involved in the homeschool/unschool community. Over the years I have been a part of many thrilling projects in the realms of visual art, music production, filmmaking, and acting. Neighborhood park monitor, editor of the newsletter, organized trash pick-ups, teacher and secretary for two homeschooling co-ops. As a visual artist I've exhibited, done live paintings, film screenings, and interactive art installations. I served on the CapMetro Public Art review panel in 2023 (for bus wrap submissions and for mosaic bus stop submissions) and I greatly enjoyed my time doing that kind of work. I've been an Austin/Del Valle resident for over twenty years, and I've been a freelance artist for longer then that. I have a bachelor's degree in Creative Writing, and over the years I've taken art classes at The Dougherty and ACC. I've homeschooled/unschooled my two kids and facilitated kids art classes several different co-ops and art schools, as well as designed and taught creative workshops for adults at community centers. As a visual artist, I've exhibited at many galleries, and designed installations and interactive artworks. I've also worked extensively as an art model. As an actor, I've worked on multiple big budget film productions, live theatrical improvisational performances, and commercial projects. As a filmmaker, I've held public screenings of my own short films in Austin, and currently I'm producing music videos for my band. As a dancer, I've been part of the Ecstatic Dance community for over a decade. As a musician, I've built a home recording studio and I'm currently collaborating with other musicians and producing my own projects. My neighborhood community in Del Valle is very special to me as I spent several years as the neighborhood park monitor, overseeing the public spaces and organizing cleanups and neighborhood events supporting Latino culture. It's very important to me to support local artists and do all I can to assist people with their own unique artistic expression. Kristen Gifford Im Kristen (Kat) I was born Stormie Crane—Carson. I volunteer with various organizations within Austin, Houston, and Galveston As well as spent time as a volunteer at The George Memorial Library in Fort Bend County. I also serve as a panelist and coming up in the grants working group with The City of Houston’s Houston Art Alliance. I will be volunteering with Houston’s Match Group in the near future as well As with the Historical Foundation. Im active in 3D modeling, vfx art , and level design -including concept art for environment and architecture in video games - studying at Full Sail University. Before full sail i studied art history and studio art with a focus in painting at Houston Community College Central Campus. Volunteering with the historical foundation and preservation programs in Houston and Galveston. Working as a grant panelist with the Houston Arts Alliance, volunteering at music festivals. I am extremely interested in being more involved in the arts and culture community. It‘s something I will always make time for And go the extra lengths for. I grew up for a few years in a foster home not far from downtown Austin and it a the surrounding areas mainly the history sort of became a major interest of mine. i have an ancestor on my dads side who happens to be Samuel Price Carson who was the first sec of state for the republic of Texas. My grandpa David Carson is a graphic designer out of corpus christi so art itself and the culture of Texas especially Austin have been apart of my entire life. Bryan Glick B Glick is just your typical cancer-surviving non-binary queer agnostic Jewish Entrepreneur. They are the founder and president of GQue Films which is the first and only Quadriplegic run indie film sales company in the world. They also provide accessibility consulting for theater companies, film festivals, and other arts spaces. Their films have won Emmys, Spirit Awards, and taken home top prizes at SXSW, Tribeca, Sheffield Doc/Fest and CannesSeries They have spoken about film festival strategy and accessibility inclusion at Slamdance, SXSW, Berlinale, Bogota Audiovisual Market, & Film Festival Alliance. They have been a juror three times for AGLIFF and served on over two dozen film festival juries on four continents As a performer in Denver they have won True West and On Stage Colorado Awards all while repeatedly breaking boundaries. In their three years in Denver they have appeared in more shows than any other visibly disabled performer. Some of their favorit I'm on the board of a queer theater company. I've worked with film festivals, orgs and theater companies on accessibility inclusion/rep. (FFA, AHC, EFM, Bowls with the Bard, etc). I started the only film distribution initiative for disabled folks. I have serves on the review panel before and have found it a wonderfully informative and rewarding experience. It provides insight into the work people are doing elsewhere and I have seen firsthand companies take our feedback and evolve year to year I serve on the board of a queer theater company in Denver. I have worked directly to improve disability representation and accessibility in the arts. I have worked with local theater companies, film festivals and even the city of Boulder for the upcoming Sundance Film Festival. Alma Gloria I am a bilingual nonprofit professional and community advocate based in Austin. I hold a Master’s degree in Social Justice and Human Rights and bring an eclectic background in community engagement, education, nonprofit work, and the arts. My experiences are shaped by a multicultural and social justice lens, with a particular interest in how arts and culture can strengthen identity, representation, and community connection. LinkedIn: www.linkedin.com/in/alma-gloria-61589b37<http://www.linkedin.com/in/alma- gloria-61589b37> I am a bilingual community advocate with 15+ years of experience in Management and 10+ supporting Austin nonprofits. Currently serving on the Hispanic Impact Fund, former PIP board member, EGBI collaborator, and full-time assistant at a law firm. I want to serve on a Review Panel to support fair, community-centered funding. My master’s in Social Justice and Human Rights and grant experience, drive my commitment to equity and ensuring resources reach those who need it most. My connection to Austin’s community comes from an eclectic background in the arts, nonprofit work, education, and community engagement, all shaped by a multicultural and social justice lens. Through my work with diverse families and community organizations, I have developed a strong appreciation for how art, culture, and creativity can build connection, preserve identity, and create more inclusive spaces. I see Austin’s creative community as a reflection of its many cultures, histories, and lived experiences. Mery GodignaCollet Public art in Austin And international. The subsequent community engagement that is very important in Public Art field. I am an architect and used to work with community or single client. I have served reviewing applications and submissions for Art in Public places and also in several non profit organizations. i really think that I can be an experienced voice in a selection panel that promotion arts in our community Nevaeh Gonzales I’m currently working on my associates degree in Psychology with hopes to get my PhD to do research psychology on marginalized communities. I’ve also volunteered at multiple non-profits including a food pantry and two guide dog companies. I think it would give me a chance to get more involved with Austin, as I love our culture as a city and how much it extends to the cities surrounding. Desi Gonzalez Desi Gonzalez serves as director of product at O’Reilly Media. Previously, she spent a decade working as an educator, experience designer, and media producer for contemporary art museums, including the Museum of Modern Art and Whitney Museum in New York, and the Andy Warhol Museum in Pittsburgh. Outside of museums, her writing has been featured in publications such as Art in America, Art Papers, Indiewire, and the Brooklyn Rail; she has taught experience design at Carnegie Mellon University; and she has been invited to speak by organizations including Google Design and We Are Museums. Since moving to Texas, she has served as a board member for the Museum of Human Achievement’s digital arts program as well as Anything Curatorial/Spellerberg Projects in Lockhart. She holds a B.A. in linguistics and art history from Emory University and an M.S. in comparative media studies from the Massachusetts Institute of Technology. I spent a decade working at the intersection of art and tech at museums including MoMA, the Whitney, and the Andy Warhol Museum. Since moving to Austin in 2018, I’ve remained grounded in local arts as a board member for various arts institutions. As a former museum experience designer and educator, I'm passionate about making art accessible to diverse audiences. I'm excited by ACME's vision of building a vibrant Austin via art & culture; my background equips me to help advance that mission. I have a unique background spanning museums, contemporary visual art, and technology, with a particular interest in making art accessible to diverse audiences. For a decade, I worked as an educator, experience designer, and media producer for contemporary art museums, including at the Museum of Modern Art and Whitney Museum in New York, and most recently at the Andy Warhol Museum in Pittsburgh. Of the various initiatives I developed at these institutions, I’m most proud of spearheading Out Loud, an award- winning inclusive audio guide app designed with and primarily for visitors who are blind or have low vision. Outside of museums, my writing has been featured in publications such as Art in America, Art Papers, Indiewire, and the Brooklyn Rail. Additionally, I taught a master’s level course titled “Experience Design for Cultural Institutions” at Carnegie Mellon University, which explored how cultural institutions can apply human-centered design processes to build innovative experiences that respond to audience needs. I have been invited to speak about art, design, and technology at events held by organizations including Google Design and We Are Museums and in places as near as Chicago and as far as Riga, Latvia. While my move to Austin in 2018 coincided with a professional shift away from museums and art criticism, I’ve remained grounded in the local arts scene as a board member for the Museum of Human Achievement’s digital arts program as well as Anything Curatorial/Spellerberg Projects in Lockhart. As a part of MoHA, I’ve also served as a reviewer for the Welcome to My Homepage international online residency program. Recently, my interests have also expanded into folkloric music and dance, with four years of involvement at the Puerto Rican Cultural Center in East Austin. Rachel Gozhansky I am an active member of the Austin chapter of the Society for Children's Book Writers and Illustrators. I am also active in the sports communities as a lacrosse and basketball official. Board and volunteer experience are listed in a future answer. I think this might be an interesting way to get more involved in Austin's Arts and Culture Community. And it is an opportunity to observe successful grant applications, in case I choose to apply for a grant in the future. Madison Green Organized a drag show, posted a social media campaign highlighting student leaders from minority backgrounds, and wrote culturally inspired prose for an Austin fashion magazine to uplift diverse voices and foster inclusive community engagement. I was connected to the small art and theater scene in my quaint hometown. Moving to Austin has expanded my perspective on the beautiful intertwining of community and art. I want to give back as a grant reviewer to support this vibrant, creative city. Meg Greene I have been an active member of the Austin arts scene since 2011. I am an arts educator, facilitator, and theatre artist. I've worked for multiple Austin non-profits from SAFE Alliance to MINDPOP as both a program manager and a director of programs. I am interested in learning more about the process of grantmaking from the backend - what goes into scoring proposals, choosing the best fit for funding, and how people are imagining the arts landscape of Austin through their proposals. Chelsea Guerdat Chelsea Guerdat is a New York-based arts leader, curator, and producer with more than 20 years of experience working across contemporary art, public art, museums, and cultural organizations. Her work has ranged from international public art group exhibitions for Art Basel and Desert X AlUla to large-scale solo projects with artists including Kehinde Wiley and Shahzia Sikander. She has developed exhibitions, publications, and public programs, and held leadership roles at The Kitchen, the Bass Museum of Art, apexart, UAP, and Sean Kelly. Throughout her career, she has worked closely with artists, cultural organizations, foundations, museums, and civic partners to bring ambitious creative projects to life and build the structures that support them. Chelsea currently works as an independent consultant and serves on the board of ARCAthens, an artist residency organization. She holds an MA from Goldsmiths, University of London, and dual BAs from Bard College. I have worked for 25 years with arts organizations and non-profits. I am a board member for an artist residency organization. I have organized multiple public art programs and large- scale exhibitions for museums, art fairs, galleries, and biennials. I've served on review panels, including Brookylyn Arts Council and New York State Council on the Arts. I am actively looking to relocate to Austin and reviewing proposals is a wonderful way to get a sense of the arts community and its priorities. My connection to the creative community comes from more than 20 years working with artists and cultural organizations, primarily in contemporary art and public art. Much of my career has been about figuring out how to turn ambitious creative ideas into projects that can actually happen, and building the relationships and infrastructure needed to support that work. I’ve worked in a range of cultural settings, including producing public art for Art Basel Miami Beach, leading the $7.7 million Desert X AlUla project, developing the Bass Museum of Art’s first year-round public art program, and serving in senior leadership at The Kitchen. I also serve on the board of ARCAthens, an artist residency organization, which has given me another perspective on the challenges artists face and the importance of creating meaningful support around them. I’ve followed Austin’s creative community for some time and have been increasingly interested in the city as I consider a move there. I’m particularly interested in understanding how artists and cultural organizations are navigating the city’s growth and what they see as the most important opportunities and challenges ahead. I’d much rather learn that directly from people working in the community than make assumptions from the outside. That’s what appeals to me about being a panelist. I’d like to listen and learn from people in the community while also bringing some perspective from the cultural ecosystems I’ve worked in elsewhere. Chris Gwillim Chris Gwillim is a performance studies scholar, arts advocate, curator and social practitioner. Gwillim's work focuses on transnational exchange through performing arts festivals and equity in arts funding. Writings have appeared in Performance Matters, ODBK, Sightlines, and Glasstire among others, alongside writing residencies with Fusebox Festival, Time-Based Art Festival at Portland Institute for Contemporary Art, Concept Animals, and Deeply Fascinating. Gwillim's social practice and curatorial work has been featured at OUTsider Fest, the High Museum and Alliance Theatre, the Blanton Museum of Art, the Visual Art Center, The Kitchen, Moiety, and universities throughout the United States. Gwillim holds a PhD in performance studies from the University of Texas at Austin with certificates in LGBTQ+ studies, Museum Studies, and Integrated Behavioral Health. I have worked in arts production, community engagement and development for the past twenty years in institutions small and large- from independent theater, to educational programing at the Blanton and UT. I've applied for the grant individually and for organizations I work with, serving on a panel is a learning opportunity for reviewers, and an opportunity to provide vital feedback on the new grant process for the City, and applicants. I have lived and worked in Austin on and off since 2011. In that time I've worked across the arts: in film and TV, theater, visual art, dance and education. I've worked for UT and the Blanton, collaborated with DIY spaces and everything in-between. I hold a PhD from UT in Performance as Public Practice and have taken dozens of trainings and workshops on arts leadership, art making, and DEI. I think my most valuable offering to artists and arts orgs in Austin is my research and connections to arts organizations around the world, so when I can I connect folks with one another, help artists with tours, and participate in knowledge exchanges. Our creative community is vibrant, scrappy, friendly, and talented. In order to thrive we need a wide variety of expertise and cross-cultural exchange. I do what I can to help with that. Whenever I have time I volunteer for arts organizations in addition to my role as Development Director with OUTsider. I believe in sharing resources, offering help, and showing up for artists and arts orgs in my city. Sometimes I'm an audience member, volunteer, organizer, reviewer, teacher- to me being part of the ecosystem is varied and exciting. Beverly Hamilton Beverly Anderson Hamilton, Ph.D. is a nonprofit executive, civic entrepreneur, and educator based in Austin. She holds a Ph.D. in Education from UT Austin and spend the first decade of her career working in higher education administration. In 2017, Beverly founded Chief Fractional Officer.org, providing interim and fractional executive leadership to nonprofits in transition, and has led or advised organizations including Austin Diaper Bank (which she founded in 2013), Texas 4000 for Cancer, Girlstart, Con Mi MADRE, and Autism Society of America, among others. A chapter of her recent work includes Building Community, an Austin civic engagement initiative connecting neighbors, causes, and companies, including its flagship program Building Belonging, a co-design model built with people with intellectual and developmental differences. Beverly brings prior grant review experience with the Austin Community Foundation and the City's ELEVATE Grant program to this panel. https://www.linkedin.com/in/beverlyandersonhamilton/ I’m an educator by background and a nonprofit executive. I help nonprofits meet their mission. In my 30 year career, I’ve run camps to trainings to board retreats for great causes. I’m also a disabilities advocate and proud mom. I’ve served on the Elevate panel in the spring and it was wonderful way to see all the amazing work in the city plus help support the work of Austin’s government. I've lived in Austin since 1999 and have loved the culture, art, and music the city provides. I am a member of the two step/Texas swing dance community and previously was a member of the Austin Samba School. I have worked in education and a variety nonprofit organizations from a range of causes. I am a trained educator, a universal design learning specialist and hold certifications in nonprofit management and corporate social responsibility. My best job is as proud mom to a teenager with multiple disabilities who is an artist himself. I've participated a few public art projects, including the recent mosaic mural at Seabook Square Apartments on Manor Road. I really enjoyed learning about all the amazing work being done in the community through the previous ELEVATE grant process. Kevin Harris I filled several roles as a volunteer at SXSW for about a decade. I also volunteered for a friend's mayoral campaign in 2024. It will doubtlessly be an enriching cultural experience for both myself and the community in which I live. Junika Hawker-Thompson I worked as an archives coordinator for Drs. Ashante Reese and Ashley's Farmer Archiving Activism project. I connected with local archival institutions, specifically the Austin History Center and the Carver Museum, and community archivists. I want to serve the local arts community by implementing what I have learned through my years of study and practice in archival and arts spaces. I am interested in collaborating with other reviewers and supporting community arts initiatives. Catherine Heemann Catherine Heemann, a doctoral student in historical musicology at the University of Texas at Austin, explores medieval music theory, pedagogy, and transmission, and global approaches to music studies. She collaborates on a research project between the University of Texas at Austin and Texas Folklife, which concerns Austin musicians and the challenges they face. Based on this project, she developed and taught a multidisciplinary undergraduate seminar and requires students to engage directly with the community. Heemann currently works as an Assistant Instructor at the Butler School of Music, a grant writer for Texas Performing Arts, and Travel Administrator at Texas Exes. Worked on a research team about Austin musicians (completely outside my primary research area) so I could work directly with musicians in my community. Served on past AACME panels to learn more about grants and local nonprofits (funded or not). As a current music grad student, I’m always looking for ways to support the arts & my local community by gaining more experience in the industry from all sides. I work on grants for an arts nonprofit and want to learn more about how city grants work. As a doctoral student studying music in Austin, I have a professional and personal connection to the community. One of my research interests is understanding how musicians in Austin make a living and the challenges they face in the Austin music scene. I worked as part of a collaborative research team with scholars from the University of Texas and local community partner Texas Folklife. This collaborative effort enabled me to reach parts of the Austin community I would not have access to otherwise. My interest in this work grew from a desire to better understand the city where I live (Austin) and how music shapes the communities here. Based on the project, I developed and taught a multidisciplinary undergraduate seminar for non-music majors with the objective to engage students directly in the Austin community. To achieve this, we toured local venues, hosted several guest speakers in our class to talk about their experience in the Austin music scene, and each student conducted an interview with a local musician. I utilize a global approach to analyze the practices, beliefs, and histories of a wide range of cultural groups to make connections about musical practices. I also teach undergraduate students from across the university a class called Music and Culture that fosters dialogue with traditions across historical and geographical boundaries. In this course, I relate topics such as performance approaches, heritage, community engagement, technology, and multimedia to music and help guide student discussion to draw from their assorted backgrounds. Teaching students from across the university with varied backgrounds requires having a sensitivity to contrasting perspectives to help each student develop their ideas. Additionally, I have served my local community by holding student leadership positions that enable me to advocate for my peers and foster community. Melissa Hempel Melissa Hempel works for museums. Especially interested in visitor experience, she completed a master’s degree in Museum Studies from San Francisco State University and a History of Art and Visual Culture B.A. at the University of California, Santa Cruz. Hempel has served as the Public Programs Specialist at the Agua Caliente Cultural Museum for four years. She previously worked as the Community Programs Manager at the Palm Springs Art Museum, was Director/Curator of Utah Valley University's Woodbury Art Museum for over six years, and the Visitor Services Coordinator at the Santa Cruz Museum of Art & History. As a museum professional I strive to create community-based projects including exhibitions, programs, and visitor engagement opportunities. I've also volunteered for nonprofit organizations in Utah and California, and regional museum associations. I believe grant programs connect community, increase cultural capital, and illustrate value. I've had opportunities to apply for and receive project grants, as well as volunteer to review grant applications for the Utah Division of Arts & Museums. I believe that presenting museum and heritage programs as a way to connect social activities with community awareness is a vital responsibility. As community spaces are disappearing, museums and cultural institutions must function as places of access, providing local and global populations a place to connect, explore and discuss. In the past I’ve created community-based exhibitions working with underserved populations and strengthened organizational city partnerships with places like the local library. As I cultivate my professional development within local nonprofits, I strive to become involved with projects combining both heritage and social awareness. It is with this continued goal that I’ve sought volunteer and training opportunities which further connect me to community, including the Change Leader Institute run by the Utah Division of Arts & Museums, and Leadership Coachella Valley, designed to identify, motivate and develop future community leaders. I am aware of Austin’s renowned cultural landscape and as a hub for creative gatherings, as well as the cultural heritage of the state of Texas. I will offer an informed yet outside perspective as a museum professional from another state. Emily Hermans Emily Hermans has worked in museum education for over 20 years. Emily her undergraduate degree in art history from Emory University and her master’s in museum education from The George Washington University. Emily currently serves as Chief Educator for the Texas Historical Commission (THC), where she leads education initiatives across the agency’s 42 state historic sites, focusing on how they can offer unique, impactful opportunities for learning and connection. Emily works closely with THC site and headquarters staff to ensure that education is integrated into all aspects of the visitor experience. Previously, Emily has worked for the Museum of Fine Arts, Houston, the High Museum of Art, the National Trust for Historic Preservation and the Michael C. Carlos Museum. Emily's work in museum education has focused on programs for K-12 students and teachers, volunteer management and stewardship, and intergenerational learning. Emily currently serves on the board of The Junior League of Austin, where she has been an active member since 2019, serving in roles where she has written grants, coordinated stewardship, developed volunteer opportunities for children, and supported the JLA's community partners. Emily has served on grants and award panels for the American Association for State and Local History (AASLH), the Texas Association of Museums, Indiana Historical Society, and Great American Treasures. She was a founding board member of the Houston Museum Education Roundtable, is a member of Austin Museum Partnership, and serves on the Field Services Alliance Steering Committee for AASLH. Emily has twice co-chaired the Texas Historical Commission's Real Places Conference Program Committee and has served on the Program Committee for the Texas Association of Museums Annual Meeting. I am a museum educator with over 20 years of experience, 7 of those working with Austin museums and historic sites. My work with the Junior League has provided additional insights into the civic and cultural organizations that make Austin unique. I have served on several national grant and award panels, and I am eager to support organizations in Austin that are looking to grow and expand their offerings and the communities they serve. As a museum educator, my focus is always on the audience. I grew up in Central Texas, but left for about 15 years, returning in 2019 for career move that brought my family to Austin. Having previously lived in large cities like Atlanta, Washington DC, and Houston, I was eager to connect with the arts and culture scenes in Austin. Having had a career in museums and historic preservation, those are the organizations I look to to find the spirit of a community. As a parent to young children, I have a deep appreciation for the many cultural opportunities available in Austin and regularly participate in events at the Paramount Theatre, the Unmlauf, the Zach, the Bullock, and many branches of the Austin Public Library. Whether we're looking for summer camps, weekend activities, or somewhere to visit with friends and family, we're never let down by Austin's cultural and creative communities. As a parent at Russell Lee Elementary, our family has been enriched by our school's cultural and creative opportunities--from grade-level musical theater performances to a variety of arts and culture nights throughout the year. My office is downtown, and I am fortunate to be able to walk over to Mexic-Arte, the Contemporary, or the Old Bakery and Emporium on my lunch break. I recognize, though, that my experience is not everyone's, which is why I am interested in the opportunity to review proposals that further advance arts and culture in our city. Maria Hernandez I was appointed / member of the City of Austin Commission for Women for several years. I coordinated my work‘s Meal on Wheels route and delivered meals. I am retired now and hope to serve my city. I have a BA in Architecture and have always been interested in the arts. My last professional role was Deputy CFO of a state agency. I can combine my finance background with my initial interest in the arts. Conor Herterich Conor is Preservation Texas’s Director of Heritage Trades Programs. He is a graduate of Stephen F. Austin State University (SFASU) and worked as a high school social studies teacher for five years before earning a master’s degree in public history from SFASU. In 2017, he spent the summer in southeastern Alaska with HistoriCorps restoring an Adirondack-style cabin built by the CCC in the Tongass National Forest. Here he developed a passion for hands-on preservation and learning about vernacular buildings and construction methods. From 2018-2021, he worked for the city of Bloomington, Indiana as the Historic Preservation Program Manager where he facilitated local preservation ordinances and applied design review to hundreds of projects impacting historic buildings throughout twelve local historic districts. He worked in cultural resource management from 2021-2022 as an architectural historian, where he made numerous NRHP eligibility assessments and participated in drafting and implementing Programmatic and Memorandum Agreements for projects involving adverse effects to culturally-significant properties. Serve as Chair of the Smith County Historical Commission (since January 2025). Serve on the APT Texas board of directors. Serve on the City of Tyler Historic Preservation Board (since 2021). Organizing efforts to establish two historic districts. I am interested in helping evaluate historic preservation projects. I am an SOI qualified architectural historian and have been involved in HP at a local and statewide level since 2018. I successfully managed a Paul Bruhn grant from 2023-2025. Working for Preservation Texas since 2023 has allowed me to gain experience working with a wide variety of community HP projects and programs statewide. I've also managed a Paul Bruhn grant from NPS, served as an HPO, and currently serve on both my local HPC and CHC. Jennifer Hill Panelist- City of Austin Art in Public Places 2024. Instructor- Parks & Rec - Dougherty Arts 2014-21. Participant- Artist Inc. via City of Austin 2016. Instructor- Art School, Laguna Gloria (2013-2021). Exhibited Austin galleries, city hall, etc. Traveling instructor & full time studio/exhibiting artist, familiar with jury process as artist and as panelist. Lived in Austin several years, native Texan, lived/exhibited in other states -a wide artistic perspective and appreciation of process. Lyra Hill I teach with community based art organizations and volunteer with meal distribution efforts, housing justice groups and anti-deportation groups. I organize events and fundraisers in the trans and queer communities. I love being a part of funding meaningful art projects and am inspired by the variety of works I see while serving as a Review Panelist. I have reviewed arts applications for the MAP Project and YoungArts national awards, among others. Serena Hill I have over twenty years of experience working in local community non profit organizations. I’ve worked with organizations as advocate, case manager, parent educator, and child care director. My interest in serving on the panel is an exciting opportunity to provide an unbiased and unique perspective based on my history and cultural background. I am from Texas; however, I grew up in New York. Ariana Hinojosa Ariana (Lizet) Hinojosa is a long -time public servant serving the state of Texas in various capacities and agencies. Ms. Hinojosa began her state career with the Alcoholic Beverage Commission and currently serves as the Director of the Homeowner Assistance Fund with the Texas Department of Housing and Community Affairs. Ms. Hinojosa’s professional background includes auditing, investigations, training, community engagement, policy writing, process improvement, project management, grant management, and contract management. Mrs. Hinojosa is a Certified Texas Contract Manager (CTCM) and a Certified Texas Contract Developer (CTCD). Ms. Hinojosa has served on the Board of the Texas Violent Gang Task Force (TVGTF) as the Central Region representative and as an Alumni Board Member for St. Edward’s University. Lizet Hinojosa received a B.B.A in Business from St. Edward’s University in Austin, Texas and M.A in Communication from The University of Texas-Pan American in Edinburg, Texas. Ms. Hinojosa also earned certificates in Training & Development and Strategic Communication from the University of Texas-Pan American (UTPA, now UTRGV)) and served as adjunct faculty for UTPA teaching courses in Mass Media and Public Relations. Her passion for community involvement is reflected in her continued volunteer work and fundraising campaigns with St. Edward’s University and serving as a mentor for college students. She strives to create opportunities for others and is a strong supporter and advocate of small businesses. Ms. Hinojosa is the proud daughter of Mexican Immigrants, mother of two, and a wife. She is involved in her children’s school organizations and resides in Round Rock, Texas. * 25 years volunteer experience as a Student and Alumni Ambassador for St. Edward's University * St. Edward's University Alumni Board Member (2011 - 2014) * Live Blue, Give Gold Ambassador * VAMOS mentor * 6 years PTA/School Volunteer Round Rock ISD My interest in serving on a Review Panel stems from my love for the city that helped to shape the person I am today as well as my professional experience in contract and grant development and management and years of prior review panel experience. I have both personal and professional connections to this area. I have called Austin home for almost half of my life and see myself living in this area for the rest of my life. One of my very first college assignments for my ENG 1301 class at St. Edward's was to visit different iconic Austin, Texas locations and write about my experiences. I am forever grateful for this assignment because it opened my eyes to all that Austin had to offer; from nature, museums, art, and iconic music venues. Nina Ho Nina Quynh-Anh Ho is a multi-hyphenate executive leader, strategist (marketing and operations), and educator with a background in brand development and strategic communications, community engagement and event production, curriculum design, and leadership (personnel management, operations, project management, development/fundraising, and finance). She has been recognized in publications such as Business Insider, Austin Monthly, and Austin Woman for her work. After a 5-year career as an educator and executive director leading a business incubator at a leading research institution, The University of Texas at Austin, she is pivoting to a career focused on the intersection of environmental sustainability and regeneration, spatial design, and community. Nina is passionate about exploring how the built environment and natural world shape our sense of wellbeing, creativity, and connectedness. A practicing writer-artist, she is currently going back to school part-time for studies in interior design and interior architecture while freelancing as an executive strategist, designer, and creative producer. WEBSITE: https://linktr.ee/ninaqho I've been involved with Austin's cultural arts and creative ecosystem since 2016. I've co- founded several creative collectives, served as a Board Member for Big Medium, and volunteered for orgs like Almost Real Things,_OFCOLOR, and DAWA. I would like to give back to the Austin creative and cultural ecosystem especially related to the visual arts and historic preservation. I've been involved with Austin's cultural arts and creative ecosystem since 2016 primarily focused on equity-based work. I've co-founded creative collectives including collective blue (serving BIPOC artists and entrepreneurs), missfits productions (serving female and non-binary AAPI artists and creatives), and Sanctuary Homes (regenerative social club grounded in art, healing, and nature), served as a Board Member for Big Medium, and have been a long-time volunteer and advocate for organizations like Almost Real Things,_OFCOLOR, and DAWA. Personally, I've produced numerous cultural activations – ranging from art exhibits, vendor markets, music showcases, speaker series, and advocacy campaigns – that served 1,000+ attendees, 100+ BIPOC creatives, and raised funds for local non-profits including Latinitas, Out Youth, E4 Youth, RAICES, Jolt Texas, and Casa Marianella. Ish Holmes I’ve supported civic organizations through marketing, branding, and storytelling, including tourism planning for Griffin, GA’s Main Street & Downtown Development Authority and a rebrand for the City of Griffin Housing Authority. I’m surrounded by emerging artists and creatives, and I’m interested in serving on a Review Panel to better understand grant opportunities, support fair access to funding, and help strengthen the local arts community. Kari Anne Holt I was on the Board of Directors at the Mothers' Milk Bank of Austin for many years, serving on the executive committee and the marketing committee. I belong to many author orgs (PEN, Authors' Guild, AABB, etc) and regularly speak against book bans. In college, I spent a semester researching the vast number of ways public art can positively impact a community. How art is a catalyst, a conversation, a community builder, etc. I've built my own career on that ethos; an ethos I'd bring to the panel. Michael Holton Various local committees and commissions. Local council member and community activist. I have been a life long community activist. Former educator and volunteer for various community projects and causes. Doirean Horan I am a 41 year old woman who is currently enrolled with Texas State University in their Psychology program. I want to work with children and families who need an oasis in a series of desert. I volunteered at Head Start. I have worked with children under the age of 13 in a preschool and day care setting. I am a creative and intelligent person. I love anything in the arts. I will research and consume any world culture and art. I love people especially the creativity and stories behind art and culture. I have lived in San Antonio most of my time. Whenever I visited Austin, I felt like life was breathed into me. It woke my soul. I am currently living in Taylor, but have future plans to move to Austin. We live in Taylor due to my husband's employment. Now we are wanting to be a part of Austin. Carol Horn Carol Horn is a longtime resident of Austin who has enjoyed being part of its growth across a variety of settings, including education, social work, theatre, and music. Her work and volunteer experience encompass diverse projects, often in their early growth, characterized by mission, audience, operations, and funding development. As the first director of Project Interact's Performing Arts Academy, she helped plant the seeds for today's Zach Academy. With Communities-in-Schools, she led and supported the expansion of school-based social services and cultural arts outreach with AISD. As faculty of both public and private schools in Central Texas, she has taught theatre arts, communication, debate, and English language and literature. Carol has experienced the Austin creative scene from many different perspectives, as a lover of local, live music, theatre, and cultural events; as a freelance theatre artist-- directing, acting, designing, and teaching; as a program developer and manager, bringing new services to life and expanding opportunities within existing organizations. Her volunteer work ranges from Austin Circle of Theatres (now Austin Creative Alliance), Second Youth Theatre, the Kerrville Folk Festival, and Austin Pets Alive. Carol specializes in social services and teaching with children. As an educator, she approaches subject matter holistically, be it theatre arts, communications, or English language and literature. When developing curriculum, she aims to expand students' view of the world and themselves within it, to think globally, to act upon their values, and to cultivate their own vision and creativity. Both formal and informal education reflect Carol's broad interest and enthusiasm for cultural, creative, and service experiences that enrich lives and communities. She holds a Bachelor's degree in Liberal Arts, Plan II, and a Master's in Social Work, both from UT Austin, with additional graduate studies in theatre and education. I have worked in theatre, education, and social work for decades. My theatre work includes many groups in Austin (ZACH, Second Youth, ACOT, Gilbert & Sullivan. I have taught theatre arts and English in public, private, and charter schools. I am a strong ally for LGBTQIA+, and I support diversity, equity, and inclusion. Not only am I an active patron of cultural arts of all kinds, but I am also a strong advocate for the arts as a vital aspect of a strong and sustainable community. I have worked and volunteered in Austin in several different career tracks, as a social worker, educator, and theatre artist/educator. I hold a Bachelor's degree in Liberal Arts, Plan II, and a Master's in Social Work, both from the University of Texas at Austin. In the past, my employment and volunteer work have included various theatre organizations, including Zach Theatre, Project Interact, Second Youth Theatre, and Sherman Community Players (in North Texas). My social work experience is highlighted by work with innovative programs: Austin Wilderness Counseling Services and Communities-in-Schools. I have served on the faculty of both public and private schools in Central Texas, teaching theatre arts, communications, debate, and English language and literature. I currently work part- time as a AVID program tutor with Leander ISD. I came to Austin as a high school student in 1969, graduating from Crockett HS (AISD). My studies at UT and later Texas State University included liberal arts, social work, theatre for youth, costume/scenic design, directing, and education. I am a great fan of local music of all kinds, from classical to folk, enjoying the growth of the Austin scene over the decades. One of the best characteristics of our community has always been the support of diverse and innovative projects. If you have a creative idea, this is a good place to plant your seeds and nurture new programs. Funding is a vital part of this process and usually requires a complex mix of sources, especially when launching and expanding projects. I have been part of that growth in a variety of organizations and know both the struggles and rewards of navigating those waters. Ongoing financial support is critical to maintaining programs that provide quality experiences that continue to enrich our community. Outreach and collaboration are key factors in the success of our many creative and cultural operations, and I look forward to the opportunity to support these efforts. Kate Houlihan I am a fire artist with a MBA from UT McCombs. I have professional experience in land development, asset and portfolio management, leading dance troupes and spearheading successful fundraisers. My resume can be found at www.linkedin.com/in/k8houlihan I’ve reviewed grants for almost a decade for The Mockingbird Foundation, which is a national nonprofit funding at-risk children’s music education programs, and I would love to make a local impact with my due diligence and creative skills Felicia Howard Felicia Howard is a community advocate, case manager, and public health professional with more than 25 years of experience serving individuals, families, and underserved communities. Her work spans maternal and child health, community engagement, disability services, caregiving, and resource coordination, with a strong focus on equity, education, and empowering others. Felicia is the founder of the Nick Forever in Peace Project, a community initiative dedicated to promoting mental health awareness, suicide prevention, healing, and hope through educational events, partnerships, and community engagement. She has organized community walks, collaborated with local organizations and public officials, and created opportunities that bring people together through storytelling, wellness, and shared experiences. Passionate about the arts as a vehicle for connection and healing, Felicia values creative expression, cultural diversity, and programs that strengthen communities. She is honored to be considered as a reviewer and looks forward to contributing thoughtful, fair, and community-centered perspectives to support Austin’s vibrant arts, culture, music, and entertainment community. I have served my community through caregiving, supporting individuals with disabilities, maternal health advocacy, and volunteering at community events. I enjoy connecting people to resources and making a positive impact through service. I‘m passionate about giving back to my community and bringing thoughtful, diverse perspectives. I enjoy collaborating with others, making fair decisions,using my professional and lived experiences to help strengthen programs improve community impact. For more than 25 years, I have dedicated my career to serving individuals, families, and underserved communities through public health, case management, caregiving, and community outreach. My work has centered on helping people access resources, navigate complex systems, and build stronger connections within their communities. Since relocating to Austin, I have continued serving the community as a case manager, working with individuals with intellectual and developmental disabilities while also building relationships with local organizations and learning more about the city's diverse communities. I am also the founder of the Nick Forever in Peace Project, a community initiative focused on mental health awareness, suicide prevention, healing, and hope through education, community events, and advocacy. I believe Austin's cultural and creative community is one of the city's greatest strengths. The arts, music, and cultural organizations bring people together, celebrate diverse voices, and create opportunities for healing, education, and connection. I value programs that are inclusive, accessible, and reflective of the many communities that call Austin home. As a reviewer, I would bring fairness, integrity, curiosity, and a community-centered perspective to the review process. Natalie Howard Through artist mentorship, cross-sector partnerships, and community-centered programming, I create pathways that help artists navigate uncertainty with confidence, agency, marketable skills and stronger professional networks. I've spent my career helping artists and arts orgs build more sustainable futures through education, partnership, and access to opportunity. Serving is a meaningful way to contribute that perspective in support of Austin's creative ecosystem. Joanne Hsu Joanne Hsu has a multidisciplinary background in a range of arts and humanities topics including literature, history, cultural studies, music, and poetry. She has an M.A. from the University of Michigan’s Program in American Culture and an A.B., with honors and magna cum laude, from Brown University. Joanne was a finalist for the Paul and Daisy Soros Fellowships for New Americans. She taught at the undergraduate and graduate levels at the Johannes Gutenberg University of Mainz in Germany. Joanne prioritizes making a social impact in her work and in her grantmaking. For over 25 years, she has valued working directly with communities and the public throughout her career in non-profits, higher education, and the federal government. She has worked with statewide arts and culture organizations, public libraries and public library patrons, Chinese American voting populations, public school teachers nationally and internationally, and college students providing social service assistance. Now, as a grantmaker at Feeding America, a national organization located in Chicago, she funds food banks and serves the food insecure. In FY26, she directed $23M to community programs at food banks throughout the United States. Joanne was third place winner of the Illinois Emerging Writers – Gwendolyn Brooks Poetry Award in both 2020 and 2021. She takes opera-based voice lessons and has sung for many years with the Knox Presbyterian Church Choir and the Naperville Community Chorus. At Illinois Humanities, I made grants to statewide arts and culture organizations. At a public library, I performed local history research and created arts and culture programs. I co- founded a non-profit focused on Chinese American civic engagement. I am interested in offering perspectives from community, statewide, and national organizations to another geographic location. I have arts and culture grantmaking experience and want to encourage of arts and culture groups everywhere! Joanne Hsu has extensive arts, culture, and community experience in Chicagoland and throughout the state of Illinois. As a grantmaker for Illinois Humanities, she reviewed statewide arts and culture grant proposals, including those for general operating and program-based Community Grants, Activate History Microgrants, and Envisioning Justice Grants for those affected by the carceral system. Prior to Illinois Humanities, Joanne worked at the Naperville Public Library in Adult Services, where she created arts and culture programs centered on the 20% Asian population of her hometown. Programs included overviews and accompanying craft programs for Asian holidays such as the Mid-Autumn Festival as well as introductions to Chinese cultural centers, businesses, and services. At NPL, Joanne also worked with the Executive Director on a committee to include and represent all in the Naperville community. Key projects included researching and creating an exhibit based on the local history of Native Americans, updating library policies and Rules of Conduct, and co- creating a religious observances and holidays calendar to assist with library programming and scheduling. Joanne co-founded the non-profit Chinese American Women in Action (www.cawaleads.org) aimed at fostering civic engagement and bolstering the visibility of Asian Americans in the western suburbs. Events hosted included meet-and-greets with local politicians, cultural heritage and music programs, and fundraising to provide public schools with reading materials in support of the TEAACH (Teaching Equitable Asian American Community History) Act. Joanne worked as a senior staff member on Naperville City Council campaigns in 2020 and 2025, crafting messaging strategies, responding to questionnaires, and preparing the candidate for Q&A fora. In 2025, Joanne served as a reviewer for the AACME Heritage Preservation Grant. She has connections to Austin-based writers and performers. Lucas Hudgins I have been building partnerships with local venues planning events and performing at Ranch 616, Sam's Town Point, The Continental club, The White Horse, C-boys heart and soul, The Driskill Victorian, Lambert's, The Sagebrush, Jo's Coffee and others. I would be open to serve on a review panel. With my knowledge and experience in the local live music scene, I could help allocate grant funds to local artists who qualify. Elizabeth Hudson https://elizabethmariahudson.com/about I am currently a community artist with the Amon Carter Museum in Ft. Worth. I lead art workshops in Austin and Lockhart for all ages and abilities, and volunteer with the sewing ministry at my church. It is important for me to be an active participant in my community. Serving as a panelist allows me to exercise my power as a community member and positively contribute to cultural organizations that make our city a beautiful place to live. I have been a working visual artist based in Austin since 2021. I've received an AIPP contract and worked with the airport; I've worked with the George Washington Carver Museum as an artist-in-residence, and I've done several projects with Raasin in the Sun, Future Front Texas, and Big Medium. I've served as a panelist for Houston Arts Alliance, and I was a grant panelist for the Elevate grants in 2024. I understand how important funding can be for local organizations to stimulate the Austin economy and what is at stake when organizations don't receive the funds that they need to continue operating. Nic Hudson Throughout my career, I have been involved in serving my community through customer- focused roles that required professionalism, integrity, and a commitment to helping others. In my work, I have assisted people from diverse backgrounds solving proble I am interested in serving on a Review Panel because it provides an opportunity to contribute my technical knowledge, analytical thinking, and attention to detail in support of fair and objective decision-making. I enjoy evaluating information, ident Corinne Hughes Corinne Hughes, MPA, is a nonprofit development and communications professional, grant reviewer, and writer based in Austin. She serves as Development and Marketing Manager at Keep Texas Beautiful, where she develops and administers grants supporting environmental education, youth leadership, community engagement, and public programming. Her prior experience includes nearly six years coordinating multicultural arts, humanities, and educational programs at Portland State University’s Middle East Studies Center. Corinne has reviewed grants and scholarships for the Austin Community Foundation, Oregon Community Foundation, Arts Midwest/National Endowment for the Arts, and Speculative Literature Foundation. She completed the Regional Arts & Culture Council’s Art of Leadership program and holds an MPA in Nonprofit Management. She is also a practicing writer and 2025–2026 Kirkshop alum whose work includes poetry, fiction, and literary nonfiction. I support community engagement through my work with Keep Texas Beautiful, coordinating youth programs and volunteer initiatives. I also serve as a grant reviewer for the Austin Community Foundation and as a juror and editor for literary programs. I’m interested in helping ensure a thoughtful and equitable review process that supports diverse arts and cultural community. My experience in grant review, civic engagement, and the arts allows me to evaluate applications with care and context. I grew up in Austin and returned after nearly two decades in the Pacific Northwest. Reconnecting with the city through its nonprofit and creative communities has been especially meaningful to me, and panel service feels like a direct way to contribute to the place I once called home and now call home again. I tend to participate in cultural work from several angles at once: as a literary artist, grant writer, researcher, communicator, and reviewer. I write poetry, fiction, and literary nonfiction, and I often work behind the scenes—developing proposals, shaping narratives, researching community needs, evaluating programs, and helping organizations communicate the value of their work. I am drawn to the infrastructure that allows creative ideas to become sustainable public programs. For nearly six years, I coordinated multicultural arts, humanities, and educational programming at Portland State University’s Middle East Studies Center. I worked with writers, artists, scholars, cultural organizations, and immigrant and refugee communities on programs involving literature, film, visual art, music, dance, and cultural history. That experience deepened my commitment to inclusive partnerships, thoughtful representation, and programming that makes room for many ways of understanding culture and community. I understand Austin’s creative community particularly through a literary lens. I remember its literary energy from my teenage years, and it has been exciting to return at a moment when that community feels newly visible and expanding. The creation of Austin’s poet laureate position was especially inspiring to me because it recognizes literary art as part of the city’s public and civic life. I also understand how much can be at stake in a grant application. Small nonprofits and individual artists may have extraordinary ideas but limited staffing, time, or grantwriting capacity. I value the opportunity to help. Kerry Hugins I’ve built community across cultures through art and service—working with nonprofit and for-profit galleries, serving as a room parent at my daughter’s schools, and now as a Board Member at ContraCommon—always fostering connection and creativity. I want to participate in the arts dialogue i our city. I think public art has two important roles, to never forget something that happened and to celebrate/cherish/bring attention and joy to a locale. I would be honored to be on a board like that. Gabi Huntley Gabi Huntley is a local barista, artist residency host, and former museum educator. She fell in love with Austin's arts community during her first summer here in 2019 while working at the Elisabet Ney Museum. That same knack for relationship-building carried into her years as a client director at a nationwide nanny recruitment firm, where she honed the organizational and people skills she now brings to the arts. Since then, she's loved staying involved in the scene by hosting shows in her backyard and welcoming visiting artists at the Airstream of Consciousness Artist Residency. When she's not slinging coffee or hosting shows, you can find Gabi biking with friends to the crown jewels of Austin: its cool, spring- fed pools. I moved to Austin to serve with Americorps at the Elisabet Ney Museum, and have current social and volunteer involvement with local arts and community groups (Artist Run Club, Co-Lab, Ghisallo). I hold a bachelor's degree in community engagement. I care deeply about the future of Austin's arts and culture and am eager to contribute to a fair, thoughtful review process. I'm committed to equitable decision-making and helping ensure public arts funding reflects our community. I am an active lover of and contributor to the Austin arts scene. When I moved to Austin, I worked at the Elisabet Ney Museum doing arts programming for families and was introduced more broadly to the Austin arts scene. I worked remotely for a nationwide recruitment firm for five years, and I now work in hospitality where many of my friends and coworkers are artists and musicians. Austin has an incredibly vibrant creative community, from the DIY arts and music scene to more established arts organizations. Artists in Austin are faced with many financial challenges from living in an increasingly expensive place, seasonal fluctuations in work, and expensive studio space. All of these factors place a disproportionate burden on marginalized populations, causing many folks to leave Austin for other cities. Michelle Hutson Crawford I have partnered with nonprofits, businesses, and local organizations to support workforce development, mentor professionals, volunteer at community events, and connect individuals with resources that strengthen and empower our community. As a former bandsman and lifelong arts advocate, I believe funding the arts strengthens mental health, creativity, and community. It would be an honor to support this effort which enriches lives and expands access to the arts for all. Lauren Irving IvyRootsMusic.com I worked as a board member of non-profit "Poetry for Personal Power". As the regional coordinator, I fostered community engagement through open mics, attended conferences, held meetings, and kept track of meeting minutes. I've curated my own events. I would like the experience of serving on a review panel and learning more about the scoring processes. I would like the opportunity to bring my experience as a grant awardee, teaching artist, and musician to the review panel. I am an independent musician, arts educator and owner of a publishing company. I have been apart of the Austin music and arts community since 2020. Since 2020 I have provided private and public music lesson, worked as a teaching artist with Creative Action, hosted concerts and performed at fundraising events for non profits in Austin. I have completed the emerging teaching artist program with Mind Pop. I've completed miles partnership marketing courses. I've performed in hotels, restaurants, live music venues, recorded projects with other musicians in Austin, and educated myself on the diverse music culture of Austin. Josh Job Austin Fitness Community connects Texas' fitness industry through events, media, and local resources. Austin Fit Fest is its flagship event, uniting thousands to promote health, support businesses, and inspire active living. As the founder of Austin Fitness Community, I've worked with hundreds of local organizations. I'd bring a fair, objective perspective to help identify high-impact projects that strengthen our community and create lasting value. Meredith Johnson Meredith is a preservation planner with over a decade of experience. She specializes in retaining small town charm and reinvigorating meaningful places. Meredith has a bachelor’s in urban planning from Texas State University and a master’s in historic preservation from the University of Pennsylvania. I have over ten years of public engagement experience as a preservation planner, including survey administration, public meetings, and events. I am from Austin and would like to contribute my applicable skillset to improving the city for everybody. I am a lifelong Austinite who has worked in urban planning and historic preservation for over ten years. Susan Johnson Dr. Susan Johnson is the former Manager of Training and Professional Development for the Texas Comptroller of Public Accounts. Her experience includes serving as Associate Commissioner for the Office of the Consumer Support and Workforce Services and Office, Director for the Ombudsman Office for the Health and Human Services Commission. She served as a Staff Assistant to the Deputy Commissioner of the Texas Department of Human Services, Training Manager for the Texas Department of Transportation and Director of Program Planning for the Health and Human Services Policy Council in the Office of the Governor. Dr. Johnson holds an undergraduate degree from Fisk University in Nashville, Tennessee, a Master of Arts in Managing Human Resources Development Leadership from the University of Texas at Austin, and a Ph.D. in Urban Higher Education from Jackson State University. Dr. Johnson is an engaged member of the Austin Chapter of Links, Inc., Executive Women in Texas Government, The National Association for Parliamentarians, Alpha Kappa Alpha Sorority and has been a docent for the Governor’s Mansion since 1985. She currently serves on the Dell Seton Community Leadership Council and the board for the American Heart Association. I facilitate workshops for diverse community groups and actively serve as a member of two organizations dedicated to local community service initiatives. I have two years of experience serving on this review panel. Additionally, my professional background includes contract administration, and I have served as a member of the Round Rock Historical Preservation Commission. I served on the Round Rock Preservation Board for 10 years and have extensive experience supporting historical and cultural initiatives within Central Texas. I have also been a docent at the Governor’s Mansion for 4 years, which strengthened my knowledge of Texas history, public engagement, and cultural education. In addition, I have served on multiple review panels over the past 30 years and bring strong experience in contract management, evaluation, and public program assessment. These roles have increased my understanding of Austin’s cultural landscape, civic priorities, and the importance of supporting diverse creative communities. Experienced as a Reviewer for the City of Austin in the past and I worked with numerous groups through my membership with Alpha Kappa Alpha Sorority and the Austin Chapter of Links. Janelle Jones As a founder, educator, marketing strategist, I support entrepreneurs, nonprofits, and educational organizations through mentoring, workshops, outreach, and programs that expand access to learning, creativity, and economic opportunity. I want to use my experience in marketing, education, and entrepreneurship to fairly evaluate proposals, support creative communities, and help fund projects that demonstrate impact, innovation, accessibility, and long-term sustainability. Natasha Jones I lived in and around the Austin area for many years. I wanted to serve as a grant reviewer because I am a current grant specialist and I would like to make a positive impact reviewing and learning about grantees submitting their project ideas. I would love to collaborate with other reviewers and make important decisions on future grant projects in the Austin community. Sarina Jones —Served on the working board of local perinatal mental health nonprofit, Nurtured Tx (formerly Pregnancy Postpartum Health Alliance of Texas) for 5+ years —volunteer regularly at public elementary school —social worker at local nonprofit preschool As a long-time Austinite that serves the most vulnerable citizens, I have a vested interest in helping to identify and further causes that improve the lives of everyone. As a social worker allows, social justice directs my actions and lifestyle. Vicki L Jones https://www.wrapturesdesigns.biz/ Vicki L Jones is a social entrepreneur and theatre professional who weaves her passions together in design, art and writing. Ms. Jones received a BA from Drexel University, and a MLA from Johns Hopkins University. She has volunteered and served on the Board of several Maryland organizations. Ms. Jones was selected by The Baltimore Times as one of their 2016 “Women of Passion, Women of Purpose”, and was one of NonProfit PRO Magazine’s 2018 Nonprofit Rising Stars. Drexel University awarded Vicki the 2021 Mary S. Irick Drexel Society Award for Civic Engagement. Ms. Jones is a new member of the Educational Theatre Association’s Education Steering Committee. She has served as an adjudication judge for the Baltimore Office of Promotion & Arts, and the Maryland State Arts Council. Vicki’s fashion career began at London Fog Rainwear in Maryland where she was the Head of Sample Line Production. She later shifted into theatrical design accepting a wardrobe position at the Negro Ensemble Company in New York City. Ms. Jones has worked with notable actors and directors, including Denzel Washington, Phylicia Rashad, and Samuel L Jackson. Vicki developed a theatre arts program to address the concern of young adult illiteracy, returned to Baltimore and established Bethesda Arts Inc. (BA), to train academically challenged youth in theatre arts. Ms. Jones closed BA to take a position with the State of Maryland, retiring after seventeen years. Vicki founded Bahari Sisters Inc. in 2012 to empower Kenyan women and girls. Bahari's season ended December 2025. Ms. Jones’ literary work includes several scripts and children's short stories. She's working on her first non-fiction book. Her art includes “Sister Series”, a collection of vibrant contemporary sketches of African- American women. Involvement includes - serving on Boards and as an ED for 13 years, and tutoring students. I've received several awards for my non-profit work. I'm a member of the Educational Theatre Association, and have adjudicated for two Maryland organizations. I enjoy the process of engaging with other arts practitioners in reviewing new projects, programs and proposals. As an elder artist I have experience to bring to the table. As an elder artist I enjoy collaborating with younger professionals. I'm a resident of Baltimore, Maryland. My connection to my community includes arts related activities as well as educational outreach (tutoring) to children and youth. As a "semi-retired" Costume Designer, I continue to consult on theatre projects, both local and outside the US. I've served on grant review panels for Maryland based arts organizations. Although I've not traveled to Austin, I'm aware of its unique creative community which seems similar to what's going on here in Baltimore. Quanita Joseph I typically volunteer at various churches organizing and supporting food banks and feeding the homeless. One of my favorite organizations is Backpack Friends which provides food for students who face food insecurity. I have fundraised for them. I am interested because as a previous classroom teacher, I've seen first hand just how powerful the arts are in building self esteem, identity, inclusion and expression. Aditi Joshi Please view the following links https://www.linkedin.com/in/aditijoshi/ https://aditijoshi.com/ I care deeply about responsible AI adoption,social equity, economic advancement, education access, and community-building and served the Austin community through various organizations for 2 decades I have never been involved in the review panel for grant applications and wasn't aware it was open to the private citizens. Angela Means's Linkedin post piqued my interest which is why I am applying for this position. As a 20 year resident of Austin and an Immigrant, I have considered it my duty and privilege to contribute to and serve the Austin community. My experience encompasses international business, global relations, health advocacy and citizen diplomacy in the Greater Austin area. Austin is a welcoming city to residents from all walks of life and as a resident i believe it important to contribute positively. Abigail Juarez Abigail Nicole is a Studio Art student at Austin Community College with a passion for visual arts, design, and creative expression. As an Austin community member, she is interested in supporting artists and cultural organizations that contribute to the city's vibrant creative landscape. Her background includes experience in customer service and business-related roles, where she developed strong communication, organization, and attention-to-detail skills. Abigail is committed to thoughtful, fair evaluation and is excited to contribute to the review process by supporting projects that strengthen Austin's arts and cultural community. While I have limited formal community involvement, I'm an ACC student who enjoys supporting the arts and learning about my local community. I'm eager to become more involved through opportunities like this. I'm passionate about supporting Austin's arts community through a fair and thoughtful review process. I value diverse perspectives and would enjoy helping ensure funding reaches projects that positively impact our community. I am an Austin community member and a Studio Art student at Austin Community College with a strong interest in supporting the city's creative community. Through my studies, I have developed an appreciation for visual arts, design, and the role that artists and cultural organizations play in bringing people together and strengthening local communities. I enjoy learning about the many creative voices that make Austin unique and value opportunities to support artists from diverse backgrounds. My experiences in customer service and business-related roles have also strengthened my communication skills, attention to detail, and ability to evaluate information thoughtfully and fairly. As a reviewer, I would bring an open mind, respect for different artistic perspectives, and a commitment to carefully reviewing each application according to the established guidelines. I am excited about the opportunity to contribute to Austin's arts and culture community by helping support programs that enrich the city and its residents. Cleva Kah Cleva Kah is a fashion designer, creative director, and segment producer with more than 22 years in the field. He is the owner and creative lead of The House of eMaGi™, a registered Texas limited liability company operating in the Austin–Round Rock metropolitan area, and he works in garment design, runway direction, and live event production. In April 2026 he served as executive producer of the Survivor’s Ball Showcase, a two-act storytelling and fashion production presented as a featured segment of the 26th Annual Central Texas African American Family Support Conference. It was the first time that conference delivered its annual theme through a creative production rather than a keynote, workshop, or panel format, and it paired spoken testimony and spoken word performance with eight designers’ collections across roughly twenty-six models. His other productions include Dress for Inner Success, the Look Good Feel Good symposium, and The B-Side Experience, a community event listed on the City of Austin events calendar and featured on CBS Austin’s “We Are Austin.” He received a City of Austin Elevate award in FY24. He also develops instructional material for emerging models and designers, including a Professional Modeling 101 curriculum, and he designs volunteer and production roles so that each assignment carries a defined skill the participant takes with them. Cleva lives in Pflugerville and produces in Austin. I’ve volunteered with Austin’s youth arts outreach, served on local nonprofit boards, organized benefit concerts, and led community mural projects—bridging cultural access and amplifying underrepresented voices through creative programming. I’m passionate about supporting Austin’s creative ecosystem and ensuring equitable access to funding. My background gives me insight to fairly evaluate proposals. I’m eager to contribute thoughtful, constructive feedback to uplift local artists. My connection to Austin’s creative community is a working one. I hire out of it, build with it, and depend on it to finish anything. A single show of mine can involve two dozen independent contributors — wardrobe crew, stage management, hair and makeup, photographers, videographers, volunteers, a venue partner — nearly all sole proprietors or very small operators based here. Assembling those teams over and over shaped how I see this sector: a network of individuals carrying their own overhead, not institutions with departments. What I learned there is what I would bring to a review panel. I know what staging work actually costs in this city, and which categories get underestimated — venue access and load-in, audiovisual and lighting, insurance, and the labor of people quietly expected to donate their time. I know the difference between a partner who has committed and one who has only been named, because I have built both kinds of relationship. I have written conduct guidelines, content expectations, and release documentation, so I can tell whether an applicant has planned how people will be treated or only stated an intention. I also understand applicants who work outside traditional structures, because I am one. No staff, no institutional backing, and a body of work that does not fit a standard template. That gives me sympathy for how easily such applicants get misread on paper, and a clear eye for where their proposals genuinely fall short: vague budgets, partnerships that cannot be evidenced, and community benefit asserted rather than designed. The rooms I build bring together people across race, age, body type, gender identity, ability, and lived experience. Getting that right has required real attention to accessibility, language access, and consent instead of treating them as line items. I want to serve because I have spent my career executing this kind of work here, and I would rather help evaluate it with that perspective in the room than without it. David Kanter David Kanter serves as Assistant Grants Manager at the Terra Foundation for American Art. He supports the Terra Foundation for American Art’s public call grant programs, including the Collections, Convenings, and Exhibitions programs, while providing leadership in grants data and systems. He previously served as a Donor Services Officer at the Baltimore Community Foundation, supporting grantmaking processes and fostering connections between great people and nonprofit organizations, all in service of making Baltimore the best it can be. He also held several roles at Baltimore Center Stage, where he coordinated communications and operations for the leadership office, provided project management support for strategic planning and senior staff recruitment processes, and wrote communications and appeals for giving. He has also served as a review panelist for the National Endowment for the Arts, Arts Midwest, Delaware Division of the Arts, Maryland Humanities, Maryland State Arts Council, Arts & Humanities Council of Montgomery County (MD), ArtsFairfax (VA), Baltimore Community Foundation, Baltimore Office of Promotion & the Arts, and CollegeBound Foundation. David holds a BA in Theatre Studies with minors in Mathematics and Legal Studies from Ithaca College. He lives in Chicago, IL. Current: Terra Foundation for American Art. Prior: Baltimore Community Foundation, Baltimore Center Stage. Reviewer and panelist for many organizations. Member, The Saints, Chicago volunteer org. Regularly volunteer in Chicago, DC, Milwaukee, NYC. I would be thrilled to serve as a panelist to use the skills I have built as an administrator to help steward support for essential arts organizations. I've enjoyed serving as a panelist for the NEA, ArtsMidwest, and arts councils in MD, DE, and VA. My formal arts training began at Ithaca College, where I studied theatre, mathematics, and law. My first roles as an arts professional were at Baltimore Center Stage, where I held positions in the Development and Managing Directors’ offices. That work required deep engagement with the community, understanding the needs of the artistic ecosystem, cultivating support for cultural programming, and building connections among organizations, funders, and advocates. I also volunteered with many cultural institutions, including Everyman Theatre, Chesapeake Shakespeare Company, Hippodrome Theatre, the Lyric, Parkway Theatre, Round House Theatre, Arena Stage, and Playwrights Horizons. Supporting these organizations’ operations strengthened my understanding of how creative communities function at every level. In 2022, I joined the Baltimore Community Foundation, expanding my knowledge of Baltimore’s diverse neighborhoods and connecting donors with meaningful causes. Although the role was not arts‑specific, I continued to prioritize the creative sector by organizing programming that highlighted its challenges and opportunities. During this time, I also began serving as a grant review panelist for national, regional, statewide, and local funders. This work allowed me to apply my experience in support of organizations pursuing innovative and impactful projects. I moved to Chicago in February to take my new position at the Terra Foundation for American Art, where I’ve gotten greater exposure to the world of visual arts and its funding landscape. I have continued to volunteer frequently with over 75 different companies over the past six months, which has helped me get to know the city, its people, and its organizations. While I am less familiar with Austin specifically, I would bring great expertise and enthusiasm to learning more about what the city’s creative community is seeking to accomplish. Victoria Kebano Victoria Kebano is a senior at The University of Texas at Austin studying Sustainability Studies with a minor in Philosophy of Ethics. Her academic and professional interests center on the intersections of environmental conditions, community well-being, health, and public policy. She has worked with PODER on community-based research and engagement in the Austin area, contributing to projects focused on water quality, utility affordability, infrastructure, and community representation. Her work has included resident surveys, focus groups, community meetings, research presentations, and the development of community-led initiatives. She is also a research fellow with UT Austin’s Jackson School of Geosciences, where she has continued to develop her interests in interdisciplinary and community- engaged research. Victoria is particularly interested in understanding how environmental and social conditions shape health and opportunity and how research can be translated into practical solutions. Across her work, she values interdisciplinary thinking, community knowledge, and research that connects directly with the experiences of the people it seeks to serve. My work in east austin is all about letting residents lead I design workshops and forums with poder like a legislative workshop bringing city commissioners to face the community on water issues. I also run environmental programs for far east Austin. As a policy intern leading east austin water research and legislative workshops i bring a sharp data driven lens to public health and equity i want to ensure grant funding is transparent accountable and deeply rooted in our community’s actual needs My connection to the Austin community has grown through my studies at The University of Texas at Austin and, most importantly, through my community-based work with PODER. As a Sustainability Studies student, I have studied how environmental, economic, and social systems affect communities, while my work with PODER has allowed me to see how those systems operate in people's everyday lives. Through my work in Austin Colony, I have engaged with residents around water quality, utility affordability, infrastructure, access to resources, and community representation. I have helped conduct surveys and focus groups, supported community meetings and town halls, and worked alongside residents to turn their concerns into research and advocacy efforts. These experiences have taught me that meaningful community work begins with listening. Residents understand their communities in ways that data alone cannot capture, and effective solutions require their knowledge and participation. My experiences have also complicated my understanding of Austin. The city is widely recognized for its creativity, culture, and rapid growth, but the benefits and challenges of that growth are not distributed equally. Austin's cultural and creative community is not limited to its most visible institutions, festivals, or artistic spaces. I also see it in residents organizing around shared concerns, preserving the identity of their neighborhoods, telling their own stories, and imagining what their communities could become. Working alongside Austin residents has taught me to approach community engagement through collaboration rather than assumption and has strengthened my commitment to work that connects research, advocacy, and community priorities. Alexander Kennedy Alexander Kennedy (AK) is a program management and creative operations professional and the founder of mondegreen, an Austin-based interdisciplinary creative studio working across art, design, and philanthropy. He holds a Master of Integrated Product Design from the University of Pennsylvania and has spent over a decade leading complex, cross- functional programs, from global design consultancy frog to enterprise delivery work at Very Good Ventures, for clients spanning consumer products, technology, and cultural institutions. Through mondegreen, AK organizes the annual MMK Charity Art Event, a multidisciplinary exhibition and community fundraiser that platforms emerging and underrepresented Austin artists while raising funds for the American Foundation for Suicide Prevention (AFSP). The event brings together painters, photographers, tattoo artists, textile and ceramic artists, musicians, and installation designers in a single accessible, inclusive space, reflecting AK's broader belief that creative expression is both culturally valuable and a meaningful outlet for wellbeing. AK's work sits at the intersection of operational rigor and creative practice, he brings the same program discipline used to deliver multi-million-dollar client engagements to producing grassroots, artist-led community events. He is based in Austin, Texas. More information: www.mndgrn.com<http://www.mndgrn.com/> www.linkedin.com/in/alxndrknndy/<https://www.linkedin.com/in/alxndrknndy/> Through my current residence and involvement in the art complex (atx art hub), and through hosting charity art events, via my creative studio, I am increasingly connected to various Austin-based artists and creatives, spanning various disciplines. As a panelist, I'm interested in further supporting Austin’s arts community. I believe there is significant potential for the growth of the creative community in the city, and this grant program is a wonderful way to bolster this growth! I've lived and worked in Austin since 2021, first as a program manager at frog's Austin studio and now as founder of mondegreen, an interdisciplinary creative collective based in the city. Over the past several years I've built both my professional practice and my personal creative life around Austin's arts and culture scene, as a practitioner, an event organizer, and someone who works daily with a network of local artists, designers, and makers. Professionally, my background is in program and creative operations management. At frog, I helped organize and deliver strategy and design programs for national and global clients, including contributing to a major SXSW activation in 2023, which gave me a close look at how Austin's cultural infrastructure comes together at scale. I bring that same operational discipline to mondegreen, where I manage the full lifecycle of client and community projects, budgeting, scheduling, cross-functional coordination, and creative direction. On the community side, mondegreen has organized the MMK Charity Art Event for three consecutive years, a multidisciplinary exhibition and fundraiser bringing together dozens of Austin artists across painting, photography, tattoo art, textiles, ceramics, and immersive installation, with proceeds supporting AFSP's suicide prevention work. Producing that event each year means directly recruiting, curating, and supporting emerging and underrepresented artists, many of whom haven't had gallery representation before, so I have firsthand experience with the practical and financial realities local artists face, and with the logistics of producing accessible, inclusive public arts programming in this city. Between my program management training (including a Master of Integrated Product Design from Penn) and my hands-on experience producing community-facing arts events here, I believe I'd bring both the evaluative rigor and the grounded, current understanding of Austin's creative ecosystem this panel needs. Ella Kent Ella Kent is a performance educator, writer and playwright originally from the UK, currently living in Austin, TX, She has worked extensively in theatre training for young people in drama schools and colleges, and as a set tutor within the film and television industry. Working with young people on major motion pictures and TV series for HBO, Netflix, Warner Bros and many others. She has written performative autobiographical work for solo performance and written collaboratively with the Love Art Laboratory, Swimming Horses and Flashpoint collective. Her published work includes the plays “Double Bagger”, “Elvis, Johnny and Me” and several short works published with Cleis Press. She is currently developing a new play. She holds an MA in Text and Performance from RADA/Birkbeck University of London. Professional development of site specific and immersive performances in the public forum. Professional experience in Film and TV industry working for major production companies. Performance educator. Development of community theatre projects. To provide a balanced and additional professional viewpoint to support local organizations. Having recently made Austin my home after moving from the UK I am keen to support the development of the arts here. Since moving to Austin from the UK three years ago I have been connected to the artistic community in Austin predominately through theatre, as both a patron and as a working performance artist. I have worked at both the Zach theatre as a teaching artist and Austin Community College as an adjunct professor within the theatre department. More recently as a story wrangler at the Paramount theatre. All three of these opportunities have allowed me to engage with young performers and help support the next generation of artists here in Austin. The programs offered within Austin to engage young people are critical to expanding and maintaining the interest in the cultural arts. My understanding of the wider cultural and creative community of Austin is that it is diverse and rich in both professional and DIY style theatre and performance. This affords audience members and artists a unique opportunity to experience new and fresh experiences. Theatres such as the Vortex and Ground Floor Theatres help support new and emerging artists, community development and the wider LBGTQ+ artistic community. Their dedication to promoting new works, range of ticket pricing and their youth summer programs widens both economic and cultural diversity, ultimately widening access in a very direct way. I feel strongly that widening access for all is critical to maintaining a healthy and rich cultural and creative community. Nicole Kern Volunteer with Preservation Austin, exhibiting visual artist with Travis Heights Art Trail, production assistant with Austin City Limits tapings, events manager for SXSW trade show booths I've lived in Austin since 2003 and greatly care about the creative scene. As a cellist, visual artist, and historian I want to see Austin continue to be a cultural hub. A creative oasis with as many practicing artists and musicians as possible. Sandra Kleinsasser Professional experience centers on the community, including 30 years as an editor/ manager at Austin American-Statesman, handling internal communications for a large state agency and freelance writing. I volunteer as a mentor for mid-career women. I've lived in Austin for 40 years and am deeply interested in its image and support of the arts. I am an amateur painter and lifelong art student. I bring professionalism and big- picture thinking to my volunteer commitments. Julie Koidin Founder and director of the Central Texas Flute Camp, the Austin Choro Club, and Caros Amigos choro band - here in Austin. I served this past year. Cody L Komassa Born and raised in Milwaukee, Wisconsin, where I spent 24 years exploring the community and where I first fell in love with 19th- and 20th-century architecture. The massive amount of housing and commercial building stock in Milwaukee from that era is impressive. Going on historic house and architecture walking tours is not something most young twenty- somethings enjoy, yet it was truly eye-opening to me. My love of architecture was almost immediate, yet I did not know then how to turn a hobby into a passion. I then moved to Los Angeles, where I spent 16 years seeing the sights of Southern California, which was a world completely different from the Great Lakes Midwest I had grown up in. For the past 10 years, I've worked for a furniture manufacturer that specializes in mid-century modern metal wire pieces meant to live either indoors or outdoors, which is something the Southern California lifestyle does quite well. I earned a Bachelor of Arts in History, concentrating in Sustainability and Modernization, from California State University East Bay in Hayward. Now I am pursuing a Master of Science in Historic Preservation from the University of Texas at Austin. Born and raised in Milwaukee, Wisconsin, where I spent 24 years exploring the community and where I first fell in love with 19th- and 20th-century architecture. The massive amount of housing and commercial building stock in Milwaukee from that era is impressive. Going on historic house and architecture walking tours is not something most young twenty- somethings enjoy, yet it was truly eye-opening to me. My love of architecture was almost immediate, yet I did not know then how to turn a hobby into a passion. I then moved to Los Angeles, where I spent 16 years seeing the sights of Southern California, which was a world completely different from the Great Lakes Midwest I had grown up in. For the past 10 years, I've worked for a furniture manufacturer that specializes in mid-century modern metal wire pieces meant to live either indoors or outdoors, which is something the Southern California lifestyle does quite well. I earned a Bachelor of Arts in History, concentrating in Sustainability and Modernization, from California State University East Bay in Hayward. Now I am pursuing a Master of Science in Historic Preservation from the University of Texas at Austin. I’ve broadened my experience with the AHA conference and as a PastForward scholar with the National Trust for Historic Preservation, gaining insight into national conversations on conservation, interpretation, and equitable access to historic places. Serving would let me support projects that honor Austin’s heritage while promoting tourism and community engagement. I bring a fresh academic perspective and a strong commitment to sustainable, inclusive, and culturally meaningful preservation. As a newcomer to the Austin community, I have had limited experiences. Since August 2025, I've been a full-time graduate student pursuing a Master of Science in Historic Preservation with the School of Architecture at the University of Texas at Austin. My academic coursework has allowed me to see Austin through a historic lens, understanding how the city came to be and developed over the past 150 years. This semester, my skill set has expanded as I learned about the National Register of Historic Places process and the role that the Texas Historical Commission plays. In my Graphic Documentation course, I learned the HABS (Historical American Buildings Survey) protocol and how to properly document a building for the Library of Congress using the National Park Service's guidelines. I've been enrolled in an Architectural Conservation Lab this semester, which has taught me how to analyze historic finishes and the solutions to repair them. On one field trip, we were shown all the historic structures at Winedale in Round Top, which provided a sense of intrigue as we saw how mid-19th-century Texas operated. As I learn more about Austin and the greater community, I find myself more fascinated and excited to keep learning. As a newcomer to the Austin community, I have had limited experience. Since August 2025, I've been a full-time graduate student pursuing a Master of Science in Historic Preservation with the School of Architecture at the University of Texas at Austin. My academic coursework has allowed me to see Austin through a historic lens on how the city came to be and developed over the past 150 years. This semester, my skill set has expanded as I learned about the National Register of Historic Places process and the role that the Texas Historical Commission plays. In my Graphic Documentation course, I learned the HABS (Historic American Buildings Survey) protocol and how to properly document a building for the Library of Congress using the National Park Service's guidelines. I've been enrolled in an Architectural Conservation Lab this semester, which has taught me how to analyze historic finishes and the solutions to repair them. On one field trip, we were shown all the historic structures at Winedale in Round Top, which provided a sense of intrigue as we saw how mid-19th-century Texas operated. As I learn more about Austin and the greater community, I find myself more fascinated and excited to keep learning. Shannon Kors I'm a lover of Austin for its diverse cultural arts offerings! In the 14+ years of living here I've volunteered with various arts organizations, professionally supported arts & culture organization, and partnered with local venues, businesses, & orgs I thoroughly enjoyed my experience on the Review Panel in 2024. I'm passionate about uplifting the arts community in Austin and love the opportunity to support and uphold their passions and reach. The arts are an essential part of any community! Randy Larkin I'd be a good fit as a reviewer for musicians and music industry applications. I've volunteered in Girl and Boy Scouting. I've also volunteered with my home owners association. I'm retired but now a full time musician. I've run 3 businesses in Austin I'd like to do more volunteer work. I have business and marketing experience. I co-owned an environmental consulting firm, a musical instrument manufacturing company, and am now the manager of the Jazz Daddies - a successful Jazz ensemble in Austin. Joel Laviolette https://joellaviolette.com/bio/ I direct the Rattletree School of Marimba, teach and perform throughout Austin, lead free community concerts and workshops, support Zimbabwean artists and families, and create accessible opportunities for people of all ages to make music together. I want to bring the perspective of a working artist, educator, and arts group leader to the review process. I value fair funding decisions and would be glad to support projects that strengthen Austin’s cultural life and serve its communities. I have been a professional musician for over 30 years and I direct the Rattletree School of Marimba. I have been involved in the Austin music community since 2006. Tara Levy https://501t3.com/who https://www.linkedin.com/in/tara-levy-nonprofit/ Tara is an engaging partner, facilitator, and problem-solver. She has a unique ability to see both the forest and the trees in creatively addressing nonprofit organizations’ needs. Tara is an experienced trainer and consultant on nonprofit leadership and management. She has served nonprofits as a staff member, board member, and volunteer, so she brings a holistic and informed perspective to her work in the sector. Tara is a regular presenter and educator at the local, state, and national level, and she enjoys supporting nonprofit leaders in being well-prepared for their work. She specializes in change management—helping organizations plan and pivot through succession planning, strategic planning, organizational dynamics, stakeholder engagement, and board development. I have been an active participant in Austin's community since I came to UT as a student in 1993 and began volunteering. When I graduated law school, I began working in the nonprofit community, where I continue to serve today as a strategy consultant. I care deeply about our city and the way we reflect and represent our community. I want to participate actively to help people feel themselves in the activities and art around them. I have lived in Austin since 1993 when I came to UT as a freshman and have been involved in the community in myriad ways. As an undergrad, I volunteered regularly and took courses in Community and Place. I worked for Community Investment Corp with Lee Walker & Jen Vickers between undergrad and law school, working with nonprofits throughout the community in arts, education, and the environment. In law school, I chaired the public interest law student group, co-chaired the public interest law conference, and served as a supervised attorney in the children's rights and domestic violence clinics. These foundational experiences led me to choosing a nonprofit career. Following law school, I began working in nonprofits, which I have now served professionally for 25+ years. As a staff member and for the last 10 years as an independent consultant, I have worked with organizations in every element of our community. My key focus areas are organizational sustainability, change management, and leadership. I have worked with many cultural and creative organizations across these decades, and I have enjoyed them as a patron as well. Free time finds me in galleries learning from exhibits or taking classes learning new crafts, seeing shows at venues that are often other nonprofits or interesting community niches, and discussing creativity with friends over coffee in an interesting place. I treasure Austin as a place, and I believe that the cultural and creative community are essential to Austin's unique power and longevity. Investing in this community in smart ways is exciting to me, and I would be honored to be part of the process. Siyi Li leading DEI initiative in my previous corporate job at Porsche, planning and executing outreach and education programs for global teams. Mentoring at current job. Volunteering for music events in town Having lived in Austin for the past 4 years, I have met many cool people who were able to work on music and art projects through grants from City of Austin. As I am a permanent resident, this could be my way to fulfill my civil duty and participate. Yesenia Lima Yesenia Lima is a filmmaker, comedian, and multi-hyphenate creative based in Austin, TX. She holds an MFA in Entrepreneurial Digital Cinema and taught with the Los Angeles Film School before relocating to Austin, where she has spent the years since developing a live comedy, storytelling, and yoga practice alongside her work in tech. She's performed with local institutions like Coldtowne, The Fallout Theatre, and Mortified. Outside her creative practice, Yesenia hosts Skip the Small Talk, a monthly Austin event centered on connection and communication, and offers yoga and sound healing around the city. Website: www.ladypawwellnes.com 9-year Austin resident; filmmaker/comedian have worked