Item 16 - AIPP Level Up Design_Burnet_Road project Final Design.pdf — original pdf
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Burnet Road Corridor Level Up Design Works LLC “The Crowned Violet” AIPP Project The Crowned Violet Mockups An homage to the evolving generational dynamic within the Brentwood, Allandale and Crestview neighborhoods. The curved silhouette is a visual representation of an audio wave, the frequencies of the many stories told by community members kind enough to offer us their time and insight. Many of these stories conveyed a similar theme, how much their neighborhood has changed. The two halves of the sculpture, on each front-facing facade, emulate this change, that of the older and newer generations that call and have called these neighborhoods home. We are proposing this piece be 15 feet high by 5.7 feet wide. The sculpture would be built out of steel, adorned with glass, stone and porcelain tile. View of artwork facing north Side & Overhead Mockups Kinetic top that rotates with the wind sitting on a Type E Four Bolt flange bearing. Purple accent lighting powered through converter and thin solar panel Height 15’ Side View Width 5.7’ View of artwork facing south Overhead View (Old Top Design) Final Dimensions Orb Section 3’ Body Section 12’ Height 15’ Height 15’ Side View Width 5.7’ Overhead View (Old Top Design) Paint & Tile Combinations The color selection for our tinted clear coat and mosaic fields are inspired by the palette of the Violet Crown itself. We intend for the piece to celebrate and honor the wondrous sunset providing mutual colorful cover for all residents of Brentwood, Crestview and Allandale. Paint & Tile Combinations For the mosaic portion, we will use a combination of 1” x 1” squares of glass, porcelain and locally sourced stone. Through our four distinct color fields, we will emulate the imagery of a Central Texas sunset. Llanite Texas Plume Agate Texas Petrified Wood Modwall Porcelain Cavallini Glass Tile Club Glass Engineering & Foundation Notes Tsen Engineering Comments: “A cantilever system will be necessary to stabilize the artwork from wind load ” ARIAS contracted by Level Up Design Works LLC to provide geotechnical recommendations for structures not included in original boring report to COA Foundation proposed by Tsen Engineering Proposed Internal support cross-section to be confirmed by Tsen Engineering Structural Designs 15+ year old kinetic sculpture at The Domain by artist teaching Courtney Bee Peterson Burnet Triangle - Artwork Location Materials & Construction ● ● ● ● ● ● ● ● Metal: Stainless Steel & Tubing 304 L 4’ x 8’ 18 gauge stainless steel sheet is easily formed and fabricated with high oxidation resistance. 3” x 3” square tubing, 11 gauge mild steel 8’ segment 3” tubing outside diameter, 14 gauge stainless steel, 10’ length MOSAIC: Porcelain tile, glass, & stone on foam & ”chicken wire” Opus vermiculatum Mosaic Pattern Style. "Vermiculatum" means "worm-like" and is so called because the contours of the design. it curves around Grey tile (facing west) Chocolate Brown tile (facing east) Everbilt 1/2 in. x 4 ft. x 25 ft. 19-Gauge Steel Hardware Cloth Add Mortar & Grout Specs Painted Section (from mosaic out) Lighter Paint (facing west) Violet / Darker Paint (facing east) ● ● Orb Light LED light strip Welding Mosaic Design Stainless steel Steel tubing ● ● ● ● ● ● ● ● ● Heavy Hauler Crane “Cherry Picker” 30-33 ft Articulating Boom Lift - DC Powered Rental Final Site Review by Tsen Engineering Cement Pour - City of Austin Rebar Placement & Concrete Pour - City of Austin LED Light Steel Hardware Cloth Grey tile, glass, and stone Brown and grey tile, glass, and stone Budget Timeline July 15, 2023 - Mid-Design Review Meeting May 2024 - Structural Design Completion TBD (Aug 2023) - Conservation & Sponsor Dept. Review August 2024 - Final Design Approval September 2024 thru May 2025 - Fabrication Summer 2025 - Artwork Installation EXHIBIT F – Conservator Review Form Conservation Review Form CITY OF AUSTIN ART IN PUBLIC PLACES Information captured in this form will help expedite the conservation review process, which aims to address the following considerations: 1) