Item 09 - AUS Atrium Infill AIPP_Final Design_20251030_AC.pdf — original pdf

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• Project: Austin-Bergstrom International Airport (AUS) Atrium Infill / Terminal Expansion Phase II – B • Artist(s): Josef Kristofoletti & Matthew Mazzotta • Phase: Final Design • Sponsoring Department: Austin Aviation • Project Budget: $1,000,000 • Council District: 2 • Project Manager: Alex Irrera ARTS COMMIS SION ME ETING AGE NDA ITEM DATE: NOVE MBE R 17, 2025 Aviation | Terminal Expansion Phase II - A, B, & C O R I G I N A L P R O J E C T S U M M A R Y - Terminal Expansion Project – 9 gate expansion of Barbara Jordan Terminal - 175,000 sq. feet, increasing number of gates to 34 - Grows airport capacity to 15 million passengers, increase of 36% - $570,000 total for Three Opportunities ($260,000 / $155,000 / $155,000) - Invitation-only Request for Qualifications to 2018-20 Pre-Qualified Local Artist Pool D E S I G N D E V E L O P M E N T T I M E L I N E o Fall 2022 – Artist Community Engagement & Concept Design Review o Spring 2023 – Final Design Review o Spring-Summer 2024 – Project Restart and Budget Increase Approval o Fall 2024 – Artist Community Engagement o Spring 2025 – Concept Design Review o Fall 2025 – Final Design Review o 2026 – Project Installation and Close-out THE NATURE OF SOUND An Artwork by Josef Kristofoletti and Matthew Mazzotta Austin-Bergstrom International Airport Final Design August 2025 "A birdsong can even, for a moment, make the whole world into a sky within us, because we feel that the bird does not distinguish between its heart and the world's" - Rainer Maria Rilke Artwork engineering/dimensions/views 10/16/25 10/16/25 ) y t i r a c l r o f d e g r a n e ( l i g n w a r d g n i r e e n g n e i ) y t i r a c l r o f d e g r a n e ( l i g n w a r d g n i r e e n g n e i m a e b - I , t r o p e r g n i r e e n g n e i Artwork narrative THE NATURE OF SOUND is an iconic new artwork designed specifically for the atrium infill area of AUS airport based on two of the most important elements of Austin‟s identity - Love of Live Music and Nature. By combining these two elements with the City‟s moniker “Keep Austin Weird,” THE NATURE OF SOUND is a beautifully colored visual „representation of sound‟ using plants, birds and their songs. THE NATURE OF SOUND brings to life Austin‟s nickname “A City in a Park” with three oversized brightly colored singing birds perched under colorfully painted skylights. The bird‟s songs represented by wildflowers expresses the City‟s global reputation as the “Live Music Capital of the World.” THE NATURE OF SOUND seamlessly integrates into the new space of the atrium infill area by creatively using the inside of the skylights and the space below the ceiling. The atrium is one of the the first sites a traveler will enter when checking in for a flight. THE NATURE OF SOUND can be seen from the multiple viewing locations, both outside of the atrium area and also directly below the atriums skylights. This design draws people in to flow through the new large open space to see this colorful and whimsical artwork transform and reveal new aspects of the art. As the City of Austin goes through a huge growth period with challenging changes, many locals feel the connection to nature is lost within the new infrastructure plans. There‟s a sense that “we are knocking down and rebuilding while losing our history and the country aesthetic”. The natural and musical themes along with the sophisticated colors of THE NATURE OF SOUND restores this image many are longing for by giving an uplifting message of joy and connection to nature and music. Community Engagement Findings Love for Music A high percentage of people enjoy live music. Austin is known to be the Live Music Capital of the world. There are many live music venues, much more than other cities. Love of Nature Nature is seen as an identity of Austin, nicknamed “A city in a park.” Notable mentions include its landscapes, Hill Country, Blind Salamanders, Bats, Longhorns, Bluebonnet, wildflowers. Tech vs. Rural Austin is a city trying to find its identity as it is going through a huge growth period with many changes. The connection to nature is lost with new infrastructure. There‟s a sense of knocking down and rebuilding while losing history and the country aesthetic. “Austin is Weird” People can be themselves & and also be accepting of new and weird ideas. "Keep Austin Weird" is the City's moniker. Diversity Austin‟s reputation as a multicultural city is celebrated through its food, festivals, and community events. There is an acceptance of everyone and their cultural heritage. Artwork details The principle materials used in fabrication of the Artwork (see data sheets): ● ● ● ● ● ● ● ● ● ● ● ● ● ● Bird, sculpt; HFP, EPS foam Bird, hard-coat; Polycoat, Polyeuro MH-751FR (this Polyurethane/resin hard-coat has an integral fire retardant). Bird, foam adhesive; Polycoat, Polyeuro MH-751FR Bird, internal structures (armatures); primed, mild steel sections (tbc). Perch (frame); primed and painted mild steel sections/plates (tbc). Perch, paint; Matthews MPC, MAP-LVS Bird/Perch/Soundwave primer; Transtar 1221/1225 Soundwave, armature; primed, mild steel Soundwave, Floral elements; Smooth-on, Habitat Cast N Coat (epoxy/resin) Soundwave, Floral elements adhesive; 3M, Scotch-Weld Mural/Bird/Soundwave paint Satin Base; Golden CPWTP, (custom paint the Artwork as per images). Mural/Bird/Soundwave paint Satin Clear; Golden MSA varnish, (applied as a protective coating). Mural cloth; Polytab Mural cloth adhesive; Golden CPWMG01-F Artwork fabrication methods: ● ● ● ● ● ● ● ● ● ● Bird; EPS-foam blocks are 5-axis machine cut to form the sculpt/shape. The foam is hollowed out to accept the metal armature/frame which supports it. The foam parts are then bonded together over the frame, to form the finished shape, with all joints made good. Bird; A hard-coat (with integral fire retardant) is applied over the foam sculpt with the surface then worked/detailed/finished by hand. The hard-coat surface is then painted with a primer ready to accept the