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MAXWELL EMCAYS P. 312.888.0640 E. art@emcays.com W. Maxwell.Emcays.com Texas 422 E. Avenue B, Robstown, TX 78380 Chicago 55 E Monroe suite 3800 Chicago, IL 60616 EXHIBITIONS University of Illinois BFA 2011 ACKNOWLEDGMENTS NBA Chicago | Making a difference ABC 7 | Chicagoans You Should Know 2019 Black Excellence Award When We Come Together (Public Art) Chicago, IL 2024 The Path Forward (Public Art) Champaign, IL 2024 ASPIRE | Englewood Monument (Public Art) Englewood Chicago, IL 2023 OUR WOVEN STORY (Public Art) New Bedford, Massachusetts 2023 Tree of Remembrance (Public Art) Chicago, IL Dec 2022 UNTAPPED! Chicago, IL Oct 2022 Grand Rapids Art Prize (Public Art) Chicago, IL Oct 2022 Bantu Fest (Public Art) Chicago, IL July 2022 Silver Room Block Party Chicago, IL, July 2022 DEMAND JUSTICE (Public Art) Chicago, IL May. 2021 Dusable Lakeshore Drive Dusable Lakeshore Drive CHICAGO IS HOME Chicago, IL Oct. 2021 THE REBIRTH OF A NATION Chicago, FL Feb. 2021 TREE OF REMEMBRANCE (Public Art) Chicago, IL Nov. 2020 A Cracked Atom (Public Art) Chicago, IL Dec. 2020 LET THEM STAY HOME Chicago, IL May. 2020 Art Basel Miami, FL Dec. 2018 Heroism, Gallery Guichard Chicago, IL Mar. 2018 Beauty of Diversity, Gallery Guichard Chicago, IL Mar. 2017 Farewell 44, NYCH Art Gallery Chicago, IL Feb. 2017 Harlem Fine Arts Show Chicago, IL Dec. 2016 NYCH Art Gallery Chicago, IL Sept. 2016 Reside Concierge Chicago, IL Aug. 2016 JanKossen Contemporary Art Gallery New York, NY July 2016 FOUND, Gallery Guichard Chicago, IL June 2016 M.A.Y.E.R Art Gallery Chicago, IL June 2016 Gallery Guichard Washington, DC June 2016 State of the Art Chicago, IL June 2016 ai Koto Art Galleries Chicago, IL May 2016 Projekt30 Chicago, IL May 2016 Gallery Guichard Chicago, IL Jan. 2016 ChiRaq Movie Chicago, IL Sept. 2015 African Festival of the Arts (Public Art) Chicago, IL Sept. 2015 100,000 Opportunities Initiative, Starbucks Chicago, IL Sept. 2015 Solo Show, The Artist Lounge Chicago, IL Aug. 2015 Gallery Guichard Chicago, IL July 2014 Solo Show, Art Revolution Chicago, IL Sept. 2013 Art Basel Miami, FL Dec. 2013 DuSable Museum Chicago, IL Feb. 2012 Gallery Guichard Chicago, IL Oct. 2011 Document created by PublicArtist.org Image List for Maxwell Emcays Demand Justice 15 ''''''''''''''''x 30'''''''''''''''' X 8'''''''''''''''' Chicago 2021 Mixed Media n/a MaxwellEmcays01.JPG Drive. The Chicago Park District commissioned "DEMAND JUSTICE" and its placement on DuSable Lakeshore The Cracked Atom 14'''''''''''''''' X 14'''''''''''''''' X 9'''''''''''''''' Chicago 2020 Bronze & Steel 650,000 MaxwellEmcays02.JPG in Chicago. Commissioned in 2019 and completed in December 2020 for Sajdah House, a historic home museum WHEN WE COME TOGETHER 12’ x 8’ x 8’ Chicago 2024 Aluminum and steel n/a MaxwellEmcays03.JPG MaxwellEmcays04.JPG THE TOWER OF US 6’ x 6’ X 30’ Jackson 2023 Plasma cut aluminum & LEDs n/a Commissioned by the City of Jackson ASPIRE Chicago 2023 8’ x 5’ x 25’ Plasma cut aluminum, steel & LEDs 350,000 Commissioned by Sterling Bay with construction and architectural design support from Skender and LJC, MaxwellEmcays05.JPG Page 1 of 1, Maxwell Emcays Art Piece: “TOWER OF US” City of Jackson Kelli Hoover, Director City of Jackson Parks, Recreation and Cemeteries Department 161 W. Michigan Avenue Jackson, MI 49201 517-788-4040 Art Piece: “ASPIRE” Sterling Bay Keiana Barrett | Sterling Bay 333 N Green, Suite 1100, Chicago, IL 60607 O312 202 3455 M 312 505 6002 Art Piece: “The Cracked Atom” Sajdah House S ajdah Wendy Muhammad 4847 S. Woodlawn Ave Chicago, IL 60615 sajdahhouse@gmail.com / 773.655.8796 Statement from Maxwell Emcays Short Answer Question 1 The compelling history of the St. John neighborhood, with its powerful narrative of African-American liberation, deeply excites me. As an artist committed to highlighting social injustices, I am eager to express and elevate the significant legacy of the St. John community. Furthermore, I have see personally how public art presents a unique opportunity to offer the community and its visitors an immersive and bold experience. Statement from Maxwell Emcays Short Answer Question 2 Engaging with the community is one of my favorite aspects of creating public art. I have several projects that illustrate my approach, but one particularly notable example is the "Aspire: Englewood Monument" in Chicago. This 25-foot monument aims to uplift and motivate the community toward education. This project involved careful collaboration with the private sector, local officials, architects, engineers, educators, stakeholders, and the community. I consulted with local historians and conducted thorough research on the significance of educational institutions in the neighborhood. I made site visits and walked the neighborhood, immersing myself in its environment. I hosted and led meetings focused on listening and sharing, always open to suggestions and feedback. Ultimately, the project was completed on time and within budget, receiving a warm and welcoming reception from the community. Statement from Maxwell Emcays Short Answer Question 3 I believe that community engagement is essential in bridging the gap between the artist and the community. It's a valuable educational process for both parties, particularly in under-resourced communities where access to art is limited. Similar to my approach with the "Aspire: Englewood Monument," I would conduct workshops, attend community meetings, make site visits, and learn from local historians in addition to my own research. Statement from Maxwell Emcays Short Answer Question 4 As an African-American, I feel a profound connection to the St. John neighborhood, much like I do to the many stories of Black greatness around the world. The St. John