with Fallout Theatre, Coldtowne, Hideout, Hyperreal, and Austin Cinemaker. Volunteered with SXSW Film/Comedy fests and Latinitas Cinechicas camp. Also teach yoga/sound meditation locally. As a filmmaker, comedian, and Austin arts community member, I want to help ensure funding reaches artists doing meaningful work. I'm also drawn to learning what local artists are creating and helping connect them to resources they need. After completing an MFA in Film Production and teaching with the Los Angeles Film School, I moved to Austin and became deeply embedded in the city's comedy and creative community. I've developed and performed original work with local institutions including The Fallout Theatre, Coldtowne, The Hideout Theater, and Hyperreal Cinema. I've also volunteered with SXSW and Latinitas, and I'm a current member of Future Front Texas and the ATX Writing Club. Outside of performance, I host a monthly event called Skip the Small Talk, which creates space for Austinites to make genuine connections and build communication skills. This work has given me a close, ongoing read on what people in this city are hungry for in terms of community and connection. I also teach yoga at local studios and organizations including Shape Up, Metanoia, and My Vinyasa Practice, which keeps me engaged with Austin's wellness and movement community as well. Together, this gives me a wide-angle view of Austin's cultural landscape, from film and comedy to live events and wellness spaces, and a grounded understanding of what it takes for creative and cultural work to actually reach and serve the community here. Sweet Limb Chris Robinson is an Austin-area singer, songwriter, producer, and founder of the R&B/alternative project Sweet Limb. As an independent artist, he has experience performing throughout Central Texas, collaborating with local musicians and organizations, and developing creative projects from concept to release. His work has been featured by KUTX and the Austin Chronicle, and Sweet Limb has appeared on Billboard’s Digital Hip- Hop chart. In addition to creating and performing music, Robinson has experience with artist marketing, event promotion, and community engagement. He is passionate about supporting Austin’s diverse creative ecosystem and brings the perspective of a working independent artist committed to thoughtful, fair, and equitable evaluation of creative work. I perform throughout Austin with my band, collaborate with local artists, organize events, and enjoy connecting people through music. I believe in supporting and strengthening our local creative community. I want to help support Austin’s creative community by offering thoughtful, fair, and constructive feedback while learning more about the incredible artists and organizations doing meaningful work. As an independent musician, songwriter, and producer based in the Austin area, I have spent the past several years actively participating in the city’s creative community through live performances, collaborations, event organizing, and artist development. As the founder of Sweet Limb, I’ve worked with local venues, media outlets, nonprofits, and fellow artists to create opportunities that bring people together through music. My experience extends beyond performing. I’ve developed marketing campaigns, coordinated shows, built partnerships with community organizations, and navigated the realities of sustaining an independent creative career. These experiences have given me an appreciation for both the artistic vision behind creative projects and the practical challenges artists and organizations face in bringing that work to the public. Through this work, I’ve developed a strong understanding of Austin’s diverse cultural landscape and the importance of supporting projects that foster artistic excellence, accessibility, community engagement, and cultural representation. I value thoughtful collaboration and believe public arts funding plays an important role in helping Austin’s creative community continue to grow and thrive. Sarah Lingle * I was the volunteer cheerleading coach at Veritas * I recently was crowned Miss Austin, and will be doing a lot of charity initiatives with that * I attended the Save Muny event to support golf * Sing at church * Manage social media for 6 local businesses I am interested in doing this! I have never done anything like it before, but I think I would be good at it. Jiaqi Liu Jiaqi Liu is a concept-driven, project-based artist. Interdisciplinary and non-medium- specific in nature, her work often engages technology, imaging, performance, writing, and the public. Jiaqi has shown and performed her work internationally, including at Museum of Contemporary Art Chicago (Chicago), Metropolitan Museum of Art (NY), Brooklyn Bridge Park (NY), AMC Empire Theater (NY), Microscope Gallery (NY), Czong Institute for Contemporary Art (Gimpo), Jupiter Museum of Art (Shenzhen), Galerie KUB (Leipzig), as well as on large public screens in Denver, Kalamata, and Rethymno. She has been selected and featured by Tribeca Film Institute, Photoville Festival, Backslash, the Wrong Biennale, BarTur Photo Award, Video Art Miden, Digerati Experimental Media Festival, Lisa Lu Foundation, among others. Jiaqi holds an MFA from the School of the Art Institute of Chicago, where she was a recipient of the Pritzker Fellowship and was nominated for the AICAD Teaching Fellowship. Previously, she received a Dual-MS in Computer and Information Science from Cornell University with the Connective Media Fellowship, as well as a BFA with honors from NYU Tisch School of the Arts. I have served as a panelist for several grant and award programs, among them United Arts of Central Florida’s Individual Artist Awards and the Scholastic Art & Writing Awards. I’m interested in connecting with communities across the U.S. to share my experience in art, design, technology, and culture. As an art and design educator, community is one of the core foundations of my teaching practice. I have built my career in institutions and programs where creative learning is closely tied to the needs, histories, and aspirations of the people they serve. I currently teach at the College of DuPage, a community institution that serves students across a wide range of socioeconomic backgrounds, ages, and learning abilities. In my previous teaching roles at New York University, Cornell University, and the School of the Art Institute of Chicago, I frequently partnered with local nonprofits and community organizations to develop course projects that addressed real needs and connected students with public audiences. I have also taught through equity-focused programs such as NYC FIRST and Microsoft’s TEALS initiative, which support students from underrepresented socioeconomic backgrounds and those with diverse learning needs. These experiences have grounded my teaching in community access, collaboration, and inclusion. Asia Lockwood Asia Lockwood has called Austin home for nearly a decade and loves exploring its creative community through museum exhibitions, pop-ups, studio tours, and community events. She considers herself “art-adjacent.” While not an artist herself, she’s an enthusiastic supporter of the arts and a serial craft attempter. With a background in public health and grant-funded programs, Asia is passionate about equitable access, community connection, and the ways people feel seen and supported through shared experiences. She values art that brings people together and reflects the stories that make Austin feel like home. She especially enjoys contemporary art and the unexpected ways creativity can spark conversation, connection, and new ways of seeing the world. I manage a statewide disastwr mental health public health grant, giving me experience with community-focused funding and collaboration. Outside of work, I regularly attend local art shows, markets and volunteer with It’s My Park Day and other events. I want to support Austin’s artists more directly. I love how the scene blends creativity and community. Serving on this panel would allow me to bridge my grant experience with my passion for local art and equitable opportunities. I’m a multiracial military brat, so I grew up moving every few years and never really had a long term sense of home. Austin is the first place in my adult life that’s truly felt like home. Professionally, I work in public health on grant-funded initiatives. While my work isn’t arts- specific, it has shaped the way I think about equitable resources, community impact, and the importance of programs that help people feel seen, supported, and connected. Outside of work, I love exploring Austin’s creative community through museum exhibitions, local art shows, studio tours, pop-ups, and community events. I’m a member of The Contemporary Austin and consider myself “art-adjacent,” inspired by the imagination and collaboration of local artists. I value the way Austin’s creative community builds connection, creates spaces for diverse perspectives, and makes the city feel alive and welcoming. Meredith Longoria 21 years supporting Texas conservation through professional leadership and volunteer coordination. Active Austin live music supporter (35+ years), monthly KUT/KUTX donor, member of Travis Audubon and The Wildlife Society, and school cheer volunteer. I'd like to give back to Austin in retirement by supporting the arts community. My 21 yrs in conservation, program management, and community engagement would help me provide thoughtful, objective grant reviews while better understanding the process. Armando Lopez Very involved in the Red River Cultural District, helping keep live music alive and thriving in the Austin music scene, while also actively supporting local community arts and cultural initiatives. Helping organizing events and shows at no cost to support the Red River industry. My efforts focus on hosting bands and bringing performers from out of town to Austin, fostering a sense of community and helping to give back to the local music scene. Very involved in the Red River Cultural District, helping keep live music alive and thriving in the Austin music scene, while also actively supporting local community arts and cultural initiatives. Katrin Ludwig Experience includes: as a grant maker - learning about and working with communities to discover what were their needs and how the grant maker might help; 2. as a volunteer for Triple H Equitherapy, Puppeteers of America and Austin Boxer Rescue. I have varied experiences as an artistic director, stage manager, stage tech, teaching artist & performer from Ohio to California. And with my grant making, grant writing & panel review work, I bring a broad perspective. And I enjoy giving back. Adrenne Luna My professional work has deepened my understanding of the powerful role art and creativity play in building confidence, identity, connection, and opportunity. For years, I worked with at-risk youth in our community, including muralists, breakdancers, DJs, and battle music artists who used creativity to make sense of their world. Many were navigating poverty, unstable housing, family challenges, or involvement with the justice system. This gave them a safe outlet, a way to channel their experiences, and an opportunity to see their talents as strengths rather than obstacles. I supported them by creating safe spaces to practice, connecting them with mentors, and advocating for programs that valued their creativity. Today, as Co-Founder and COO of Military Veterans Empowerment Network, I work with unhoused and underserved veterans, providing housing, employment, and supportive services. Many clients we serve are struggling musicians, singers, visual artists, poets, painters, and skilled artists. While addressing needs we also recognize and acknowledge their talents and aspirations. Whenever possible, I connect people with organizations that can help them perform, exhibit, sell, or develop their work. These creative connections can help rebuild stability, purpose, confidence, and community. My connection to Austin’s cultural and creative community is rooted in a lifetime of living in East Austin, advocating for the spaces and stories that matter, and helping youth and adults find pathways to participate. I understand Austin not just as a city known for live music and festivals, but as a place where everyday people use art to survive, resist, and build community. I believe Austin’s creative future should continue to reflect the people, cultures, histories, and neighborhoods that have shaped this city, and I am committed to helping ensure that those communities remain central, not just remembered, but actively involved, in its cultural life Nonprofit leader advancing veteran programs through community engagement and public events. Executive Vice Chair, Veterans Day Parade Board (17 years), with grant writing, review, and culturally grounded programming experience. Interested in Public Art, Cultural Heritage, and Music. I bring grant writing/review, budget oversight, and scoring rubric experience to support fair, transparent evaluations reflecting Austin’s diverse cultural identity. I was born and raised in East Austin, and my connection to our community is both deeply personal and professional. Growing up here, I watched our neighborhoods change as development, gentrification, and displacement reshaped the places and people I knew. Those experiences made it clear to me how essential it is to preserve the cultural identity, history, and creative traditions that have long defined Austin, especially the voices and stories of Black, Latino, and working-class communities in East Austin. Over the years, I have actively advocated for the preservation of community arts projects, including neighborhood murals, community art spaces, and local cultural events. I have volunteered to promote local artists by helping organize showcases, spreading the word about new mural projects, and supporting local dance groups that perform at community gatherings and cultural festivals. These efforts are not just about aesthetics; they are about protecting the visual and performing arts that document our lived experience, honor our elders, and give young people something in the community they can recognize as their own. I believe art is more than creative expression, it is a way communities tell their stories, preserve their history, and build connection across generations. In neighborhoods like East Austin, creative spaces and public art often serve as informal community centers, where people come together, see themselves reflected, and feel a sense of belonging. Supporting these projects means ensuring that voices often overlooked in mainstream narratives, youth, immigrants, long-time residents, and marginalized communities, remain visible and valued. Kanea MacDonald Kanea MacDonald (they/she) is a theatre maker and educator currently working toward their MFA in Drama and Theatre for Youth and Communities at the University of Texas at Austin. Most excited about performance and pedagogy that engages young people and their families, Kanea is currently working to found the first professional theatre for young audiences in the Rio Grande Valley (RGV) in South Texas. As a theatre maker, Kanea is particularly excited about immersive and healing arts-based experiences for all ages, with special focuses on theatre for the very young as well as theatre for the inner child. Themes of radical hope, queer joy, everyday magic, and connection thread throughout their work. All of my work as a theatre artist and educator is community engaged. I make original performances for and with community members of all ages, sometimes in library or museum settings, sometimes in more traditional performance spaces. Great frame of reference as I anticipate grant writing for projects and my future nonprofit. Also would love to support the Austin arts scene, and become equipped to contribute to similar programs in the future that support artists in my hometown. I am a graduate student studying theatre and arts education at UT Austin. Starting my third year in the city, I find it so inspiring to live in such a thriving arts scene. In my career I have worked in marketing, non-profit, and the arts in Washington, DC, Austin, and the Rio Grande Valley in South Texas where I'm from. While in DC, I fell in love with Theatre for the Very Young, a newer form of theatre for youth that was created overseas and is being further and further embraced here in the states. This kind of theatre is inherently multidisciplinary, with many pieces feeling much more like an art instillation or a dance/music performance than what you might expect of a theatre piece. This has become my specialty, and a prime focus of my work here in Austin. I have greatly benefited from the community both at UT and in the larger Austin area being so open minded and eager about newer/different ideas, as well as the larger community's commitment to families and young people. This area is amazing not only for people looking for arts and culture events but for child and family-friendly events as well, which is surprisingly uncommon in the region I'm from. Thankfully, here I am able to train with world-renowned artist-educators like Megan Alrutz and Katie Dawson, while immediately applying my training to community-based work with partners such as the Blanton, local K-12 schools, and more. As someone very involved in the arts community in Austin, I would be so excited and honored to engage further and support those still dreaming of more by serving as a Thrive and/or Elevate panelist. Anna Madewell Anna Madewell, soul pop singer, ethereal bass DJ, dancer, actress, executive film producer, and music festival producer of the ATX Music Video Film Festival, EmpowHER and UTSA Underground; she is a dynamic leader who finds purpose in captivating audiences by awakening their most authentic selves. Her 12 year music journey has stood out with her variety shows of singing, deejaying, and dancing. Her most recent festival performances include ATXMVFF, Babestock, Sound Camp, EmpowHER at venues like Cabana Club, The Courtyard, Far Out Lounge, etc and she was a featured singer at Freaky Deaky. Her sound combines soul and pop with dance drops, like Amy Winehouse recording to a Michael Jackson beat produced by Skrillex. Her events have been featured on CBS News, San Antonio Express News, DO512, and UTSA Today. Her music video Set Urself Free won “Best Original Song” and “TJ Visionairy” Award at the Austin Under the Stars and Austin Spotlight Film Festivals in 2024, while her latest music video Cheeto Puff won “Best Original Song” at Austin Under the Stars and was screened at LA Under the Stars in 2025. She does not only sing but sell, she has raised over 17 grand in cash sponsorships and ticket sales with 300+ attendees from her last 2 festivals plus in kind sponsorships to pay her labor, artists, and venue expenses . From curating festivals to producing immersive live shows, at the core of it all, Anna Madewell’s purpose is to create experiences that remind you who you are. I currently serve as Festival Director for EmpowHER Music Arts Festival and the ATX Music Video Film Festival, where I lead programming, partnerships, and production. I coordinate original music videos as executive director and arrange flash MOBs. I am interested in joining the Review Panel to become aware of other creative organizations, artists, and venues that are making an impact in Austin. Collaboration is everything and I want to deepen this relationship with my community. My connection to Austin’s cultural and creative community comes through hands-on leadership, collaboration, and event production across music, film, and the arts. When I first moved to Austin, I served on the board for Babes Fest in 2025, helping plan an all-female and gender-inclusive music and arts festival. I also served as a Sponsorship and Event Coordinator with EDM Prosperity Network. In 2026, I became the Festival Director and Executive Producer of the ATX Music Video Film Festival, its 1st year this past July 18 at the Cabana Club. The festival created an immersive “screen-to-stage” experience combining music video screenings with live performances from nominated artists. I recruited and trained team members, delegated responsibilities, secured sponsorships, developed partnerships, and helped lead the festival from concept through execution. I also lead the EmpowHer Music Arts Festival, an all-female-focused festival created to uplift women artists and provide opportunities for performance, visibility, and connection last year at the Courtyard booking Saratonin, LYTLBYT, and Nomi. Through these projects, I have worked directly with artists and industry leaders including Lauren Bruno, Kay Cote, Dub Equis, Jyme, Amiiri Tafari, and others across many genres to bring creative visions to life and showcase their talents. I have also partnered with organizations including Austin Under the Stars Film Festival, Amplify EDM, Prosper XO, Austin Producer Alliance, and Joining All Musicians to connect our communities and introduce artists and organizations to new audiences. These experiences have given me an understanding of Austin’s creative community as an artist, organizer, collaborator, and festival leader. They have reinforced the importance of accessible opportunities and sustainable support for Austin creatives. Mojan Magen I’m a crystal jewelry artist creating ethically sourced pieces and crystal home decor. I gift strangers, host mindfulness workshops, and offer Austin-based spiritual teachings to support wellness and community connection. I’m driven to support mindful, ethical creators. On a panel, I’d use hands-on experience in crystal jewelry, home decor, & community wellness to assess impact, feasibility, and equity & provide constructive, accessible feedback for diverse audiences Anthony Mancabelli Certified peer specialist for 10 years in the mental health and recovery field. Touring musician for over 30 years stateside and overseas. Booking agent and management for self and other musicians. I've been in recovery for over 10 years. I've experienced the highs and lows of life while maintaining a somewhat sane perspective on all that we do as human beings. My wife and I have traveled through Europe and Mexico multiple times and are both in the creative field as artists, authors and musicians. I prefer humble to braggadocios and quiet to loud. Being a part of this process is something that I truly look forward to. It's to bad that I cannot commit to it full time due to my job. However, anything is possible..... As a live musician of over 40 years, I am always involved with our fans and the entertainment community. As a peer support specialist, I am daily engaged with our homeless community and the organizations that work to help them. I would love to have a hand in seeing what is currently making Austin tick. We hear so much but are rarely able to see just what the public is looking for or hoping to achieve. It would be nice to get a hand on the pulse of our community. Certified peer specialist for 10 years in the mental health and recovery field. Touring musician for over 30 years stateside and overseas. Booking agent and management for self and other musicians. Alfonso Mancera While Texas born i Grew up in Mexico and did my studies there. I have a Bachelors Degree in Bussiness Administration by Tec de Monterrey and as well studied music in the Conservatorio de las Rosas, a prestigious music schoool located in Morelia Michoacan. Been a music performer since college. Once i graduated was offered a job in Texas and came to work here. Having lived in both countries makes me understand the differences on cultures and knows both languages perfectly (being spanish my native language). I was in the Marines as a militar musician (in the Marine band) and being here in Austin I started playing as Rey Mancera which now is a 5 piece band that performs regularly all through the city and sorrounds. After long time performing I started as a Music educator with my project La cosa buena where we give affordable music lessons for the community in Austin. You can find more information about me, the project and the band in my social media which are the following: www.instagram.com/mrmancera Youtube- Rey Mancera Tik tok- Reymanceratv Musician, performer and educator based in Austin Texas.Leader of a 5 piece musical act called "Rey Mancera". Music educator as well creator of "La cosa buena", a social project to Make music accesible. Bachelors degree in Business Administration To help me understand the process behind it as well as see the transparency of it. As a performer and music educator myself would have a pretty good insight about other projects and know whats happening in the city regarding cultural movements. Im a musician-performer & music educator based in Austin Tx. Lead member and founder of the 5 piece band Rey Mancera that performs regular in Austin and all through the state of Texas. As well as founder of the social project "La cosa buena" where our mission is to make music accesible, I give affordable guitar classes for the community every sunday from 2:30-3:30 pm in the San Jose Catholic Church, ongoing on to this day. I have applied for the grant in the past (not applying this year) so I am aware of the process and being involved in the music community and entertainment industry for years now in Austin. I have a Bachelors degree in Business Administration and im Business Skill Certified by the City of Austin. Michele Martell Michèle Martell is a sports & entertainment, licensing and intellectual property attorney and entrepreneur who has provided business guidance and legal insight to major brands including the Muppets, the WWE, Sony, Crayola, Hasbro, Samsung, and The Saturday Evening Post. Michèle started her business and legal consultancy, Martell Media House PLLC, in Austin in 2014, where she helps creators, entrepreneurs, artists and visionaries propel, protect and empower their businesses with insightful, practical and well-informed legal guidance. She is the licensing strategist behind the world’s most popular VR multiplayer game, Walkabout Mini Golf, and its licensed IP including Elvis, Wallace & Gromit, Exploding Kittens, Myst, Fraggle Rock and Meow Wolf. Michèle is the 2026 – 2027 Chair of the Entertainment and Sports Law section of the Texas Bar Association and the Chair Emeritus of the Austin entertainment law section; The Racing Attorneys Conference (TRAC) Executive Committee member; co-Chair of the Austin chapter of the International Association of Privacy Professionals (IAPP); and founder of the Austin chapter of Women in Toys, Entertainment & Licensing. www.martellmediahouse.com I am an entertainment & IP attorney, practicing in Austin, currently chair of the TX Ent Law section. I work with arts orgs & institutions, as well as artists. I mentor UT Law students & volunteer for TX Accountants & Lawyers for the Arts TALA. With almost 40 years as an entertainment attorney, I have seen a vast array of artistic endeavors, and bring clarity and comprehension to groups and projects. I love Austin and would like to volunteer my services in support of artists. I am an entertainment & intellectual property attorney, based in Austin for the last 12+ years. I am active in industry organizations, and am the Chair of the TX Entertainment Law section 2026-2027, a past President of the Austin Entertainment law section, Austin chapter chair of Women in Toys, Licensing & Entertainment, was a Board President & member for 8 years of Forklift Danceworks, past Board member of Travis Audubon Society, The House of Songs, and RISE, a liberatory early childhood education nonprofit. I actively represent artists working in different media from across the country - authors, artists, musicians, videogame makers, mixed media, location based entertainment and more. I am active in participating and learning from many of the great cultural organizations in Austin, including Black Austin Tours, Preservation Austin, Six Square etc. As a long time attorney, I am very aware of how the law has been used as both a tool of oppression and liberation and deeply immersed in how creators and organizations develop and thrive in our community. Akayla Martin I am a first generation American that had the opportunity to study psychology and human development. I love nature and all things outdoors. Doing anything crafty is my favorite past time. As a nanny, I am always at the library participating in community events, and as a college student, I was an assistant education coordinator for The Meadows Center and helped organize local field trips. I love trying new things, art and anything related is interesting to me so I decided to give it a shot:) I’ve been in Austin since graduating college, with hopes of entering a creative career path. I am a regular at library events that help me connect with the communit. Cherie Martin Irwin Cherie Martin Irwin is a visual artist and current Interdisciplinary Arts undergrad at the University of New Mexico. Her first undergraduate and graduate degrees were in Film. Retired from three careers, she started as a Hollywood talent manager and was a festival producer, adjunct film professor, and arts administrator before a 20-year career as a digital product manager and department head. She has served on many Arts juries and panels, including grant panels for the National Endowment for the Arts (NEA) and arts councils in Oregon, Florida, Massachusetts, New Hampshire, Ohio, North and South Carolina, South Dakota, Mississippi, New Mexico, Pennsylvania, Kentucky, and the Mid-America Arts Alliance. Much of her work in arts and culture has been to facilitate the work of others, including administering NEA funding; showcasing filmmakers, musicians, poets, and visual artists at festivals and events; and creating avenues for artists to teach others. Cherie’s work has been exhibited in the Roswell Museum gift shop (Roswell NM), Fuller Lodge Art Center (Los Alamos, NM), Home on the Range, (Bernalillo, NM), Lyle’s Creations (Taos, NM). She is a juried artist in Recycle Santa Fe and Taos Folk. She has been part of juried group shows in California, Florida, New Mexico, and Maryland. Website https://richardirwinart.com/touched-by-taz Cherie Martin Irwin is a visual artist and current Interdisciplinary Arts undergrad at the University of New Mexico. Her first undergraduate and graduate degrees were in Film. Retired from three careers, she started as a Hollywood talent manager and was a festival producer, adjunct film professor, and arts administrator before a 20-year career as a digital product manager and department head. Much of her work in arts and culture has been to facilitate the work of others, including administering NEA funding; showcasing filmmakers, musicians, poets, and visual artists at festivals and events; and creating avenues for artists to teach others. Cherie’s work has been exhibited in the Roswell Museum gift shop (Roswell NM), Fuller Lodge Art Center (Los Alamos, NM), Home on the Range, (Bernalillo, NM), Lyle’s Creations (Taos, NM). She is a juried artist in Recycle Santa Fe and Taos Folk. She has been part of juried group shows in California, Florida, New Mexico, and Maryland. Previous Chair of the Rio Rancho Arts Commission, past City of Austin grant review. Have served on panels for the NEA, 11 states, 4 counties, 3 cities. As a retiree going to school and making art, this is the best way I have found to "give back." It's flexible in terms of timing and I have had enough repeat requests that I know I am adding value. I am the previous chair of the Rio Rancho Arts Commission. I am active in the arts community of Albuquerque, Los Alamos, Taos, and Santa Fe as a presenting visual artist. Former Chair Rio Rancho Arts Commission. I have served on many Arts juries and panels, including grant panels for the National Endowment for the Arts (NEA) and arts councils in Oregon, Florida, Massachusetts, New Hampshire, Ohio, North and South Carolina, South Dakota, Mississippi, New Mexico, Pennsylvania, South Carolina, Kentucky, and the Mid- America Arts Alliance; plus several cities and counties. Nicholas Maspons I come from a finance and theater academic background. During that time I worked as a volunteer on local theater productions and stand up comedy shows. I have met some truly brilliant and unique artists living in Austin. I have also seen the financial challenges they face when it comes to putting out their art. I want to dedicate my time and skillset to help people like my friends. Richard May Richard May is an author, producer, former Austin Music Commissioner, and nonprofit executive with more than three decades of experience supporting the arts, entertainment, and creative industries. A graduate of The University of Texas at Austin, Richard began his career performing in Austin rock bands before joining the production team of the iconic television series Austin City Limits. He was later appointed to the City of Austin Music Commission, where he helped advance initiatives supporting Austin's music community, including efforts that reinforced the city's internationally recognized identity as the "Live Music Capital of the World," the creation of Austin's first city-sponsored music television channel, and programs designed to expand opportunities for musicians and music professionals. Throughout his career, Richard has worked at the intersection of the arts, nonprofit leadership, and public service. He produced an award-winning feature documentary that screened at film festivals across the United States, earning Best Documentary at the Bare Bones International Film Festival. He also produced a music CD featuring Austin musicians and producers that continues to stream on major digital platforms and created the early internet television program Songwriters Series, showcasing songwriters during the formative years of live online broadcasting. Richard is the author of the novel Last Race and is currently completing additional works of fiction exploring music, culture, leadership, and contemporary social issues. His experience as an artist, producer, policymaker, nonprofit executive, and author provides a broad perspective on the creative process, organizational sustainability, and the role public investment plays in strengthening Austin's vibrant arts community. https://richardmay-author.com Austin Music Commissioner (Founder) 6-years Austin Airport Advisory Board (Music Commissioner Representative) Austin Arts Alliance Board Member (Coalition representing music, film, literature, theater and visual arts advocating for bond package.) Want to continue to preserve, promote and elevate the Austin arts to the world. Former Austin Music Commissioner, Former Airport Advisory Commission representing Austin music, Austin City Limits TV Show Publicist, Former creator of the Austin Arts Alliance representing Music, Film, Literature, Theater and Visual Arts helping bond package investing in the arts, Songwriters Series Internet TV Series, published songwriter, performing musician, film maker and published author. Salome MC I organize free kids events and youth workshops. I volunteer as a video producer for League of Women Voters' Austin Chapter, as a photographer for Austin Film Festival and as the social media manager for my son's school PTA (Spicewood Elementary.) I've served as a panelist multiple times in the past and know first hand how the confluence of different perspectives in the panel can help bring about a more equitable outcome for applicants by unwrapping implicit biases and blind spots. Kelley McClure I have a BBA finance Texas Tech & a MBA UT at Austin. My work was buying apartment complexes, rehabbing/managing them. I've bought & rehabbed 6 rental houses. Non-profit includes Women & Their Work Board, Preservation Austin & TCA Board. After serving on the Boards of non-profit organizations, I feel competent to understand the requests for grants. On a personal level, I'd like to learn more about what is needed in our community. Aira McGilber Aira Juliet is an Austin-based multidisciplinary artist, comedian, filmmaker, writer, musician, event producer, and host whose work centers comedy, storytelling, community, and queer culture. She is the creator and host of Queer Trivia, an Austin Chronicle Best of Austin winner, and the creator of Black & Queer AF, a live showcase celebrating Black queer artists and performers. Her work as an event producer and host has included trivia, karaoke, comedy, community programming, and special events throughout Austin. As a filmmaker, Aira co-created and starred in the short film Side Quests, which has screened at aGLIFF, Hyperreal Film Club, and other Austin film events and earned recognition for her comedic performance. Her creative work also extends to music and live performance. Aira has worked throughout Austin’s independent creative community and regularly collaborates with local artists, performers, venues, small businesses, and community organizations. She has previously served as a cultural arts grant reviewer for the City of Austin and brings the perspective of both a working artist and community-focused cultural producer to the review process. Aira Juliet is an Austin-based multidisciplinary artist, comedian, filmmaker, writer, musician, event producer, and host whose work centers comedy, storytelling, community, and queer culture. She is the creator and host of Queer Trivia, an Austin Chronicle Best of Austin winner, and the creator of Black & Queer AF, a live showcase celebrating Black queer artists and performers. Her work as an event producer and host has included trivia, karaoke, comedy, community programming, and special events throughout Austin. As a filmmaker, Aira co-created and starred in the short film Side Quests, which has screened at aGLIFF, Hyperreal Film Club, and other Austin film events and earned recognition for her comedic performance. Her creative work also extends to music and live performance. Aira has worked throughout Austin’s independent creative community and regularly collaborates with local artists, performers, venues, small businesses, and community organizations. She has previously served as a cultural arts grant reviewer for the City of Austin and brings the perspective of both a working artist and community-focused cultural producer to the review process. I’m a performer and host in Austin creating community through comedy, trivia, and live shows. I work with local artists, venues, and small businesses and focus on making spaces that feel fun, inclusive, and connected. i love being part of the Austin creative community and want to support other artists doing meaningful work. As a host and producer, I understand the effort behind creating accessible, engaging experiences and value diverse voices. I am an Austin-based multidisciplinary artist, filmmaker, comedian, writer, event producer, and host who has spent years creating programming within Austin’s independent arts and cultural community. Much of my work focuses on creating welcoming spaces and opportunities for LGBTQIA+, BIPOC, and other communities that have historically had less access to traditional arts institutions and resources. My work in Austin spans film, comedy, live performance, music, and community events. I created Black & Queer AF, an event highlighting Black queer performers and artists, and I produce and host Queer Trivia, which has grown into a recurring community event and has been recognized by the Austin Chronicle. I have also produced karaoke, comedy, pop-up, and community events in partnership with local venues, small businesses, artists, and nonprofit organizations. As a filmmaker, I co-created the short film Side Quests, which has screened within Austin’s independent film community, including aGLIFF and Hyperreal Film Club. I also regularly collaborate with local performers, designers, musicians, filmmakers, vendors, and arts organizations. I previously served as a City of Austin cultural arts grant reviewer, which gave me additional insight into the range of artists and organizations working throughout the city and the challenges involved in sustaining creative work in Austin. As both an artist and producer, I understand the importance of equitable funding, accessibility, community impact, and supporting work that reflects the diversity of Austin’s cultural landscape. I am an Austin-based multidisciplinary artist, filmmaker, comedian, writer, event producer, and host who has spent years creating programming within Austin’s independent arts and cultural community. Much of my work focuses on creating welcoming spaces and opportunities for LGBTQIA+, BIPOC, and other communities that have historically had less access to traditional arts institutions and resources. My work in Austin spans film, comedy, live performance, music, and community events. I created Black & Queer AF, an event highlighting Black queer performers and artists, and I produce and host Queer Trivia, which has grown into a recurring community event and has been recognized by the Austin Chronicle. I have also produced karaoke, comedy, pop-up, and community events in partnership with local venues, small businesses, artists, and nonprofit organizations. As a filmmaker, I co-created the short film Side Quests, which has screened within Austin’s independent film community, including aGLIFF and Hyperreal Film Club. I also regularly collaborate with local performers, designers, musicians, filmmakers, vendors, and arts organizations. I previously served as a City of Austin cultural arts grant reviewer, which gave me additional insight into the range of artists and organizations working throughout the city and the challenges involved in sustaining creative work in Austin. As both an artist and producer, I understand the importance of equitable funding, accessibility, community impact, and supporting work that reflects the diversity of Austin’s cultural landscape. Francis McGrath Francis McGrath is a pianist, synthesizer player, bassist, composer, poet, and punster from Austin, Texas. He has released two self-produced albums (“No Less Days” and “Trains in the Night”). In 2022, he composed the award winning soundtrack for the movie “Station to Station.” He has played in numerous bands all over Austin, most notably with The Greatest American Heroes (Austin’s Favorite TV Theme Band) and Kathleen Turner Overdrive (an 80s band that specializes in songs from John Cussack movies.) He has also worked with longtime Austin artists such as Maryann Price and Fredy Argir. His poetry has been published in Diverse-City, the journal for the Austin International Poetry Festival and he is a two-time winner of the O Henry Punoff’s Punniest of Show. His website is francismcgrath.com I am a former teacher with AISD and former programmer with the University of Texas. I have been a volunteer tutor for the Travis County jail and currently teach piano and bass. Have been a performing and recording musician in Austin since 1996. I have self-produced three albums and have scored a full length movie. As a former math teacher, I have started To apply my teaching abilities to teach piano and bass. I am a two-time champion of the O Henry Punoff. I regularly volunteer or perform at their events. Kelly McGrath Kelly McGrath is a nonprofit professional with over six years of experience in the Chicago sector. She is a member of the Grants Management team at The Chicago Community Trust where she supports $146M in competitive grant programs which aim to build a more equitable Chicago. Before joining the Trust, Kelly worked with several Chicago-based nonprofits focused on poverty alleviation, human services, civil rights analysis, and services for individuals experiencing homelessness. Kelly holds a bachelor’s in anthropology from DePaul University and a master’s in social work from The University of Chicago. https://www.linkedin.com/in/kelly-mcgrath-m-a-59893314b/ A non-profit professional with 6 years' experience in Chicago, including direct service, and more recently, grantmaking. I have volunteer experience with organizations focused on food and housing support. Experienced in grant administration for foundations, reviewing and awarding national and international grants. I am currently at The Chicago Community Trust, supporting grantmaking for Arts & Culture and Community Engagement. As a longtime resident of Chicago, I feel deeply connected to the region, its rich history, and its diverse, rooted communities. Throughout my time in the nonprofit sector, I have learned from and worked alongside community members through volunteering, internships, and professional roles with organizations across Chicago's North, South, and West Side neighborhoods. These experiences have given me exposure to human services, after- school programming, civil rights advocacy, and homeless services. Most importantly, they have shown me the power of community connection and the role it plays in supporting individuals and families. I am grateful for the opportunity to witness that connection in action and contribute to it. These experiences shaped my commitment to building a more equitable Chicago, where everyone can access the resources and opportunities needed to thrive. Today, I carry that commitment into my role on The Chicago Community Trust<https://www.cct.org/>'s Grant Administration team, where I support $146 million in competitive grant programs. Through this work, I help facilitate essential general operating and programmatic funding for more than 240 local nonprofits advancing human services, arts and culture, business development, and housing support across the region. Beyond my work, I recently participated in The Crossroads Fund<https://www.crossroadsfund.org/>'s 2026 Giving Project<https://www.crossroadsfund.org/programs/giving-project/>, a volunteer program that brings together individuals from different backgrounds to learn about philanthropy and review grant applications supporting social change initiatives. This experience strengthened my belief in community-led investment and collective action while reinforcing my desire to further develop my grantmaking skills in service of local organizations. I was excited to discover the ACME Review Program because it offers a chance to deepen my understanding of community-centered philanthropy, contribute to grantmaking, and learn from the Austin community's strengths, challenges, and efforts toward positive change. Leah McKnight I am a water marbling artist and teach regular marbling workshops in Austin. I've popped up at several markets where people could marble their own items. I taught art to children at an Austin school, and worked at CRAFT, a community crafting studio. I am interested in learning more about the world of grants, and helping to contribute to Austin's amazing creative community. I participated in the Artist Career Training program in 2024 and really enjoyed my interactions with the city employees. Bill McMillin Bill McMillin – In 1979 Bill was the first to receive a BA in Theatre Arts Management from St. Edward’s University. He is a member of Actors’ Equity Association and the National Stage Managers Association. An Austinite for 50 years, he has worked in all facets of theatrical production in virtually every theatre in Austin. Bill produced several Austin productions (Critical Mass Productions). He has recently helped produce several Tony Award winning Broadway productions, among them are HADESTOWN, OH MARY!, THE INHERITANCE 1 & 2, and CATS JELLICLE BALL. Off Broadway Productions include EURYDICE and OSCAR at the CROWN. He served on the Board of Directors of The Austin Circle of Theatres for eight years, three years as President. In 1993 he received an Austin Critics’ Table Award for Best Stage Manager and a B. Iden Payne “Special Recognition Award” for his outstanding contributions and dedication to Austin theater.. Mr. McMillin has served on the National Council of Actors’ Equity Association, the union of professional actors and stage managers, was a Broadway Tony Award voter, and is a retired Adjunct faculty member of St. Edward’s, teaching Stage Management, Theatre Management and other classes. Bill served as a Peer Panelist for both the COA and the TX Commission of the Arts. He has served on 4 national CBA teams of Actor’s Equity negotiating the University Resident Theatre Association contract. While on the Council of Actor’s Equity he served on over a dozen Committees, created the Austin / San Antonio Liaison Area where he has served for over 25 years as Liaison. Bill currently serves on the URTA Committee and the AEA Western Region Independent Theatre Contract Committee. Bill is a Texas Notary Public, certified in CPR/AED/First Aid, and is TABC certified Resume and references available upon request. Past President Austin Circle of Theatres Past Panelists Arts Funding COA Past Panelists Funding TX Arts Comm. Past Actor's Equity Association Council Member Stage Management over 200 shows Professor at St. Edward's University (2000 - 2021). much more I have served in the Panels of both the COA and Texas Commission on the Arts. I am retired and would like to continuie serving the Arts Community. I believe funding is essential to the life of the Arts Community. Since 1976 I have been involved in the Austin Arts scene, especially the Live Theatre industry. I was involved in practically every theatre in Austin from 1980 through today. I am professionally trained in Arts Administration and Stage Management and as an actor and voice artist. I have an excellent rapport with the dance, theatre, voice, and visual arts community. As President of the Austin Circle of Theatres (1990’s) I helped the organization garner more than 1000 members and 100% membership of the Theatres in Austin. I helped create the Actor’s Equity Liaison Area (Austin / San Antonio). We are now, since the mid 90’s a part of 26 national Liaison cities within the union. As a past Councillor and member of AEA, I serve on many contract committees that directly affect our AEA member theatres and members (over 200). I have served on several non-profit Boards in the past as well as the parent association of St. Stephen’s Episcopal School where my daughter attended and graduated (2020). My ties to the Local Arts Community are vast and diverse. I have worked with the Latino, Black, Asian and LGBTQ communities. I also have strong ties to the National Theatre Community where I have participated in national theatre issues and have served as several negotiating teams for national contracts for the union. My affiliation with St. Edward’s University did not stop at graduation (1979). I started teaching Theatre Management, Stage Management, Theatre Practicum and Professional Preparation in 2000 and retired in 2022. I am very proud of the graduating students we produced, many of whom are working in the professional and community theatres across the country and have produced several Broadway professionals with several Tony Awards. I love Austin. I love the Austin Arts Community. I am retired from active theatre stage management and acting and now wish to return to helping the arts community on the local level as I have been doing on the national level. Kate meehan Artistic Director of La Fenice and former president of the B. Iden Payne Awards. Former grant writer for the Writers' League of Texas. Consultant for former Austin Circle of Theatres. Supporting the Austin artistic community is important to me. Charlisa Meeks-McCool My name is Charlisa McCool. I am a native Austinite. I have only traveled to a few states. So I enjoy learning about other cutures, attractions and fun facts through special events or preservation. You can't learn everything in a book. I have three grandkids that need to know facts after my demise. Everyone needs a break from screen time. My job is how to promote successful learning experiences through the arts and/or music. 5My career for 20 years was a teacher. I have learned to be flexible and provide scaffolding in various ways. I've always been diverse and equal no matter a person's strengths and weaknesses. Some times you have to reach a person where they are at. Various avenues have to be provided so that every person can become a productive citizen in society. I facilitate and organiz ea monthly homeless outreach. Participated in various church and school fundraisers. Wanted to be an art or music teacher. Previous dance mom. Would love to start a school of arts. I've experienced one side of the spectrum. Now I would like to gain knowledge from behind the scenes. I enjoy participating in events that promote culture and learning through arts and music. I have an appreciation for being introduced to new activities that are hands on and not just historical literature. I have 18 hours specialization in art and music. My music background consists of working with Austin Children's Choir, attending Bass Concert Hall, sight singing, ear training, music history etc. My art background consists of visiting MexicArte, Harry Ransom and Daugherty Arts museum. My coursework consists of the human body, still lives, art history, and various techniques and mediums. As a child i loved Symphony Squares childrens day art park. Let's bring back Aqua Fest. These memories will last forever. Everyone deserves a chance to experience these events. Jenny Meigs 2006-08: Master of Public Affairs- UT, LBJ School 2009: Bill Analyst- TX Legislative Council 2009-12: Grant Writer- Georgetown Project, WilCo Council on Drug Abuse, Ride On Center for Kids 2010-12: Project Mgr, Grant Writer- TX Health Institute With a 2008 MPAff degree from the UT LBJ School, & years of grant-writing experience with health and social nonprofits in Williamson Co., I hope to share my skills to positively impact decisions that matter to arts causes I care about in Austin. Melinda Mejia Melinda Mejia is a native Texan and a proud alumna of UTRGV. She holds a PhD in Comparative Literature from the University at Buffalo. She has taught Literature, Mexican American Studies, and Humanities at Houston Community College, now Houston City College since 2012. She now serves as Chair of the Department of World Languages and Humanities. Her background as a Mexican American daughter of immigrants and as a former Tejano/Norteño musician, combined with her scholarly training, shapes a deep commitment to culture, equity, and the arts. Mejia consistently leads and supports extensive cultural programming on campus ranging from Hispanic Heritage Month to Women’s History Month. She is part of the grant funded Human Horizons initiative at Houston City College which expands access to transformative humanities texts in college classrooms. Outside her academic work, she continues to pursue music and writing as a creative outlet while remaining dedicated to fostering community and educational opportunity. I teach Mexican American Studies at Houston City College. I am a musician. I've volunteered at the Recovering the U.S. Literary Hispanic Heritage program at U of H. Have experience organizing events that celebrate different underrepresented groups. I would like to put my expertise to good use in other ways beyond the classroom. I value feeling support to the arts and cultural development of Texas. I am a Mexican American woman born and raised in the Rio Grande Valley. I was a musician and singer -songwriter in a Tejano/Norteno band from age 13 to age 21 and a solo performer for a few years after that. I still work on music as a hobby. My education is in Comparative Literature and my graduate research focused on the intersections between Mexican, Chicanx, and Ancient Greek literary works. More recently, my research has focused on Digital Humanities and Mexican/Mexican American women authors as well as the role of transformative literary and philosophical texts in the Humanities classroom. I've taught at a Hispanic serving community college for the last 13 years and currently serve as Chair of the Department of World Languages and Humanities. I teach Mexican Literature, Mexican American Studies, Mexican American Fine Arts, and Introduction to Humanities. Our department participates in cultural programming throughout the college, much of it led by myself and my team to include but not limited to Cinco de Mayo, Hispanic Heritage Month, Dia de los Muertos, and Women's History Month. My interactions with the world, both at work and outside of work, are informed by my experiences as a child of immigrants growing up in one of the poorest counties in the nation. I appreciate and value diversity, the arts, education, and community. Yvette Mendez Yvette Mendez is an Artist, Educator, and Public Administrator. She has a lifetime of experience working as an activist and advocate for social justice and cultural and artistic expression. As an artist she enjoys painting and working with clay. She was an Aztec Dancer for most of her adult life. As a member of the Mescalero, Apache tribe of Texas, she believes in serving indigenous communities and other people of color as well as the LGBTQ community. She has worked with various non-profit organizations such as Alma de Mujer Center for Social Change located in Austin, Texas and the Chinati Ixtlan Cultural and Land Conservancy in West Texas. She has been an art educator for over 25 years serving the artistic and cultural needs of children of color in various school districts in Austin, San Antonio, and Houston, TX. She is currently a freelance grant writer with Abya-Yala Grant Solutions, LLC. She holds a B.A in fine art, and a Master’s in Public Administration from The University of Texas at San Antonio. I am a retired art teacher, activist, and advocate for my tribal community in support of cultural art and social justice causes. I have been an advocate of cultural arts and environmental justice programs in Texas and California for over 40 years. My interest in serving on a review panel is to acquire more knowledge of the grant writing process in order to strengthen my own skill sets, and continue serving my community and non profit community organizations who serve artists in Austin. As a traditional Apache elder living and working in the Austin community, my work is rooted in the ancient teachings of our people and grounded in the living needs of our neighbors today. For decades I have taught women and youth about art, as well as nature and the spiritual significance of water, and its intimate connection to our bodies as givers of life. This work matters to Austin because it weaves together cultural preservation, intergenerational healing, environmental stewardship, and community resilience in ways that serve both Indigenous and broader urban communities. My work centers on intergenerational transmission. Women and youth are vital carriers of culture and change. Through ceremonies, art, storytelling, prayer, and embodied practices that link breath, movement, and water, I create safe spaces for young people to learn cultural identity, resilience, and emotional regulation. For women, these teachings reinforce roles as life-givers and community caretakers, promoting mental and spiritual wellness. The result is a stronger, more culturally anchored population better able to navigate social stressors and contribute meaningfully to civic life. My teachings and ceremonies build cross-cultural understanding by inviting non- Indigenous neighbors to witness and participate in respectful ways. These encounters reduce misunderstanding, foster mutual respect, and create allies for Indigenous issues— ranging from watershed protection to honoring sacred places. Finally, preserving and practicing sacred Apache water teachings contributes to long-term cultural survival. In a city growing rapidly, maintaining living traditions provides continuity and purpose for younger generations who might otherwise be disconnected from their roots. By affirming identity, promoting environmental ethics, and fostering community care, my work helps build bridges across communities so that both the people and the waters of this region continue to thrive. La'Karsha Miles-Bloxson I’m a native Austinite and seventh-generation Central Texan, host and producer at Austin’s NPR station, Austin PBS Community Advisory Board member (recent), ACF Women’s Fund grant reviewer, and a LeadHER to Purpose mentor. I’m interested in serving as an ACME Reviewer to help ensure Austin’s artists and cultural organizations have equitable access to resources. As a native Austinite, I want to help preserve, support, and strengthen our creative community. Abram Miller Started, built, and am actively running a program within my company that has partnered with 360 food banks and women's shelters in 49 states to provide over 300,000 free loads of laundry to communities in need. One of many ways I am involved. I belong to this city now, my roots are here and will be for a long time. I want to ensure that the funds granted by the city are used to support diverse and unique voices that will continue to keep Austin weird. Dee Miller I lead community-centered initiatives spanning STEAM, the arts (open mics), philanthropy, and education. Through nonprofit board service, Connected Creations, and community- engaged research, I build programs that expand access and opportunity. I’m interested in serving on a Review Panel to help expand access to resources and opportunities in our community. I bring experience across strategy, research, philanthropy, nonprofit leadership, and community engagement. Diamond Debbie Miller I was born in Ponca City Oklahoma in the late 50s and have decades of experience in radio, magazines, newspaper, video and print publications in Amarillo, Dallas , Houson, Plano, and Austin, Texas. My parents helped establish the Ponca Playhouse in Ponca, OK and I acted in plays and musicals from three to nineteen years of age. In grade school I joined the orchestra and played Cello; which I traded for an upright bass, then bass guitar in the 7th grade and won awards and competed in concert and stage band. Was ranked first in the high school (OK) Tri State contest. Won the regional bicentennial youth debates in 1976, and was runner up for the Miss National Teenager pageant, and first award Poetry contest Northern Oklahoma College 1975. Also played bass guitar with same punk garage band from 1970 thru 1984 out of Stillwater and Tulsa, OK, before becoming disabled. Began writing and performing open mic stand up or @rollupcomDey three years ago here in Austin. After 111 signups over 2-1/2 years, I was on Episode #751 of the KillTonyPodcast; first aired 1/5/2026 on YouTube! I moved to Austin in 2014 because of my love of the Austin music scene and watching the Armadillo World Headquarters from Oklahoma as a young bass player from a small town outside of Oklahoma Coty, OK. I have been a music reviewer for two “Rolling Stone” type music magazines connected with KYTX in Amarillo, Texas and KMOD and KAKC in Tulsa, OK. I began in print journalism in the 1970s, evolved to RTVF, and later earned my 3rd Class ticket (radio announcer,) did promotions sales marketing for KLOR/radio Ponca City OK. Acted in local and community theatre in Ponca City, OK from three years to nineteen years. Scholarships included bass guitar, poetry, extemporaneous speaking. Current hobbies include local open mics performing stand up @rollupcomedy, research and self-publishing. I’m a columnist for The Challenget Newspaper, Indie Author, inclusivity advocate, and am currently producing a local podcast. Professional Biography
Diamond Debbie is a columnist, comedian, and accessibility advocate in Austin. Through STOPtheMADnessMedia and @RollUPComedy, she promotes independence for wheelchair users with humor, research, and real-world travel insights. I want to serve on the review panel to bring a perspective rooted in lived experience, advocacy, and storytelling. My work centers on accessibility, inclusion, and amplifying underrepresented voices, and I’m committed to thoughtful, fair evaluation. I moved to Austin in 2014 because of my love of the Austin music scene and watching the Armadillo World Headquarters from Oklahoma as a young bass player from a small town outside of Oklahoma Coty, OK. I have been a music reviewer for two “Rolling Stone” type music magazines connected with KYTX in Amarillo, Texas and KMOD and KAKC in Tulsa, OK. I began in print journalism in the 1970s, evolved to RTVF, and later earned my 3rd Class ticket (radio announcer,) did promotions sales marketing for KLOR/radio Ponca, OK. Acted in local and community theatre in Ponca City, OK from three years to nineteen years. Scholarships included bass guitar, poetry, extemporaneous speaking. Current hobbies include local open mics performing stand up @rollupcomedy, research and self-publishing. I’m a columnist for The Challenget Newspaper, Indie Author, inclusivity advocate, and am currently producing a local podcast. I moved to Austin in 2014 because of my love of the Austin music scene and watching the Armadillo World Headquarters from Oklahoma as a young bass player from a small town outside of Oklahoma Coty, OK. I have been a music reviewer for two “Rolling Stone” type music magazines connected with KYTX in Amarillo, Texas and KMOD and KAKC in Tulsa, OK. I began in print journalism in the 1970s, evolved to RTVF, and later earned my 3rd Class ticket (radio announcer,) did promotions sales marketing for KLOR/radio Ponca, OK. Acted in local and community theatre in Ponca City, OK from three years to nineteen years. Scholarships included bass guitar, poetry, extemporaneous speaking. Current hobbies include local open mics performing stand up @rollupcomedy, research and self-publishing. I’m a columnist for The Challenget Newspaper, Indie Author, inclusivity advocate, and am currently producing a local podcast. Emily Miller Emily Miller is a behind-the-scenes powerhouse, your go-to for making beautiful things happen. She’s a lifelong lover of live entertainment, now firmly planted in Austin’s culture of weirdo experimentation and creative expression. With over a decade of experience in event production, talent buying and community programming, Emily still considers herself a fan first. In addition to booking smaller clubs and indie lineups, she spent many years sweating it out (literally, iykyk) in the production world, working in various capacities on many Central TX festivals and local mainstays such as Blues on the Green, Float Fest, and renowned venues like Whitewater Amphitheater and Antone’s Nightclub. Whether she’s producing a grassroots community showcase or helping a venue book aligned talent, she leads with both strategy and soul. Passionate about building inclusive, engaging spaces through music and events, Emily brings a deep commitment to community connection to every project she takes on. I've been closely involved with the Austin music + creative sector since moving here in 2014. I have worked with many nonprofits as well as individual artists through consulting and events. I have also previously served as a reviewer for city grants I'm interested in supporting and uplifting my local creative community! I have served as a grant reviewer before and really enjoyed it. I like learning about creative things I may not previously have heard about, and get inspired by the applicants I've been a member of Austin's creative community since I moved here in 2014! Mostly through the music scene, I have been a booker/curator, event producer and community programmer for a long time. I am also a fan! I often attend local music and art shows, and I have worked in the non-profit art sector here as well. So I am aware of the inequities that have been present in Austin since the City was founded and how it continues as we develop. I have taken a few relevant trainings, through volunteer roles at Foundation Communities and other similar organizations. Inclusivity is one of my core values, both professionally and personally. Iman Milner Taught film and TV studies to underserved youth through public school initiatives, served as volunteer for local NAACP chapters, Working with underrepresented communities, I've seen the life changing ability of programs that rely on grant funding to fully bloom and execute. In the right hands, real change happens. I'd love to play a small role in helping someone create it. Marta Mohr Marta Mohr has experience in local government and developmental disability services in Ohio, including advocacy and leadership roles. Since relocating to Austin, she is currently self-employed as a consultant and began pursuing watercolor painting in 2025. Experienced in outreach/advocacy, leadership, inclusion, and cross-sector collaboration through disability services in Ohio local government. Served as a Kiwanis member/board member and Ohio Master Gardener. Currently exploring watercolor in Austin. I am passionate about serving communities and ensuring everyone has a voice. My disability services background shaped my commitment to inclusion and community impact. Through watercolor, I’ve seen how art creates connection and belonging. Community has been an important part of both my professional and personal life. Before moving to Texas, I spent more than 15 years working in local government in Ohio, serving people with developmental disabilities. Much of my work involved advocacy, community inclusion, communications, events, grants, and creating programs that brought people together. I developed an inclusive theater program, an inclusive playground, and an adaptive cycling program that brought the first trishaw to the county, securing grant funding and taking each project from idea through completion. I also worked closely with a parent advocacy nonprofit and created Art in the Park, which brought high school students and people with developmental disabilities together to make art in a local park. In addition, I served as a Kiwanis board member , volunteered for the Ohio Master Gardener program, and received training in Women's Leadership. My experiences have taught me a lot about creating opportunities for people to participate, have a voice, and feel like they belong. Since moving to Austin, I have been building a new community for myself. I started seriously pursuing watercolor about a year ago, have taken classes at Laguna Gloria, and have participated in a local informal art group. I am still getting to know Austin's creative community, but I have enjoyed learning about the artists and organizations here. I have met some members of the Waterloo Watercolor Group, Plein Air Austin, and Austin Urban Sketchers. I would bring both my experience working with communities and the perspective of someone who is still relatively new to the local arts community. Christie Mokry Christie Mokry is an Austin-based Licensed Chemical Dependency Counselor, educator, facilitator, creative, and founder of Prismatic Therapeutic Services. Raised in Austin by an Austin-native musician father, she grew up immersed in a city where music, art, creativity, and community were part of everyday life. Christie has worked across Austin’s behavioral health and recovery communities in outreach, case management, substance use counseling, education, and private practice. Her work is grounded in harm reduction and explores the intersections of substance use, mental health, relationships, mindfulness, creativity, embodiment, and community connection. She is also a Registered Yoga Teacher, trained 5NP (Five Needle Protocol) provider, and Texas-approved continuing education provider for behavioral health professionals. Creativity is an integral part of Christie’s personal and professional life. She is a member of Austin’s Queen Bee Burlesque community and is closely connected with Purple Bee Studios, an independent music and creative space supporting musicians, producers, engineers, performers, and artists. Her own creative practices include dance, performance, writing, storytelling, movement, and experiential facilitation. Having grown up in Austin and participated in its behavioral health, recovery, wellness, music, dance, performance, and independent creative communities, Christie brings a multidisciplinary perspective to community-based arts and cultural work. She is particularly interested in creativity as a vehicle for connection, belonging, self-expression, healing, and social change, and in supporting accessible opportunities for both established and emerging voices within Austin’s cultural ecosystem. Christie Mokry is an Austin-based Licensed Chemical Dependency Counselor, educator, facilitator, creative, and founder of Prismatic Therapeutic Services. Raised in Austin by an Austin-native musician father, she grew up immersed in a city where music, art, creativity, and community were part of everyday life. Christie has worked across Austin’s behavioral health and recovery communities in outreach, case management, substance use counseling, education, and private practice. Her work is grounded in harm reduction and explores the intersections of substance use, mental health, relationships, mindfulness, creativity, embodiment, and community connection. She is also a Registered Yoga Teacher, trained 5NP (Five Needle Protocol) provider, and Texas-approved continuing education provider for behavioral health professionals. Creativity is an integral part of Christie’s personal and professional life. She is a member of Austin’s Queen Bee Burlesque community and is closely connected with Purple Bee Studios, an independent music and creative space supporting musicians, producers, engineers, performers, and artists. Her own creative practices include dance, performance, writing, storytelling, movement, and experiential facilitation. Having grown up in Austin and participated in its behavioral health, recovery, wellness, music, dance, performance, and independent creative communities, Christie brings a multidisciplinary perspective to community-based arts and cultural work. She is particularly interested in creativity as a vehicle for connection, belonging, self-expression, healing, and social change, and in supporting accessible opportunities for both established and emerging voices within Austin’s cultural ecosystem. I’m a LCDC in Austin. I work with individuals, families, and court systems, and I’m also involved in harm reduction and community-based programming. I produce arts events that blend performance, education, and public health. I’ve served as a panelist and value a process that is clear and consistent. I pay close attention to the rubric and care about scoring fairly. I also think it matters that applicants get feedback that is useful and specific, not vague comments. Austin is the town that raised me. My dad is an Austin native and musician, so I grew up connected to the city through music, creativity, and the communities built around them. I’ve watched Austin change enormously over the years while remaining deeply connected to the artists, musicians, performers, helpers, small businesses, and wonderfully weird people who give this city its character. Professionally, I am a LCDC, educator, facilitator, Registered Yoga Teacher, 5NP provider, and approved continuing education provider. I spent several years working in Austin community behavioral health through outreach, case management, and substance use counseling. I now own Prismatic Therapeutic Services, an Austin-based practice rooted in harm reduction, mindfulness, relationships, creativity, embodiment, and community care. I also bring more than a decade of lived recovery experience to my work. Creatively, I am part of Queen Bee Burlesque, which has connected me to Austin’s dance, performance, body-positive, and queer-inclusive communities. I am also closely connected to Purple Bee Studios and its ecosystem of musicians, producers, engineers, visual artists, performers, and independent creatives. My own creative practice includes dance, performance, writing, storytelling, movement, and experiential workshops. My understanding of Austin’s cultural community comes from living within it across many different spaces and generations. I understand art and culture as something created in studios, venues, theaters, clubs, community spaces, recovery spaces, independent productions, and grassroots gatherings throughout the city. As an AACME grant reviewer, I would bring the perspective of someone who grew up in Austin’s creative culture and now works at the intersection of behavioral health, recovery, creativity, education, and community. I value accessibility, cultural relevance, community impact, emerging voices, and the many different ways Austinites create belonging through art. Austin is the town that raised me. My dad is an Austin native and musician, so I grew up connected to the city through music, creativity, and the communities built around them. I’ve watched Austin change enormously over the years while remaining deeply connected to the artists, musicians, performers, helpers, small businesses, and wonderfully weird people who give this city its character. Professionally, I am a LCDC, educator, facilitator, Registered Yoga Teacher, 5NP provider, and approved continuing education provider. I spent several years working in Austin community behavioral health through outreach, case management, and substance use counseling. I now own Prismatic Therapeutic Services, an Austin-based practice rooted in harm reduction, mindfulness, relationships, creativity, embodiment, and community care. I also bring more than a decade of lived recovery experience to my work. Creatively, I am part of Queen Bee Burlesque, which has connected me to Austin’s dance, performance, body-positive, and queer-inclusive communities. I am also closely connected to Purple Bee Studios and its ecosystem of musicians, producers, engineers, visual artists, performers, and independent creatives. My own creative practice includes dance, performance, writing, storytelling, movement, and experiential workshops. My understanding of Austin’s cultural community comes from living within it across many different spaces and generations. I understand art and culture as something created in studios, venues, theaters, clubs, community spaces, recovery spaces, independent productions, and grassroots gatherings throughout the city. As an AACME grant reviewer, I would bring the perspective of someone who grew up in Austin’s creative culture and now works at the intersection of behavioral health, recovery, creativity, education, and community. I value accessibility, cultural relevance, community impact, emerging voices, and the many different ways Austinites create belonging through art. Shania Montufar I am an Austin-based curator, visual artist, creative producer, and grant writer. I lead ECHOES ATX, co-created CALLE 512, and have produced exhibitions and events centering BIPOC, queer, and Latinx artists, DJs, and local businesses. I want to help ensure public arts funding is equitable, rigorous, and responsive to Austin’s creative communities. I bring experience in curation, grant writing, artist selection, community programming, research, and interdisciplinary review. Charlotte Moore Charlotte Moore is a Texas-based film director and journalist. She has produced documentary films and shorts about racism, Black life, and African American culture. She also produces the informative conversation series, “Brainstorm Black.”<https://www.upsydaisyproductions.com/season-2-episodes> Charlotte is an award-winning career print and television news journalist. She is an entrepreneur and artist who is currently producing an animated adult web series with her daughter. You may learn much more about Charlotte and her work at https://www.upsydaisyproductions.com. Born in Austin, Texas, I've used my talents as a journalist, writer, and visual storyteller to help support true narratives around Black (and other) people in our city. I'm producer of the film "Black Bodies<https://www.upsydaisyproductions.com/films-books>" and web series "Brainstorm Black<https://www.upsydaisyproductions.com/season-2-episodes>." After a couple of decades of excelling in mainstream journalism, I'm an entrepreneur now who's striving to exercise my intrinsic artistic creative self. I see this as an opportunity to immerse myself deeper into Austin's world of art and creativity. I'm an Austin native, born at Brackenridge hospital in the 1970s. One of my fondest memories is attending the yellow L.L. Campbell Elementary School in East Austin. It wasn't until relatively recently that I learned of Austin's 1928 plan, which made it make sense why everyone I grew up around in my neighborhood was Black. Not a bad thing, but it did have me question so much about my hometown: Did my city's leaders adequately prepared me for my future? Were our schools as resourced as those in West Austin? Did the city pay less attention to our community issues than those in other parts of town? Soon after learning of that plan, I was inspired to produce my debut documentary "Black Bodies" in which 16 Black Austinites talk candidly about their experiences living in their skin. Interviewing these subjects—and then later, screening the film at countless venues, including the Alamo Drafthouse—was one of the most enlightening and extraordinary undertakings of my adult life. I was able to complete this project on my own because of the career I created for myself. For nearly a decade, I worked as a journalist and writer for the Austin American-Statesman and the Atlanta Journal-Constitutions, both COX News entities. I won awards, including COX Newspapers' Rookie of the Year. For another decade I produced television news shows for KEYE-TV, Austin's CBS affiliate. For three years, I worked as a storyteller for a beautiful public education advocacy nonprofit before heading back to Atlanta to write for three years for CNN International. I returned home, because—as they say—it's where the heart is. It's certainly where my family and friends are. Today, I'm an entrepreneur who lives to help others tell their stories. Over my time in Austin, I have cultivated deep relationships with so many leaders, visionaries, artists, entrepreneurs, and more. I know my city well and, as it evolves, I am learning more about it with each passing day. Kaneeka Moore I am heavily involved in the community. I am affiliated with a couple of nonprofits here in Austin and I love to assist them with events, as well as a vendor. At MOWCTX I am responsible for volunteer engagement and distribution in my hub. I have never served on a review panel so I am very interested in learning how it operates. As well as being introduced to more organizations I could possibly be apart of or help collaborate with other organizations. Carlos Moreno Carlos Moreno is an Austin-based artist, curator, and creative entrepreneur whose work centers on cultural storytelling, sensory experience, and community engagement. He is the founder and creative director of Barrio Pop Studio, a Latinx-led creative studio and curatorial platform producing exhibitions, workshops, public programs, and collaborations that connect contemporary art with everyday cultural experience. Moreno earned a B.A. in Art History from The University of Texas at Austin with a minor in Arts Management and Administration. His professional and educational experiences include work with Artpace San Antonio, SITE Santa Fe, the Institute of Contemporary Art/Boston, The Studio Museum in Harlem, and The Andy Warhol Museum. His independent artistic practice explores ecology, queer identity, Latinx cultural storytelling, memory, and the senses through cyanotype, installation, and research-based approaches. Through Barrio Pop Studio and projects including Scent Fair Austin, Moreno works to create accessible platforms for artists and communities while expanding how audiences experience art through scent, place, participation, and collective storytelling. Founder of Barrio Pop Studio and Curator of Scent Fair Austin I’d love to use my skills and expertise in grant writing to support this initiative. My connection to Austin’s cultural and creative community has grown through nearly a decade of living, studying, working, and building relationships across the city. I am the founder and creative director of Barrio Pop Studio, a Latinx-led creative studio and curatorial platform that develops exhibitions, workshops, markets, and sensory-based public programs centered on art, culture, and community storytelling. I earned a B.A. in Art History from The University of Texas at Austin with a minor in Arts Management and Administration. My professional experience also includes work and training with Artpace San Antonio, SITE Santa Fe, the Institute of Contemporary Art/Boston, The Studio Museum in Harlem, and The Andy Warhol Museum. These experiences shaped my approach to curatorial practice, arts administration, and community engagement. In Austin, I have collaborated with artists, cultural organizations, small businesses, and community spaces to create accessible opportunities for people to experience contemporary art. Through Barrio Pop Studio, Scent Fair Austin, public workshops, exhibitions, and community-based curatorial projects, I have developed a strong understanding of Austin’s creative ecosystem and the importance of supporting artists through equitable opportunities, meaningful partnerships, cultural representation, and spaces that invite participation, experimentation, and connection across diverse generations, disciplines, neighborhoods, and lived experiences. Cris Mueller Originally from Albuquerque, New Mexico, Cris has spent much of her life exploring, living in three countries and five U.S. states before putting down roots in Austin in 2008. A Texas Tech University alumna and Walt Disney World College Program alumna, she has built a career spanning hospitality, nonprofit development, marketing, events, and community engagement. Currently working for the State of Texas, Cris credits her nonprofit experience with shaping her understanding of the role organizations play in strengthening communities. Through work with the Leukemia & Lymphoma Society, Breast Cancer Resource Center, the American Heart Association, and Generation SERVE, she has collaborated with volunteers, donors, families, community partners, and organizational leaders to advance meaningful missions and deliver impactful programs and events. Outside of her professional work, Cris is drawn to the intersection of food, travel, culture, and storytelling. Living and traveling in different places has deepened her appreciation for the traditions, histories, and individuals that give communities their character. Her creative interests continue to explore how these elements shape the way we experience and understand the places we call home. Since 2019 I have worked to successfully lead fundraising campaigns for nonprofit organizations and coach executive level donors to assist in fundraising efforts. My experience as a campaign director, now that I have exited that part of my career, I have a great deal of interest in sitting on boards. I'd like to be sure that I can continue to assist in making choices that will support our communities. I have called Austin home since 2008, and over the years I have built strong connections through nonprofit work, volunteerism, events, hospitality, storytelling, and community engagement. Much of my professional experience has centered on bringing people together and creating experiences that make a meaningful difference in the community. Through my work with organizations such as the Leukemia & Lymphoma Society, Breast Cancer Resource Center, the American Heart Association, and Generation SERVE, I have had the opportunity to engage with people from many different backgrounds and stages of life. I have planned and supported fundraising events, recruited and worked alongside volunteers, developed community partnerships, communicated with donors and participants, and created engaging experiences. When I arrived in Austin, I was already telling people's stories—their stories of life, family, success, failure, creativity, and resilience. At the time, Austin's food and beverage scene was beginning to establish the strong foundation that would eventually become such an important part of the city's identity. Being welcomed into that community and enveloped in its energy was one of the greatest gifts Austin gave me. I was encouraged to look at the city through a unique pair of goggles—to notice the people, traditions, and unexpected connections that might otherwise go unseen—and then share those experiences through storytelling. I became fascinated by the frayed edges and loose threads of Austin's cultural history: the independent voices, emerging creators, neighborhood institutions, chefs, artists, musicians, entrepreneurs, and community builders who were shaping the city in their own ways. I wanted to pull at those threads, learn the stories behind them, and share them with others. That experience shaped my understanding of Austin's cultural and creative community. Jordan Mulford My experience spans arts education, nonprofit development, grant writing, literary programming, volunteer service, and community outreach. I've supported fundraising initiatives, led writing workshops, and served on application review committees. My background in writing, education, literary programming, and grant writing has given me an appreciation for both creative work and community impact. I'd welcome the opportunity to thoughtfully evaluate proposals and support Austin's arts ecosystem. Matthew Munoz I’ve been involved in the Austin music & arts community for 25+ years, including running the Cactus Cafe and booking all the acts for KUTX. I also spent four years at The Long Center‘s part of the programming team. I am a musician with a music degree To ensure the overall process and opportunities are available and transparent. I would love to see how many active projects are currently being created in Austin. Val Murphy regularly connect neighbors and build community locally. At my daughter's daycare, I've sourced supplies, repaired equipment, installed internet, and planned parties—practical, hands-on volunteering rooted in showing up for others. My work in film/TV and as a project manager gives me both creative insight and organizational rigor. Serving on this panel lets me give back to Austin's arts community in a more official, hands-on way." Brenda Aime nan Brenda Aime is an Austinite, born and raised in East Austin, and co-founder of Dulce Piñatas ATX, a mother-daughter artist duo reimagining the piñata as a fine art form. Alongside her mother, a master artisan, Brenda designs handcrafted piñatas, custom installations, and original art content that document their process and craft for a growing audience. Since launching in 2025, the studio has grown into a creative practice spanning individual celebrations, corporate brand activations, and community events across Austin, always rooted in the artistry and cultural tradition passed down through generations. Brenda is the first in her family to attend and graduate from college, where she then grew her career in CX and digital transformation strategy at Accenture, leading journey mapping, customer research, and service design for Fortune 500 clients in the telecommunications and information technology industries. She is also the creator of First Gen Dreamer, a personal essay platform exploring East Austin, first-generation identity, and code-switched storytelling. Brenda blends strategic thinking with creative design and is passionate about supporting Austin's artists and first- generation creatives through thoughtful, equity-minded evaluation. I’ve previously been a CX consultant at Accenture, and a member of ALFA Austin. I’m also a part of the non-profit Breakthrough Central Texas that supports fellow first-gen students. I was a part of the Artist Career Training Program Fall of 2025. I’m interested in being part of the review panel as a way to support ensure ACME’s funding process. As a fellow Austinite(born and raised in east Austin) I’ve benefited from the city’s cultural diversity and vibrant art. I was born and raised in East Austin, a neighborhood whose cultural identity has shaped both my personal story and my creative work. Through Dulce Piñatas ATX, the mother- daughter studio I co-founded, I work directly within Austin's Mexican-American craft tradition, learning techniques passed down from my mother and translating them into custom art for families, cultural celebrations, and community events across the city. That work has given me a close, ongoing relationship with Austin's creative small-business community, from local artisans and event vendors to first-generation entrepreneurs building similar ventures. As the first in my family to graduate from college, I also mentor first-generation students and early-career Latinas navigating education and career paths without a roadmap. My work at Accenture in customer experience and research taught me to listen closely, synthesize community input, and evaluate programs against qualitative stories and measurable impact. I bring these skills to reviewing applications with fairness and cultural fluency. I understand Austin's creative community not just as an observer, but as someone actively building within it. Kalen nan 10+ years volunteering across cities with nonprofits in health, literacy, and youth development. Currently: 2 years with Dress for Success and children's literacy programs, plus I work at a nonprofit supporting children and families. I'm deeply engaged in the arts—visiting galleries and museums, following local and national trends—and community is central to my work. With 5 years of experience reviewing and writing grants, this panel is a natural fit for my passion and expertise. Marshall nan I have been working in the nonprofit/philanthropy sector for 30+ years as a consultant, trainer, staff member, and volunteer leader. I have worked with funders and with community-based organizations. www.capitalphilanthropy.com I am also an artist. I do grant proposal review professionally as well as a volunteer. I've reviewed applications from organizations throughout the country. I also recently served as a grants panelist for the New Jersey State Council for the Arts, which I enjoyed. Prqueeniam nan More than 28 years serving Texas government through procurement, compliance, and public service. Chair of the City of Austin MBE/WBE Advisory Committee, TAPP Board Member, statewide committees, outreach, training, and community engagement I enjoy evaluating proposals using objective criteria and providing fair, thoughtful feedback. I value supporting transparent funding decisions that strengthen Austin’s arts, culture, and creative community through an equitable review process. Roots & Returns nan My work began the way most important things do: in the rubble. After a series of devastating losses, I found myself unmoored. Untethered from myself, lost, stuck. The world was loud with well-meaning but useless advice, so in the quiet of my own kitchen I returned to the one thing I'd always known: baking. But this time was different. This time it was not about performance or perfection, it was survival. I began to bake not just for others but for myself, as a way back to a love I had grown to feel I no longer deserved. Today, as a classically trained pastry chef, I'm the founder of a culinary company born from a radical idea: that the journey out of loneliness and self-abandonment is not a problem to be solved, it is a homecoming to be savored. My work uses food and gathering to heal our relationship with ourselves and each other, reimagining culinary creativity as a catalyst for renewal. Through the workshops and gatherings I lead, I teach what I learned at my own kitchen counter: that while the ultimate journey is about far more than baking, the first step can be as simple as deciding to bake a cake. My work is an invitation to come back to yourself, one slice at a time. Welcome to my table. Founder of Roots & Returns, a culinary healing practice rooted in Black American food traditions. I lead community workshops using baking as a vehicle for storytelling, grief processing, and reconnection. As a classically trained pastry chef and founder of Joy-Centered Culinary Healing™, I bring a lens of culture, ancestral tradition, and community to the arts. I'm passionate about amplifying underrepresented voices in Austin's creative economy. I'm a classically trained pastry chef and the founder of a culinary brand built on a simple conviction: that baking and the shared table can help people rebuild self-trust after grief, loss, and self-abandonment. My connection to community is both personal and professional. My work was born in my own kitchen during a season of profound loss, and over time it grew into public work, workshops, gatherings, and live experiences that bring people together around food to reconnect with themselves and each other. Professionally, I bring the discernment of formal pastry training, the eye of a founder building a creative business from the ground up, and real experience designing and facilitating gatherings where food, art, and storytelling meet. I understand what it takes to turn a creative practice into something fundable and sustainable, and I know the courage it takes to put your work in front of others to be evaluated. I moved to Austin last November and have loved every minute of it. I've thrown myself into knowing this city: spending days at the library and its events, exploring happenings around town, and visiting the downtown Welcome Center to learn Austin's history and culture. I'm actively building community and friendships here, and I've come to see Austin's creative community for what it is: fiercely independent, deeply collaborative, and rooted in the belief that art, music, food, and culture are civic goods worth protecting. As a newer resident I bring fresh eyes and genuine curiosity; as a working artist and founder I bring real understanding of the craft and risk behind every application I would review. I would be honored to give Austin's creatives a careful, generous, and rigorous reading. Arunachala Nagarajan I have a PH.D. degree and have worked in Pennsylvania, New York, and Austin. I was trained in percussion at Wesleyan University, Connecticut. I was also an adjunct professor with Austin Community College and a member of the upstate New York cultural board. I am still a reviewer with theTexas Arts Commission I have organized and promoted ethnomusical events for the past 30 years in Austin. I have been a member of The New York Cultural board and a grant reviewer for Austin City and Texas Commission on Arts, interacting with several communities in Austin I want to use my years of experience to evaluate the applicants to add cultural diversity of Austin. Being here for the last 30 years, I can add valuable contribution to selecting well qualified cultural groups. I am one of the founders of non- profit India Fine Arts Inc, dedicated to promoting cultural events to create an appreciation of Southeast cultures in Austin Tx. I have worked with several sister organizations in Austin, San-Antonio, and Houston to promote diverse cultural events as part of Austin's cultural ecosystem. In that work, I have worked closely with community groups, university organizations, and underserved communities. Austin is unique in the cultural landscape as the"Music Capital of the World" with diverse demographics. Patti Neff I have been involved with various performing arts organizations in Austin for the last 30 years. I have served several times in the past and enjoy the work and discovering/learning about various artists and companies in the community. I appreciate the city's efforts to broaden the inclusivity of the granting process Linett Negroni I’m a psychotherapist for people of color and LGBTQIA+ folks, serving our community through clinical work and advocacy - testifying before city council on issues affecting our community and providing psychoeducation at UT Austin. This role’s narrative focus, centering community voice speaks directly to my life’s work. I love human stories and I’d bring the same care and curiosity to reviewing applications as I do to my everyday role. Nurun Nessa Nuri I am a singer and composer promoting Bengali folk music through international collaborations and performances. I have also supported community programs and cultural events through roles at MSU Texas. As a collaborator, I value fair and community-centered support for the arts. Serving on a panel allows me to contribute my artistic perspective, support diverse creative voices, and help evaluate projects that strengthen Austin's cultural landscape. Pauline Nzeribe Pauline Nzeribe is an art entrepreneur and community builder whose work bridges business, culture, and social impact. She is the founder of Kora Art Collective, a contemporary art dealership and cultural initiative dedicated to amplifying modern and contemporary African and diasporic voices through exhibitions, cultural activations, and collector education. Pauline’s passion for collecting African art, combined with a desire to elevate African creativity in new and accessible spaces, led her to establish Kora Art Collective as a platform for visibility, connection, and cultural exchange. With more than 30 years of leadership experience in global high tech organizations, Pauline’s professional background spans consulting, strategy, finance, business operations, and enterprise transformation. She brings this strong business foundation to her creative practice, enabling Kora Art Collective to operate with both cultural intention and operational rigor. Based in Austin, Texas, Pauline is actively engaged in the local arts ecosystem. She collaborates with arts organizations, participates in city-led cultural initiatives, mentors entrepreneurs through SCORE Austin, and serves as a Board Member at Large with Austin Sister Cities International. Pauline served on the FY26 Elevate Austin grant funding review process which awarded grants totaling more than $24 million across four programs representing a broad spectrum of disciplines, communities, and creative practices. Across all her work, she brings a distinctive blend of cultural intuition, strategic insight, and purpose-driven leadership—believing that art, when centered intentionally, has the power to shift culture, strengthen communities, and create generational impact. I am committed to advancing cultural representation, building partnerships with local arts organizations, mentoring emerging entrepreneurs through SCORE Austin, and serving as a Board Member at Large with Austin Sister Cities International. I enjoyed serving on the grant review panel earlier this year. Austin’s creative energy, cultural diversity, and strong community make it a place where artists and changemakers can thrive—and I am grateful to contribute to its cultural landscape. My connection to the Austin community is both professional and personal, specifically in civic engagement, entrepreneurship, mentorship, and a commitment to strengthening the city’s arts and cultural ecosystem. As an Austin resident, I have sought opportunities to contribute my professional experience while becoming actively involved in organizations that support the city’s businesses, communities, and cultural relationships. I founded Kora Art Collective, an art dealership and cultural initiative focused on connecting audiences and collectors with contemporary African and African diasporic art. Through this work, I have gained firsthand experience with many of the opportunities and challenges facing artists and small arts organizations, including finding affordable exhibition space, building audiences, developing sustainable revenue, marketing creative work, forming partnerships, and creating accessible opportunities for the public to engage with art. Austin has a remarkable creative identity, but maintaining that identity requires intentional investment. As the city continues to grow, affordability, access to space, sustainable funding, equitable opportunities for artists, and the preservation of Austin's cultural character remain important concerns. I believe a strong creative ecosystem must support established institutions, independent artists, emerging organizations, culturally diverse voices, and creative entrepreneurs. My professional experience allows me to bring a strategic and operational perspective to these issues, while my work in Austin's arts, business, and civic communities gives me a personal understanding of their impact. I would bring to public service a combination of business discipline, collaborative leadership, cultural curiosity, and a commitment to helping ensure that Austin remains a city where creativity is supported, diverse artistic voices are visible, and the arts remain an integral part of the community's identity and future. Oluwasegun Oke I'm an enthusiastic, socially conscious person who has a deep passion for the arts, culture, music, entertainment, and creativity. I appreciate how artistic expression fosters community, promotes communication, protects cultural identity, and gives people from different backgrounds chances. I have great research, critical thinking, communication, and objective idea evaluation skills thanks to my academic, professional, and personal experiences. Supporting innovative projects that foster inclusivity, creativity, cross-cultural understanding, and significant community involvement greatly interests me. I would approach the Austin Arts, Culture, Music, and Entertainment Review Panels with an open mind, fairness, attention to detail, and a dedication to making appropriate decisions. I'm excited to share my viewpoint and assist in identifying initiatives that have the potential to positively influence Austin's creative and cultural landscape. Over the past five years, I have actively engaged with my community through visual art by participating in local exhibitions, collaborative mural projects, and arts education workshops. I am eager to serve on a Review Panel because, and I am committed to fairness, constructive critique, and helping ensure that funding and opportunities reach projects that are both innovative and impactful. My interest in technology, research, creative thinking, and activities that have a beneficial social impact all influence how I relate to my community. I have honed my research, critical thinking, problem-solving, communication, and idea evaluation skills throughout both my personal and professional experiences. I appreciate how the arts, culture, and creative expression foster interpersonal relationships, promote communication, preserve common experiences, and provide chances for both individuals and communities to prosper. I've learned from my experiences how important it is to listen intently, appreciate diverse viewpoints, and give constructive criticism. I would especially like to contribute an unbiased viewpoint to the evaluation process and learn more about Austin's diverse cultural and artistic community. If chosen, I would treat every application fairly, honorably, with curiosity, and with respect for each applicant's distinct experiences, thoughts, and creative contributions. Chinwe Okorie Chinwe Okorie is an award-winning, visionary filmmaker known for emotionally resonant stories that center underrepresented voices. With a background in writing, directing, and producing, she brings a bold creative vision to every project. Guiding performances, collaborating seamlessly with crews, and crafting narratives that linger long after the credits roll. Her work blends grounded storytelling with sharp wit, absurdist observation, and striking visual depth, often exploring themes of identity, belonging, and generational memory. Chinwe has been twice nominated for Best Austin Filmmaker by The Austin Chronicle (2021 and 2025), alongside icons like Richard Linklater and Robert Rodriguez. Her acclaimed short LOVEBITES was hand-selected by Issa Rae for distribution through Hoorae Media. Her follow-up, ELEPHANT!, a dark comedy exploring teen mental health, premiered at the 2022 Austin Film Festival and earned her recognition as a Top Writer to Watch by MovieMaker Magazine. Most recently, her film CYCLES premiered in competition at the 2025 Florida Film Festival and went on to win two awards, including Best Screenplay at the Black Women Film Network in Atlanta. Chinwe is currently expanding into the horror genre with her short HELP IS ON THE WAY and a feature-length screenplay titled SWEET MOTHER. Chinwe Okorie is a multi-genre writer and director whose work blends grounded storytelling with sharp wit and absurdist observation. In 2021, she was nominated for Best Austin Filmmaker by the Austin Chronicle, alongside industry icons Richard Linklater and Robert Rodriguez. Her short film LOVEBITES was hand-selected by Issa Rae for distribution through her production company, Hoorae Media. Chinwe’s follow-up, ELEPHANT!, a dark comedy exploring teen mental health, premiered at the 2022 Austin Film Festival and earned her recognition as a Top Writer to Watch by MovieMaker Magazine. Her latest film, Cycles, premiered in competition at the 2025 Florida Film Festival and won the audience award at the Charlotte Film Festival. Chinwe is currently developing the feature-length version of ELEPHANT! and venturing into the horror genre with her short film HELP IS ON THE WAY. Since living in Austin in 2013, I have been enmeshed with the Austin film community through producing various independent film projects and leading workshops and industry panels. I want to be an advocate for the independent arts in Austin and ensure underrepresented artist aren't overlooked during deliberation. I am deeply embedded in the Austin independent film community. I have a close tie with the Austin independent film community. I have been working in Austin for over 10 years as a writer and director. T P I don't have alot of community involvement at this time, however I would love to. I would love and appreciate gaining the exposure that would assist me with becoming more active in my community. I am interested in serving on this panel as a way to begin the process of familiarizing myself more with the cultural arts in Austin. I also believe my professional experience working with grants would be beneficial to ensure my success. Khushboo Panjwani My name is Khushboo Azad, and I am Queer Pakistani-American, Muslim woman. I have degrees from UT Austin in Anthropology and International Relations & Global Studies. I am an Arts & Culture Events Organizer and Qualitative Researcher. In the past, I have also worked as a Domestic & Sexual Violence Advocate and a Conflict Mediator. Over the past 8+ years, I have worked at the Cimarrón Cooperative, Asian Family Support Services of Austin, the Intercooperative Council of Austin, Texas Campaign for the Environment, Innovations for Peace & Development (IPD), and the International Office at UT Austin. In addition to my work locally in Austin, I have also worked internationally. I am a rubabist (musician who plays the rubab, a Central Asian lute folk instrument), and have played shows in Pakistan that highlight preserving folk traditions from Northern Pakistan & Afghanistan. While living in Pakistan, I worked as an Arts & Cultural Events Lead at Club 432, a community center focused on live music performance, theatre production, and the performing arts. Together we hosted folk & heritage shows in historical venues, Kathak dance shows, acoustic & jazz sets, and hip hop cyphers. In Northern Pakistan, I also hosted community education workshops in mental health with Chitral Rising, a local cultural heritage non-profit. In Cape Town, South Africa, I have done qualitative, medical anthropological research on post-apartheid health systems, eventually writing a report for the African National Congress. For 4 years, I worked on the Community Education & Outreach team at Asian Family Support Services of Austin. I planned 70+ cultural events & celebrations for Austin's various, vibrant Asian & African communities, & for Austin's Queer Asian community. I am incredibly committed to Austin's culture, arts, music, & historical scenes, and have been for 10 years. These scenes & programming are what make Austin so beautiful to me. I want to contribute to the best being chosen to continue this work. I have lived in Austin for the last 10+ years. For the past 8+ years, I have initiated, created and hosted arts, music, & cultural events and community education workshops through my work with the Cimarrón Collective, Dandelion House, AFSSA (Asian Family Support Services of Austin), and the Pink Palace. I am Pakistani-American, Muslim, Queer, and I speak Urdu/Hindi and conversational Arabic. Because of this, my work has always been deeply situated both in Austin's Queer/Trans communities, and the city's various, vibrant Asian & African immigrant communities. My work at AFSSA & Cimarrón have led me to host cultural events, celebrations, arts & music nights, and workshops in 7+ different languages through the use of our community interpreters & translators. I am deeply committed to the breadth of Austin's cultural & creative scenes, as far reaching as they are. I have found that gathering people for the purposes of cultural celebrations & for the arts has always created more belonging, connection, & vitality in our communities. Examples of events I have hosted include: Nowruz and Chaharshanbe Suri (Persian New Year) celebrations with music & dance, Eid celebrations including henna artists & painting, musical concerts including South Asian, Middle Eastern, & World music (Qawwali, Ghazal, Maqam, etc), Lunar New Year performing arts showcases, small visual arts gallery showings, and film/documentary screenings. These have always been with the support of partners -- the Asian American Resource Center (AARC), allgo, Mama Sana, Luz de Atabey Midwifery Project (LAMP), Black Trans Leadership of Austin (BTLA), Voices Against Violence, Cimarrón Collective, Dandelion House, the Singh Saba Gurdwara, Nueces Mosque, the Austin Hindu Temple, Interfaith Action of Texas, and many more. Kelsey Parr While my previous focus was on growing my career, raising my young children here has inspired a strong commitment to our local community. I am eager to actively invest my time and professional skills into enriching our city’s future. I want to support the creative vibrancy of our city. While looking to step into active community involvement, I offer a fresh, passionate perspective as a local resident dedicated to fostering an inclusive and thriving arts ecosystem. Samuel Parrott I served as the Artistic and Executive Director for the Austin Children’s Choir for 9 years. I served Austin as the Fine Arts Director for McCallum Fine Arts Academy for 2 years. I currently serve as the Fine Arts Coordinator for Seguin ISD. I love being able to serve the community of Austin through this grant process. my organization received COA grants for 8 years and it benefited our program so much. I would like to be able to serve for my second year reviewing grants for the city. Jasmin Patel Experience in LGBTQ collectives, political organizing collectives, and arts collectives. Interest in continuing to participate in the process (previously as equity facilitator and recently as a reviewer) to get a picture of Austin’s vibrant arts community and funding needs Brady Patterson Brady Patterson is a brand designer and founder of Distract Studio, a design and web studio based in Austin, TX. He studied Visual Communication at the Savannah College of Art and Design and spent 12 years working across brand design, creative direction, and product design for some of the most recognized organizations in sports, tech, and entertainment, including the San Francisco 49ers, Apple, Adobe, Hulu, Fox Sports, and USC Athletics. In 2023 Brady founded Distract Studio in Austin, where he works with founders, creatives, and growing businesses to build brand identities and web experiences that communicate the quality of what they do. His work spans visual identity, brand strategy, and web design across a wide range of industries. As an Adobe Partner, Brady creates design education content for an audience of over 40K followers across Instagram and YouTube, where he shares real workflows, client work, and creative process with designers at all levels. In 2026 he hosted two Adobe Create Now events, including a live brand hackathon in Vancouver where 200 participants built full brand identities from scratch in 60 minutes using Adobe Firefly, and a creative session in Austin bringing together local designers and creators to collaborate in real time. Brady brings a deep commitment to design education, community building, and supporting the next generation of creative professionals to his work both in Austin and across the industry. Website: distractstudio.com Instagram: https://www.instagram.com/design_by_brady/ LinkedIn: https://www.linkedin.com/in/brady-patterson-design/ I studied Visual Communication at SCAD and have spent 12 years in brand design, advertising, and creative strategy. As an Adobe Partner, I create design education content on socials and host design events in person and on YouTube. I have a deep passion for public art and believe great design shapes how communities experience their city. I will bring my expertise in Design & Strategy to help evaluate work that reflects Austin's cultural identity and supports its artists. I'm a brand designer and agency founder based in Austin since 2023. I studied Visual Communication at SCAD and spent 12 years designing for the San Francisco 49ers, Apple, Adobe, Hulu, and Fox Sports before founding Distract Studio here. Since relocating I have worked directly with Austin-based businesses and creatives to build brands that reflect the character of this city. As an Adobe Partner I recently hosted a live creative event as part of Adobe's Create Now tour, bringing local designers and creators together to collaborate in real time using AI-powered design tools. I also create design education content for 40K+ followers, many of whom are Austin-based creatives building their careers in this industry. Austin sits at a genuinely unique intersection of music, tech, film, food, and visual art. That cross-pollination shows up in the work being made here in a way I have not experienced anywhere else. I believe creative funding should reflect that full range, supporting artists and projects that represent Austin's cultural diversity, not just its most visible corners. I would bring my background in visual communication, brand strategy, and community- centered design to the review process with that perspective front and center. Beau Paul I am a lifelong Austinite. Immediately after graduating from Westlake High School, I dove into Austin’s fecund theatre community as an actor. Since I was cast in my first role, I have continued to work as an actor, a director, and a dramaturg for over 35 years. In addition to my theatre ties, I worked as a manager and staff member of the legendary Austin music venues The Electric Lounge and The Hole in the Wall for several years. I still maintain strong ties to the friends I made in the Austin musical and poetry slam communities. I worked for several years in the video games industry. I provided narrative design, dialog, and worldbuilding for the MMORPGs Wizard101 and Pirate101 for Kingsisle Studios. I also provided voices for many in-game characters. For the last few years, I have worked as an entertainment journalist, contributing reportage and criticism to such sites as The Daily Dot and We Got This Covered. I have also contributed movie reviews and podcasts to One of Us.net and the now-defunct Spill. Com. I have worked alongside Korey Coleman and Martin Thomas, members of Double Toasted, the Austin Chronicle's Best of Austin award for Best Podcast in 2015, 2017, and 2022. I am a lifelong Austinite. Immediately after graduating from Westlake High School, I dove into Austin’s fecund theatre community as an actor. Since I was cast in my first role, I have continued to work as an actor, a director, and a dramaturg for over 35 years. In addition to my theatre ties, I worked as a manager and staff member of the legendary Austin music venues The Electric Lounge and The Hole in the Wall for several years. I still maintain strong ties to the friends I made in the Austin musical and poetry slam communities. I worked for several years in the video games industry. I provided narrative design, dialog, and worldbuilding for the MMORPGs Wizard101 and Pirate101 for Kingsisle Studios. I also provided voices for many in-game characters. For the last few years, I have worked as an entertainment journalist, contributing reportage and criticism to such sites as The Daily Dot and We Got This Covered. I have also contributed movie reviews and podcasts to One of Us.net and the now-defunct Spill. Com. I have worked alongside Korey Coleman and Martin Thomas, members of Double Toasted, the Austin Chronicle's Best of Austin award for Best Podcast in 2015, 2017, and 2022. I have served the Austin arts community in several capacities: as a professional artist, as an audience member, as a member and administrator of Austin’s B. Iden Payne Awards Council, and as a board member of The Vortex and Austin Creative Alliance. I believe that the voices of the arts community are not only important but requisite in building the future of this incredible city. As such, I take a personal interest in ensuring that the city supports the talented creators of that community. I have been an active part of the vibrant Austin arts community in one way or another. I have served the community in several capacities: as a professional artist, as an audience member, as a member and administrator of Austin’s B. Iden Payne Awards Council, and as a board member of The Vortex and Austin Creative Alliance. As a theatre artist, I have experienced Austin's incredibly rich community from multiple viewpoints, including that of a performer, a director, and a dramaturg. More recently, I have added an administrative viewpoint through sitting on the boards of Austin Creative Alliance, one of the foremost providers of fiscal sponsorship to Austin's art community, and The Vortex, a pillar of the Austin theatrical community and an invaluable cultural hub of Austin's east side. For the past six years, I have been a member of the B. Iden Payne Council, dedicated to recognizing outstanding theatrical performance, production, and design in Austin via our annual awards. Several years ago, I stepped into the role of the council's treasurer, joining the administrative council of the organization. As a BIPAC member, I am asked to see at least 52 of the many theatrical productions in Austin. These include comedies, dramas, improv, and musical performances. Last season, which ended in September, I saw 70. I'm on target to exceed that goal this year, having already viewed 68 performances to date. I look forward to bringing my experience to bear for the upcoming panels. I have been an active part of the vibrant Austin arts community in one way or another. I have served the community in several capacities: as a professional artist, as an audience member, as a member and administrator of Austin’s B. Iden Payne Awards Council, and as a board member of The Vortex and Austin Creative Alliance. As a theatre artist, I have experienced Austin's incredibly rich community from multiple viewpoints, including that of a performer, a director, and a dramaturg. More recently, I have added an administrative viewpoint through sitting on the boards of Austin Creative Alliance, one of the foremost providers of fiscal sponsorship to Austin's art community, and The Vortex, a pillar of the Austin theatrical community and an invaluable cultural hub of Austin's east side. For the past six years, I have been a member of the B. Iden Payne Council, dedicated to recognizing outstanding theatrical performance, production, and design in Austin via our annual awards. Several years ago, I stepped into the role of the council's treasurer, joining the administrative council of the organization. As a BIPAC member, I am asked to see at least 52 of the many theatrical productions in Austin. These include comedies, dramas, improv, and musical performances. Last season, which ended in September, I saw 70. I'm on target to exceed that goal this year, having already viewed 68 performances to date. I look forward to bringing my experience to bear for the upcoming panels. Leah Paulo I served on the Planning and Development council for a smaller town. This taught me how to interact with the community while also following city guidelines. I was the Programs Coordinator for a women's club that put on fundraising and family events. I was a grant reviewer last session and was surprised how much I enjoyed it. There are so many creative people in Austin and I would like to support them by volunteering to read their proposals and offer feedback to help them get funding. LaTonya Pegues As CEO of Austin, TX based BOAZ Enterprises, LaTonya Pegues brings a wealth of experience to BOAZ Enterprises and BOAZ Entertainment clientele. After working in the aerospace industry in a variety of positions; including satellite and missions engineer, low temperature physics researcher, and communications and PR expert, she founded BOAZ Enterprises / BOAZ Entertainment a training, consulting, communication expressions and marketing firm. BOAZ Entertainment has worked with BET, the GRAMMYS® Hollywood Studios, Red Carpet Events, Book Publishers, film festivals in Austin and across the United States- including the Capital City Black Film Festival (regularly held in Austin before the pandemic years), artists and entertainers. She has worked on productions for the 1. silver screen, 2. theatre, 3. live music, 4. online, and more. Under LaTonya's leadership, BOAZ Enterprises / BOAZ Entertainment has provided services for clients in Africa, Asia, Europe, the Caribbean, and throughout North America. LaTonya enjoys performing on stage, listening to live music, water sports, and international travel. Outreach & engagement - door knocking to spread the word about events in underserved zip codes in Austin Facilitate Mtgs PR/Marketing Training and train the trainer Working with youth to prep for weekly live radio program SXSW advisor & board member Austin's know for music, culture, & arts, however there's a need to have more variety in what is being promoted. Some groups & organizations simply need funding to help them amplify the work they are doing to reach others. I'd like 2 expand opps Ever since I moved to Austin, I have been involved in the community. I volunteered at a local radio station training middle and high school aged students how to prepare for a radio show and the ins & outs of being a radio personality. I have been an on air personality in Austin and overseas. I have worked on countless events for SXSW throughout the years. Official and non official SXSW events I have worked on numerous events that raise awareness of & give opportunities for under served communities to have more exposure to the arts, music, and history preservation related matters. For years, I have worked with the Urban Music and Cultural Fest held at Zilker park in various capacities. Planning, organizing, executing, promoting, having media cover the festival, fundraising, being on stage introducing segments, working with youth preparing them for performances, interact with performing artists and their managers and coordinating their interaction with the press and fans. I provide training on several topics including how to work together as a team, how to work with difficult people, how to make difficult decisions, recognizing your own blindspots and disrupting them, the importance of self awareness and interpersonal skills, and more. Austin has the potential to provide much more programming that can provide tourists, visitors, & Austinites more choices and variety for entertainment and education. There have been many a night where my friends and I have searched and searched for entertaining things we would love to do, in Austin, and not just things we simply have to do because there are so few choices of what interests us. Sometimes we have to travel hours out of the City in order to find entertainment we love. Having attended many museums, art exhibits, concerts, film festivals, in Austin, as an AACME Grant reviewer I am looking forward to helping the City identify potential grantees who will broaden the scope of things people can do & love to do in Austin, TX Sofie Perevalova As an interior designer and multidisciplinary artist, I’ve collaborated with local creatives, supported community events, worked with artists and makers, and regularly curate art and design for residential and commercial projects. As both a practicing artist and design professional, I’d be honored to support fellow creatives. I enjoy evaluating work through creativity, craftsmanship, and impact while helping strengthen Austin’s arts community. Aisha Pérez-González Aisha Pérez-González is a Puerto Rican librarian, art historian, and collections specialist whose work bridges understanding between cultural heritage, archives, libraries, and contemporary art. For the past years she has been working on understanding collection management, documentation, preservation and public access to cultural artifacts in a sustainable way. Her professional practice centers experience as a way of learning rooted in equitable access to art and cultural knowledge. Through community collaboration she seeks that her work interconnects libraries, archives, exhibitions, public programming, and participative research. She has contributed to exhibition development, collection stewardship, arts writing and cultural initiatives with museums, nonprofit organizations, and independent projects throughout Puerto Rico. Aisha is keen to evaluating projects through the lenses of community impact, sustainability, accessibility and cultural significance. With her interdisciplinary background she is particularly interested in supporting projects that strengthen cultural ecosystems, preserve heritage, foster public engagement and broaden access to the arts across diverse communities. LinkTree: https://linktr.ee/aperezgonzalez (arts writing) Instagram: https://www.instagram.com/viendoaperez Aisha Pérez-González is a Puerto Rican librarian, art historian, and collections specialist whose work bridges understanding between cultural heritage, archives, libraries, and contemporary art. For the past years she has been working on understanding collection management, documentation, preservation and public access to cultural artifacts in a sustainable way. Her professional practice centers experience as a way of learning rooted in equitable access to art and cultural knowledge. Through community collaboration she seeks that her work interconnects libraries, archives, exhibitions, public programming, and participative research. She has contributed to exhibition development, collection stewardship, arts writing and cultural initiatives with museums, nonprofit organizations, and independent projects throughout Puerto Rico. Aisha is keen to evaluate projects through the lenses of community impact, sustainability, accessibility and cultural significance. With her interdisciplinary background she is particularly interested in supporting projects that strengthen cultural ecosystems, preserve heritage, foster public engagement and broaden access to the arts across diverse communities. LinkTree: https://linktr.ee/aperezgonzalez (arts writing) Instagram: https://www.instagram.com/viendoaperez My community involvement focuses on expanding access to art, culture, and knowledge through libraries, archives, education, and cultural programming. I collaborate with institutions and independent projects to support engagement and dialogue. I am interested in supporting artists and cultural initiatives by contributing thoughtful equitable evaluations. Having previously served as a reviewer, I value the opportunity to help recognize creative work and support artists. My professional practice is rooted in strengthening cultural communities through providing connections within libraries, archives, museums and collaborative arts initiatives. Through the years I have worked with artists, nonprofit organizations and cultural institutions to improve access to collections, support public programming, document cultural heritage and develop educational opportunities that connect communities with the arts. Beyond my institutional work I have collaborated with independent publications, exhibition projects and artists led experiences where these have deepened my understanding of the challenges that cultural workers, in all its spectrum, face in order to make their work. . I have also served as a reviewer for arts initiatives, evaluating applications with attention to artistic merit, community impact, accessibility, and long-term sustainability. While I am based in Puerto Rico, I closely follow conversations around arts funding, cultural preservation, and community engagement across the United States and the Caribbean. I understand Austin as a city with a multicultural and multidisciplinary creative ecosystem with a strong commitment to supporting artists through public investment. If selected, I would approach each application with curiosity centered in: community impact, accessibility and long-term sustainability acknowledging the perspectives of the communities it serves. My professional practice is rooted in strengthening cultural communities through providing connections within libraries, archives, museums and collaborative arts initiatives. Through the years I have worked with artists, nonprofit organizations and cultural institutions to improve access to collections, support public programming, document cultural heritage and develop educational opportunities that connect communities with the arts. Beyond my institutional work I have collaborated with independent publications, exhibition projects and artists led experiences where these have deepened my understanding of the challenges that cultural workers, in all its spectrum, face in order to make and their work. While I am based in Puerto Rico, I closely follow conversations around arts funding, cultural preservation, and community engagement across the United States and the Caribbean. I understand Austin as a city with a multicultural and multidisciplinary creative ecosystem with a strong commitment to supporting artists through public investment. If selected, I would approach each application with curiosity centered in: community impact, accessibility and long-term sustainability acknowledging the perspectives of the communities it serves. Annie Petterson Annie Petterson is an educator and advocate with 20 + years of experience in advocacy, community outreach, and bilingual education. Originally from Kansas, she has professional work experience in California, Washington, Oregon, Spain, and the Dominican Republic. Annie is a dancer on Lux Mambo and enjoys performing locally and across the nation. She also enjoys working with athletes of all abilities and excited to help future generations of athletes reach their full potential. I currently dance on a performing team that does outreach - Lux Mambo. I am involved in Education at the Texas School for the Blind and have worked for Austin International School, Leander, and Round Rock. I volunteer with Achilles International. I would bring a background of 20 years experience in community outreach and education in a variety of roles. I am a participant in the arts through dance and various athletics. I have a history of advocacy as a bilingual educator (Spanish). I have contributed to Austin's cultural and creative community in a variety of ways. Since 2018, I have worked in Education in the Austin Community - this includes serving as a bilingual elementary teacher. In addition, I have danced with two well-known Latin Dance teams in Austin for over 3 years. The first is Oro Dance Company - in which I performed a bachata routine. The second is Lux Mambo - in which I am participating in my 5th season, and I also serve on the board as a Community Outreach director. Lux Mambo has performed locally at Rhythm House, Austin Uptown Dance, Mavericks, Inspired Movement, Esquina Tango and around the state at Salsa Congresses. We have also performed nationally in San Francisco and New York City. In addition to be an avid dancer I have volunteered for productions such as Eastside Performing Arts Center and other local venues. Additionally, I serve as a volunteer for Achilles International - an organization that runs with visually impaired athletes, I volunteer with Austin Triathlon Club and I work at the School for the Blind. I am very much a patron of the arts and music scene and have collaborated with musicians through JAM (Joining All Musicians) including hosting jam sessions in my home for all types of musicians. Anh Lan Pham Anh Lan Pham is a cultural strategist and creative technologist working across Austin. Her creative work spans documentary film, AR installations at NYFW and SXSW, and bilingual participatory arts programming. VACAT Board Member and Marketing Director. Built bilingual wellness and digital literacy programs, and mentoring emerging creatives through Soho House Austin. I've been on the applicant side of this process and know how much a careful reviewer matters. I want to bring that experience, plus my background funding and building cultural programs in Austin, to evaluate proposals fairly and fund work that ships. As a Vietnamese American, I've served on the board of the Vietnamese American Community of Austin Texas since 2021, where I write grants and run marketing for our free bilingual cultural programming, bringing artists, translators, teachers, and performers together across generations. I've also produced my own creative work in Austin, including documentary film and AR installations shown at SXSW. Aly Phanord Aly Phanord is an organizational development strategist and culture builder dedicated to helping mission‑driven institutions thrive. With a career spanning healthcare, local government, and community‑based organizations, she brings deep expertise in culture transformation, change management, and learning and development to environments where creativity, collaboration, and inclusion are essential. She has led large‑scale initiatives that strengthen belonging, elevate employee voice, and align people practices with organizational values. Aly has built a reputation for relationship‑centered leadership—bringing teams together across disciplines, identities, and perspectives to co‑create solutions that advance shared goals. Her work blends analytical rigor with human insight. She leverages workforce data, listening tools, and cultural indicators to diagnose organizational needs and design strategies that improve engagement, retention, and community impact. She has developed inclusive leadership programs, facilitated transformative learning experiences, and partnered with leaders to embed equity and belonging into everyday practices. Aly holds an Ed.D. in Leadership and Learning in Organizations from Vanderbilt University, an MBA from the University of Central Florida, and a B.A. in English from Spelman College. Her professional development includes certifications in DEI, coaching, and change management. She is passionate about supporting arts and culture organizations in building inclusive, flourishing environments where creativity can thrive, and communities feel connected to the mission. I’ve world for local government and volunteer with other non-profits in the past. I’ve volunteered in many didn’t organizations and enjoy giving back to my community. I want to get more involved in Austin, as I’m new to the area. I have many skills that I think would add value to the process. I am new to the Austin area, but I have experience volunteering for various non-profit organizations, as well as previous experience working for local government and evaluating non-profit organizations for grant funds. Marisa Pisano I have been part of the Austin theater community for about 30 years and have served in various capacities, including actor, director, costume technician, house manager, box office manager and more. I currently teach circus arts to adults. For many years, I worked in higher education and a big part of my job was to review applications for various scholarship opportunities. This feels like it would use similar skills. As an Austin artist, I would love to support a diverse arts scene. Julia Plume I work with grassroots and community organizations to make grantmaking more transparent, equitable, and accessible—reducing barriers, simplifying processes, and ensuring funding practices reflect trust and strengthen communities. I participated in the 2024 and 2025 review panels and found it to be a rewarding, interesting, and relevant experience. I enjoyed the process and would love to be involved again in 2026. Amy Pownall Amy Pownall is a community builder, educator, storyteller, and lifelong Austinite whose work sits at the intersection of people, ideas, and possibility. With more than 30 years of experience across educational sales and technology, marketing, literacy programming, special education, and nonprofit work, she has developed programs and partnerships, designed community experiences, facilitated gatherings, and advocated for people too often overlooked. At the heart of it all is one deceptively simple question: How can we make this work better for real people? Amy is also an artist and independent creative whose interests refuse to fit neatly into one category. She writes, paints, dances, creates handmade and digital work, facilitates women’s circles, practices tarot and Reiki, and uses storytelling to help people see themselves, and each other, with greater curiosity and compassion. Her current focus is on aging boldly and creatively. She is the co-creator of ICONS, a dance program for older adults that blends movement, creativity, and community, and has returned to Austin Community College to study dance and deepen her understanding of movement and aging. Amy believes creativity is not a privilege reserved for artists. It is an inherent human capacity that helps us find meaning, record history, forge connections, solve problems, and imagine what comes next. She is an unapologetic believer that it is never too late to make or create something new that might spark curiosity, inspire possibility, or help someone recognize that there is a place for them in this world. 63 years in Austin. Prof experiences: sales/education Scholastic, teaching special ed, hair styling, NASD compliance officer, caterer. Community work; political support, local sports, art projects, Las Comadres. Vol at APA, schools, AGE of Austin, Successful growth in ATX is meaningful for me. I understand the history here and offer expertise and interest in supporting local artists, businesses, events that shape our future. I’ve been here done that and want others to experience the same. My connection to Austin is both deeply personal and professional. I’m a native Austinite and sixth-generation Central Texan. I’ve lived in and around Austin most of my life and raised my family here. It has been a privilege to watch a city I love deeply change, grow, and continually reinvent itself. Some of my earliest Austin memories are of spending time on the UT campus with my grandfather, a revered and highly honored professor. I’m a proud AISD graduate and attended Concordia College and Austin Community College. Much of my 30+ year professional life has been about bringing people together and making things work for communities. My experience in educational sales and technology, marketing, literacy programming, and special education allowed me to be a part of school districts and communities throughout Texas. Being welcomed into and learning from those diverse communities was one of the great privileges of my career. I’ve built and participated in Austin communities in all sorts of ways—from nonprofit work and clothing swaps to dance programs for older adults, women’s circles, art, tarot, writing, storytelling, and a whole assortment of creative projects. More recently, as a survivor of a brain injury, I’ve become especially interested in supporting people who can be overlooked or underserved; those who don’t always see themselves reflected in traditional art or spaces. What I love about Austin’s creative community is its willingness to experiment. Austin has always made room for people who want to make something, try something unusual, gather people around an idea, or build community in their own way. At this stage of my life, I’m less interested in simply attending community and much more interested in helping create it. I bring curiosity, lived experience, a strong belief in inclusion, and a lifelong Austin perspective—with a particular interest in putting people who have historically been on the margins at the center of the room. Roony Puga I am currently a student at St. Edward’s (a Graphic Design senior for the 2026-2027 school year with an animation minor) and I have had multiple jobs in Austin including my current position at the DORF gallery. I would love to get more involved with the Austin Community and I love art so so much, so this opportunity would suit me quite well. I also think it would be a great opportunity to discover new artists and maybe even connect with them in the future. Victoria Quill Please see above. I think I covered it all. I worked in the staffing industry in this area for over five years. I enjoy volunteering almost anywhere that is safe and do so regularly. I graduated from James Bowie high school in 2015. I want to serve my community. I support values of respect, love, equality, beauty, and multiculturalism. Austin is growing rapidly, and we need to be inclusive of all walks of life which are peaceful. I think this would be exciting work. By living in Central Texas since 2002, I feel deeply connected to the future of Texas. I enjoy environmental and inclusivity-minded work including projects with small, local farms and farmer's markets, as well as arts & media. I also have worked in the local staffing and recruitment industries for 6+ years, helping people of all backgrounds find suitable employment anywhere in the USA. I have a fair amount of free time and would love to put it to a good use. My educational background is in Environmental Science as well as Political and Computer Sciences. My understanding of the cultural and creative community is through over 12+ years of living in and around Austin. I believe it is fast paced and it is the heart of the culture. Along with a growing population is a growing need for non-profit services and initiatives to support the people who participate and make the town better/stronger. There are tens of thousands of arts & cultural events in Austin every single year, as well as many things to do just outside the city with COTA, Round Rock, Lake Travis, and New Braunfels just down the road. Ismael Quintanilla Active in Austin's music community for 10+ years, documenting local artists with organizations like Red River Cultural District, Austin Downtown Alliance and MoHA. I've led festival photo teams and published a charity photo book supporting musicians. I'm passionate about supporting Austin's creative community. Serving on a Review Panel would allow me to bring my experience, offer thoughtful perspectives, and help ensure funding reaches projects that strengthen our local arts ecosystem. Tyiesha Radford Shorts Community Artist in Residence, Urban Arts Space (The Ohio State University); Zora's House, board member; Maroon Arts Group, committee chair; The Giovanni Collective, artist and Director; Columbus Book Festival, discussant and panelist I have served as a Grant Reviewer for the Greater Columbus Arts Council and am deeply invested in a peer/community model for reviewing and awarding grants. The possibility of serving the city of Austin would be an honor. Mindy Radike I have been a women's sports organizer for 10 years as a team captain, coach, and officer to organize events, travel, and fundraisers and manage team culture, partnerships, and PR for multiple seasons lasting 4-8 months each year. As a current Thrive grant recipient, I asked grant administrator, Jesus Varela, for recommendations to develop my competencies in the grants process. I'm interested in using my time to support and learn about ACME's and local applicants' programs. Heather Rafferty Heather is a consultant with Austin-based Firefly Consulting, where she helps organizations clarify processes and coordinate work across teams. She holds a BA in Drama from the University of Virginia and an MBA from the Acton School of Business. Before moving to Austin 12 years ago, Heather spent years working with Chicago theater companies including Steppenwolf Theatre Company, Lookingglass Theatre Company, and Dog & Pony Theatre Company, among others. Her work spanned administration, production, dramaturgy, directing, acting, and front-of-house roles, giving her firsthand experience with both the creative and practical sides of making theater. In Austin, Heather supports the arts community primarily as an audience member at local performing arts and cultural organizations. Since 2015, she has also led a group of friends and neighbors in creating an annual large-scale Halloween installation at a family member's home in Hyde Park, her favorite time of year, when the neighborhood draws thousands of people together for an evening of creativity, community, and spectacle. Heather lives in Windsor Park with her husband and three dogs. My community involvement builds on 9 years of professional theater in Chicago. Today, I organize an annual Halloween installation with friends and neighbors as part of Hyde Park’s Halloween celebration, which attracts thousands of visitors each year. I enjoy learning about and supporting how people think, create, and build community. Serving on a review panel feels like a meaningful way to contribute my experience to Austin’s creative community. My personal connection to Austin’s arts community is primarily as an audience member, attending local performing arts and other cultural productions/institutions. My background in theater gives me an appreciation for both the creative work audiences see and the planning, collaboration, and labor behind it. I also participate in the Hyde Park neighborhood annual Halloween spectacle, which draws thousands of visitors. Leading a group of friends and neighbors, we develop and build a large-scale themed transformation of a family home. The project is informal, volunteer driven, and part of an incredible community interaction of makers and spectators. Corrine Ramirez Born and raised in Central Texas, Corrine graduated from Southwestern University with degrees in Anthropology and Latin American Studies with a focus on the Liberation Theology and the role of Latina Spiritualism in the Chicano Movement. They began farming in 2023 after years of working in the service industry surrounded by delicious food. Learning to grow delicious food is the best and most rewarding 'level up' they’ve experienced thus far. Corrine's main focus for the last couple of years has been to Hot Spell Farms co-operative and business development while remaining dedicated to community building. With a dedication and passion to food access and land justice work they can be found at most mass cooking events or coordinating ways to imbued food access into other projects and events. Link to Hot Spell Farm: https://hotspellfarm.com/ I am involved in a range of food justice centered work from starting a co-operative farm, hosting neighborhood plant giveaways & community horticulture classes. Additionally, I am an artist who’s hosted art-makes and collaborated with other artists I’m interested in developing my grant writing skills and think participating as a reviewer would help me better understand the grant process. I also would love to see what projects my community members are dreaming up for the city. I am a farmer by trade and have been operating a small worker-owned co-operative farm in Elgin or the last three years. I am dedicated to food access and food justice work both in my profession and out of it. Outside of growing food directly for the greater Austin community, I am involved in weekly neighborhood community dinners and have experience mass cooking for a variety of different events, from worship groups, food banks, or free-fridge meal preps, etc. Most recently, I co-facilitated a mass-cooking intensive workshop with GATO as apart of their Autonomous Living Conference. I also have a background in film / digital media and am a practicing textile/mixed media artist. Lastly, I feel that my degrees in Anthropology and Latin American studies prime me to understand a projects cultural impact on a community. I think Austin's rich and vibrant arts and music scene is directly connected to the breath of the cross-cultural exchanges of such a diverse city. In my last 10 years living here I've come to appreciate some of the best art and music because of its cultural relevance to the community hosting it; whether it be a Danza at a park or music at Sahara Lounge or a house show, I always see Austin's best qualities reflected in the community centered events. Jennifer Ramos I volunteer at Austin Creative Reuse now (for 3 years). Past experience includes social media, organizing hikes and trail clean ups for Bull Creek Foundation as a Board Member; I served on the CHULA League Board and ran their artist Mentor program. I served on the panel last round, and had a good experience. I believe I can actually do better now that I’ve done this once. Hollyn Randolph Hollyn Randolph is a Tech Professional who identifies as a community servant. By day she is building cyber governance, risk, and compliance programs that protect organizations while enabling them to move fast and innovate. With nearly a decade of experience across two of the nation's largest financial institutions — Capital One and First Citizens Bank — she has designed enterprise-wide security frameworks, led cross-functional teams, and influenced executive and board-level risk decisions. Beyond work, she is passionate about serving her community and lives by the phrase "to whom much is given, much is required." A former board chair of a Washington DC based nonprofit she is no stranger to leading and serving. She has led pro bono engagements with Washington DC-area and Miami nonprofits — delivering incident response plans, NIST- based policies, and hands-on training to teams with limited security resources. An active member of the Junior League of Washington she has served as a grant reviewer. Evaluating diverse non-profit grant applications using established criteria to award funding that aligned with the organization's community impact goals. She is also a graduate of the organization's "Get on Board" leadership development training. Hollyn is also a proud member of Alpha Kappa Alpha Sorority, Incorporated. When she isn't working or serving the community you can find her practicing calligraphy, working out, or exploring an art gallery in another city. I am a results-driven cyber professional with over four years of experience in grant and scholarship review, combined with a decades long distinguished career in cybersecurity and community engagement through board membership and volunteering. I am interested in serving on the review panel as I think community investment in arts and culture is important. I have years of experience in grant and scholarship review throughout numerous community and non-profit organizations. I am a member of several community based organizations including the Junior League of Washington and a Sorority member of Alpha Kappa Alpha Sorority Incorporated. In all of my organizations I have held leadership roles which have helped me to develop a multitude of skills that I use in my personal and professional life. I am 2021 and 2023 graduate of the Junior League of Washington's "Get on Board" and "Get on Board 2.0" leadership development program. I have served as a board chair for a local nonprofit in based in the Washington DC area and as treasurer of a national nonprofit. Proven ability to apply rigorous analytical frameworks to evaluate complex applications, synthesize information objectively, and make sound funding decisions aligned with organizational criteria. Adept at designing and managing structured review processes, training stakeholders, and driving program excellence. Committed to advancing community impact through thoughtful, equity-minded grant stewardship. Elise Raymund https://www.linkedin.com/in/eraymund/ I'm a nonprofit/higher education fundraiser of 10 yrs. I have grant writing/administration, communications & public relations experience. Currently unemployed due to disability. I've also volunteered as a CASA and with children in foster care. I am interested in supporting artists who help make the community a more beautiful, vibrant place to live. I am a disabled creative writer who is currently unemployed. I have previously volunteered and trained with CASA of Travis County, Austin Pets Alive!, Austin Creative Reuse, and Heartening. I am not currently volunteering due to my health, but would love to be involved in supporting my community in other ways, such as these grant application reviews and virtual sessions. I have previously worked at UT Austin, Friends of the Children- Austin, and MD Anderson Cancer Center in communications, grant writing and reporting, design, events, PR and fundraising. I have lived in Austin for 16 years, and in Texas all my life. In my spare time, I have a passion for learning about languages and cultures, art, the history of our city, and civic engagement. I graduated with a B.S. degree in Communication Studies/Political Communications from UT Austin. Laura Razo Board member of MAS Cultura, Trustee of the National Hispanic Institute, co-founder of Nuestra Palabra, and Librotraficante advocating for literary arts, community engagement, and access to diverse voices. I'm committed to supporting Austin's creative community through fair, thoughtful, and objective reviews. I value public investment in arts and culture and want to help ensure funding decisions are transparent and community-centered. Amber Rechellè Polk Amber Polk is a classically trained violinist, educator, policy researcher, and community advocate with more than 20 years of experience in music and the arts. She has performed with orchestras and chamber ensembles in Washington, D.C., Minneapolis, and Austin, and is an active member of the Austin Philharmonic Orchestra. Amber’s work sits at the intersection of arts, education, equity, and community development. Through her professional and community-based work, she has collaborated with nonprofit organizations and community members to connect individuals and families with essential resources, interpret policies, understand community needs, and strengthen educational and community outcomes. Amber earned her M.Ed. in Educational Leadership and Policy Studies from Howard University, where she developed expertise in research, policy analysis, and evidence- informed decision-making. Her graduate research, No More Hidden Figures, examined how policy development can better protect Black and Latina girls and promote greater equity within systems that serve them. As both an artist and researcher, Amber brings a perspective grounded in creative practice, community experience, research, and thoughtful evaluation. She views the arts as a powerful vehicle for expression, connection, belonging, and community transformation. She is passionate about supporting an Austin arts ecosystem that is vibrant, inclusive, accessible, and reflective of its diverse communities. As an ACME reviewer, Amber will bring an artist’s perspective alongside a research- informed, equitable, and community-centered approach to evaluating creative projects, proposals, and their potential impact on the communities they serve. Amber Polk is a classically trained violinist, educator, policy researcher, and community advocate with more than 20 years of experience in music and the arts. She has performed with orchestras and chamber ensembles in Washington, D.C., Minneapolis, and Austin, and is an active member of the Austin Philharmonic Orchestra. Amber’s work sits at the intersection of arts, education, equity, and community development. Through her professional and community-based work, she has collaborated with nonprofit organizations and community members to connect individuals and families with essential resources, interpret policies, understand community needs, and strengthen educational and community outcomes. Amber earned her M.Ed. in Educational Leadership and Policy Studies from Howard University, where she developed expertise in research, policy analysis, and evidence- informed decision-making. Her graduate research, No More Hidden Figures, examined how policy development can better protect Black and Latina girls and promote greater equity within systems that serve them. As both an artist and researcher, Amber brings a perspective grounded in creative practice, community experience, research, and thoughtful evaluation. She views the arts as a powerful vehicle for expression, connection, belonging, and community transformation. She is passionate about supporting an Austin arts ecosystem that is vibrant, inclusive, accessible, and reflective of its diverse communities. As an ACME reviewer, Amber will bring an artist’s perspective alongside a research- informed, equitable, and community-centered approach to evaluating creative projects, proposals, and their potential impact on the communities they serve. I'm an Active member of the Austin Philharmonic Orchestra and a classical violinist for 20+ years.I also serve through education and nonprofit organizations, supporting students, refugee families, and strengthening community partnerships in Austin. I am elated about supporting Austin's creative community by providing fair, objective, and constructive evaluations. Further, I value and enjoy being apart of providing equitable, decision-making and constructive evaluations. My connection to Austin is both personal and professional. I have contributed to the Austin community through the arts, education, nonprofit and social-service work, housing, and community-centered research. As an educator, I was trained to evaluate student work using structured rubrics designed to support consistency and equity in assessment. I provided individualized feedback and strategies to help students strengthen their work and continue developing. This experience shaped how I approach evaluation: by considering both the quality of the work and the context, goals, and needs of the person behind it. My community work has also included supporting refugee resettlement through nonprofit services, conducting needs assessments, connecting individuals and families with resources, and evaluating program outcomes to identify barriers and opportunities for improvement. In property management, I have used tenant feedback, interviews, and informal market research to better understand resident needs and inform strategies for improving satisfaction and community outcomes. Alongside this work, I remain deeply connected to Austin’s creative community as a classically trained violinist and active member of the Austin Philharmonic Orchestra. My broader career portfolio spans education, housing, nonprofit service, research, policy, and the arts, giving me a multidimensional understanding of how programs and creative initiatives can affect the communities they serve. My connection to Austin is both personal and professional. I have contributed to the Austin community through the arts, education, nonprofit and social-service work, housing, and community-centered research. As an educator, I was trained to evaluate student work using structured rubrics designed to support consistency and equity in assessment. I provided individualized feedback and strategies to help students strengthen their work and continue developing. This experience shaped how I approach evaluation: by considering both the quality of the work and the context, goals, and needs of the person behind it. My community work has also included supporting refugee resettlement through nonprofit services, conducting needs assessments, connecting individuals and families with resources, and evaluating program outcomes to identify barriers and opportunities for improvement. In property management, I have used tenant feedback, interviews, and informal market research to better understand resident needs and inform strategies for improving satisfaction and community outcomes. Alongside this work, I remain deeply connected to Austin’s creative community as a classically trained violinist and active member of the Austin Philharmonic Orchestra. My broader career portfolio spans education, housing, nonprofit service, research, policy, and the arts, giving me a multidimensional understanding of how programs and creative initiatives can affect the communities they serve. Coach Qween Red I have been in Austin approximately two years. My community involvement includes being a member of Torch Literacy Arts non profit organization and DAWA non profit organization. Still navigating my involvement experience with what is authentic to me. My gifts, skills, and talents is best utilized in the capacities that bring forth solutions, and unity. My interest are to connect, collaborate, and communicate to keep cultural arts alive, expansive, accessible, and equitable within the community. Mindy Reed I'm a retired APL librarian and founder of The Authors' Assistant. I have a background in theater, performance playwriting, and audio narration. I host Writing on the Air for KOOP Radio. I'm a member on B. Iden Payne Awards Council and volunteer as Austin has so many performance venues and talented performers and creators. I want to help preserve and grow the live performance venues and opportunities in Austin and make theatrical and literary performances accessible to the entire public. William Reed William F. Reed is an Austin-based filmmaker, producer, and educator and the founder of Rude Boy Pictures. His work spans narrative and documentary filmmaking, analog film and photography, arts education, and community-based creative programming. He has taught filmmaking through organizations including Austin School of Film and Austin Film Society and has worked in film festival programming and consultation. His creative practice includes 16mm and Super 8 filmmaking, traditional black-and-white photography, and projects exploring identity, community, memory, and the changing cultural landscape of Austin. Reed is a recipient of support from the Austin Film Society and the City of Austin Cultural Arts Fund. He is particularly interested in expanding access to filmmaking and supporting artists from BIPOC, LGBTQ+, and historically underserved communities. https://linktr.ee/rudeboypictures Austin filmmaker, arts educator, and cultural programmer with 15+ years of experience supporting emerging artists through film festivals, youth camps, community workshops, and accessible photography and filmmaking education. Having benefited from Austin’s cultural grants, I’m eager to give back by bringing my experience as an artist, educator, and past recipient to the review process and helping support fellow artists. I have been part of Austin’s creative community for more than a decade as a filmmaker, educator, producer, and arts participant. My work has included independent film production, teaching through organizations such as Austin School of Film and Austin Film Society, festival programming, youth and community filmmaking programs, and developing public arts projects supported by the City of Austin. That experience has given me a broad view of how artists in Austin actually work—from established organizations and working professionals to emerging artists, students, and people creating outside traditional institutions. I understand both the opportunities available here and the challenges artists face around funding, access, visibility, and sustaining creative work in a rapidly changing city. I have also worked closely with filmmakers and artists from BIPOC, LGBTQ+, and other historically underrepresented communities. As a reviewer, I would bring that community experience, an understanding of how creative projects move from idea to execution, and respect for the many different ways Austin artists define meaningful cultural work. Lyra Reign I’ve served on city arts panels, supported local nonprofits, and contributed to public programming and creative initiatives. I’m also a cultural curator with a strong interest in civic life and community engagement I served on the panel last year, and it was a deeply meaningful experience—one that allowed me to better understand the city, & its funding priorities. I'm passionate about this city's culture and eager to contribute in any way I can. Grace Rennie Grace Rennie has worked in the New Orleans nonprofit community for more than a decade, bringing experience in grantmaking, operations, communications, and community engagement. Before joining the Greater New Orleans Foundation as a Program Officer in early 2026, she served as Director of Grantmaking & Operations at Arts New Orleans, where she oversaw public regranting programs funded by the City of New Orleans and the State of Louisiana. Her previous experience includes roles with A Studio in the Woods, Tulane University’s ByWater Institute, National Performance Network, Prospect New Orleans, and the Ogden Museum of Southern Art. Grace holds a BFA in Fiber and Material Studies from the School of the Art Institute of Chicago and an MA in Arts Administration from the University of New Orleans. Originally from North Carolina, Grace has called New Orleans home since 2011. I have worked in community-engaged arts nonprofits in New Orleans for about a decade. I currently serve as the Director of Grantmaking and Operations for Arts New Orleans, our local arts agency, regranting city and state funds. I am always interested to see how other jurisdictions conduct their grantmaking processes. I am a diligent and responsive administrator and would be happy to contribute to this process and learn how your panels are conducted. I have been a nonprofit arts professional in the New Orleans community for over a decade, and have worked at organizations spanning many corners of the arts ecosystem including the Ogden Museum of Southern Art, Prospect New Orleans, National Performance Network, A Studio in the Woods, and Arts New Orleans. While at Arts New Orleans, I served as the Director of Grantmaking and Administration, overseeing City and State-funded arts regranting programs and acting as the main point of contact for arts organization across the city. In this role, I recruited community panelists and stewarded them through the panel review process as a department of one. I currently serve as a Program Officer at the Greater New Orleans Foundation, where my work still touches the arts but includes the entire nonprofit ecosystem of the city. While I do not have specific knowledge of the Austin nonprofit/arts community, I am well versed in nonprofit structure and sustainability as well as grantmaking and panel review processes, and would be glad to bring that expertise. I hold a BFA from the School of the Art Institute of Chicago and an MA in Arts Administration from the University of the New Orleans. I also participated in a Grants Management 101 training with PEAK Grantmaking and have attended multiple Grantmakers in the Arts conferences. Natalie Resendez Natalie Resendez is a multidisciplinary entrepreneur, creative strategist, and founder of Hi‑Rez Solutions, a Texas‑based creative agency specializing in open‑air and 360 photo booth activations, branded content production, and web services. Natalie has a Bachelor of Arts in Psychology and more than a decade of professional experience spanning Information Technology and digital media. She has built a reputation for delivering high‑impact visual experiences that elevate events, strengthen audience engagement, and help organizations communicate with clarity and confidence. Based in Lockhart, Texas and serving the greater Austin region, Natalie blends technical expertise with a strong creative instinct. Her background as a social media manager has laid the foundation for her signature approach: clean, intentional visuals paired with seamless client experience. Through Hi‑Rez Solutions, she partners with event planners, arts organizations, municipalities, and small‑to‑mid‑sized businesses to produce immersive activations that feel modern, inclusive, and strategically aligned with each client’s goals. Beyond experiential media, Natalie is also the founder of Blockchain Connect, a Web3 education brand dedicated to making cryptocurrency, blockchain fundamentals, and digital ownership accessible to everyday learners. She produces beginner‑friendly content across YouTube, newsletters, and community platforms—translating complex concepts into clear, practical insights. Her work in Web3 reflects her broader commitment to empowering people through knowledge, technology, and creative tools. In her free time, Natalie is a professionally trained and licensed dancer. She taught Zumba for almost ten years and loves working as a health and fitness advocate in her community. Links to websites: https://linktr.ee/NatalieResendez I own a Photo Booth rental business where I collaborate with libraries, networking groups, and venues to bring interactive photo and video experiences to various types of events. I provide free Photo Booth services to a couple of nonprofits a year. As a creative who also participates in the viewing and programming of other creatives, I feel that I can bring a fresh perspective on the talent that deserves a chance to highlight their art. I help business owners bring their events to life with my photo booth rentals. I've collaborated with groups that do pop up networking events in Austin, as well as locally owned bars, libraries, gyms and local shops. I am apart of a couple of Austin based creative communities that meetup monthly such as Creative Mornings and Net-Do. I have friends that are musicians and DJs, so I regularly attend live music events in Austin and capture content of them as well. SXSW is a big deal to me, as I've been attending for over 10 years. Austin's deep roots in centering music and art in the inner city brings people together from all over the state and country, it's a cool thing to witness. Alan Retamozo Alan Retamozo is a composer, guitarist, and audio professional working in film, games, and live music performance and recording. He maintains a private guitar teaching studio and is the owner and administrator of Live Oak Music LLC, a company specializing in live music (strings, jazz bands, and audio) for private and public events. He collaborates with artists and ensembles from diverse fields of practice including dance, performance art, music, film, and theater. He has degrees from Berklee College of Music (BM Jazz Composition) and The University of Texas at Austin (MM Composition). I'm a local musician, composer, music teacher, and booking company owner for the past 15 years. I have served in director/leadership roles and as a board member at several music arts nonprofits and I have a live music booking company. I have some grant writing experience and I've been a part of music and multimedia nonprofits who have benefited greatly from COA grants over the past 15 years. If I fit the criteria, I'd be happy to serve on a review panel. I've lived and worked professionally in the Austin music and arts fields for 16 years. Experience includes arts nonprofit management, music and multimedia performance, and arts event planning/organization. I've collaborated with many Austin artists and organizations from diverse fields of practice including dance, performance art, music, film, and theater. Alejandro Reyes . . I have been involved in helping my community ever since I was a kid, whether through school activities, local events, or simply helping others in need. Contributing to my community has always felt very natural and human to me. I am interested in serving on a Review Panel because I believe it is an important responsibility that allows me to support fair and meaningful decisions. Being part of a panel means helping evaluate ideas, proposals. . . Tara Reyna My last 14 years of professional experience has been a mix of social services/mental health and event planning, including coordination of 15 fundraisers between 2015-19. My current role in state gvt requires partnerships w/several community partners. Previous work in radio (2005-2008), and as a self-proclaimed "live music junkie," I want to become more involved in the local music scene and support the sustainability of live music and artists in Austin. Malcolm Richardson I have been doing community service works and projects since the late 90's, working for The City of Austin Channel 6, KAZI 88.7 FM, as well as being on the organization committee for the Jump On It concert series from 1997-2000. Having won an ACME award last year I believe I have a good idea of what requirements are needed in order to win a grant. As a long time performer and musician here in Austin I'd love to help our music scene continue to thrive and grow. Randal Robledo I have been silently teaching Austin’s youth and beyond, affordable below cost music lessons for piano, guitar, bass, ukulele, and mandolin family instruments since 2010 here in Austin. I was a reviewer in ‘23. I absolutely loved the experience. My attention to detail pays dividends in this regard. A comprehensive understanding of the grants and their requirements are crucial. I greatly enjoyed the support from permanent staff too. Peggy Robles-Alvarado Since 2013, I’ve served as New York City-based educator, poet, published writer, and cultural organizer, creating literary spaces for women, elders, writers of color, and intergenerational stories through publishing, workshops and public programs. I’m interested in serving because I’ve reviewed, judged, and curated for various arts and literary organizations with care, rigor, and community-centered discernment. I want to honor strong applications with diverse voices that sustain communities. Rachel Rojas I volunteer for safety/security surveillance, production, photography, and video footage of community outreach and engagement. I've also organized charity outreach, drop off/ pick up items, events, marketing, & collaboration with other businesses. I would like to serve on a review panel because it gives me a chance to expand not only my own personal knowledge of my community, but assist in helping others do good in our community as well. Tracy Romero Tracy D. Squitieri, CTCD, CTCM is a public-sector leader with more than 30 years of experience in project management, contract and grant administration, strategic planning, accessibility compliance, and organizational improvement. She currently serves as a Project Manager IV with the Texas Department of Family and Protective Services, where she leads enterprise initiatives that strengthen operational accountability, data governance, and contract management. Throughout her career, Tracy has held leadership and management roles with the Texas Department of Public Safety, Department of Information Resources, Health and Human Services Commission, Department of Assistive and Rehabilitative Services, Texas CASA, and the Texas Department of State Health Services. Her work has focused on public administration, procurement, compliance, stakeholder engagement, training, and organizational change. A recognized advocate for accessibility and inclusion, Tracy has served as a subject matter expert in the Americans with Disabilities Act (ADA), Electronic and Information Resources (EIR) accessibility, Information and Communication Technology (ICT) accessibility, language access services, Texas Accessibility Standards, and the Architectural Barriers Act. She has led accessibility reviews, developed training programs, and advised organizations on removing barriers to participation and ensuring equitable access to services. Tracy is a Certified Texas Contract Manager (CTCM) and Certified Texas Contract Developer (CTCD). She also serves in professional leadership roles with the Texas Association of Public Purchasers and the State Agency Coordinating Committee Purchasing Subcommittee. A longtime Austin resident, Tracy is committed to public service, accessibility, and community engagement, bringing a collaborative leadership style and a passion for creating inclusive opportunities that benefit diverse communities across Austin and Texas. I have been deeply involved in the arts scene, with significant contributions in live music and dance. My experience encompasses roles in performance, event coordination, and logistics, focusing on bringing cultural experiences to wider audiences. My desire to serve on a review panel stems from a commitment to ensuring that resources—whether public funds, grants, or contracts—are allocated to programs that are both artistically or educationally impactful and administratively sound. I have lived and worked in Austin for more than 30 years and have dedicated my career to serving diverse communities through state government, nonprofit organizations, and community-based programs. Through my work with children and families, individuals with disabilities, advocacy organizations, service providers, and local stakeholders, I have developed a strong understanding of the communities that shape Austin's cultural and creative landscape. My career has included extensive training and experience in accessibility, inclusion, and equitable access. I have served as a subject matter expert in ADA, EIR and ICT accessibility, language access services, Texas Accessibility Standards, and the Architectural Barriers Act. I have led accessibility reviews, developed training programs, and advised agencies and organizations on removing barriers to participation. Combined with my experience in outreach, stakeholder engagement, public education, and strategic planning, this work has given me a broad understanding of Austin's diverse populations and the importance of ensuring cultural and creative opportunities are accessible, inclusive, and reflective of the entire community. Daniel Ronan Daniel served as the Manager of Public Engagement for the National Public Housing Museum for over three years before its opening in 2025. In Austin, he served as the Executive Director of the Flower Hill Center for one year and the Interim Executive Director of the Austin History Center Association for one year. As the Principal of Resilient Heritage, his consulting firm, Daniel has consulted with several arts, culture, and history non-profits. Over the past 15 years he has consulted with several clients, including the Museum of Latin American Art, the LBJ Presidential Library and Museum, the Coronado Historical Association, the Niagara Falls National Heritage Area, and the El Paso Museum of Art. Daniel has built a national reputation of values-based leadership, centered on engagement of community, funders, collections, and audiences. He works primarily with museums and historic sites in federal grant fundraising, strategic planning, public engagement, operations, and interim leadership, focusing on the intersections of architecture, design, history, and art. His website may be viewed here: https://resilientheritage.org I was ED of the Flower Hill Center as well as the Austin History Center Association, two local arts and culture non-profits/historic sites. I have served as Vice Chair of Austin Arts Alliance, and served 4 years on the Tourism Commission, 3 as chair. I like ACME's formation under the new City Manger and want to see it succeed. The Heritage grant funded me on 2 occasions. I appreciate being a part of the grant process and would like to see it from the reviewer perspective to help other applicants. As a resident of Austin for five years, I have taken pains to show community leadership as a member of the board for the Austin Cultural Alliance for three years (two years as Vice Chair), as a member of the Austin Tourism Commission for three years (two years as Chair) and as an active participant in civic institutions, including as Director of the Flower Hill Center for one year and the Interim Director of the Austin History Center Association for one year. I have a masters from the LBJ School of Public Affairs in Public Affairs where I also took the time to cultivate a relationship with the LBJ Library and Museum where I later worked as a fundraising consultant to assist in the renovation of the Museum's permanent exhibition. As a leader in the cultural and creative community, I have taken countless hours to get to know artists and cultural workers, funders, political leaders, and fellow Austinites all trying to make our city a more vibrant and arts-centered community for all. Selena Rosanbalm My work as a professional musician has brought me into contact with just about every type of person I can think of. Recently I've played many shows for Austin's queer community. I've worked in live theatre and have volunteered for political campaigns I want to be part of something bigger than myself and be exposed to ideas different from my own. I want to have a say in the projects my city is funding, putting some concerted energy into my hometown, and to make new connections. Isaac Rowry I've supported Austin's creative community through photography, filmmaking, mentoring, exhibitions, and volunteer creative leadership. My work creates opportunities for collaboration while uplifting underrepresented voices. I'm interested in serving on a Review Panel to contribute my perspective as a working artist born and raised in Austin while also learning more about the review process for my own artistic practices. Molly Roy Molly Roy is a researcher, writer, educator, choreographer, movement director, and dramaturg. She is currently the Performing Arts Liaison Librarian at The University of Texas at Austin, where she earned a PhD in Performance as Public Practice and an MS in Information Studies. Her research has been published in the journals Surveillance and Society and Liminalities: a Journal of Performance Studies, and she has forthcoming book chapter focusing on accessibility in arts administration. She is currently working on a book about choreography and contemporary surveillance culture and training as an intimacy professional. My community involvement experience includes: teaching creative movement for after- school programs and school workshops; producing arts fundraising events; producing public speaker series events; working on creative teams for live performance. I am a scholar-practicioner of dance and performance with interests in arts administration, philanthropy, and community engagement initiatives. I want to further my knowledge of grant-funding processes while contributing to the Austin culture sector. I am the Performing Arts Liaison Librarian at The University of Texas at Austin, supporting music, theatre, and dance research, instruction, collection development. In this role, I also manage a number of large archival collections and cultural preservation projects. have a PhD in Performance as Public Practice and an MS in Information Studies, both from UT Austin. Previous experiences include serving as a contributing writer to Sightlines Magazine, an Austin arts and culture publication; and working as a research consultant on Janet Zwieg's Interimaginary Departures project at ABIA, commissioned by Austin Art in Public Places. I am a long-time participant in the Austin dance community as a performer, choreographer, dramaturg, stage manager, and audience member. As a teaching artist, I have taught creative movment workshops at AISD elementary and high schools; ACC's middle school transition camps; and community-based after school programs. Prior to pursuing my graduate work, I was an AISD high school special education teacher. Having grown up in Austin, and now raising a child here, I have a deep investment in the cultural and creative community and have witnessed many of the growing pains the city has endured over the last decades. Keith Ruckus Austin event producer and community builder. Former Alamo Drafthouse Entertainment Director, SXSW event manager, and nonprofit leader/consultant. Honored with “Keith Ruckus Day” by mayoral decree and Austin Under 40 finalist under "Entertainment." Passionate about supporting Austin’s creative community, Keith seeks to serve on the arts grant board to uplift local artists, champion diverse voices, and ensure funds strengthen inclusive cultural growth. Sydney Salazar Over the years, I’ve volunteered for several organizations: HPNA, Blanton, and UMLAUF. My role fluctuated with each institution; sometimes this meant cleaning statues, greeting museum visitors and validating their tickets, or providing house tours. This role presents an ideal opportunity to contribute to a community I care about deeply. Additionally, this experience will provide me with insight into the review process, and allow me to gain valuable experience in this field. Esperanza Sanchez As a museum curator and educator, I have worked with artists, historians, authors, community members, and activists to make the museum accessible and have developed community calls and oral histories to preserve history, art, and culture. I am interested in serving on the review panel to use my skills in grants and supporting the City of Austin in preserving and making history, art, and culture accessible to multigenerational and multi-ethnic communities. Richard Santos I'm a writer, teacher, and nonprofit professional. I'm a former high school teacher of English and Social Studies. I'm also the former ED of Austin Bat Cave, a creative writing nonprofit. And I program Lit Crawl for the Texas Book Festival. Bat Cave received these grants while I was there and I'd like to earn some money while giving back to the larger arts community. I think my experience will help me evaluate applications. I also have evaluated grants for National CASA. Vera Sarycheva Smiley Vera Sarycheva is an Austin-based sculptor, educator, and arts leader with more than 30 years of professional experience in the visual arts. Originally from Kazakhstan, she has lived and worked on three continents before making Austin her home over a decade ago. Her interdisciplinary practice combines ceramic sculpture, installation, and public art, exploring themes of connection, place, and the unseen relationships between people and their environment. Beyond her studio practice, Vera is committed to strengthening the arts community through education, service, and collaboration. She has served on the Board of Directors of the Texas Society of Sculptors, taught ceramic sculpture to children at the Bee Cave Arts Foundation and to adults in her studio, and participated in exhibitions, open studio events, and public art initiatives throughout Central Texas. As an active applicant for grants and public art commissions, Vera has developed a strong understanding of artistic excellence, project feasibility, community engagement, and the role public investment plays in supporting artists and enriching communities. She believes successful arts programs foster creativity, cultural exchange, accessibility, and meaningful public participation. Vera brings an international perspective, a collaborative approach, and a commitment to fairness, integrity, and thoughtful evaluation. She values diverse artistic voices and is dedicated to supporting a vibrant, inclusive, and sustainable creative community in Austin. Website: artsvera.com Austin-based artist and educator. I taught a summer ceramic sculpture camp for children at the Bee Cave Arts Foundation and adult ceramics classes in my studio. I participate in exhibitions, open studios, and community-focused public art projects. want to support a fair and thoughtful review process while gaining a deeper understanding of grant evaluation. As a working artist, I value learning from diverse perspectives and contributing to Austin's creative community. I have lived and worked in Austin for over a decade, building my career as a professional sculptor while actively participating in the city's creative community. During this time, I have exhibited my work, developed public art proposals, participated in open studio events, and taught ceramic sculpture at the Bee Cave Arts Foundation and in my own studio. I also served on the Board of Directors of the Texas Society of Sculptors, where I gained valuable insight into supporting artists and strengthening the visual arts community. Through these experiences, I have developed an appreciation for Austin's diverse and collaborative cultural ecosystem. I understand that successful arts programs not only recognize artistic excellence but also foster community engagement, accessibility, and cultural impact. Having lived and worked in several countries before making Austin my home, I value a wide range of artistic voices and perspectives. As a review panelist, I would approach every application with fairness, curiosity, and respect, recognizing that meaningful creative work can take many different forms. Stella Schaefers Varied- volunteered at a few non profits Interested in engaging further with the community and supporting others to improve it Peter Schwarz As co-founder of Sound Music Cities, I ran the 2022 Austin Music Census (as well as for 16 cities nationally). During my 14 years as business manager for Ray Benson, I ran numerous local fundraising initiatives, such as HAAM and Fire Relief. As a past recipient of a LMF grant, I want to do my part to help make this process as accommodating and fair as possible for applications. Katherine Seth Katherine Lee Seth currently serves as Senior Community Outreach Manager and is responsible for a wide range of strategic initiatives for clients seeking to engage the community around transportation, infrastructure, and civic policy solutions. Since joining Rifeline in October 2023, Katherine has developed and managed communication and engagement programs for clients including the Texas Department of Transportation (TxDOT), VIA Metropolitan Transit, and the City of West Lake Hills. Currently, she manages public involvement for TxDOT's Loop 360 Project and construction at Westlake Drive, Cedar Street, Courtyard Drive, and RM 2222. Katherine distills complex concepts into clear language to strengthen connections, build trusted relationships, and champion shared understanding. She is a solution-focused strategist and communicator who is passionate about amplifying opportunities to build meaningful relationships within her communities. Prior to Rifeline, Katherine's work at California Institute of the Arts (CalArts) and the Museum of Contemporary Art (MOCA) in Los Angeles built partnerships through innovative marketing and public engagement efforts with tourism bureaus, corporate sponsors, civic agencies, and individual stakeholders to connect the public to cultural resources. A native of San Francisco, she earned a Bachelor's in History and Art History from the University of California, Los Angeles (UCLA), and a Master's in Visual Arts Administration from New York University. She has called Austin home since 2018. In her spare time, Katherine is busy propagating monsteras and volunteering at the Heartening to minimize clothing waste. In my professional role at Rifeline, I am passionate about amplifying opportunities to build meaningful relationships through trust and connections in Austin communities. Through my work, I champion shared understanding for public funded projects. Through my work with contemporary artists in museums and schools, I value the intrinsic impact public art provides communities. In Austin, I’ve relished moments of whimsy and reflection through encounters with artwork such as Janet Zweig’s Gate ∞. After a rewarding career in the arts in Los Angeles, I took a career break to start a family and moved to Austin eight years ago. The art installations at the airport, the murals scattered across the city, and the annual coordinated studio tours all revealed a strong creative spirit. It was Austin's "weird" kept alive. Visual and performing artists are the ultimate DIYers: reusing materials, running gallery collectives, adapting whatever space is available into a performance venue. I've been consistently impressed by how much this community produces, even as it navigates shifting demographics and infrastructure. Despite a backdrop of technology and gentrification, artists here forge their own systems, platforms, and communities. Pursuing a creative career in Austin is still possible despite escalating real estate prices and changing employment opportunities. I've watched artists take risks that build on the foundations earlier generations established, and those risks are paying off in new work. Public funding, through individual grants and organizational support, is an invaluable catalyst for creators. The City's investment in Austin's cultural capital is integral to both the social capital and the economic health of the city. Consistent, sustained support of the arts compounds into lasting value for residents and visitors alike. Three years ago, I joined Rifeline, where I support community engagement and public involvement efforts. It's been rewarding to work at a communications firm with a long history of supporting publicly funded projects alongside the communities they affect. My work requires building deep partnerships to improve transportation, utilities, and public services. Strengthening community connections continues to be a guiding principle of both my work in the arts and my life in Austin. I look forward to the opportunity to bring my previous career and my life here even closer together. Michael Shanks I work to create theatrical productions, presented to the Austin community, with the help of UT students, faculty and staff I feel like it would be a great opportunity to serve the community and help amplify unheard voices in the arts Sanchita Sharma Facilitation Lead for Public Art In Austin<https://futurefronttexas.org/events/2024/tuesdaytwerkouts-zby69-4dw7f-2k6gb- 45d6n-ebkcc-489b3-tng89-lh22n-hyk8m-swh7c-fwk9z> with Future Front Texas Reviewer for ARCOS<https://arcosdance.com/arcos-presents> Presents Grant Moderator <https://fuseboxlive.com/project/artist-talk-tania-el-khoury-abby-zbikowski- sanchita-sharma/>for Fusebox Adjudicator for Austin Dance Festival Volunteer for OUTsider Fest, ARCOS, and Early Era Collective: FoH and Box-Office Manager To be in rigorous dialogue with other cultural leaders that shape and sustain our city’s artistic ecosystem. To offer perspective as a maker, scholar, and educator of performing arts. To push the boundaries of what is known as/of our shared heritage. Christa Shavers Christa Shavers is a communications, marketing, and community engagement strategist with more than a decade of experience helping organizations turn ideas into meaningful stories, programs, and community experiences. Her work spans media, civic engagement, youth and family programming, arts and culture, and culturally responsive storytelling. Her perspective was shaped early. At 13, Christa began paying close attention to politics, media, and the power of storytelling, listening to NPR with her father and developing an early understanding of how the stories we tell can influence how people see themselves and their communities. That curiosity grew into a career in communications, community engagement, and creative strategy. Today, as a Midwest mother raising girls, Christa is especially interested in using her skills to help create a world that gives the next generation greater access to opportunity, representation, creativity, and possibility. Her work has included community-based programming, Black history and cultural initiatives, youth and family engagement, public- sector communications, media campaigns, and partnerships with nonprofits, schools, libraries, and community organizations. Christa brings to grant review a community-centered lens, communications expertise, and a belief that arts, humanities, history, and media can do more than preserve stories. They can help people understand where they come from, see themselves in the future, and imagine what is possible. She is committed to doing what she can today to help build a better world for the generations coming next. Christa Shavers is a communications, marketing, and community engagement strategist with more than a decade of experience helping organizations turn ideas into meaningful stories, programs, and community experiences. Her work spans media, civic engagement, youth and family programming, arts and culture, and culturally responsive storytelling. Her perspective was shaped early. At 13, Christa began paying close attention to politics, media, and the power of storytelling, listening to NPR with her father and developing an early understanding of how the stories we tell can influence how people see themselves and their communities. That curiosity grew into a career in communications, community engagement, and creative strategy. Today, as a Midwest mother raising girls, Christa is especially interested in using her skills to help create a world that gives the next generation greater access to opportunity, representation, creativity, and possibility. Her work has included community-based programming, Black history and cultural initiatives, youth and family engagement, public- sector communications, media campaigns, and partnerships with nonprofits, schools, libraries, and community organizations. Christa brings to grant review a community-centered lens, communications expertise, and a belief that arts, humanities, history, and media can do more than preserve stories. They can help people understand where they come from, see themselves in the future, and imagine what is possible. She is committed to doing what she can today to help build a better world for the generations coming next. I have both lead and supported community work since I was a child. I was raised by community leaders and civic servants. I have dedicated my career focus on supporting community development through programming, media, and communications. I have experience serving on a review panel for a grant cycle in my home town and really enjoyed the process. I’d love to grow my work in this area to have greater impact in our communities. I’m connected to the arts, community development, history and civic engagement communities. My mission in life is to grow my impact to serve those who are doing the work to elevate these sectors for not just local impact but global. This opportunity seemed to align with my mission. As a multisdi professional, and creative producer my gal is to support culture and community in all of its forms. This opportunity seems like a perfect cheamcento support causes that matter and have long term impact Peter Shine I have been involved with a number of arts organizations in Austin, including: Paramount Theatre Education (Story Wranglers Program), Austin Theatre Alliance "Shine On" Committee, Austin Shakespeare, HAYA Adjudication, and others. I would love to be a part of supporting the Austin arts community and ensuring that funding goes towards those artists who are working to enhance the cultural offerings around the city. Ronald Short In 2009, I relocated to Austin to be a part of the robust creative scene, filmmaking and acting. In 2010, I founded my own company, Short Pictures Independent, LLC, where I produce independent film projects, both freelance and my original films. I love Austin and I love the arts. I want to be a part of keeping Austin's cultural scene vibrant, diverse, cutting edge, and impactful. I've previously applied to the fund myself but I don't have a project this cycle and wanted to help in a new way. Rocio Sigler I was a lead volunteer coordinator with Austin Mutual Aid from 2023-2025. I coordinated many meetings, planned projects, and implemented plans to engage and serve the community, mostly the unhoused and most impacted druing crises. Well, I was researching grants to apply for myself and none fit the idea that I had. I am curious about the various projects that are eligible for funding and what the review process is like. Javier Simons Javier Simons, MBA Javier Simons is an executive leader in live entertainment and culture, known for building organizations that bring people together through the arts. With more than fifteen years of executive experience across nonprofits, festivals, venue operations, hospitality, artist representation, and entrepreneurship, he combines strategic vision with operational excellence to expand access to the arts. As Founder and Principal of KOQ Agency, Javier grew a startup into an internationally recognized entertainment company representing more than 45 artists and producing programming across North America and Latin America. The agency has partnered with brands including Apple, Walmart, FIFA, Red Bull, Hulu, Paramount+, Duolingo, Sega, Crunchyroll, Netflix Is A Joke, and Sally Hansen, generating more than $1.5 million annually in artist touring revenue. Javier also serves as Executive Producer and Talent Director for Denver Pride Center Stage, overseeing strategy, programming, budgeting, and production for one of Colorado's largest cultural celebrations, drawing more than 500,000 attendees annually. He is Executive Producer for Austin Pride, where he led a shift toward community first programming that elevated local artists. Earlier, Javier led operations, sales, and financial performance for nationally recognized hospitality organizations, shaping the operational discipline and people first leadership style that define his work today. Javier holds a STEM designated MBA from Rice University's Jones Graduate School of Business, concentrating in Finance, Marketing, and Entrepreneurship. He is Rice University's 2026 Rising Star Alumni Award recipient. He continues his education at Berklee College of Music, studying music business, touring strategy, and entertainment law. Originally from Panama and based in Texas, Javier is passionate about strengthening communities through culture and keeping the performing arts accessible for future generations. As Executive Producer and talent agent, I partner with nonprofits, city agencies, artists, sponsors, and volunteers to produce community events. I also advocate for LGBTQ+ artists through my work as Founder of KOQ Agency. I want to help strengthen Austin's creative community by supporting equitable, transparent funding decisions. My experience in arts, nonprofit leadership, and live entertainment enables me to evaluate applications fairly and thoughtfully. I am the owner of a talent agency that develops and supports local artists. Tonee Sinsay-Carpio I serve as Executive Director of a Dance Troupe and hold leadership roles with Filipino Young Professionals of Austin. I promote Filipino culture, community engagement, youth mentorship, and cultural preservation. I am interested to support diverse artists and equitable arts opportunities. My nonprofit leadership and community engagement experience allow me to offer thoughtful perspectives on projects that strengthen culture, connection, and impact. Christian Smalls Cjayybandz Apple Music and Spotify kinghustle5 instagram My name is Christian Music Artist Name “Cjayy Bandz” I’m been doing music for about 7 years not and have a few albums out. I’ve been to a couple local shows and would like to help Austin become more know for music by becoming one of its best artisr. My name is Christian Music Artist Name “Cjayy Bandz” I’m been doing music for about 7 years not and have a few albums out. I’ve been to a couple local shows and would like to help Austin become more know for music by becoming one of its best artisr. Basically I support different small music venues to network and work with different artist Chanell Smith Hello, My name is Chanell Smith. I have lived in the Austin area since 1982. I have a bachelors in Business Management from Stephen F. Austin State University and a Masters in Organizational Development from St. Edwards University. In December I will have 26 years of service with the State of Texas. During my employment I have gained experience in grants, contracts, project management, budget allocation, auditing, and process improvement. I have served on State review panels as well as Federal review panels for the Department of Labor, Department of Education, Department of Health and Human Services, Office of Head Start, and the Carol M. White Physical Education Program. I enjoy attending local events and festivals focused on music, culture, food, and history. I am a former Girl Scout group leader and am the Youth and Young Adult Ministry Leader at my church. I have served a reviewer as well as a panel chairperson for the Federal government. Agencies I have reviewed for included the Department of Labor, Safe and Healthy Schools, and the Family and Youth Services Bureau. As a longtime resident in the Austin area I acknowledge that Austin is heavily creative community that enjoys events/activities focused on art, culture, music, dance and food. It is very important to market and provide outreach to varies communities to raise awareness and participation as well as meet the needs of a very diverse population. I have recieved several trainings based on cultural sensitivity while working for the Texas Department of Family and Protective Services including Knowing Who You Are, Insitutional Racism, Diversity and Inclusion, and participation in The Community Action Poverty Simulation. I am a Certified Texas Contract Manager and a Lean Six Sigma Black Belt. These trainings and certifications as well as being a member of a minority population in the city provides me with insight on how to effectively market to and create for under served and represented communities. Courtney Smith Courtney Smith is a nonprofit development professional with experience in grant writing, fundraising, community engagement, and arts advocacy. She currently serves as Grants and Engagement Manager at Creative Action, an Austin-based arts education organization that uses theatre, public art, and creative leadership to inspire young people and strengthen communities. In this role, Courtney manages the organization’s grants portfolio, develops funding proposals, supports community events, stewards funder relationships, and communicates program impact to public and private funders. Prior to joining Creative Action, Courtney held development roles with Community Family Centers, Scotty’s House Brazos Valley CAC, and Habitat for Humanity, gaining experience in fundraising, donor engagement, grant development, event planning, communications, and nonprofit operations. She holds a B.S. in Agricultural Economics from Texas A&M University, with a focus on Policy and Economic Analysis. Courtney is passionate about the role of arts and culture in building connection, community, and opportunity. She is a lover of stories and all forms of storytelling, from theatre and visual art to the everyday stories that connect people to one another. She is also a strong supporter of Austin’s creative community, with many friends and colleagues who are professional artists. My experience is rooted in nonprofit development, fundraising, grant writing, and public engagement. I am currently Grants and Engagement Manager at Creative Action, supporting programs that use the arts to engage and empower youth and communities. I am interested in serving to support Austin’s vibrant artistic community. My experience in grants, community engagement, and program evaluation would allow me to contribute thoughtful, equitable, and informed perspectives. My personal and professional connection to the Austin community is rooted in nonprofit development, community engagement, and a strong commitment to supporting the arts. As Grants and Engagement Manager at Creative Action, I work at the intersection of arts, youth development, fundraising, and community impact. I help secure public and private funding for programs that engage young people through theatre, public art, and creative leadership, while also supporting events and relationships that connect the organization with the broader Austin community. Personally, many of my friends and colleagues are professional artists, which has given me an appreciation for the dedication, creativity, and challenges that come with building a career in the arts. I am also an active supporter of the arts and value the opportunities Austin’s creative community provides for connection, expression, and belonging. Through my work at Creative Action, I have developed a deeper understanding of Austin’s diverse network of artists, cultural organizations, educators, and community partners. I am particularly interested in how equitable investment in the arts can ensure that creative opportunities are accessible to people and communities across the city. I would bring both a nonprofit, community-centered perspective and a personal commitment to Austin’s arts community to a Review Panel. Debi Smith I have never been asked for a biography before so this will be my first attempt. I have served any many work positions. Insurance (medical and disability) as an agent. Served as marketing director for a crisis hotline, motivational speaker and a physical therapist (different positions from 2000-2009). Moved to Austin in 2009 where I have worked with the State of Texas with a myriad of agencies and positions. My current position is with the General Land Office as a management analyst. Throughout life, I have been in plays and supported the arts. I have never been asked for a biography before so this will be my first attempt. I have served any many work positions. Insurance (medical and disability) as an agent. Served as marketing director for a crisis hotline, motivational speaker and a physical therapist (different positions from 2000-2009). Moved to Austin in 2009 where I have worked with the State of Texas with a myriad of agencies and positions. My current position is with the General Land Office as a management analyst. Throughout life, I have been in plays and supported the arts. I am a donor with a number of the Austin arts. Zach Theatre, Paramount Theatre, Conspirare Music. I’ve served as a volunteer at Paramount Theatre. Also audition for local theatre. I want to ensure that the funding process is community-centered and transparent. I think the experience would be enlightening. I have lived in Austin over 17 years. I have volunteered at the Paramount Theater, as well as being a donor. I also donate to Conspirare and Zach Theater. In the past year, I’ve begun taking acting classes and immersing myself more into the arts I have lived in Austin over 17 years. I have volunteered at the Paramount Theater, as well as being a donor. I also donate to Conspirare and Zach Theater. In the past year, I’ve begun taking acting classes and immersing myself more into the arts. ethan smith I was born in Austin, Texas in 1985. I attending public schools for elementary school and then St Stephens Episcopal for middle school and high school. I attended UT-Austin where I graduated with a BA in Music in 2008. I later returned to UT-Austin and in 2020 graduated with a BA in Human Dimensions of Organizations, completing a senior thesis on university housing policy bridging across the end of the affirmative action era. I have interests in music, pottery, and travel. I have been recognized for my work fronting the band Fugitive Visions which mixes narrative songwriting with the tones of country music. I wrote a thesis on how the University of Texas generates housing and equity policy. In the course of this, I met with many professionals and stakeholder groups, including neighborhood groups. My policy recommendations were ultimately adopted. Its a fantastic opportunity to develop my own skill set in this area in terms of understanding the process more fully. From a civic angle, I believe it is crucial that this process be administered impartially and I would strive to uphold that value. I have been a performing musician in Austin for 20 years. I am born and raised in Ausitn and I have a fine arts degree from UT-Austin (BA in Music). My parents and grandparents live in Austin (my grandparents are in their 90s, and moved here in the 1950s). I have spoken at city hall and participated in civic advocacy on the topic of student housing affordability. Affordability for young people is central to a thriving music and arts scene. Civic support through grants for mid-career professionals is thematic for major arts destination cities across North America. I have been connected to many parts of the Austin music scene, having played in groups of many different genres and across basically every notable small to midsized venue in town. Some of my oldest and best friendships are through the music industry. A thriving industry and community has much to do with civic questions of affordability, transportation and parking, access to workspaces, access to marketing, and other ideas which may be supported by policy. In music, I have seen bands benefit from these policies, and probably less visible, presumably other industries such as venues and other support businesses which we don't recognize because they are there but we would certainly recognize if they were gone. Much can be said for the visual arts and the visual arts scene in Austin along the same lines. Austin's visual arts scene has long been perceived as secondary to its music scene (although I am making an assertion here, I believe that would be reflected in documents like City of Austin marketing material across the past decades i.e. declaring "the live music capitol of the world.") I have a professional interest in understanding the best ways the city could support a visual arts scene and economy. I have an academic background in research as well that would be informed on generating such a perspective. Jason Smith I volunteered with Feed My People and Central Presbyterian Church’s outreach program on Thursdays. I would love to learn how grants and programs are actually approved and funded. Bethany Sonefeld Bethany Boenker is a creative design leader with roots in graphic design and a decade spent building brands, products, and systems used by millions. She led the creation of IBM's Carbon Design System, brought Zero Trust products to market at Cloudflare, and defined a multi-year authentication vision at Cisco. Bethany is a co-founder and creative director of Yellow Rose Handmade, a leather goods studio built with her husband. In 2020 she founded “Create with Conscience,” a framework advocating for ethical, human-first design that she's evangelized to help shape healthier technology. Based in Austin, Texas, she’s a collector of trinkets, vinyl records, and printed literature of any form. Bethany Boenker is a creative design leader with roots in graphic design and a decade spent building brands, products, and systems used by millions. She led the creation of IBM's Carbon Design System, brought Zero Trust products to market at Cloudflare, and defined a multi-year authentication vision at Cisco. Bethany is a co-founder and creative director of Yellow Rose Handmade, a leather goods studio built with her husband. In 2020 she founded “Create with Conscience,” a framework advocating for ethical, human-first design that she's evangelized to help shape healthier technology. Based in Austin, Texas, she’s a collector of trinkets, vinyl records, and printed literature of any form. Design leader in digital and print, connected to Austin's creative community through Women and Their Work, Future Front, and AIGA Austin. This year my husband and I co- founded Yellow Rose Handmade, a leather studio, showing at Austin craft markets. I bring two perspectives: building evaluation standards (design manager at Cisco Security; formerly led IBM's Carbon Design System across 40+ teams) and firsthand creative practice: Yellow Rose Handmade and "Sam&Oaks," a solo-produced yearly magazine My connection to Austin's creative community is both professional and personal. As a design leader with a background spanning digital and print, I've spent over a decade building the systems and standards that shape how creative work gets made and evaluated at scale. My proudest work is leading IBM's Carbon Design System, adopted by 40+ global teams, and designing for 8+ product surfaces for Cisco Security's Identity product. That work has given me a deep understanding of how good creative work gets built, reviewed, and scaled fairly, skills I see as directly relevant to evaluating grant applications. Outside of my day job, I'm woven into Austin's arts scene as a practitioner, not just an observer. This year my husband and I co-founded Yellow Rose Handmade, a leather goods studio where I lead all creative direction and he leads product development. We've shown our work at craft markets around the city, getting to meet other vendors, artisans, and makers. I also independently write, design, and produce "Sam & Oaks," an annual print magazine exceeding 220 pages, shooting much of the content myself on film and Super 8. I stay connected to the broader creative ecosystem through organizations including Women and Their Work, Future Front, AIGA Austin, CreativeMornings, and Inside Books Project. Between my design leadership background and my hands-on experience as a working local artist and small business owner, I understand Austin's creative and cultural community from both the systems level and the ground level, which is exactly the perspective I want to bring to a Review Panel. My connection to Austin's creative community is both professional and personal. As a design leader with a background spanning digital and print, I've spent over a decade building the systems and standards that shape how creative work gets made and evaluated at scale. My proudest work is leading IBM's Carbon Design System, adopted by 40+ global teams, and designing for 8+ product surfaces for Cisco Security's Identity product. That work has given me a deep understanding of how good creative work gets built, reviewed, and scaled fairly, skills I see as directly relevant to evaluating grant applications. Outside of my day job, I'm woven into Austin's arts scene as a practitioner, not just an observer. This year my husband and I co-founded Yellow Rose Handmade, a leather goods studio where I lead all creative direction and he leads product development. We've shown our work at craft markets around the city, getting to meet other vendors, artisans, and makers. I also independently write, design, and produce "Sam & Oaks," an annual print magazine exceeding 220 pages, shooting much of the content myself on film and Super 8. I stay connected to the broader creative ecosystem through organizations including Women and Their Work, Future Front, AIGA Austin, CreativeMornings, and Inside Books Project. Between my design leadership background and my hands-on experience as a working local artist and small business owner, I understand Austin's creative and cultural community from both the systems level and the ground level, which is exactly the perspective I want to bring to a Review Panel. Sarah Sonner Presenter and leader of public tours for historical exhibits and art historical exhibits. Past reviewer for NEH grants: small ($1,000) program grants, large planning and implementation program grants (>$50,000) for museums, galleries, and archives. I'm interested in contributing to and improving Austin's public access to the arts and history. I feel strongly that this is a vital part of engaged communities, and feel that everyone should have equitable access. Angelica Soriano Angelica Soriano is a dedicated public servant and grant management professional with over ten years of experience supporting education and community programs. She currently serves as a Grant Manager Supervisor at the Texas Education Agency, where she oversees federal and state funding initiatives that strengthen opportunities for school systems and children across Texas. Over the years, she has provided guidance over grant administration, compliance, and best practices for state and federal grants. She has worked with a variety of grantees and stakeholders, including small businesses, nonprofits, and institutes of higher education. Angelica holds a Bachelor’s degree in Accounting from Texas State University, a Professional Accounting Advanced Technical Certificate from Austin Community College, and is a Certified Texas Contract Manager (CTCM) and CPA candidate. She also earned a Grant Writing Certificate from Austin Community College’s Center for Nonprofit Studies, equipping her to help organizations secure resources that enrich the community. Born and residing in East Austin, she is passionate about equity, education, and cultural preservation. She aspires to continue leveraging her skills to expand access to funding and empower Austin’s diverse and creative community. 8.5 years of public service for state of TX. Grant Management, administration, and program implementation for school districts, non-profits, and small businesses. Volunteer at income tax assistant centers for low income and local recreation center. Experience with reviewing grant applications with a good eye for realistic project implementation with an aligned budget. Being an Austin native, I am seeking to support fair, strong, and equitable funding decisions on behalf of the community My connection to the Austin community is rooted in both my professional role and personal experiences. I have over ten years of experience in grant administration for the State of Texas, including my current role as a Grant Manager Supervisor at the Texas Education Agency. This work has allowed me to support programs that strengthen opportunities and resources for school systems, small businesses, and nonprofits. With a deep understanding of grant administration and management, I present at agency trainings, conferences, and workshops. Through the years I have had the opportunity to provide guidance on grant administration, expenditure reporting, compliance, and best practices over state and federal grants. I am well versed with the grant process from planning to close out which has allowed me to engage with the community within and outside of my work. I was born, raised, and still residing in East Austin. Growing up I was immersed in the city’s resources and activities, from playing sports at local recreation centers to carving pumpkins at Zaragoza’s annual Halloween event and walking trails from the Camacho Center to Zilker Park during summer camp. These experiences gave me a deep appreciation for Austin’s cultural and creative identity. From youth to an adult, I have always been grateful to live where you can find beautiful art murals, historic landmarks, and unique music anywhere you might be. Because the city has given me so much, I’ve made it a priority to give back by volunteering as a Volunteer Income Tax Assistant for low-income families, volunteering at local recreation center events, participating in holiday toy drives, writing cards to the elderly, and supporting programs like Blue Santa. I aspire to continue giving back through grants and education. To strengthen my impact, I earned a Grant Writing Certificate from Austin Community College’s Center for Nonprofit Studies, which has equipped me to better serve organizations that enrich our community. Jamie Spinello I have designed, built, planned, and installed 10 public art installations in Austin, Houston, Louisiana, and New Mexico. I have served on jury panels for large public art projects within Austin and as a grant panelist for Houston Art grants. Being active in the local arts community Gaining insight into other local artists' practices Learning more about the application process Offering up my expertise in my specific areas of art Erik Stearns Erik Stearns, known professionally as White Soaring Eagle, is a Native American flutist, zither harpist, percussionist, storyteller, and recording artist. A descendant of the Seihlagee Nation (Cherokee), his work blends traditional Indigenous sound, contemporary world‑beat influences, and meditative soundscapes. His musical journey began in childhood and expanded across genres including classical, rock, avant‑garde, jazz, ambient, and electronica. His artistic direction shifted profoundly at the Austin Native American Powwow, where “he was introduced to the flute by William Gutierrez,” an encounter that shaped his signature style and cultural practice. He incorporates traditional stories, legends, and healing concepts into performances, creating immersive experiences rooted in Indigenous knowledge and personal introspection. White Soaring Eagle has collaborated with Austin musicians across multiple genres and founded Indigo Time Records to release visionary, meditative projects such as Seventh Direction and Ancestral Voices. His work emphasizes inner journeying, cultural continuity, and the relationship between sound, memory, and healing. He is active in Austin’s creative community, where “he spends his time performing, recording, doing medicine card readings, researching shamanic traditions and consciousness, and coaching others in developing their innate intuitive abilities.” His practice bridges traditional and contemporary forms, offering audiences reflective, culturally grounded experiences shaped by both ancestral lineage and Austin’s eclectic artistic landscape. https://www.facebook.com/IndigoTimeRecordings https://www.facebook.com/wseghostwood https://www.n1m.com/whitesoaringeagle Mentor and accessibility advocate with experience training teams, supporting community colleges, and volunteering with Knowbility’s AIR program, including guiding a team to a first‑place accessible‑web win. I'm interested because, as a musician myself, I believe that this helps further the dreams of other artists and musicians, and by doing so, I make a positive difference. My connection to the Austin community is rooted in more than two decades of cultural practice, mentorship, and creative contribution. As a descendant of the Seihlagee Nation (Cherokee), my artistic work has always been intertwined with identity, memory, and community storytelling. My musical path shifted profoundly at the Austin Native American Powwow, where “I was introduced to the flute by William Gutierrez”—a moment that shaped both my artistic direction and my commitment to sharing Indigenous cultural traditions within Austin’s creative landscape. Since then, I have performed, recorded, and collaborated across Austin’s diverse music scenes—from avant‑garde and world beat to meditative and narrative soundscapes. My work incorporates traditional stories, legends, and healing practices, reflecting the city’s long-standing embrace of eclectic, cross‑genre experimentation. Austin’s creative community thrives on hybridity, improvisation, and cultural exchange, and my practice aligns with that ethos by blending Native American flute, zither harp, percussion, and storytelling into immersive experiences. I remain actively engaged in Austin’s cultural ecosystem through performances, independent recording projects, and intuitive coaching. As noted in my biography, “I spend my time performing, recording, doing medicine card readings, researching shamanic traditions and consciousness, and coaching others in developing their innate intuitive abilities.” My work contributes to Austin’s cultural identity by uplifting Indigenous perspectives, fostering reflective and healing-centered creative spaces, and participating in the city’s tradition of artist-driven community building. Through these practices, I maintain a deep personal and professional connection to the people, histories, and creative movements that define Austin. Denise Steusloff Denise Garza Steusloff is an Austin-based festival and events executive with more than 15 years of experience leading nonprofit arts organizations, producing international film festivals, and managing large-scale cultural programming in Central Texas. Denise served as Executive Director of Indie Meme Film Festival, Austin's premier South Asian film festival, overseeing strategy, programming, grant development, and full festival production. She previously served eight years on the board of Cine Las Americas and directed their international film festival celebrating Latin American, Chicanx, and Indigenous cinema. Her work across both organizations reflects a deep commitment to Austin's culturally diverse communities and the organizations that serve them. Through her consulting company, Empress Experience Enterprises LLC, Denise provides grant writing and event production support to Austin-area arts organizations. She holds a Bachelor of Applied Science in Hospitality Management from St. Edward's University and will graduate in December 2026 with an Associate of the Arts in Radio-TV-Film from Austin Community College. Denise brings to her role as a City of Austin Cultural Arts Grant Reviewer firsthand knowledge of the grant application process, a practiced eye for community impact, and an enduring investment in the equity and vitality of Austin's creative sector. non profit executive director learn about the process Austin is not just where I work — it's where I've built my career, my relationships, and my understanding of what culture means to a community. I've spent 15 years embedded in Austin's creative ecosystem, most recently as Executive Director of Indie Meme Film Festival, where I led an organization dedicated to South Asian cinema and the stories of Austin's South Asian diaspora. Before that, I served eight years on the board of Cine Las Americas and directed their international film festival, amplifying Latin American, Indigenous, and Chicano voices on Austin screens. These weren't abstract programming decisions — they were commitments to real communities of people who deserved to see themselves reflected in the city's cultural life. I've also worked on the grant side of this equation. I've written and managed City of Austin cultural arts grant applications, navigated the Nexus and Elevate funding cycles, and worked directly with the Cultural Arts Division on behalf of the organizations I've led and consulted for. That experience gives me a practical understanding of what the application process asks of small nonprofits — and what it takes to assess a proposal fairly, read between the lines of a budget narrative, and recognize genuine community impact versus polished language. Austin's cultural community is extraordinary in its diversity and its ambition, and it is most vital when its smallest and most rooted organizations have access to public funding. I bring to this reviewer role not just familiarity with the grant process, but a genuine investment in the health of Austin's creative sector — as a practitioner, a leader, and a longtime resident who has watched this city grow and fought to make sure its arts ecosystem grows equitably with it. Blaq Artz Studios Founder of ARTKILL$, producing live art events that connect Austin artists, musicians and audiences. Austin arts writer, exhibition reviewer, and active supporter of local creative spaces through events, partnerships and community engagement. I want to help fund projects that make Austin's arts community stronger. As an event producer, arts writer and curator, I'll bring a fair, creative perspective while learning from fellow panelists and supporting local artists. Pop Stunna I support the Austin music community by helping independent artists and mentoring aspiring Texas musicians. In 2025, I funded and organized a major indie music event at Speakeasy, investing $20,000 to showcase and uplift local talent. I want to serve on a Review Panel to support creative communities. My experience organizing indie music events, investing in local talent, and mentoring Texas musicians equips me to offer fair, informed evaluations that help artists thrive. Lisa Swyers I worked as a volunteer with refugees in North Texas. I would very much like to get involved in any way I can. Sara Tall Studio Art graduate, former graphic designer, and past Hastings Arts Council member. Now a foundation Program Director leading creative district projects, youth arts programs, and community grants that strengthen arts and culture. I'm an arts advocate and enjoyed the experience last time and would like to serve again now that I have experience. As a grantmaking in NE, it's interesting to see the projects and process of another organization. danny tantrum Punk artist of Austin, with a history of booking femminist and up-in-coming legends with keen handwriting for no-wave adjacent concerts. subcultural media influding zine releases, analog flyer specialist. Influenced and out of local institutions, musical regional genre chain hardcore and outskirts performance arts. Host for many touring artists. Front person of discrete local acts and drummer of hardcore trans quartette Laffer. Opening punk acts, lead vocalist and guitarist to sold out shows at venues in Red River for artists such as Amyl and the Sniffers, Surfbort. Punk artist of Austin, with a history of booking feminist and up-in-coming legends with keen handwriting for no-wave adjacent concerts. subcultural media including zine releases, analog flyer showcases and delivery. Influenced and out of local institutions, musical regional genre chain hardcore and outskirts performance arts. Host for many touring artists. Front person of discrete local acts and drummer of hardcore trans quartette Laffer. Opening punk acts, lead vocalist and guitarist to sold out shows at venues in Red River for artists such as Amyl and the Sniffers, Surfbort. Have worked for gender affirming non profits. years of houseless support and outreach. Music industry tourism, touring, distribution services, and graphic design. Booker in red river cultural district & west campus coops. Performance Artist. Interested in getting to help advocate funding to projects with strong artistic and cultural merit. Want to help usher in new progressive ideas and with respects to intersectionality. Love abstract contemporary mediums, cross pollination of ideas. Decade of musicianship, booking in Red River Cultural District at queer and straight venues. Every local musical and artistic community will meaningfully correspond to its inherent belonging in settling if meaningful. I have seen a shifting landscape of austin's artistic terrain with perspective as a experienced musician, organizer, and online artist. I have learned how to center perspective of transgressive and progressive ideas in fine arts with reverence to allow Austin to benefit from the eye and stewardship of studied profession. Decade of musicianship, booking in Red River Cultural District at queer and straight venues. Every local musical and artistic community will meaningfully correspond to its inherent belonging in settling if meaningful. I have seen a shifting landscape of austin's artistic terrain with perspective as a experienced musician, organizer, and online artist. I have learned how to center perspective of transgressive and progressive ideas in fine arts with reverence to allow Austin to benefit from the eye and stewardship of studied profession. amanda tejada Amanda Tejada is an operations manager at the Zilker Botanical Garden Conservancy, a role in which she marries her knack for laying out logistics with a very real passion for getting out there and connecting with people. Over the past 2 years, she's been at the helm of visitor operations, making sure that different departments are all working together, and co-ordinating events so that the garden remains a place where locals and visitors alike can come and feel right at home. Amanda is a true part of the fabric of Austin's creative and outdoor lifestyle - and she loves it. She's forever on the lookout for new local art, getting to gigs to see live music, and exploring as many of Austin's parks as she possibly can. What really gets her going though is her interest in somatics and movement - and it's this that gives her a completely unique take on how we experience art, the outdoors and our community spaces. All of which sums up where Amanda is at : she wants to support local artists, make connections that actually mean something, and help to keep the heart and soul of Austin vibrant and accessible to anyone. I am a manger at Zilker Botanical Garden Conservancy. I help ensure the garden is accessible, safe and our educational programs are mission aligned. I would love to voice my opinion and get exposed to the wonderful artists here in austin. As an operations manager for Zilker Botanical Garden Conservancy my day to day focus is making sure that this beautiful garden is a place where everyone feels welcome to visit, learn and relax. That means I get to be involved in all the nitty gritty logistics and visitor operations making sure everything runs smoothly. Working alongside education, marketing, development and the guest services team has given me a really clear understanding of just how important public spaces like this one are. To me, Austin is all about appreciating creativity, the uniqueness behind every neighbor in our community and our beautiful green spaces and that's what makes this city so special. I know that Austinites rely on places like this where art, nature, and community all come together in a beautiful way, and I'm passionate about making sure that our systems and processes support that in every way. Working here is always teaching me new things, from how to keep our logistics running like a well-oiled machine to how to get the best out of our volunteers and staff, and how to get on the same page. Navigating the relationships between a non-profit and a city-run park can be tricky to say the least - so it takes a whole lot of flexibility, clear communication, and a positive attitude. Ultimately, my connection to this community is defined by a commitment to service. Jay Thomas I have produced original drag shows, plays, and multi-disciplinary events with local organizations, venues and artists that showcase local queer BIPOC artists. I was nominated for The Austin Chronicle's Best of Drag Performer and Drag Showcase. As a creative and a 16-year Austinite, the City of Austin offered me many opportunities to grow my art and experience. I am interested giving back and bringing a Trans, Latine artist perspective to the role of a review panelist. Jolsna Thomas https://www.linkedin.com/in/jolsnathomas/ I volunteer through professional and civic entities. I grade scholarship applications for both NAWIC and Alamo College. I started my own nonprofit consulting firm and previously lead a corporate foundation. I am a lawyer by training and practice. I enjoy the arts in Austin from ballet and broadway to community theater and crafting classes. Having spent the last year exploring Julia Cameron’s Artist Way, I have developed a keen appreciation for arts and culture. I went to college in Austin and have lived here since July 1, 2017. I am an active member of my local community and enjoy taking part in the crafty adult classes at the library, have season tickets to Austin Ballet and the Broadway in Austin, and enjoy live music. Larhonda Thomas I begin volunteering in Austin in 2018 with Dress for success Austin. In 2022-2024 I volunteered with ATX Fashion Week. Working front of the house. Assisting with check in and registration, while assisting VIP guest sponsors and media. I’m interested in supporting Austin’s creative community by providing fair, objective, and thoughtful grant reviews. My experience evaluating performance, applying standards, and making unbiased decisions prepares me to contribute effectively. Alexandra Thompson Alex Thompson is an Education Program Specialist at the Bob Bullock Texas State History Museum. They are a proud double-alumni of Texas State University with a Bachelors in History and a Masters in Public History. They are experienced with archives, public programming, and community education. They consider Seguin home even though they currently live in Buda with their partner, toddler, and two very needy dogs, Lily Tomlin and Winston. I have a lot of community involvement experience as a former organizer and a current public historian. I have done this through putting on public programming for the Guadalupe County area and working on programming through my local CHC. I think serving on a review panel would be an interesting experience to see where we are as a community in terms of topics of interests and figuring out how we can best support these ideas. As a member of Hays, Comal, and Guadalupe counties historical communities, I take great pride in educating the public about what has happened in our communities. Austin and San Antonio typically get a lot more of the historical and cultural focus when it comes to Texas history, so I love showing how the little towns in between have also contributed to the story of our state! As a graduate of the Texas State University Public History Masters program, I enjoy putting my learned skills to work with local preservation efforts. I have done this through my internship at Kreische Brewery and Monument Hill State Historic Sites and with my work in the Seguin/ greater Guadalupe County area where I was on the county historical commission and functioned as a liaison between multiple historical organizations and the city. I have also written and successfully obtained a Texas Historical Marker in Shiner, Texas for the Louis Ehlers Cigar Factory. Frances Thompson My bio is the same as above with the following precursors: Born in Austin, Raised in Dallas Attended Vanderbilt University, Nashville TN, remained there post-1991 graduation with B.S. in English and married spouse of now almost 34 years (spouse is Davison "Robin" Thompson) Worked in Nashville - Nashville Banner (newspaper), Staff Writer; Vanderbilt's Project Dialogue, Coordinator; The Freedom Forum First Amendment Center, Special Events Manager; and McNeely, Pigott and Fox Public Relations, Account Manager; in Dallas - Halcyon Associates, Account Manager Lived again in Dallas and also St. Louis - cities where began family life with two children, who are now 25 and 28 years Moved to Austin in 2004 and began my current civic engagement as both a Volunteer and Contract Employee (see above description related to my personal and professional connection to my community) I educate public audiences - at Blanton Museum, the UMLAUF, with ACL Music Festival, Ballet Austin, KUT and KUTX; previously Board of Women & Their Work, on City of Austin Special Events Task Force, Austin History Center Assoc., Committee for KMFA. My interest is grounded in my active experience navigating the many and often overlapping Austin arts communities. As an arts partner, I thrive interacting with and facilitating others' education of and participation in our city's arts organizations. I am an Austin arts partner who enjoys educating public audiences. My experience includes 22 years-ongoing tenure as a Blanton Museum Docent/Gallery Teacher & Docent Coordinator at the UMLAUF Sculpture Garden + Museum for past 10 years, where I lead volunteer and visitor touring, training, & special event engagements. Both positions involve interaction with permanent & temporary installations, also collaborative projects with art & artmakers throughout the city. I am keenly experienced with & observant and enthusiastic about Austin art. I recently served three years on the Board of Women & Their Work Gallery & in the last decade also on the “Dear Music” campaign committee for KMFA, Austin’s independent classical music radio station. I work each fall as an ACL Music Festival Team Lead coordinating Fest Volunteers; also, seasonally I visit Central Texas schools as a Ballet Austin “Nutcracker” Docent; & for last 13 years support local KUT and KUTX radio stations as a volunteer, including as studio tour guide. I previously served on the Texas Commission on the Arts 2019/2020 & 2021/2022 Texas State Artist Committee & was on the City of Austin's Special Events Task Force. Within the last decade I also supported revitalization of the Austin History Center by co-creating & coordinating several special events via the Austin History Center Association, including Angelina Eberly Luncheon & "Women of Antone's." In early 2022 I was nominated for membership in the 100+-year-old Austin Art League comprised of a small group of women extraordinarily interested in art. Outside of Austin, I also have attended & participated as a delegate to the National Docent Symposium. I regularly attend a diversity of exhibitions, shows & happenings around town & across the state. When I can, I travel widely with family and friends for art, music, and cultural experiences, and most definitely to see and learn from art that is accessible, educational, joyful, & of course transformational. Brandon Thornton My community involvement includes organizing events for local & mainstream artists for urban Austin to include live music, art, poetry and showcases. Encore ATX creates a lot of opportunities for Artist to be visual & to earn money in the process. I would be honored to serve on the review panel. Jade Trent https://www.linkedin.com/in/jade-trent-25b8b814b/ I have professional experience in arts, culture, and grant making. I previously worked for the Texas Commission on the Arts, primarily with small nonprofit organizations and I currently work for Humanities Texas as a grant maker. I am interested in serving on this Review Panel because I work and spend a great deal of time in Austin and would like to be more involved in its arts and culture scene. I currently work for Humanities Texas as a grant maker and have previously been employed with the Texas Commission on the Arts. I have a background in arts administration with experience with Austin-based organizations as well as institutions statewide. I served as a panelist earlier this year and gained more knowledge about the types of arts programming that occurs in the city. I would love to lend my time and expertise to another round of panels to ensure funding goes toward worthy projects that will enhance the city and its cultural sector. Gabrielle Trinidad In my professional role, outreach is the main component of my work. I table events for our UH students about how they can find resources. These events include activities and themes created by me and my UH team. I have volunteered at UH's food pantry. My interest for serving on a review panel comes from studying art history and art in college. I want to use my experience, to be more involved in the community of arts and culture. In addition, I would like to gain experience with the grants process. Thalia Trinidad Saturday, October 3, 2026 Saturday, October 10, 2026 Saturday, October 17, 2026 Saturday, October 24, 2026 Yes, I am able to accept an additional assignment of up to 30 more applications. Martin Tsang Martin is a Senior Program Officer with the Whiting Foundation, where he supports programs across literature, the humanities, and cultural preservation. Previously, he served as a Senior Program Officer at the National Endowment for the Humanities, overseeing grant portfolios focused on access, preservation, public humanities, and community- based cultural work. He holds a PhD in cultural anthropology and has researched, taught, and published on Asian diasporas in the Caribbean and Afro-Atlantic religious materiality. From 2015 to 2022, Martin served as the Cuban Heritage Collection Librarian at the University of Miami and as the inaugural Curator of Latin American Collections, where he was also a faculty member, teaching in the departments of Anthropology and Religious Studies. I work with marginalized communities as a grantmaker and reviewer, formerly with NEH and now with CLIR, supporting equitable funding that empowers people to document and share their histories through arts and humanities. I'm an artist and have a PhD. I help advance equity in arts and culture funding. Serving as a reviewer allows me to support diverse creators, uphold transparency in grantmaking, and help ensure public resources strengthen inclusive cultural expression. I am a senior program officer with the Whiting Foundation (Whiting.org) and previously a senior program officer in cultural preservation at the National Endowment for the Humanities. I have reviewed for the Council on Libraries and Information Resources Digitizing Hidden Collections annually since 2015. I have served as an AACME reviewer in the past. Nathan Tucker For my job, I work with various community members and stakeholders. I work with afterschool programs throughout the city, and I participate in various events related to public health such as coalitions, health fairs, and other community events. I am interested in learning more about the grant process and giving back to the community. I participated as a panelist for the elevate grants in early 2026 and I enjoyed being a part of the team. I would like to continue to be involved. Obum Ukabam I've spent much of my career serving on nonprofit boards, grant review committees, and public commissions. Most recently I've served as Chair of the Tulsa Arts Commission, the AHCT Foundation Grant, and Leadership Tulsa selection committees. I enjoy reading applications and seeing how organizations turn ideas into community impact. Having been both an applicant and a reviewer, I appreciate a fair process and enjoy helping thoughtful projects rise to the top. Valentin Urrutia I have incorporated the same text as above; I'm sure I could rewrite the above but I'd rather give the same general view of who I am so just reposting this: I work at Houston Arts Alliance as a Grants and Panel Coordinator, supporting multidisciplinary grant programs serving individual artists, collectives, and nonprofit arts organizations of varying sizes. In this role, I have helped revise grantmaking and panel processes in response to community feedback and have worked alongside department leadership to establish the Grants Working Group and Panel Working Group; community centered focus groups designed to inform HAA’s annual evaluation and improvement of its grantmaking practices. My experience also includes serving as an eligibility reviewer, panel moderator, and workshop facilitator across five grant programs, giving me direct experience with applicants representing a wide range of artistic disciplines, organizational structures, and lived experiences. Outside of my professional work, I am a graduate counseling student who incorporates creative and expressive arts into my developing clinical practice. I am also a poet and short fiction writer, bringing both an administrative and practicing artist perspective to my work in the arts and cultural sector. P.S. I've served for the NEA and the TCA in the last year as a panel reviewer and have also been accepted to sit on the Cuyahoga panel for the 2026 calendar year. My community involvement has primarily focused on supporting arts and culture organizations through my professional work in the nonprofit sector. In my role, I help coordinate grantmaking processes and assist grantees and applicants through the cycle I'm the person who oversees the panels process at Houston Arts Alliance and would like to see how other funders approach this task. I work at Houston Arts Alliance as a Grants and Panel Coordinator, supporting multidisciplinary grant programs serving individual artists, collectives, and nonprofit arts organizations of varying sizes. In this role, I have helped revise grantmaking and panel processes in response to community feedback and have worked alongside department leadership to establish the Grants Working Group and Panel Working Group; community centered focus groups designed to inform HAA’s annual evaluation and improvement of its grantmaking practices. My experience also includes serving as an eligibility reviewer, panel moderator, and workshop facilitator across five grant programs, giving me direct experience with applicants representing a wide range of artistic disciplines, organizational structures, and lived experiences. Outside of my professional work, I am a graduate counseling student who incorporates creative and expressive arts into my developing clinical practice. I am also a poet and short fiction writer, bringing both an administrative and practicing artist perspective to my work in the arts and cultural sector. P.S. I've served for the NEA and the TCA in the last year as a panel reviewer and have also been accepted to sit on the Cuyahoga panel for the 2026 calendar year. Alyssa Vallecorsa Alyssa Vallecorsa is an Austin-based artist, arts educator, and technology leader whose work bridges creativity, learning, and innovation. She holds an MFA in Web Design and New Media from the Academy of Art University and a BA in Art and Art Education from Carlow University. With more than 20 years of experience in arts education, Alyssa has taught and developed programs in visual arts, art history, design, and creative technologies. Alyssa currently serves as Senior Manager of Technology and Innovation at The University of Texas at Austin, where she supports the development of innovative learning experiences and technology initiatives. Throughout her career, she has combined expertise in instructional design, user experience design, and educational technology with a commitment to expanding access to arts education. As a practicing artist, Alyssa works across multiple disciplines, including drawing, painting, sculpture, ceramics, graphic design, and mixed media. She is particularly known for her micrography portraits, intricate drawings created entirely from words. Her artistic practice explores the intersections of language, identity, memory, and visual storytelling. Alyssa is an active participant in Austin's creative community. She collaborates on exhibitions and community events and regularly exhibits her own work. She has organized and presented independent creative events and remains committed to supporting Austin's vibrant cultural ecosystem. More information please visit avallecorsa.com<https://avallecorsa.com/>. Arts educator and curriculum leader with 25+ years of experience. I manage the OnRamps Arts & Entertainment Technologies college course for high school students and support Austin artists through exhibitions and community art events. I want to help ensure Austin arts funding supports deserving artists and organizations, strengthens our creative community, and expands access to meaningful artistic opportunities across the city. My connection to the Austin community is rooted in both my professional work and my long-standing commitment to arts education and creative practice. For more than 20 years, I have worked as an arts educator, helping students develop creative skills, confidence, and a lifelong appreciation for the arts. That experience continues to inform my current role as a Senior Manager of Technology and Innovation, where I remain actively involved in supporting arts education and expanding access to meaningful cultural and creative experiences. As an Austin resident, I have become deeply engaged with the city's cultural and creative community as both a practicing artist and arts professional. I have shared studio space with several local artists, creating opportunities for collaboration, dialogue, and participation in Austin's creative ecosystem. Through these relationships, I have participated in exhibitions, art shows, and community events alongside artists from across the region. In addition to supporting the work of fellow artists, I have organized and presented my own exhibitions and creative events, including the 2025 Art-In. These experiences have strengthened my understanding of the opportunities and challenges facing Austin's artists and cultural organizations, including affordability, accessibility, visibility, and the preservation of creative spaces in a rapidly changing city. Austin's cultural and creative community is one of its defining strengths. Its vibrant network of artists, musicians, performers, makers, cultural institutions, festivals, and grassroots organizations contributes significantly to the city's identity and quality of life. My experience as an educator, technology leader, and practicing artist has given me a multifaceted understanding of how the arts connect people, strengthen communities, and foster innovation. I am committed to supporting efforts that help Austin's creative community continue to thrive and remain accessible to future generations. Cecelia Vargas my name is cecelia, I’m a 27 year old Independent artist/producer. born and raised in San Antonio Tx, I’ve done local community and city organization. I’ve worked on producing small events/ big events and am currently based in los Angeles where I continue to pursue my passion in music and art!! I helped organize Community events, for hip hop/ LGBTQ+ space organized events. in the local Austin/ satx areas, im also Involved in community event spaces with local resident/ artists. Looking to get more involved in local projects in the arts. I’m an independent artist myself, Latina and gay! and have been making art professionally under my stage name for 6+ years and i use to be very involved in the back of house production/ community events. Experience in event production such as local artist line-ups for the San Antonio / Austin areas, as well as collaborations with austin native, such as blakchyl, Ben buck. an ect. Excited to get more involved in community development and access for all. Kevin Vasconcellos I've been a volunteer for about a decade for SXSW and ACL Fest. Recently I've been promoted to volunteer manager of my SXSW crew. I like to contribute to the creative art and music of Austin and the world by giving my time. There are so many cultural projects in Austin that go uncompleted because of lack of funding. I'd like to lend my opinions to get some of those that deserve to be funded the money they need to get that motivation to help Austin's cultural scene. Alexis Velazquez Alexis R. Velazquez is a Ph.D. candidate in Ethnomusicology entering her fifth year of study at The University of Texas at Austin. Her research focuses on Latin American music and dance traditions, music sustainability, and cultural economics. Throughout her graduate studies, she has assisted (as a TA) with courses on Music in Latin America and the Caribbean, World Music, and History of Rock. In addition to her teaching and research, Alexis has served as Assistant Editor for the Latin American Music Review. Beyond academia, she is a member of TEXSAR (Texas Search and Rescue) and volunteers with La Escuela de Bomba y Plena Tata Cepeda, a nonprofit organization dedicated to preserving, promoting, and teaching the Puerto Rican music and dance traditions of bomba and plena. As an applied and public ethnomusicologist, Alexis employs Participatory Action Research (PAR) methods that emphasize collaboration, reciprocity, and ethical engagement with community partners. Her dissertation work demonstrates a strong commitment to ensuring that research benefits the people and cultural traditions it seeks to support. Instagram: @ethnomusicologypr I volunteer for two non-profits. One of them being TEXSAR, the other being the Escuela de Bomba y Plena Tata Cepeda. I assist with project development, writing, and event coordination for the latter. I want to learn as much as I can about what makes a successful grant and how to spot the use of AI generated languages in grants. I am an active member of TEXSAR (Texas Search and Rescue) and on the volunteer team for La Escuela de Bomba y Plena Tata Cepeda. Professionally, I am a Ph.D. candidate in Ethnomusicology entering my fifth year of study. My academic work focuses on music, culture, and community, with a particular emphasis on Latin America and diverse musical traditions. Throughout my graduate studies, I was a teaching assistant for the following courses: Music in Latin America and the Caribbean, History of Rock, and History of Mariachi Music. In addition, I have served as Assistant Editor for the Latin American Music Review. As an Austin resident and UT graduate student, I am well-acquainted with Austin's rich cultural ecosystem and its plurality of artistic practices. My experiences in ethnomusicology have given me an understanding of how cultural and creative communities support social connection, preserve heritage, and inspire new forms of expression. Laura Villareal * Leadership Committee Member | Poetry Coalition | 2025-Present * Screener | Oak Spring Garden Foundation Residency | 2023- Present * Contributing Editor | West Brand Magazine | 2023-Present * Screener | Alice James Book Awards | 2022- Present I'm interested in reviewing applications as a way to get to know what organizations, people, and groups that are doing interesting work across the city. I just moved here from Lockhart in September. It's been wonderful to immerse myself in community. Sara Vodak Spent 6+ years in DFW volunteering for Dallas Animal Services and Cane Rosso Rescue, helping plan fundraising and community outreach events I am extremely interested in serving on a panel, I moved back to Austin in 2022 to open a tattoo shop with my husband and the local art community has done so much for us that I would love to get more involved and give back. Ngoc-Tran Vu Ngoc-Tran Vu (she/her) is a Boston-based Vietnamese American multimedia and socially engaged artist whose work explores diaspora, memory, cultural preservation, healing, and belonging. Working across photography, painting, sculpture, installation, and public art, she creates projects rooted in community storytelling and intergenerational exchange. Her current work includes 1975: A Vietnamese Diaspora Commemoration Initiative, a community-driven effort to develop a permanent public memorial in Boston’s Little Saigon Cultural District honoring Vietnamese refugee, veteran, and intergenerational experiences shaped by 1975. Her practice often brings together artists, residents, cultural organizations, and public institutions to explore how art can create space for remembrance, dialogue, and collective imagination. She holds a B.A. in Ethnic Studies and Visual Arts from Brown University and an M.A. in Arts & Politics from NYU Tisch School of the Arts. www.tranvuarts.com<http://www.tranvuarts.com/> I am a Boston-based artist and cultural organizer with experience leading bilingual programs, public art projects, workshops, and partnerships that center Vietnamese American, refugee, and other underrepresented communities. I am interested in serving on a Review Panel to support fair, thoughtful, and community- informed decision-making. I would bring experience in arts, nonprofit leadership, grant review, and culturally responsive engagement. My connection to Austin is primarily one of support and appreciation rather than having lived or worked there directly. As a Vietnamese American artist and cultural organizer based in Boston, my practice has been deeply rooted in community-engaged art, cultural preservation, public memory, and creating spaces for intergenerational connection and belonging. Much of my work has involved collaborating with immigrant and refugee communities, young people, artists, cultural organizations, and public agencies to develop projects that reflect community histories and lived experiences. Through this work, I have learned the importance of listening first, building relationships with care, and approaching communities with humility rather than assuming familiarity. While I am still learning about Austin’s cultural and creative community, I am inspired by its strong ecosystem of independent artists, cultural workers, community-based organizations, and multidisciplinary creative practices. I would approach any opportunity in Austin as a chance to listen, learn, build meaningful relationships, and contribute my own experience with socially engaged and community-centered art while respecting the knowledge and leadership already present within the local community. Janet Ward As an elementary school counselor,I lead student service/leadership programs,organize community projects,partner with local organizations & volunteer at school events.I enjoy creating opportunities to bring people together to make a positive impact. I value fair, thoughtful decision making and enjoy reviewing ideas from diverse perspectives. Serving on a Review Panel would allow me to use my experience as a school counselor to help identify strong programs that make a positive impact. Lyric Wardlow Lyric Wardlow is a writer, speaker, advocate, and communications professional whose work centers homelessness, storytelling, systems change, and community leadership. She serves as the Communications and Public Policy Manager at the Ending Community Homelessness Coalition, the lead agency for the Austin/Travis County Homelessness Response System, where she translates complex policies and system issues into accessible, human-centered communication. Lyric also serves as Vice Chair of the City of Austin Community Development Commission, advising City Council on housing, community development, and programs affecting low- income residents. Drawing from her own experience of homelessness from ages nine to seventeen, she brings both personal insight and professional expertise to conversations about housing, equity, youth, and public policy. She is the author of Untangled, host of the Untangled podcast, and an experienced keynote speaker and workshop facilitator. Through her writing, public speaking, and creative projects, Lyric explores family, identity, trauma, resilience, and the systems that shape people’s lives. Her work is grounded in the belief that lived experience should not only be heard, but valued as expertise and reflected in leadership, policy, and storytelling. I'm the Communications & Public Policy Manager at ECHO and Vice Chair of Austin's Community Development Commission and I do public speaking, workshops, mentorship, & storytelling to strengthen community engagement and civic participation in Austin. As both a creative and public servant, I'd love to help evaluate applications fairly, thoughtfully, and objectively while supporting projects that strengthen Austin's arts and cultural community. My connection to Austin is both personal and professional. I first came to Austin as a young person experiencing homelessness with my mother, and many of my earliest experiences in the city were shaped by shelters, schools, public services, and community organizations. Those experiences gave me a deep understanding of how local systems and policies affect people’s daily lives, particularly residents who are often excluded from decision-making. Today, I serve as the Communications and Public Policy Manager at the Ending Community Homelessness Coalition, where I translate complex policies, data, and community initiatives into accessible, human-centered communication. I also serve as Vice Chair of the City of Austin Community Development Commission, advising City Council on housing, community development, and programs affecting low-income residents. My creative work is equally connected to Austin. I am a writer, speaker, podcast host, and memoirist whose work explores homelessness, family, identity, trauma, and resilience. I have participated in local writing programs, conferences, public lectures, youth workshops, and community storytelling projects. Through these experiences, I have come to understand Austin’s cultural and creative community as vibrant and innovative, but also shaped by significant barriers related to affordability, access, representation, and displacement. I am especially committed to ensuring that Austin’s creative opportunities include people with lived experience, young people, artists, low-income residents, and others whose stories and talents have historically been overlooked. Lauren Warner I have over a decade of experience serving Austin’s nonprofit and creative communities through community programs, volunteer work, mentorship, event coordination, grant- funded initiatives, and my work as a multidisciplinary musician and artist. As a working artist and nonprofit professional, I want to help distribute Austin’s creative funding fairly and thoughtfully. I hope to use my experience to support diverse artists, organizations, and cultural programs across our community. Faith Weaver My name is Faith Weaver, and I'm originally from Longview, TX with College Station roots. I graduated from Longview High School in 1994 and came to Austin to go to the University of Texas on scholarship. At the University I double majored in Print Journalism and English with a minor in African American Studies. After graduation I began working at the Carver Museum in 2000 (my first official job after UT in 2000). I retired from the City of Austin in May 2024 after 25 years of service as a Culture & Arts Education Specialist-Archives with promotion to Culture & Arts Education Coordinator (a 24-year tenure at the Carver and my first year at City Hall where I worked in the Public Information Office writing speeches of the Mayor and Assistant City Manager as well as assisting with administrative tasks and citizens' requests). These experiences were the beginning of my roles in public service. After "retirement" I have served as a Library and Media Specialist teaching library lessons to k-5th graders, work as a Specialized Patient for first and second year med students at UT, as well as other fulfilling work that provide me with personal and professional growth-- including serving as an AACME grant reviewer. I enjoy listening to and performing music, going to concerts, comedy shows, plays, and museums and appreciate the opportunity to help individuals and organizations bring visual/ performance arts and historical endeavors to our community. Through my 24-year-tenure at the Carver Museum, Cultural and Genealogy Center, I have a plethora of experiences working with community arts, cultural organizations & museums. I also have strong skills in community engagement/volunteer coordination. It would be very fulfilling to use all of my work knowledge and skills to serve on Review Panel(s). I have this kind of experience through my participation in an AIPP panels to select art as well as Artists Selection for the Old Bakery Exhibitions. My professional connection to the Austin community is my 24 years of service at the George Washington Carver Museum, Cultural and Genealogy Center. This career experience gave me knowledge and connections within the arts, educational, museums, recreational centers and more to create educational programs and offerings for patrons in the Greater Austin Area and beyond. During my tenure, I worked with Ballet Afrique, Blackademics (a PBS TV program), AISD and UT Austin teachers/professors, staff from Sister Facilities such as the Elisabeth Ney Museum, the Asian American Resource Center, Mexican American Cultural Center as well Huston Tillotson University students and staff to implement quality cultural and educational programs. Meredith Welborn I am an Austin native, musician, and community organizer. I run music programs for seniors, lead a readers theater program through Austin Public Library, organize free community events, and operate an Austin Music History Walking Tour. I value the role public funding plays in supporting creative and cultural programs. I would be honored to help evaluate applications thoughtfully, fairly, and with a strong understanding of community impact. Faith Wells Faith Wells is a community-focused leader with experience in community engagement, event and program planning, communications, and outreach. Through her involvement in church and community initiatives, she has developed a passion for creating meaningful experiences that bring people and families together, strengthen communities, and provide opportunities for connection and growth. Faith has experience coordinating events, developing community programming, creating communications and promotional materials, and working alongside community leaders and organizations to support local initiatives. She brings a thoughtful, people-centered approach to her work and values collaboration, accessibility, and ensuring that community voices are represented. She is especially passionate about initiatives that support families and youth, celebrate culture and creativity, and strengthen the Austin community. Faith is excited to bring her community perspective, organizational skills, and commitment to service to the City of Austin’s grant review process. I have experience in community outreach, event coordination, and volunteer leadership. I have organized community initiatives, including resource fairs, back to school events, and have supported partnerships with local organizations and businesses. I am interested in serving because I believe in supporting programs that strengthen our community. I want to use my nonprofit experience, community perspective, and commitment to service to help evaluate opportunities that create meaningful impact. My connection to the Austin community is rooted in service, community engagement, and creating meaningful opportunities for people and families to connect, grow, and feel supported. Through my involvement in church and community-based initiatives, I have experience helping plan and coordinate events, develop programs, communicate with community members, and support efforts that bring people together. I have a particular interest in initiatives that strengthen families, create opportunities for youth, celebrate culture, and provide accessible experiences for the broader community. My experiences have given me an understanding of the importance of grassroots organizations and community leaders in identifying and addressing the needs of the people they serve. Through my work in event planning, communications, outreach, and community programming, I have also gained an appreciation for the diverse cultural and creative community that makes Austin unique. I understand that Austin’s creative community includes artists, cultural organizations, nonprofits, small businesses, churches, community leaders, and grassroots groups, each contributing to the city’s identity and quality of life. I would bring a community-centered perspective to the grant review process, with a commitment to listening, being fair and objective, and recognizing the impact that creative and cultural programs can have on individuals, families, and neighborhoods. Chris Whalen Chris Whalen is a writer and editor with a special interest in food, art, and education. I served as copy editor of Edible Austin, where I worked with local chefs, musicians, and artists to publish food-related content. I'm interested in helping folks in the Austin arts community secure funding for their unique projects. Austin's cultural and creative community are what makes the city unique. I lived in Austin for almost 20 years, and I got to experience a huge variety of art. I love big and small productions, especially when they have a unique voice. I spent a long time as Edible Austin magazine's copy editor, and I got to interact with a lot of local artists and musicians doing that work. It was great seeing the overlap in communities and how artists' creativity spread to their cooking. Stacy Wheeler * The Balloon Collective - small business owner - 7 years * Austin Fou Fou Ha - clown troupe member - 1 year The Balloon Collective donates art to local events: Eeyore's birthday, Touch the Art exhibit, Austin Pride Parade, We Luv Video Block Party, etc. I want to be a part of directing Austin's arts and cultural funding to projects that strengthen our community and expand access to the arts. I'm also interested in the process for my learning/personal development, since I learn by doing! Catherine Whited Catherine is a familiar face in the Austin museum community, currently serving as the Head of School Programs at the Bullock Texas State History Museum. She has over a decade of experience, previously holding positions at the Neill-Cochran House Museum, the LBJ Presidential Library and Museum, and Landmarks, the public art program at UT Austin. An alum of the University of Texas Austin, Catherine received an undergraduate degree in Classical Archeology and her master’s degree from the university’s School of Information with a portfolio in museum studies. I have been deeply involved in Austin's cultural community for nearly 12 years. My work experience includes fine arts administration in the UT College of Fine Arts, teaching with UT's public art program, and museum administration across the city. I served on a review panel last funding cycle and I greatly enjoyed the experience. It was a privilege to hear about all the amazing nonprofit work that is happening in our city and support it in some small way. My extended family comes from Austin and growing up, it was the only place I wanted to be. I have lived in this city for fifteen years now and I still can't imagine wanting to be anywhere else. I strongly believe in giving back to the community that has given so much to me. In college, I joined service organizations that centered community volunteerism. Since then, I have continued to seek out opportunities to give back personally and professionally. I currently serve on the board of the Austin Museum Partnership, a 501(c)3 non-profit organization that promotes and facilitates collaboration within the museum community. Our primary charge is hosting Austin Museum Day, a community event which offers free admission to all and includes special programs and activities at museums and cultural institutions across the area. Last year, more than 35,000 people in the Austin area participated in Austin Museum Day. We also offer scholarships to museum staff members across the city to support them in their professional goals. Additionally, I serve as a volunteer advisory council member for the Neill-Cochran House Museum, a historic house museum in West Campus. Through that work, I have become well acquainted with the history of Austin and its legacy of slavery and segregation. Professionally, I spent eleven years supporting the students and programs of the College of Fine Arts at the University of Texas at Austin and I am now the Head of School Programs at the Bullock Texas State History Museum. I am deeply embedded in the artistic and cultural communities that call this city home and would be honored to help support their work by serving as a grant reviewer. Sherri Whitmarsh Past non profit Chula League Treasurer and Managing Director of the Cherrywood Art Fair, showcasing local artists, silent auction, live music and kids activities. Past president of AIGA Austin chapter overseeing programming of over 50 design events. As a longtime working graphic designer, proud member of Austin’s creative class and patron of the arts, I am interested in helping support and promote local artists. I have also secured past city grants for Chula League programs. Sherry Wicklund I've always been inspired by art and always share art through social media like Instagram @serenitystrides and @sheyhannahwanders. I'm passionate about conservation. I volunteer during clean-up efforts or any activities related to conservation. I have recently been following the city's "Art in Public Spaces" program and I'm fascinated with the inspiration that art evokes especially when installed in public spaces such as our city parks. I believe I can be a good reviewer in this regard. David Wiedeman I moved into the 21st Co-op in 1989 from Houston. That year I found some like minded creative types and founded my first band. I was eager to began that "Austin" lifestyle. During the early to mid nineties, i performed on many iconic Austin stages, including: Liberty Lunch, Steam Boat, Electric Lounge, Antone's (on the drag), Mercado Caribe, Flamingo Cantina, Blue Flamingo, Emos, and many more... After a performance one night at Flamingo Cantina, I was offered a job due to their bartender being too drunk to serve....I haven't looked back and I credit to finding a type of "living wage' job doing what I love to do. 1995-2000 Flamingo Cantina Years - I met my wife and continued to cut my teeth as a person, musician, booking agent, sound person, bandmate, and live music manager. 2000-2005 Opened Room 710 from the ground up, became a father to our son Weston. A great moment in time, totally crushed it. Became a South Austin (78745) Home Owner (the only reason we are still fortunate enough to call Austin home) 2005-2019 Fatherhood, failure and reinvention: lost the bars, failed at the restaurant and focused on being a supportive father/husband. Creativity/Music took a back seat to the joys of fatherhood. Eventually, I was an All-Star baseball coach (one of the most rewarding times of my life). I continued to book, jam and eventually found a home at The Whip In for a few years. 2021 - present: Watched to boy graduate from Austin High, been married for 28 years and counting, gone thru some serious trials and troubles. Greenheart Graphics (named after the street we live on) is my full time job... I am fortunate enough to really focus and nurture my creativity. The goal is creating a "living wage" life doing what you love to do I'm an D.I.Y. to the core and I am super grateful to live in a city which nurtures it. Austin Music Participant since 1991: Including: Live Music Performance, Live Music Venue Management and Ownership, Screen Printing Band and Event Posters and wearable Merchandise, Video and Audio Recordings and YouTube Broacasting Have over 20 years of Austin Live Music experience. From Live Music Venue owner, booking agent, sound engineer, promoter, podcast, producer...etc 1989-current - Bassist for many local alternative/rock bands with hundreds of live performances and scores of recording credits 1996-2000 Manager at Flamingo Cantina: Booking/Sound/Management 2000-2005 Owner Operator of Room 710 (710 Red River) All Booking, Sound, Management 2006-2008 Owner Operator of Woody's South (321 W. Ben White) Booking, Sound, (mis)Management 2012-2015 Booking Manager Whip In 2021-present Owner Operator Greenheart Graphics - design and production company IG: @greenheartgraphics, YouTube @greenheartgraphics, www.greenheartgraphics.com - Screen printed designs, Audio/Video Recordings, Live Sound, Event Booking and Productions Devin Wilder Devin Alejandro-Wilder (‘Dev”) b. 1993. Austin, TX. (he/they) is a conceptual inter-media visual artist and emergent filmmaker working across performance, installation, moving image, archival technologies, and site-based interventions. Born deaf, disabled, latinx, and identifying as transmasc/gender non-conforming—their creative practice blurs lived experience and research-driven methodologies to confront false binaries, investigate systems of belief, and reconstruct mythologies of the self. Their experimental films and breakout docushort, Divina: The Docushort, have been screened by Encuentro at The Museum of Human Achievement, The Gallery ATX in collaboration with The Austin Studio Tours, Hyperreal as part of ASoF’s “Friends and Film” biannual student showcase, and The UMLAUF Sculpture Garden and Museum. A curating member of Bolm Arts Collective with an exhibition, residency, acquisition, and publication history across TX, NY, VT, and Los Angeles—Alejandro-Wilder’s work has been supported by The City of Austin’s Community Initiatives (2021) and Nexus Awards (2025) in addition to collaboratively receiving a 2022 Creative Capitol Award with fiscal sponsorship from The Museum of Human Achievement. https://www.devinalejandrowilder.com/ As an interdisciplinary artist and filmmaker my creative projects are rooted in community collaboration and socially-engaged research. Since 2019 I’ve worked across positions with studios and galleries such as Women & Their Work, MoHA, and Bolm Arts. As a creative professional with intersectional identities being disabled, queer, and Latinx, I’m applying with the goal of uplifting underrepresented voices and experiences to expand equity, inclusion, and representation across Austin's Arts sectors. As an interdisciplinary artist/filmmaker, my work and skillsets have been fostered largely within collaborative learning environments in addition to working alongside other artists and those pursuing professional creative practices. While this background and the career pathways I’ve forged through it could be considered non-traditional—as opposed to an institutionally-supported education in my field—I’ve come to deeply value the ways these experiences have connected me with other working artists and creatives from self-driven methodologies and community-built initiatives. From 2020-2022 I was a studio member at the Museum of Human Achievement where I accepted my first city-funded award, Community Initiatives (2021) in support of a virtual/IRL project, “Free Skool Now”. During that project I utilized the support I received to establish an alternative peer-led learning network that connected working artists from across the East Coast, Los Angeles, and Greater South via stipend supported workshops and public artist salons which were free to attend. Additionally, I also supported MoHA’s public programming across roles including the Unpaved Paradise Drive-In series, Games Y’all, and Welcome To My Homepage. Since joining Bolm Arts last summer, I’ve applied the knowledge and experience I’ve gained working within non-profit studios and artist-run organizations to co-develop community programing including exhibitions, workshops, and monthly events such at Poetry Night and Critique Night. Tangentially, as a 2025 Nexus Awardee, I worked within the Austin School of Film to produce my breakout docushort about Austin’s longest running all-Latinx drag show, Divina. Since screening at Bolm Arts in April 2026 followed by Hyperreal as part of Austin School of Film’s Friends + Film showcase in June I’ve most recently joined Austin Public’s Producer Program to continue pursing support for my ongoing community-driven and archival/documentation projects. Daniela Willett I am a 3rd grade teacher at Overton Elementary. I love dancing, traveling, and spending time with my family. I am a teacher at a public school and have been involved in writing grants to receive additional arts-based support and experiences. I also have reached out to the city of Austin for career fairs and events where they support educational sessions. I am interested in being more involved in how Austin receives support for programming and learning about the process. As a teacher I have seen some aspects of it and want to see how we can improve how much people know about the options available. I have been a public school teacher in east Austin for 20 years. I am dedicated to better quality and access for all students and their families. I have seen and appreciate how the arts, creativity, and having a voice can improve and empower for better lives. Yasminca Wilson Born in Singapore to a Dutch mother and British father, I have lived across Indonesia, France, England, Guatemala, and the United States - including Houston, Charlottesville, New York City, and now Austin, where I intend to put down roots. I am excited to learn from and contribute to the creative communities here in Austin. My career has been international and non-linear by design, working at the intersection of arts, community development, and systems change. I hold a degree in Anthropology from the University of Virginia and trained as an actor with the Deena Levy Theatre Studio in NYC and in systemic constellations with the Centre for Systemic Constellations in London. Six years with the King's Responsible Business Network in the UK deepened my experience of convening businesses to collaborate and invest in their communities and places for positive social impact. I also worked in hospitality for several years and trained as a yoga teacher - both of which deepened my understanding of service, embodiment, and human connection. My combination of experiences has shaped how I work: analytical, embodied, and relational. When people ask me what I do, I tend to say that I get people in the same room who have never worked together before, and I help them see what they can build. Personally, I am a lover of all things performing and fine arts. Growing up in Houston informed my love of the arts and my own arts education. I also grew up attending (arguably the world's greatest performing arts festival) Glastonbury Festival in Somerset, England, year on year as a teenager and young adult - which led me to believe passionately in the transformative power of gathering people to express themselves in community. Have built cross-sector coalitions funding regeneration programs for underserved communities in Bristol, UK. Arts experience spans opera/arts education (Garsington), community dance (Bill T. Jones/Arnie Zane Company), and film festival production. International arts/community experience across the US, UK, and Guatemala informs my passion for funding work that strengthens diverse communities. I would love to channel that into supporting Austin's vibrant, evolving creative ecosystem. My connection to community is lifelong and cross-cultural. Born in Singapore and raised across Indonesia, France, England, and various parts of the US, I've spent my life learning how different communities work - what holds them together and what they need to thrive. Professionally, I've worked at the intersection of arts and community development for the past 15 years. This includes managing development and promoting arts education with Garsington Opera in the UK, producing a community dance production with the Bill T. Jones/Arnie Zane Company in Charlottesville, VA, grassroots education work with nonprofits in Guatemala, and building coalitions of businesses, local government, and non-profits in Bristol, UK to fund long-term regeneration for underserved communities. My Anthropology degree and training in systemic constellations give me a framework for understanding systems and the people within them. I'm relatively new to Austin - I relocated here from London in May 2026 - but I am not new to the work of understanding a place. I arrive with genuine curiosity about Austin's communities and creative ecosystem, a long-term intention to contribute to the city, and perspective shaped by communities of different scales and diverse cultures. Rachel Winston I regularly attend cultural arts programming (exhibitions, markets, music, culture/history, food events) and support local arts and culture organizations. I volunteer with Inside Books Project and Central Texas Food Bank as my schedule allows. Professionally I have served on a review panel for National Endowment of the Humanities. I am interested in becoming more engaged at a local level in this way to support important work happening in our city. Brian Wolff Brian Wolff is a guitarist and singer/songwriter currently based in Austin, Texas. Born in upstate New York, Brian moved to Austin in 2012. His musical style draws influence heavily from Classic Rock, 90’s Alternative, and Americana. His songs are marked by big guitars and impactful rhythms complete with thoughtful, introspective and unique lyrics. In Summer 2021, Wolff formed his current band, Brian Wolff & The Howlers and teamed up with producer-extraordinaire, Frenchie Smith, to get to work in the studio. His debut EP, The Punch, was released in June 2022 and follow up EP, The Golden Age, was released in July 2023. His early releases earned multiple features on KUTX’s “Song of the Day” and regular airplay on Sun Radio’s rotation Brian Wolff & The Howlers spent their 2024 summer hitting the road for a tour of the east coast, including an opening spot on the main stage at Spiedie Fest in Binghamton, NY, sharing the stage with Chris Young and Shaboozey. Shortly after, they were awarded a grant from the City of Austin’s Live Music Fund. With the necessary funding secured, they immediately turned their focus on recording Wolff’s debut album, Leave the Lights On. Trickling out singles throughout the first half of the year garnered more regular rotation spins on Sun Radio, KUTX and other stations around the country. It all led up to a tour through the Mountain West states and a return home/album release show at the legendary Antone’s to a packed house of eager fans and supporters. With a new album and tours through the Southeast and Midwest on the horizon, Brian Wolff & The Howlers continue to gain momentum, delivering electrifying performances and making waves in the music world. I've been a professional performing musician in Austin for almost 14 years. Performing in over 100 shows locally every year. I used to work for Kids in a New Groove as a volunteer and full time employee. So many fundraising shows for nonprofits too! I really feel I have a knack for writing grants. I've been very lucky to be the recipient of the Live Music Fund grant twice now. I want to see what it's like on the other side of it. To give back and to also hone my skills as a grant writer! I've been a professional performing musician and songwriter in Austin since I arrived here in October 2012. There are so many things I completely love about Austin. Most of them involve the beautiful creative arts scene here. Aside from my own career receiving the benefits of living in a supportive place like Austin. I can also recognize an music and art enjoyer, just how important funding the arts is. As Austin grows and morphs into a new version of itself... we can NOT leave the arts behind. You want songwriters? There's some of the best songwriters in the world here. You want great bands? We've got some of the best here too. You want to be inspired by art? Just look around, it's all over this city. I worked as a full time program coordinator for a Nonprofit in Austin called Kids in a New Groove from 2018-2020. Our mission was (theirs still is) to help kids in foster care get music lessons from volunteer music mentors who would meet up with them once a week. It was a beautiful thing while it lasted. I received formal grant writing training to help get funding from various foundations. I wrote a few grant applications myself and Kids in a New Groove received necessary funding as a result. Inez Wolins I have been a reviewer for state, regional, and national professional organizations and have consulted at more than 40 museums. I have authored articles and book chapters devoted to the role of education and engagement in museums and historic sites. I oversee operations at 42 historic sites in Texas, which includes preservation, education, interpretation, events, heritage tourism, friends group support/volunteers, and earned revenue, bringing this expertise to the panel process. Lindsey Woods CASA of Travis Co. -produced multi-million dollar fundraising events & community festivals Kendra Scott -partnered with hundreds of local orgs to fundraise & provide product donations Hyperreal Film Club -event production & organizational strategy I want to make sure that the authentic culture of Austin is well funded and preserved for generations to come, and that our city prioritizes affordability for our creative community. Johanne Workman I am a small business owner of a hair salon. I used to host small business markets at bars. I produce burlesque shows. I would like to help the community. I have a fair broad knowledge of experience in different arts locally and independent artists trust me. Missy Yarbrough Active design mentor and career coach supporting emerging tech talent. Passionate about community engagement, organizing creative events, and fostering inclusive, high-impact networks through local conventions and volunteering including Dream Con. Driven to invest in Austin’s creative ecosystem by evaluating high-impact grant proposals. I seek to help direct resources to emerging artists, foster inclusive community programming, and gain deeper insight into municipal arts funding. Kayla Yerby I was born and raised in Baltimore, Maryland however I am finding a new home in Austin, TX. From a very formal art focused background, I decided to leave to try and find my own path at the age of 18, quitting my job and dropping out of art school. I’ve been to different states creating, expanding my range in mediums, and learning what makes me feel most connected to the art I create. The ability to process or transmute feelings, explore, and experiment with not only my imaginations and understandings but my life experiences through is what gives my art meaning. I hope to reach others who may feel or experience similar things as me and be an example that art can be therapy. In my years of traveling, I have also found that I have a deep passion for mutual aid and the general accessibility of opportunities that could be positive contributors to someone's life whether that is a local resource, a free or informational event, an investment into personal development, or simply a fun community event that also serves to uplift local artists or business owners and attendees alike. I was a Community Engagement and Research Specialist which looks like resource navigation, donation coordination, and events as well. I have worked with several organizations & groups in Austin that serve who may be unhoused or at risk. I have served on the review panel for the NOFO twice to ensure that organizations met the criteria needed to be awarded funding for the upcoming year. I know how extensive the process can be reviewing applications throughly and I enjoy that process! I’ve lived in Austin since 2021 primarily working in the Homelessness Response System. I’ve worked in this system providing resource navigation, donation coordination and support, food distribution to the unhoused community as well as event planning and consultation services. I had the opportunity to host a beginners crochet class with youth experiencing housing instability and also a crafts and journaling workshop to an ongoing resource event, the PURC, in the city that bring services to the unhoused community under one roof. Outside of that, I have had multiple opportunities to share my art in spaces with other creatives whether that is at an art market or a gallery space. I was also in the 2023 MINDPOP Emerging Teaching Artist Cohort that helped me set the foundation for the workshops I would host in my main area of work, It will always be a part of my mission to bring the arts to the people who could use the space to explore or process themselves through artistic creation and expression while also engaging in possibly transformative or thought provoking conversations surrounding the power in the arts. I use my social media to speak on the importance of community, reducing waste in our general environment, and how we can dismantle some of those societal pressures that could be stunting personal or collective growth. Sabrina Zahir Sabrina Zahir is a first-generation South Asian American independent producer. She holds a Bachelor of Science in Radio-Television-Film from the University of Texas at Austin. Zahir has produced several award-nominated short films, including Supermarket Affairs, an official selection of the 2024 Palm Springs International ShortFest. In 2023, she produced American Spirit, the debut feature from writer-director Christopher Yates American Spirit premiered to critical acclaim at the 2024 Austin Film Festival. Her work is grounded in character-driven storytelling, centering on ordinary people navigating internal conflicts that ripple into every aspect of their lives. She is particularly drawn to stories that explore the tension between personal desire and societal expectation. Alongside Yates, Zahir is a co-founder of Fridge Poet Pictures I have volunteered for several years with Austin Film Festival, South By Southwest, and ATX TV Festival. This year I assisted with the Waller Creek Clean Up hosted by UT Staff Council. I've made donations to ICGA, OutYouth, and Caritas of Austin. Austin's creative community has played a large part in my growth as a filmmaker and I want to give back. I want to ensure that grants applicants are evaluated thoughtfully, consistently and on the strength of their artistic vision + cultural impact. I’ve served Austin’s creative community primarily through film over the last seven years. I have volunteered for a variety of festivals, specifically ATX TV Fest, Austin Film Festival, and South By Southwest. My education at UT Austin‘s film program allowed me to integrate my knowledge from the classroom to the various roles I’ve had on local independent films, festival panel conducting, and community screening events. My personal understanding of the Austin cultural and creative community is that it is a welcoming one. No matter what the niche is I’ve been able to find a kind hearted and welcoming group that is willing to gleefully chat about nearly any topic. I think this is owed to the city’s natural southern hospitality which comes with the territory of being the state‘s capital. Nina Zamarripa I have over 10 years of working in nonprofit organizations in Austin. My work is connected with affordable housing, community resource services, and advocating for people experiencing systemic barriers. I’m excited for this opportunity to be help review applications because I have prior experience reviewing applications for grants and cohorts. Carolina Zataray I've worked in museum education for over 12 years, primarily focusing in history cultural institutions. I'm interested in serving on a review panel to help support groups and organizations seeking to impact their community through cultural heritage. Michele Zayla Part of the roller skate community as a skater, performer and as a teacher. I have sung and played at many local venues, and written, performed, sound engineered, produced and shot over 10 original music videos featuring many local areas of Austin. I would love to be a part of and further support the arts and music community in the place I call home! Inspiration and creativity are really high values for me. DANI ZEN I work in peer support as lead peer coordinator at Ashwell. I run peer groups and work closely with members of our LGBTQ+ community in Austin. I focus on mental health pear support helping facilitate art activities along with emotional check ins. I would love to learn more on the process of reviewing grants. I think being able to aid in the process can help me understand where our art community is and understand which are strong applications. As a Latino LGBTQ member my Perspective can help. Angelina Zulas-Carr Angelina Zulas-Carr is a community engagement and arts professional with a background in social work, education, cultural programming, and people-centered administration. She has worked with organizations including the Dougherty Arts Center and the UMLAUF Sculpture Garden + Museum, supporting exhibitions, public programs, and community partnerships that foster creativity, accessibility, and belonging. As a longtime Austin resident Angelina is passionate about strengthening the city's cultural ecosystem by supporting artists, expanding access, and encouraging meaningful community participation using a collaborative, thoughtful approach to grant review informed by both professional experience and active involvement in Austin's creative community. LinkedIn: linkedin.com/in/angelinazulas My work centers on arts, education, & community engagement where I've served museums, nonprofits, & schools as an educator, program coordinator, and teaching artist. I previously served on an Austin Arts, Culture, Music, & Entertainment Review Panel. Serving on the Review Panel was an honor. I value thoughtful, equitable grantmaking and enjoy collaborating with diverse reviewers to support Austin's creative community. I'd welcome the opportunity to contribute again. My connection to Austin's creative community is both personal and professional. Over the past decade, I have built relationships across the city's arts, cultural, education, and nonprofit sectors through community engagement, arts education, gallery administration, public programming, and volunteer service. Professionally, I have worked with organizations including the Dougherty Arts Center and the UMLAUF Sculpture Garden + Museum, where I supported exhibitions, taught arts education programs, and helped create welcoming spaces for artists and community members. My background in social work has shaped my approach, emphasizing equity, accessibility, relationship-building, and thoughtful stewardship of public resources. Beyond my professional roles, I have remained actively engaged in Austin's cultural community by attending exhibitions, performances, festivals, and neighborhood events, volunteering for citywide initiatives, and serving as an AACME Review Panelist. These experiences have deepened my understanding and connectio nto Austin's creative ecosystem, long-standing cultural institutions to grassroots organizations and emerging artists, and the importance of investing in a vibrant, inclusive arts community where diverse voices and traditions can thrive.