mural paint. Steelwork/armatures; cut/weld/dress steel tubes, primed (integrated into the sculpted birds). Perch (frame); cut/weld/dress steel tubes/sections, primed, with a single colour paint finish. Soundwave, floral elements; mold formed epoxy Soundwave, structural elements; rolled/cut/dress/welded steel tubes/rods, primed. Soundwave; the Floral elements are bonded to the structural elements. The whole Soundwave is then painted with a primer ready to accept the mural paint. The Sound-waves are suspended in the space using a Professional Cable Suspension System, specified by the EOR (see engineering drawing for details). The mural is painted directly onto the mural-cloth, with a clear varnish applied as a top coat, this is done at the Artist‟s studio The mural is painted directly over the primed surfaces of the Birds/Soundwaves, with a clear varnish applied as a top coat; this is done at the Artist‟s studio. Contractors providing services: ● ● ● ● ● Engineering design - Nick Geurts, +1 303-646-7553 Sculpting/moulding - Elmendorf Geurts. www.elmendorfgeurts.com, +1-720-295-1577 Metalwork fabrication/assembly - Elmendorf Geurts. www.elmendorfgeurts.com, +1-720-295-1577 Artwork installation and cable suspension system - Elmendorf Geurts. www.elmendorfgeurts.com, +1-720-295-1577 Mural/paint Artist - Trusonic, Josef Kristofoletti, +1 617-515-1720 Cleaning/Maintenance recommendations: ● ● ● ● Dust to remove accumulated dust on the top of the sculpted figures. This can be done with a Swiffer® or a microfiber cloth on a pole, using a personnel- lift or similar. This is recommended once per year or once every two years (or more frequently if there is a good deal of dust in the space). The sculpted figures can be occasionally lightly cleaned (as required) using a slightly dampened (water/mild soap solution) lint free cloth. Light actions only should be used. The paint finish can be touched-up/repaired if damaged, by a suitable professional using the appropriate paint/colors and sheen (The surface has a hand painted paint finish, with a lacquer overlay).The hard-coat can be repaired if damaged (cracked/punctured), by a suitable professional. The clear varnish (lacquer) acts as a UV coating to protect the paint surface below, the varnish should not need reapplying throughout the life of the Artwork, however Golden (paint) has stated that in general, re-varnish is recommended at about 5 years. Outline installation procedure - equipment; scissor-lift, boom-lift, wheeled dollies. 1. Phase-site inspect 1. 2. Using a boom-lift, go into each skylight and measure the areas on which the Artwork (mural cloth) will be applied, to ensure the Artwork sizes are correct. (By others) Using a boom-lift, go into each skylight area and create an inspection hole in the cross-beam board-work. Within the hole, check for internal elements within that may need to be considered in order to hang the Bird elements. Measure the steel I-beam, ceiling and board- work etc (see eng-drg), to ensure the Bird/perch steelwork frame will fit correctly. 1. Phase-site prep 1. 2. 3. 4. (By others) Using a boom-lift, go into each skylight area and remove the cross-beam board-work (and stud-work if req) in the area of where the upper-hanging-pipes will be located. (By others) Using the supplied jig to ensure the correct distance apart, install the upper-hanging-pipes via their integral clamps to the steel beam, clamping to the required engineering specifications. (By others) Patch and paint the board-work with the upper-hanging-pipes protruding from the boards under the cross-beam, clean tubes as req. (By others) Install required ceiling support framing above the ceiling, in order to support the ceiling boards at the Soundwave hanging points (refer to locations on eng-drg). 1. Phase-skylight Artwork 1. 2. Using a boom-lift, go into each skylight and clean/prepare the surfaces onto which the mural-cloth will be applied. Using a boom-lift, go into each skylight area and install the pre-painted mural cloth onto the skylight wall recesses (area between skylight structure framing) and bulkheads. Apply adhesive to surface, lay mural-cloth onto adhered surface so as to omit any air bubbles/creases, flatten and trim to size. 4. Phase-Birds/perch - Each Bird figure will be whole and permanently attached to the Perch cross-member as one piece (via a welded connection at the feet) . The Perch cross-member attached to the Bird is no wider than the Bird itself. The Perch hanger pipes (upto the split point) and cross- member extensions are welded together as one piece, these elements mechanically fix to the cross-member portion that is attached to the Bird. The hanger pipe above the split point has welded clamp plates, these elements will clamp to the building I-beam and be pre-installed. In summary, each Bird is fabricated in x5 parts: x2 upper-hanging-pipes (pre-installed), x2 lower-hanging-pipes, x1 Bird/cross-member. 1. Each Bird/perch arrives in 3 parts with the Bird/cross-member mounted on a (padded-transport) wheeled-dolly for ease of handling/installation. Unload the Bird/perch/dollys off the shipping truck using a forklift. 2. 3. Wheel each Bird/perch into the atrium space and assemble the Bird/perch parts together using the inbuilt mechanical fixings (see eng-drg). 4. 5. 6. Using a boom-lift, attach a chain-hoist to each of the pre-installed upper-hanging-pipes, via eye-bolts screwed into the pipes. Once each Bird/perch is assembled (and orientated correctly), position under the relevant hanging points within the atrium. Secure the Bird/perch to the chain-hoists. Release the dolly strapping holding the Bird/perch. Using the chain-hoists lift the Bird/perch up to the receiving upper-hanging-pipes. Slide pipes into one another and securely fix (see eng-drg). Once secure the chain-hoists/eye-bolts can be removed and the eye-bolt holes plugged. 7. 4. Phase-Soundwaves 1. Using a boom-lift mark the locations of the Soundwave hanging points (see eng-drg), and drill the required holes to take the hanging fixings. Install hanging fixings to the ceiling. Attach the hanging cables to the ceiling/hanging fixings and leave the cables to hang Unload the Soundwave/dollys off the shipping truck using a forklift. Each Soundwave is in 3 parts and mounted on a (padded-transport) wheeled-dolly for ease of handling/installation. 2. 3. 4. 5. Wheel each Soundwave part into the atrium space. 6. 7. 8. 9. Manoeuvre the scissor-lift so that it is under the relevant Soundwave hanging points/cables. Remove each Soundwave part from its dolly, 2 person lift onto the scissor-lift. Raise the scissor-lift so that the Soundwave hanging points are close to the cables. Attach the cables to the Soundwave hanging points, then connect each Soundwave part together with the inbuilt mechanical fixing (see eng- drg). 10. Allow the Soundwave to hang and adjust the cables to evenly tension/position. Project timeline Note: Final installation dates dependent on the Atrium Infill project schedule (Install dates to be coordinated with AUS and GC construction management teams) Project budget Conservation documents Site conditions SOCO 2405A STAIR #35 S S 37' - 6" VIF DOA 3411 JAN 3413 TLT 3415 09-041 OPEN TO SKYLIGHT S 09-022 S S BI 2' - 5" VIF 36' - 4" VIF BJ 2' - 6" VIF VEST 3401 B1 STAIR 1444E ELEV #1 CONC. KITCHEN 1444B " 0 - ' 7 4 " 9 - ' 7 1 . Q E . Q E B2 " 6 - ' 2 2 " 0 - ' 0 2 I F V B3 " 6 - ' 2 I F V " 3 - ' 6 2 I F V " 0 - ' 5 3 " 6 - ' 7 B4 " 6 - ' 2 2 B5 " 4 / 1 8 - ' 4 1 B5.2 B6 11 AE-5-01 ALIGN TYP. ALIGN TYP. TSA QUEUING 24' - 0" EXISTING 09-041 09-041 02-043 02-003 23-002 N G I L A N G I L A . P Y T N G I L A . P Y T 09-022 09-022 S S S S S S S S 7 AE-5-01 1 AC-5-01 22' - 6" EXISTING 7 AE-5-01 10 AE-5-01 09-060 1 SEGMENT CEILING PLAN - CONCOURSE LEVEL 0 4' 8' 1/8" = 1'-0" 16' HORIZONTAL SCALE IN FEET BK 2' - 6" VIF 37' - 6" VIF 3421A 1580 BL 2' - 6" VIF 37' - 6" VIF STORAGE 1423 BM 2' - 6" VIF 36' - 3" VIF BN ELEV #2 ELEV #2A ELEV #2B VEST 3441 MOBILITY LOUNGE 1439 N G I L A . P Y T S S ALIGN TYP. S ALIGN TYP. S 09-044 02-043 SIM 1 AC-5-01 7 AE-5-01 S S S S TICKETING 1573 TSA QUEUING 24' - 0" EXISTING 09-041 09-041 WOMEN'S 3417 MEN'S 3421 VACANT 3425A STAIR 034 CONCESSIONS 3425 DOA 3423 S 02-043 S OPEN TO SKYLIGHT S 09-022 09-022 S S 09-042 09-041 09-040 24' - 0" EXISTING S 24' - 0" EXISTING S 24' - 0" CL-1 24' - 0" CL-1 S 24' - 0" CL-1 S 23-002 N G I L A . P Y T S S S S OPEN TO SKYLIGHT 09-043 09-022 02-025 01-038 OPEN TO STRUCTURE ABOVE NOTES: KEYNOTES 01-038 CONCESSIONS OVERHANG ABOVE. 02-003 EXIST. CEILING AND LIGHT FIXTURES TO REMAIN, PATCH AND REPAIR AS NEEDED 02-025 EXIST. CAT WALK ABOVE 02-043 ABANDONED SPEAKER GRILL TO REMAIN. 09-022 CONTROL JOINT, TYP. 09-040 INFILL, PATCH, AND PAINT EXIST. GYPSUM SOFFIT TO MATCH CL-1, TYP. 09-041 PAINT EXIST. CEILING TO MATCH CL-1 09-042 PATCH AND REPAIR EXIST. ACCESS PANELS AS REQ.; PAINT TO MATCH CL-1, TYP. 09-043 PATCH AND REPAIR EXIST. SKYLIGHT AS REQ.; PAINT GYPSUM TO MATCH CL-1, TYP. 09-044 PAINT INTERIOR CEILING SOFFIT TO MATCH CL-1, TYP. 09-060 NYLON NETTING SYSTEM; SP-1. 23-002 SUPPLY DIFFUSER, REF. MECHANICAL RCP LEGEND 2X2 LAY-IN CEILING 2X5 LAY-IN CEILING GYP. BD. CEILING DRAFT CURTAIN ES EXPOSED STRUCTURE 1' - 0" CL-1 FINISHED CEILING HEIGHT A.F.F. A1/A2 D B1 C LINEAR LED LIGHT FIXTURE DIRECTIONAL LIGHT FIXTURE RECESSED LIGHT FIXTURE UTILITY LIGHT FIXTURE EMERGENCY EXIT FIXTURE CELLULAR DAS FIRE STROBE SECURITY CAMERA DOME (R) RETURN / (S) SUPPLY LINEAR SLOT DIFFUSER / RETURN S CEILING SPEAKER SPRINKLER CEILING DATA DEVICE RADIO DAS ANTENNAS WIRELESS ACCESS POINT (WAP) ACCESS PANEL A AMBIENT SENSOR AREA NOT IN SCOPE This document was produced by or under the authority of Registered Architect: Ross Payton. THIS DOCUMENT IS INCOMPLETE AND MAY NOT BE USED FOR REGULATORY APPROVAL, PERMIT. BID OR CONSTRUCTION. V W T U R S P Q M N K L H J F G D E C B A L L I F N I I M U R T A S U A N A L P Y E K 9 1 7 8 7 X T , I N T S U A , I D V L B L A T N E D S E R P 0 0 6 3 I REV A B C D DESCRIPTION 30% SUBMISSION 60% SUBMISSION 90% SUBMISSION ISSUE FOR CONSTRUCTION DATE 07/01/2024 09/11/2024 11/20/2024 02/03/2025 EXISTING TO REMAIN NAME DATE CEILING SENSOR PHOTOCELL CHECKED BY KMJ 02/03/2025 DESIGNED BY 02/03/2025 T13309.002 SGMT CEILING PLAN - CONCOURSE LEVEL AC-1-31 D t v r . 3 2 - 3 - A - 2 0 0 . 9 0 3 3 1 T / l l i f n I m u i r t A S U A - 4 0 0 T . 3 1 0 0 2 / / : s c o D k s e d o t u A M P 8 4 : 8 2 : 2 5 2 0 2 / 1 3 1 / This document was produced by or under the authority of Registered 3 BIM00 2 BIM00 1 SKYLIGHT FP PIPING SCALE: 1/4" = 1'-0" NOTES: 1. THIS EXHIBIT IS PROVIDED FOR INFORMATION ONLY. THE CONSTRUCTION DOCUMENTS, CONSISTING OF DRAWINGS AND SPECIFICATIONS ARE THE LEGALLY BINDING CONTRACTUAL DOCUMENTS FROM WHICH CONSTRUCTION SHALL BE BASED. IN THE EVENT OF ANY DISCREPANCY BETWEEN THE EXHIBIT AND THE DOCUMENTS, THE DOCUMENTS SHALL TAKE PRECEDENCE. 2. EXHIBIT CONTAINS GEOMETRY FROM POINT CLOUDS SCANNED ON SITE. FACILITY ELEMENTS MODELED FROM CONTENT VISABLE IN POINT CLOUDS AND DOES NOT CAPTURE ALL EXISTING CONDITIONS. AVAILABLE CONTENT IS LIMITED TO 3D GEOMETRY. EXISTING CONSTRUCTION DRAWINGS, RECORD DRAWINGS, AND AVAILABLE AS-BUILTS SHALL REFERENCED AND TAKE PRECEDENCE. W U S Q N L J G E V T R P M K H F D C B A 1 A N A L P Y E K M O R T S G R E B N T S U A - I I I I T B H X E T R O P R A L A N O T A N R E T N I 9 1 7 8 7 X T , I N T S U A , I D V L B L A T N E D S E R P 0 0 6 3 I 2 SECTION-N/S SCALE: 1/4" = 1'-0" 3 SECTION-E/W SCALE: 1/8" = 1'-0" I REV DESCRIPTION DATE NAME DATE CHECKED BY DESIGNED BY Project Number SKYLIGHT FIRE PROTECTION BIM00 t v r . 3 L _ 3 2 - 3 - P - 5 3 0 7 0 / y r o t c e r i D S U A / / : s c o D k s e d o t u A M A 4 0 : 3 0 : 1 1 5 2 0 2 / 8 2 7 / f e r r o f s h t a p r o t c e t e d m a e b Lighting 1 2 3 4 5 6 7 8 9 10 11 12 3 Skylights Each skylight has unique window locations B1 B2 B3 B4 B5 BI BJ BK BL BM BN APTUS Engineering LLC 1005 E. St Elmo Rd Bldg 7 Austin, Texas 78745 Tel. (512) 872-5059 TBPE FIRM #: F-15962 Copyright © 2025 NOTES: KEYNOTES BOUNDARY INDICATES DAYLIGHT ZONE. CONTRACTOR SHALL PROVIDE PHOTOCELL/SENSORS, POWER PACKS, AND CONTROLS AS REQUIRED TO PROVIDE DAYLIGHT RESPONSIVE CONTROLS PER 2021 IECC SECTION 405.2.4. EXISTING EXTERIOR LIGHTING ABOVE SKYLIGHT MONITORS SHALL BE REPLACED WITH NEW ART LIGHTING FIXTURES AND CONNECTED TO EXISTING CIRCUITS. CONTRACTOR SHALL PROVIDE COMPATIBLE 0-10V DIMMING SWITCH IN LINE WITH EACH RUN OF REPLACED FIXTURES (FOUR (4) TOTAL DIM SWITCHES). DIM SWITCHES SHALL BE INSTALLED IN WEATHERPROOF ENCLOSURE AT ROOF ADJACENT TO ART LIGHTING. CONTRACTOR SHALL COORDINATE WITH ART IN PUBLIC PLACES (AIPP) TEAM FOR EXACT LIGHTING SPECIFICATION AND QUANTITY. OUTPUT LEVEL AND AIMING SHALL BE CONFIRMED WITH AIPP TEAM UPON START UP. EXISTING LIGHT FIXTURES AND CORRESPONDING CONTROLS ARE EXISTING TO REMAIN. EXISTING COLUMN MOUNTED LIGHT FIXTURES SHALL BE REPLACED WITH NEW ART LIGHTING FIXTURES AND CONNECTED TO EXISTING CIRCUITS. LIGHT FIXTURE PROVIDED SHALL BE CONTROLLED WITH DIM SWITCH INTEGRAL TO THE LIGHT FIXTURE MOUNTING CANOPY. CONTRACTOR SHALL COORDINATE WITH ART IN PUBLIC PLACES (AIPP) TEAM FOR EXACT LIGHTING SPECIFICATION AND QUANTITY. OUTPUT LEVEL AND AIMING SHALL BE CONFIRMED WITH AIPP TEAM UPON START UP. 1 2 J 3 4 J B2 N2a E G EBEH1-20 B2 2a CEH1-19 B2 N2a E G EBEH1-20 B2 2a CEH1-19 OS 2a B3 N2a E G EBEH1-20 B2 N2a E G EBEH1-20 B3 2a CEH1-19 OS 2a B2 2a CEH1-19 B3 N2a E G EBEH1-20 B3 2a CEH1-19 (E) B3 2a CEH1-19 B3 2a CEH1-19 (E) (E) (E) J ER ALC J 4 4 J W1 2d CWH1-59 W1 N2d E G ECWH1-16 OS 2d B2 2a CEH1-19 THIS DOCUMENT IS RELEASED FOR THE PURPOSE OF INERIM REVIEW UNDER THE AUTHORITY OF CASEY SVEIVEN, TX P.E. #137964 ON THE DATE SHOWN ON THE DATE STAMP. IT IS NOT TO BE USED FOR CONSTRUCTION, BIDDING, OR PERMIT PURPOSES. V W T U R S P Q M N K L H J F G D E C B A I L L F N I I M U R T A S U A N A L P Y E K 9 1 7 8 7 X T , I N T S U A , I D V L B L A T N E D S E R P 0 0 6 3 I REV A B C D J DESCRIPTION 30% SUBMISSION 60% SUBMISSION 90% SUBMISSION ISSUE FOR CONSTRUCTION ATR017 RESPONSE DATE 07/01/2024 09/11/2024 11/20/2024 02/03/2025 09/19/2025 NAME DATE CHECKED BY CS 09/19/2025 DESIGNED BY CS, KT, TL 09/19/2025 T13309.002 SGMT LTG PLAN - CONCOURSE LVL EL-1-31 J t v r . 3 2 - 3 - E - 2 0 0 . 9 0 3 3 1 T / l l i f n I m u i r t A S U A - 4 0 0 T . 3 1 0 0 2 / / : s c o D k s e d o t u A M P 1 2 : 1 1 : 5 5 2 0 2 9 1 9 / / (E) (E) (E) X1 (E) (E) (E) J J (E) (E) (E) (E) (E) (E) (E) (E) (E) X1 (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) 3 (TYP.) (E) X1 (E) (E) (E) Ztc B2 2a CWH1-59 OS 2a B3 N2a E G ECWH1-16 ER B2 N2a E G ECWH1-16 ALC B3 2a CWH1-59 (E) ER B3 N2a E G ECWH1-16 B3 2a CWH1-59 OS 2a B3 N2a E G ECWH1-16 (E) ALC B3 2a CWH1-59 (E) J J 4 J B2 N2a E G ECWH1-16 B2 2a CWH1-59 B2 N2a E G ECWH1-16 B2 2a CWH1-59 ALC B2 2a* CWH1-59 PC 2a* ER B2 N2a* E G ECWH1-16 ALC ER B2 2a* CWH1-59 B2 N2a* E G ECWH1-16 J J J J J 2 B2 B2 2a* CWH1-59 B2 2a* CWH1-59 N2a* E G ECWH1-16 PC 2a* B2 2a* CWH1-59 B2 N2a* E G ECWH1-16 Zdl B2 N2a* E G ECWH1-16 J J J J J J 4 J ER B2 N2b* E G ECWH1-16 J 4 B2 2b* CEH1-19 PC 2a* PC 2b* 2 J J PC 2b* ALC B2 2b* CWH1-59 B2 N2b* E G EBEH1-20 J J J J B2 2b* CEH1-19 B2 N2b* E G ECWH1-16 B2 2b* CWH1-59 PC 2b* B2 N2b* E G EBEH1-20 ER ALC B2 2b* CEH1-19 B2 2b* CEH1-19 J ALC ER ALC ER J J J J B2 2c* CEH1-19 PC 2c* B2 N2c* E G EBEH1-20 B2 2c* CEH1-19 B2 N2c* E G EBEH1-20 2 PC 2c* B2 2c* CEH1-19 B2 2c* CEH1-19 B2 N2c* E G EBEH1-20 B2 N2c* E G EBEH1-20 PC 2c* B2 2c* CEH1-19 B2 N2c* E G EBEH1-20 1 TOPLIT DAYLIGHT ZONE 1 TOPLIT DAYLIGHT ZONE 1 TOPLIT DAYLIGHT ZONE 4 J J W1 2d OS N2d E G ECWH1-16 W1 2d CWH1-59 4 J W1 2d CWH1-59 Ztc W1 N2d E G ECWH1-16 4 J W1 2d OS N2d E G ECWH1-16 W1 2d CWH1-59 OS 2d 1 ELECTRICAL ENLARGED LIGHTING PLAN - CONCOURSE LEVEL 1/8" = 1'-0" 16' 8' 4' 0 HORIZONTAL SCALE IN FEET BI BJ BK BL BM BN (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) (E) 3 (TYP.) (D) 4 J J (D) (D) 4 1 (D) (D) (D) (D) 2 (TYP.) (D) (D) (D) (D) (D) (D) (D) (D) (D) (D) (D) (D) 4 (D) (D) 4 1 (D) (D) (D) (D) (D) (D) 4 (D) (D) 4 1 3 (TYP.) (D) 4 (D) (D) 4 1 (E) (E) (E) (E) (E) B1 B2 B3 B4 B5 NOTES: KEYNOTES 1 2 3 4 J J EXISTING COLUMN MOUNTED FIXTURESTO BE DEMOLISHED. REMOVE WIRE AND CONDUIT BACK TO THE PANEL. INACCESSIBLE CONDUIT SHALL BE ABANDONED IN PLACE. DEMOLISH EXISTING SKYLIGHT MOUNTED EXTERIOR FIXTURE AND CAP AND SAFE OFF EXISTING CONDUCTORS FOR FIXTURE REPLACEMENT IN NEW SCOPE. PROVIDE NEW JUNCTION BOX AND COVER PLATE AND LABEL BOX “ART LIGHTING CKT.” EXISTING SPRINKLER HEAD SHOWN FOR REFERENCE ONLY. REFER TO THE ARCHITECTUAL SHEETS FOR ADDITIONAL INFORMATION ON THE SCOPE OF DEMOLITION. DEMOLISH EXISTING COLUMN MOUNTED FIXTURE AND CAP AND SAFE OFF EXISTING CONDUCTORS FOR FIXTURE REPLACEMENT IN NEW SCOPE. PROVIDE NEW JUNCTION BOX AND COVER PLATE AND LABEL BOX “ART LIGHTING CKT.” APTUS Engineering LLC 1005 E. St Elmo Rd Bldg 7 Austin, Texas 78745 Tel. (512) 872-5059 TBPE FIRM #: F-15962 Copyright © 2025 THIS DOCUMENT IS RELEASED FOR THE PURPOSE OF INERIM REVIEW UNDER THE AUTHORITY OF CASEY SVEIVEN, TX P.E. #137964 ON THE DATE SHOWN ON THE DATE STAMP. IT IS NOT TO BE USED FOR CONSTRUCTION, BIDDING, OR PERMIT PURPOSES. V W T U R S P Q M N K L H J F G D E C B A I L L F N I I M U R T A S U A N A L P Y E K 9 1 7 8 7 X T , I N T S U A , I D V L B L A T N E D S E R P 0 0 6 3 I 1 ELECTRICAL ENLARGED CEILING DEMOLITION PLAN - CONCOURSE LEVEL 1/8" = 1'-0" 0 4' 16' 8' HORIZONTAL SCALE IN FEET EQUIPMENT / DEVICE LEGEND EQUIPMENT / DEVICE NOMENCALTURE: A (E/R/D) FIXTURE / EQPM TAG EXISTING TO REMAIN, DEMOLISHED OR RELOCATED (E) = EXISTING FIXTURE / DEVICE TO REMAIN (R) = EXISTING FIXTURE / DEVICE TO BE RELOCATED (D) = EXISTING FIXTURE / DEVICE TO BE REMOVED NO SUFFIX INDICATES NEW DEVICE TO BE PROVIDED (E) (D) (R) (E) J (D) J (R) J (E) (D) (R) (E) (D) (R) EXISTING EQUIPMENT / DEVICE TO REMAIN. EXISTING EQUIPMENT / DEVICE TO BE DEMOLISHED. EXISTING EQUIPMENT / DEVICE TO BE RELOCATED. REV A B C D J DESCRIPTION 30% SUBMISSION 60% SUBMISSION 90% SUBMISSION ISSUE FOR CONSTRUCTION ATR017 RESPONSE DATE 07/01/2024 09/11/2024 11/20/2024 02/03/2025 09/19/2025 NAME DATE CHECKED BY CS 09/19/2025 DESIGNED BY CS, KT, TL 09/19/2025 T13309.002 SGMT RCP DEMO PLAN - CONCOURSE LVL EZ-1-31 J t v r . 3 2 - 3 - E - 2 0 0 . 9 0 3 3 1 T / l l i f n I m u i r t A S U A - 4 0 0 T . 3 1 0 0 2 / / : s c o D k s e d o t u A M P 4 2 : 1 1 : 5 5 2 0 2 9 1 9 / / Data Sheets