neighborhood, much like Black Wall Street, embodies the power of resistance, resilience, and perseverance that we as a people possess. I believe that the story of the St. John neighborhood brings light and hope to Black people everywhere. Statement from Maxwell Emcays Short Answer Question 5 As an artist deeply inspired by the rich history and narrative of African-American liberation in the St. John neighborhood, my art practice and artwork would have a significant impact on the community by celebrating its heritage, fostering connection, providing educational enrichment, creating immersive public art experiences, and inspiring hope. Through community engagement, such as conducting workshops, attending meetings, making site visits, and learning from local historians, I ensure that my artwork reflects the voices and experiences of the community. My projects aim to uplift, educate, and unite the residents, particularly in under-resourced areas where access to art and education is limited. By highlighting the powerful stories of resistance, resilience, and perseverance, my art amplifies the significance of the St. John neighborhood, instilling pride and hope among its residents and beyond. Ultimately, my goal is to create art that not only beautifies the neighborhood but also leaves a lasting positive impact. Jessica Bell JessLBell.com Public Art Commissions 2024 - Public Art Consultant, Sculpture and Light Installation, Aurora (Dallas TX) - Zilker Point, Public Sculpture (Austin TX) - Route 66, Public Sculpture (Tulsa OK) - Generations Park, Public Sculpture (Bedford TX) - New Mexico Art in Public Places, Interior Installation (Deming NM) - Rotating Public Art Exhibition, Growth & Rest (Arlington TX) - Rotating Public Art Exhibition, Bond (Keller TX) - Rotating Public Art Exhibition, Bond 2 (Cleveland, MS) 2023 - Emory Hospital, Public Sculpture (Atlanta GA) - Eastern New Mexico University, Installation (Roswell NM) 2022 -Almi Fountain Place, Public Sculpture (Dallas TX) -Octopus Energy, Commission (London UK) 2021 - Glossed Installation, Octopus Energy, Galleria Dallas (Dallas TX) 2020 - 300 Balloons Installation, The Headington Group, Joule Hotel (Dallas TX) - Weavings, UTSW Medical Center (Dallas TX) 2016 - Deep Ellum Muralist (Dallas TX) Press 2023 - Dallas Morning News, article “A Safe Place for All” - Paper City Magazine, article “Queen of the Scene” 2022 - Glasstire.com, article “Top 5 Art Events” - Glasstire.com, article “South Dallas Cultural Center announces 2022 Juanita J. Craft Residency Recipients” - Metro Texas News, article "Juanita Craft Artist Residency" 2021 - Good Morning Texas, artist interview about "Glossed" - CW33 Morning After, artist interview about "Glossed" - VisitDallas.com, feature of installation "Glossed" - Papercity.com, The Dallas Arts News You Need to Know This April - Fox4 News, Video feature of installation "Glossed" 2020 - Glasstire.com, 101 Black Artist Living and Working in Texas - Dallas Morning News, Joule Installation with Gossy & Headington Company - D Magazine, Joule Installation with Gossy & Headington Company - Art & Seek, Joule Installation with Gossy & Headington Company 2018 -D Magazine, Catching A Glimpse of Art in Dallas, Listed black female artist ready for breakout show 2017 -Truth Net Media, Artist Interview, Some Shades of Black Awards | Grants | Residencies 2024 - Moving Atlanta forward Prequalified Artist List - MuncieArt Pre-Qualified Artist Roster, Muncie IN - Public Art Roster, Dania Beach FL - Public Art Roster for Culture Art Alliance, Walton County FL - Highland Hills Community Artist Residency, Dallas TX - City of Dallas Office of Arts and Culture, Community Arts Program Artist - Grant-City of Dallas Office of Arts and Culture, Sustainable Art Artist Residency 2023 - Public Art Roster for Arts Foundation for Tucson and Southern Arizona - Public Art Roster for the City of Sarasota Public Art Program - Grant-City of Dallas Office of Arts and Culture, Culture of Value, Rest - Grant-City of Dallas Office of Arts and Culture, Arts Activate Grant, Art Expression - City of Dallas Office of Arts and Culture, Community Arts Program Artist - Grant-City of Dallas Office of Arts and Culture, Summer Artist Residency 2022 - Ft Worth Public Art Prequalified List of Established Artist - Juanita J. Craft Artist Residency - Grant-City of Dallas Office of Arts and Culture, Arts Activate Grant, Calm + Art 2021 - San Antonio Ethnic Art Society awards 2021 Art Grant - Pricilla Art Club Emerging Black Woman Artist Award - Red Bull Micro Artist Grant 2020 - City of Dallas Office of Arts and Culture, Arts Activate Grant, Art Anywhere - City of Dallas Office of Arts and Culture, CPP- Special Support Grant 2018 - City of Dallas Office of Arts and Cultural, CPP - Special Support Grant, Dipped in Art - City of Dallas Office of Arts and Cultural, CPP - Special Support Grant, Art for Everyone 2017 - City of Dallas Office of Arts and Cultural, CPP - Special Support Grant, Project Hope Solo Exhibitions 2024 - Museum of the Southwest (Midland TX) 2023 - 9th st Studio, Growth (Wichita Falls TX) 2022 - Janette Kennedy Gallery, Undefined (Dallas TX) 2016 - Deep Ellum Vertical Life, Solo Exhibition (Dallas TX) 2013 - Equal=Grounds, Abstract Expressions (Rochester NY) Group Exhibitions 2024 - New Sundermann Gallery, Arts Invitational (Dallas TX) - W. O. W. - Women's Outstanding Works (Morristown NJ) - Perspective 6 Gallery, “The Preview” Art Exhibition (Dallas TX) 2023 - Daisha Board Gallery (Dallas TX) - Cold Soda, the basement (Dallas TX) - McKinney Black History Month Art show and Exhibit (McKinney TX) 2022 - Latino Cultural Center, Art214 (Dallas TX) - 500x (Dallas TX) 2021 - Janette Kennedy Gallery, Small Works (Dallas TX) 2019 - Latino Cultural Center, Art214 (Dallas TX) 2018 Document created by PublicArtist.org Image List for Jessica Bell Amli Fountain Place, 2022 Steel and acrylic 8 ft x 4 ft x 1 ft Amli Fountain Place, Dallas, TX Budget: $10,000 steel and acrylic public art JessicaBell01.JPG Bond, 2023 powder coated steel 4 ft x 15 in x 4 in Delta University, Cleveland, Mississippi Budget: $20,000 powder coated steel sculpture for interior and exterior display with removable tabs for installation. JessicaBell02.JPG “Bond” is a public sculpture that is a visual representation of the profound bond between a mother and her child. Inspired by the artist’s own journey into motherhood, this artwork embodies the heartfelt sentiment that a child is a mother’s heart existing outside her body. The sculpture takes the form of a graceful “C,” its curved shape symbolizing the nurturing embrace of a mother’s love. The gentle curve extends outward with a one-foot radius, inviting viewers to engage with its contours and explore the symbolism it holds. A one-foot mint-colored ball, intricately attached to the “C” shape, becomes a central element of the sculpture, reinforcing the concept of an unbreakable bond. This removable ball represents the child, an integral part of the mother’s life. The mint ball, carefully attached to the “C,” mirrors the enduring connection between mother and child. It speaks to the artist’s personal experience and the universal truth that a child remains an indelible part of a mother’s identity. The words “My son will always be a part of me” echo the sculpture’s sentiment. This heartfelt affirmation encapsulates the eternal link between mother and child, even as they exist as distinct individuals. “Bond” has been thoughtfully designed for both exterior and interior settings. With removable plates, it is well-suited for outdoor installation, enduring the elements while remaining a symbol of unwavering maternal love. Its sleek, clean lines make it equally suitable for indoor spaces, where it can serve as a contemplative and emotive art piece. Dream, 2023 powder coated steel 3.5 ft x 15 in x 6.5 ft Page 1 of 4, Jessica Bell 3.5 ft x 15 in x 6.5 ft Budget: $12,000 powder coated steel sculpture designed for interior and exterior display with removable tabs for installation. Document created by PublicArtist.org JessicaBell03.JPG “Dream” is a large-scale bench sculpture, exuding a playful charm with its vibrant hot pink hue and delightful pops of colors. The elongated “S” curve invites up to three people to sit together or offers ample space for one to lounge comfortably. The bench’s captivating hot pink color and vivid accents serve as an artistic celebration of joy, optimism, and creative imagination. “Dream” features handmade pillows that add an element of interactivity to the sculpture. These magnetic pillows can be playfully moved and rearranged, empowering viewers to personalize their seating experience and engage with the artwork on a tactile level. “Dream” is versatile, suitable for display in both indoor and outdoor settings. For outdoor installations, the sculpture comes with two attachable plates, ensuring stability and durability, even amidst the elements. Beyond its functional appeal, “Dream” embodies the essence of escapism and the beauty of daydreaming. Its graceful curves and alluring colors invite viewers to take a moment to pause, unwind, and immerse themselves in the boundless realm of their dreams and aspirations. Whether positioned in a public park, art gallery, or as a captivating focal point in a living space, “Dream” serves as an artistic sanctuary, inspiring viewers to contemplate, reflect, and indulge in the magic of their own imaginings. “Dream” is an embodiment of artistic ingenuity and experiential delight, inviting viewers to indulge in a vivid celebration of colors, form, and playfulness. It is a testament to the transformative power of art to inspire, engage, and kindle the imaginative spark within each viewer. But please do not touch. Emory Heart, 2022 Powder coated steel 10 ft x 6 ft x 2 ft Emory Hospital, Atlanta, GA Budget: $30,000 Emory Hospital Atlanta Public Art JessicaBell04.JPG JessicaBell05.MOV Memory Heart, created by artist team Jessica Bell and Scott Shubin, memorializes the COVID-19 pandemic and honors those who have been impacted. This kinetic sculpture was specifically designed for the courtyard of the historic Orr Building on the Emory University Hospital Midtown Campus. Gracefully spinning in the wind, Memory Heart, is an elegant ribbon of powder coated blue steel that abstractly curves into the shape of a heart. The heart represents gratitude, love, happiness, and hope, honoring survivors, those we have lost, the community who worked together during this pandemic and the care teams. Balancing on top of a round steel base. This sculpture will reach 10 feet tall and span 6 feet in width. Page 2 of 4, Jessica Bell Document created by PublicArtist.org Glossed, 2021 Mixed Media 10 ft x 4 in x 16 ft Galleria Dallas, Dallas, TX Budget: $5,000 JessicaBell06.JPG April 22nd marks the 51st anniversary of Earth Day, and @galleriadallas is recognizing this with a celebration lasting nearly a whole month. In conjunction with renewable energy retailer @octopusenergyus the center presents a celebration of Earth Day 2021 in partnership with @earthxorg . The exhibit is designed to educate the public on the current environmental state of the planet, the effects of climate change on humanity and the power that individual people possess to make a positive and collective impact. The exhibit will feature a large wall installation showcasing five different environmental focus areas — Sustain our Earth, Clean Water for All, Clean Energy for All, Clean Cities for All, and Find Climate solutions. The installation will also feature actions consumers can take to reduce their carbon footprint. Each area will feature QR codes leading to a companion website with supporting materials provided by Octopus Energy, EarthX, and additional resources. After shifting in 2020 from an expo to virtual programming, EarthX will celebrate Earth Day April 16-25 with environmental solutions-based conversations and original programming on EarthxTV. The EarthxFilm Festival will screen films both online and outdoors bringing the viewing experience back to the big screen. In addition to the educational activation at Galleria Dallas, Dallas-based artist Jessica Bell will present an inspirational art installation spanning a 16-foot storefront window at the shopping center, curated by Gossypion Investments, and commissioned by Octopus Energy US. The piece will focus on the everyday environmentalism that viewers can all participate in by reducing, reusing and recycling the materials in their lives. As a contemporary sculptor and ceramic artist, waste is a natural part of Bell’s creative process. Over the years, Bell has saved imperfect pieces, such as a cracked vase or stained fabric, instead of throwing them away. The Garden Grove, 2024 Powder coated steel, composite board 10 ft x 6 ft x 12 ft Generations Park, Bedford, Texas Budget: $40,000 JessicaBell07.JPG Page 3 of 4, Jessica Bell Document created by PublicArtist.org JessicaBell08.JPG The Garden Grove is a community driven public art project. Designed to meet the needs outlined by City Council, this interactive sculpture includes sculptural rocks to be played on and a leaf canopy that includes solar lighting. This bright and colorful installation is inviting with a goal of activating a once over looked space in the park. UTSW Medical Center Weavings, 2021 Mixed Media 24 in x 2 in x 38 in UTSW Medical Center, DALLAS, TX Budget: $6,400 JessicaBell09.JPG W.A.B.O., 2024 Powder Coated Steel and Acrylic 15 ft x 8 ft x 8 ft Zilker Point, Austin, Texas Budget: $40,000 JessicaBell10.JPG Designed based off of the architecture of the new development at Lady Bird Lake, this sculpture bridges nature with the city through it's abstracted design. Page 4 of 4, Jessica Bell References: Danielle Trent Fabricator / Installer – Zilker Point Austin TX and Route 66 Tulsa OK 972-670-2393 ellietrent25@gmail.com 1207 Wisteria Way Richardson TX 75080 Danielle Teagarden Cultural Arts Supervisor Danielle.Teagarden@bedfordtx.gov 817-952-2114 Sara Vanderbeek Project Manager - Zilker Point Austin TX Artist & Consultant at Sara Vanderbeek Studio Founder, Executive Director & Curator at DORF 718-964-8180 sara.vanderbeek@gmail.com Statement from Jessica Bell Short Answer Question 1 This opportunity aligns beautifully with my artistic practice, as I often incorporate historic research and community narratives into my public artworks. My approach to historic content is immersive—I engage with archival materials, oral histories, and lived experiences to create sculptural works that honor and amplify cultural memory. For a project as meaningful as the St. John neighborhood, I would prioritize collaborating with local historians, elders, and residents to ensure that the artwork is both a tribute to the community’s legacy and a bridge to its future. My work frequently reimagines everyday objects, textures, and materials into bold, engaging sculptures, and I would use this method to celebrate the resilience and contributions of the St. John community. I envision creating an installation that not only highlights the Freedmen’s history of the neighborhood but also invites participation, offering a space for gathering, reflection, and storytelling. Whether through a kinetic sculpture that moves with the wind—symbolizing the perseverance of the community—or a series of interactive sculptural elements incorporating historical motifs and textiles, my goal would be to make history tangible and felt. Statement from Jessica Bell Short Answer Question 2 My experience creating public art is deeply rooted in storytelling, community engagement, and historical reflection, making this opportunity for the St. John neighborhood a natural fit for my artistic practice. Several of my past projects have incorporated community history and collective memory in ways that align with the goals of this initiative: Route 66 Train Depot Sculpture – Tulsa, OK For this project, I worked closely with museum employees and community members to create a sculpture that honors the rich history of Route 66 and its significance to Tulsa’s identity. I attended virtual meetings with residents to gather input on themes, imagery, and historical references, ensuring that the final artwork was an authentic reflection of their stories. The resulting piece incorporated abstracted motifs inspired by Tulsa’s past while maintaining a bold, contemporary aesthetic. Community Art Installation at Amli Fountain Place – Dallas, TX This mixed-media sculpture was created in collaboration with local teenagers, giving them the opportunity to share their voice. This process of engaging young voices aligns with how I would approach the St. John project—ensuring that different generations contribute to preserving and celebrating their heritage. Zilker Point – Austin, TX For my sculptural installation at Zilker Point, I worked with developers and engineers to create a site-responsive artwork that integrated seamlessly into the space while also reflecting Austin’s natural environment. Although this project was not directly tied to historical storytelling, it reinforced my ability to work collaboratively with multiple stakeholders and develop a public artwork that resonates with a specific community. For this commission, I would employ a similar research-driven and community-centered approach. I envision engaging with local historians, reviewing archival materials, and conducting workshops or interviews with St. John residents to gather personal stories and cultural references. Statement from Jessica Bell Short Answer Question 5 My goal as a public artist is to create work that is not only visually striking but also deeply meaningful to the communities it serves. For the St. John neighborhood, my artwork would act as a bridge between past and future—honoring its rich history while creating an engaging, lasting landmark for current and future generations. Impact on the St. John Community 1. Preserving & Amplifying History By incorporating historical research, oral histories, and archival imagery into the design process, my artwork would ensure that the legacy of St. John’s Freedmen’s community is remembered and celebrated. The sculpture could include symbolic references to the struggles and triumphs of the neighborhood, making history tangible and accessible to all who visit. 2. Fostering Community Pride & Ownership Through community engagement—listening sessions, youth workshops, and collaborative design efforts—residents would see themselves and their stories reflected in the artwork. This involvement creates a sense of pride and ownership, reinforcing the importance of their voices in shaping their own public spaces. 3. Creating a Space for Gathering & Reflection I often design work that is interactive and encourages people to engage beyond passive observation. Whether through seating elements, touchable textures, or kinetic components, the artwork could provide a space where people come together, reflect on their shared history, and celebrate their community’s resilience. 4. Inspiring Future Generations A key aspect of my practice is working with young people, helping them see themselves as artists, historians, and storytellers. By engaging St. John’s youth in the design and creation process, I hope to inspire future generations to value their community’s history and find creative ways to contribute to its future. Ultimately, my goal is to create an artwork that is not just placed in the St. John neighborhood but truly belongs to it—an enduring, dynamic piece that embodies the community’s strength, identity, and vision for the future. ARTWITHAKIRASH STUDIO NAME: OLANIYI RASHEED AKINDIYA, BRUSH NAME: AKIRASH EDUCATION: BIO-CHEM BSC HONOR, 1991 Federal University of Agriculture. Abeokuta - Nigeria Higher National Diploma-1995 Institute of Textile Technology Arts & Design (ITTAD). Lagos-Nigeria. EMAIL: artistsrootsembassy@yahoo.com , artwithakirash@gmail.com WEBSITE: www.artwithakirash.com ADDRESS: 15224 VALERIAN TEA DRIVE, PFLUGERVILLE – TEXAS 78660 PHONE: +1 512 693 1698, AWARDS 2021 CONTEMPORARY BLACK ART AWARD, GRAND RAPIDS AFRICA AMERICAN ARTS & MUSIC, MI 2019 AWARD FOR ARTIST, THE OTIS & VELMA DAVIS DOZIER TRAVEL GRANT, DMA. DALLAS – TX, USA 2017 ART AT HEART, SHIRE OF EAST PILBARA- AUSTRALIA 2017/18 ARTISTIC INNOVATION GRANT BY MAAA, KANSAS CITY - MISSOURI 2017 $ 11 POLLOCK KRASNER FOUNDATION /ISCP-NY FELLOWSHIP RESIDENCY NY-USA 2016 ART AT HEART, SHIRE OF EAST PILBARA- AUSTRALIA 2011 COMMONWEALTH CONNECTION INTERNATIONAL ARTISTS AWARD, UNITED KINGDOM COMMISSION 2023 KNOWLEDGE IS POWER, SCULPTURE COMMISSIONED, CITY OF PFLUGERVILLE TEXAS. 2023 PALABRA – WORD, SCULPTURE COMMISSIONED, CITY OF DESOTO TEXAS 2022 AR – RASHID, TRAVIS COUNTY CIVIL & FAMILY COURT SCULPTURE, AUSTIN TEXAS. 2021 ARTPRIZE INSTALLATION ARTIST HONORARY MENTIONED, GRAND RAPIDS. MI 2021 TEMPO21, CITY OF AUSTIN- CAD. TEXAS 2019 EAST 51st STREETSCAPE COMMISSION, CULTURAL ART DIVISION, CITY OF AUSTIN- USA 2019 TEMPO19 2D, AUSTIN BERGSTORM INTERNATIONAL AIRPORT, COA /CAD AUSTIN – TEXAS, USA GRANTS 2021 & 2020 FOUNDATION FOR CONTEMPORARY ARTS EMERGENCY GRANTS, USA 2020 RED BULL ARTS MICROGRANTS, DETROIT, MI 2020 CERF+ THE ARTIST SAFETY NET, MONTPELIER, VT, USA 2020 BIG MEDIUM ARTIST RELIEF FUND, AUSTIN – TEXAS 2019 & 18 CORE FUNDING, CULTURAL ART DIVISION, CITY OF AUSTIN- USA 2017/18 ARTISTIC INNOVATION GRANT BY MAAA, KANSAS CITY - MISSOURI 2016/17 CULTURAL INITIATIVE AND CAPACITY BUILDING, CITY OF AUSTIN- USA 2015 THE SANTO FOUNDATION GRANT, St. LOUIS, MO -USA RESIDENCIES 2023 McColl CENTER, CHARLOTTE, NORTH CAROLINA. USA 2023 COLD HOLLOW SCULPTURE PARK RESIDENCY, ENOSBURG FALS, VERMONT – USA 2023 Mt. SAN ANGELO RESIDENCIES @ VIRGINIA CENTER FOR THE CREATIVE AT ART, AMHERST, VA – USA 2023 McKinney INTERNATIONAL AIR @ ESKENAZI SCHOOL OF ART, ARCHITECTURE + DESIGN @ IU. IN 2022 PRO HELVETIA & TADA RESIDENCY, SWITZERLAND & JOHANNESBURG 2018 FACEBOOK ARTISTS IN RESIDENCY PROGRAM AUSTIN – TX 2019/19 CROSSTOWN ART, MEMPHIS – TENESSESS. USA 2017 &16 ART AT HEART, SHIRE OF EAST PILBARA- AUSTRALIA 2016/17 ISCP-NY FELLOWSHIP RESIDENCY NY-USA BIENNALE 2024 TEXAS BIENNALE, BIG MEDIUM / BLAFFER ART MUSEUM, HOUSTON TEXAS 2016 12th DAK’ART BIENNALE 2016, DAKAR - SENEGAL 2005 & 2007 EAST AFRICA BIENNALE (ESTAFAB), DAR SALLAM – TANZANIA ART FAIR 2018 SPECTRUM MIAMI – FLORIDA 2018 SOFA ART FAIR, CHICAGO- USA 2018 CLIO ART FAIR, NY - USA 2015 & 14 DALLAS ART FAIR, DALLAS TX – USA 2011 JOBURG ART FAIR, SOUTH AFRICA pg. 1 ARTWITHAKIRASH STUDIO FESTIVALS2019 CONNECTIVITY, LUMINARIAN ART FESTIVAL, SAN ANTONIO, TEXAS, 2022 & 21 ARTPRIZE, GRAND RAPIDS, MI 2019 CONNECTIVITY, LUMINARIAN ART FESTIVAL, SAN ANTONIO, TEXAS, USAUSA 2013 CHALE WOTE STREET FESTIVAL, ACCRA - GHANA 2012 INTERNATIONAL MULTIMEDIA FESTIVAL YAGON-MYANMAR 2012 INFECTING THE CITY FESTIVAL, CAPE TOWN SOUTH AFRICA SOLO EXHIBITIONS 2023 RECAP – REVIEW & ASSESMENT, ESKENAZI SCHOOL OF ART, ARCHITECTURE + DESIGN, IN- USA 2022 IPINYA - ISOLATION, IVESTER CONTEMPORARY GALLERY, AUSTIN TX. 2021 FAGILEE-SIWAJU-TUNTO/CANCELED-POSTPONED-RESCHEDULED, CENTRAL LIBRARY AUSTIN TX. 2021 IGBERIKO – Curbside, DIMENSION GALLERY, AUSTIN TX. 2020 COMMON GROUND, COCA, ST. LOUIS MSSOURI 2020 INFLATION, VISART CONCOURSE GALLERY, ROCKVILLE, MD 2020 BLACK GOLD, BOX 13 ART SPACE, HOUSTON TEXAS, USA. 2020 MAJELE - VENOMOUS #1 CARVER MUSEUM – TEXAS, USA. 2019 ASIKO – MOMENTS #2, CROSSTOWN ART, MEMPHIS – TENNESSESS - USA 2018 ARA ORUN KINKIN-EGUNGUN MYTHOLOGY, LAWNDALE ART CENTER HOUSTON-TX GROUP EXHIBITIONS 2024 TEXAS BIENNALE, BIG MEDIUM / BLAFFER ART MUSEUM, HOUSTON TEXAS 2024 20TH ANNUAL SCULPTURE GARDEN, KEMP CENTER FOR ARTS, WICHITA FALLS 2024 MATERIALS EVOLUTION, TGS / ACC ART GALLERY AUSTIN TEXAS. 2023 GEWERBEMUSEUM WINTERTHUR / MATERIAL – ARCHIVE, WINTERTHUR SWITZERLAND 2022 ARTPRIZE, GRAND RAPIDS, MI 2022 CRAFTTEXAS 2022, HOUSTON CENTER FOR CONTEMPORARY CRAFT, HOUSTON TEXAS 2022 BLUE NORTHER, REDBUD GALLERY & SITE GALLERY, HOUSTON - TEXAS 2021 JUSTICE-EQUALITY-RACE-IDENTITY AT AMOA, AMARILLO, TEXAS. USA 2021 ILE ITAJA – SHOPPINGLIST AT ARTPRIZE GRAND RAPID MICHIGAN 2021 STATE OF SCULPTURE, TSG MEMBER EXHIBITION AT SAMFA – SAN ANGELO, TX 2020 UNESCO MEDIA ART, MOTION MEDIA ART /SXSW AUSTIN – TX, USA 2019 ASOPOMORA – CONNECTIVITY, LUMINARIA, SAN ANTONIO – TX, USA 2016 12TH EDITION OF DAK’ART BIENNALE, DAKAR- SENEGAL 2016 EVERYDAY REDEFINE AT CORRIDOR GALLERY, BROOKLYN - NEW YORK. USA 2015 WAKATI/HOW TIME SHAPES AFRICA ART, OSUMA, STILL WATER - OK 2014 ONSITE, TEMPORARY ART PROJECTS, SOUTHEND-UK 2013 ART CLUSTER, GIRONA – SPAIN PERFORMANCES: 2023 WHAT IF THIS HAPPENS TO ME? #1 CONTINUUM – IBADAN – OYO STATE, NIGERIA 2023 WHAT IF THIS HAPPENS TO ME? #2, JUNE 12 CULTURAL CENTER, KUTO -ABEOKUTA, OGUN STATE, NIGERIA 2023 WHICH TABLE DO YOU AND I BELONG, McCOLL Center, CHARLOTTE, NORTH CAROLINA. 2022 YEYE OLOOMO – MOTHER AFFECTION, BLANTON MUSEUM OF ART, AUSTIN – TEXAS 2020 ETUTU – ANTONMENTS, GEORGE WASHINGTON CARVER MUSEUM, AUSTIN - TEXAS 2019 ORI LA BABO – HEAD TO BE WORSHIP#3, NEW ORLEAN CONTEMPORARY MUSEUM – LA 2019 ARA ORUN KINKIN – MASQUARADES MYTHOLOGY, LAWNDALE ART CENTER, HOUSTON TEXAS 2018 OPO OTITO – TRUE TALK, CROSSTOWN ART, MEMPHIS – TENESSESS. USA PRESENTATIONS/VISITING ARTIST 2023 ESKENAZI SCHOOL OF ART, ARCHITECTURE + DESIGN, INDIANA UNIVERSITY, 2022 TEXAS STATE UNIVERSITY, SAN MARCO, TEXAS. USA 2019 MEMPHIS UNIVERSITY, MEMPHIS – TENNESSEE. 2017 HARDESTY ARTS CENTRE, TULSA – OKLAHOMA 2015 OKLAHOMA STATE UNIVERSITY, STILLWATER - OK 2014 UNIVERSITY OF TEXAS IN AUSTIN, pg. 2 Image List for ArtWithAkirash Studio PALABRAS - Words, 2023 Powder coated Steel Metal & LED powdered by solar. 127 in x 50 in x 50 in ERNIE ROBERT'S PARK, DESOTO, TX Budget: $78,000 ArtWithAkirashStudio01.JPG ArtWithAkirashStudio02.JPG AR - RASHID - PROTECT & GUILD TO THE RIGHT PATH, 2022 STEEL METAL , POWDER COATED, LIGHTS. 10 ft x 13 ft x 13 ft dia TRAVIS COUNTY CIVIL & FAMILY COURTHOUSE, AUSTIN, TEXAS Budget: $50,000 ArtWithAkirashStudio03.JPG ArtWithAkirashStudio04.JPG BRIGHT DAYS AHEAD, 2021 Steel metal, poweder coating painting, solar & light. 6 ft x 6 ft x 16 in x 6 ft dia HOWSON AUSTIN LIBRARY, AUSTIN, TX Budget: $25,000 Front / back view Document created by PublicArtist.org Page 1 of 3, ArtWithAkirash Studio Document created by PublicArtist.org Front / back view ArtWithAkirashStudio05.JPG Night view 1 ArtWithAkirashStudio06.JPG This project give account of statistic and data on Covid 19 and it serves as symbols of hope, new begining to everyone aftyerm the storm , waves that we all went through or went through us in 2020 / 2021 . KNOWLEDGE IS POWER, 2023 Powder coated & LED powered by solar. 125 in x 24 in x 24 in x 24 in dia PFLUGERVILLE PUBLIC LIBRARY , PFLUGERVILLE, TEXAS Budget: $75,000 ArtWithAkirashStudio07.JPG KNOWLEDGE IS POWER (Night View), 2023 POWDER COATED STEEL METAL & LED POWERED BY SOLAR 122 in x 22 in x 22 in x 22 in dia PFLUGERVILLE PUBLIC LIBRARY , PFLUGERVILLE, TX Budget: $75,000 ArtWithAkirashStudio08.JPG Page 2 of 3, ArtWithAkirash Studio The sculpture is a reminder of power knowledge have that learning is eveyday and noone know it all. Document created by PublicArtist.org GOING WITH WINDS #1, 2022 STELL METAL 96 in x 30 in x 30 in ARTIST STUDIO, PLUGERVILLE -TEXAS, TX Budget: $30,000 ArtWithAkirashStudio09.JPG ArtWithAkirashStudio10.JPG Page 3 of 3, ArtWithAkirash Studio  artistsrootsembassy@yahoo.com, artwithakirash@gmail.com www.artwithakirash.com REFERENCE ARTWITHAKIRASH STUDIO 1. Erin Sellers, AICP Innovation Strategist City of Pflugerville PHONE: (512) 990-6305 Email: arts@pflugervilletx.gov 2. Liz Whitington Former Director of Park Operation HOPE Outdoor Gallery Austin – Texas Phone: 405 639 8464 Email: Liz.whitington@gmail.com 3. Rolanda Brigham Arts, Culture and Heritage Manager City of Desoto Texas PHONE: 972- 482-3787 Email: rbrigham@desototexas.gov pg. 1 Statement from ArtWithAkirash Studio Short Answer Question 1 My Artwork has always involved collaborating with the community, by meeting people, reading, interviewing, attending their community meeting then adding all the information’s to inform the artworks design and creation., spending time in the community. Project of this magnitude can only well receive when it expresses the histories, stories, life, diversity of culture, hero / heroine of the community of St. John neighborhood. Statement from ArtWithAkirash Studio Short Answer Question 2 In 2022 I applied for a public art project called City of Desoto. The project asks that we use artwork to invoke history, the community and to investigate Black life matters. This project was important as the aftermath of the BLM has really become a huge topic are the world and they are interested in how artwork can be of significant education and motivation among people in the city. I started by reading about Desoto, spend sometime in the city get to know the geographical of people living in there, best area to placed the artwork so it well received and seen, after I creates the first initial design we did community engagement which was co organized with city of Desoto at the city hall. I show them what am working on and explain the details of the design so far and ask them their thoughts and opinions, they suggest many things and some were add, some were adjoined together . and corrections were made, and the second design was sent back for them to look at and finally it was created and installed. Statement from ArtWithAkirash Studio Short Answer Question 3 Community engagement is one of the systems to get closer to the people who live in the community of St. John and the artwork is going to live among them so it very important they are involved from start to finish of the design/ creation of that artworks. It also helps them to accept it, care for it, know what it stands for or meaning and they can pass that information to the guest/ visitor who are in St. John. Communities with under-resourced has ways they meet, it’s very important to spend time in the community, figure out when among the days of the week that people come together, one of the events is picnic with BBQ, Sports, children’s events, games, music events. Creates banner and install them on the streets, these are ways you can get people who lived St. John Community. Statement from ArtWithAkirash Studio Short Answer Question 4 When I first moved to Austin in 2011, my first rented house was in Blackson Avenue which was close to HI 35 few blocks from library and post office. I lived in the community for 2 years and I created my first sets of friends with people in the neighborhood who are still my friends today that I still went to visit. Second my sister-in-law and her family lived in St. John till today, so I always visit and still be part of this community. It will be easy for me to link up with community, next work with people to figure out who to talk to about questions I may have about history St. John. Statement from ArtWithAkirash Studio Short Answer Question 5 To create artworks that will become a symbol, impact, educate, motivate, the best this is to involve the people who lie the community of St. John, more important listen to them , how to listen to them is to spend till in length and breath of the community, get to know diverse of people who live there, what are their living conditions, amenities that are available , what did they need, how to use the artwork as a voice to advocate for the community of St. John. This is how the artwork can have an impact on community, visitors and call the attention of leadership to the St. John community needs. Art in Public Places City of Austin Cultural Arts Division 5202 East Ben White Boulevard, Suite 400 Austin, TX 78741 512.974.7700 / aipp@austintexas.gov LAST UPDATED: 06/02/2025 Process Summary Project: St. John Redevelopment Site PROJECT SUMMARY The City of Austin Art in Public Places program (AIPP) of the Cultural Arts Division, Economic Development Department (EDD) seeks to commission one artist or artist team to create a site- specific installation or artwork that highlights the history of the St. John neighborhood as prioritized by the Council-adopted St. John Community Vision (Resolution No. 20200729-0117). This opportunity is within the improved park space for the St. John Site located at 800 E. St. Johns Avenue, Austin, Texas 78752. BACKGROUND The St. John Site is roughly 19 acres of city-owned land located in Council District 4 at the northeast corner of the intersection of St. Johns Avenue and N IH 35. With a rich history as a Freedmen’s community dating back to the 1890s, the St. John Site has been a pivotal location for Central Texas’ African American community to date. PROJECT OVERVIEW As Austin works to acknowledge the grim events of the past, this in-depth effort to strengthen and provide a well-planned and community-focused addition to the St. John neighborhood is key. One artist or artist team will be selected to create an integrated installation or artwork to be placed within the redesigned and expanded St. John Park that welcomes, informs and excites the local community and visitors alike. The attached map (Exhibit A) highlights the proposed park improvements and potential locations for art opportunities within it. Final location of art installation or artwork to be determined with the developer, but the opportunity will be focused within the improved park space. The selected artist will design, fabricate, and implement one installation or artwork that pays homage to the past and links the site improvements and park space to the community today and tomorrow. BUDGET $250,000 One commission will be awarded for this project. The project budget is inclusive of design, fabrication, installation, engineering, permitting fees, travel, shipping expenses, insurance, and other project-related costs. SELECTION PROCESS A three to five voting member selection panel comprised of visual arts professionals, and community representatives, and non-voting advisors with subject matter expertise to the proposed development and community will review all eligible submissions. Up to three teams of artists will be shortlisted, invited to interview and submit a proposal. Artists will be compensated $1,500 towards the cost of the submitted proposal. The selection panel reserves the right to recommend one team of artists and one alternate at the time of initial review. Only one applicant will be selected to receive a commission. The St John project was solicited via an open call Request for Qualifications (RFQ) to Texas-based artists. The application opened on February 3, 2025. Notice of the public art opportunity was posted through usual methods as well as through Social Media channels, the Aviation Department blog, and through www.publicartist.org. An in-person artist information and virtual pre-submission meeting were held on February 11, 2025, to explain the parameters of the opportunity. The submission deadline was March 15, 2025. 29 applications were submitted. After a staff review, 29 applications were eligible. On April 15, 2025, the selection panel reviewed the eligible applications. The following artist were recommended to submit a design proposal. The proposals were presented to the artist selection panel on May 30, 2025: • Maxwell Emcays • Olaniyi Akindiya • Jessica Bell Maxwell Emcays was selected to be the recommended artists. Olaniyi Akindiya was recommended as the first alternate, and Jessica Bell was recommended as the second alternate. Voting Selection Panelists (Jurors): • Arielle Austin, artist • Nailah Sankofa, artist • Damon Moseley, artist Community Advisors • Raymond Castillo • Emilie Young • Dr. Patricia Alford Project Advisors: • Carson Chapman, TBG partners • Stephanie Lemmo, LA-N-D • Callie Phillips, Greystar Jaime Castillo, AIPP Program Manager Staff: • • Ryan Runcie - AIPP Coordinator • Christine Freundl – FSD Project Manager Selection Panel Comments Recommended Artist – Maxwell Emcays After looking over his portfolio and listening to his presentation, I believe he made a compelling case for what role public art could play at the site. He supported his vision by researching the St john neighborhood and learning about it's history. The artist made an unsolicited effort to connect with members of the St John community. He presented evidence of visually stunning past works and showed a willingness to collaborate with the stakeholders of this project. Maxwell Emcays' presentation was the most impressive, thorough, relatable and well-thought out. His vast past public art experience, knowledge and creative technical skills as well as his visit to Austin to personally tour the St. John's Redevelopment project site further emphasized his professionalism, community engagement and ability to design, coordinate/manage, implement, complete and navigate the various complex aspects of this AIPP project. From his original submission materials and finalist presentation Maxwell stood out as the artist who could deftly, genuinely and comfortably collaborate with local creatives and engage with the St John's community to flesh out and incorporate their vision, desires, input and stories to create works that reflect this community's cultural, social and past, present and future. His presentation was a clear balance of his conceptual ideas, technical experience and his ability to synchronize with communities directly impacted by commissioned public art projects. I believe Maxwell Emcays approached and presented his proposal with confidence and thoughtfulness. He was proactive in his planning and his building of community relationships. First Alternate Artist – Jessica Bell Jessica displayed a strong understanding of the public art process. The artist possesses the skill set to produce beautiful works that enhance spaces and allow for public interaction. While her knowledge of and experience as a public artist, metalsmith and ceramic artist are extensive, my position at the end of Friday's artists' presentations was that I supported the other voting panelists' recommendation of her as the Alternate although I voted for AKIRASH as the first alternate. I felt that with additional guidance from AIPP staff, more extensive cultural and community research and actual engagement with the St. John's site and community folks, Ms. Bell would be a capable replacement artist if Maxwell Emcays the finalist artist was unable to continue. I believe Jessica Bell's thoughtful designs and ideas for community connectedness are worth considering for the project's alternate. Second Alternate Artist – Olaniyi Akindiya Olaniyi Akindiya displayed a very thorough plan for how his art could be used in the St John Redevelopment site project. Having extensive experience creating public art and also having been a member of the community, Olaniyi Akindiya would bring a unique perspective to this project. Olaniyi Akindiya (aka AKIRASH) was alternate choice for this AIPP project as his presentation and preliminary vision was well thought out, thorough and professionally presented although his presentation concept appeared too finalized. I attributed his thoroughness as a display of his technical design abilities, resources, experience and skill sets. Being familiar with his past public sculptural, installation projects as well as his performance works, I was/am confident that AKIRASH would not only be able to revise, "relax" and hone his initial concepts that reflect actual community input, resolve potential technical/safety issues and adapt/include more cultural references while holding true to his artistic aesthetic. Olaniyi Akindiya is experienced and seems to be open to community feedback and input. His concept is thought out and could be visually interesting for the site. ART IN PUBLIC PLACES PANEL (Prospectus) On January 13, 2025, the Art in Public Places Panel approved the St John Redevelopment Site RFQ, (Motion by Chair Lemmo, second by Panel Member ; approved 6-0-0). AUSTIN ARTS COMMISSION (Prospectus) On January 27, 2025, the Art in Public Places Panel approved the St John Redevelopment Site RFQ. (Approved 8-0 on consent) ART IN PUBLIC PLACES PANEL (Artist Selection) AUSTIN ARTS COMMISSION (Artist Selection) AUSTIN CITY COUNCIL (Artist Selection) ARTIST + AIPP (Contract Negotiations) ARTIST + AIPP (Kick-Off / Project Orientation Meeting) ARTIST (Community Engagement) USER DEPARTMENT (Concept Design Feedback) ART IN PUBLIC PLACES PANEL (Concept Design Review) USER DEPARTMENT (Final Design Feedback + User Department Evaluation Form) ART IN PUBLIC PLACES PANEL (Final Design Approval) AUSTIN ARTS COMMISSION (Final Approval)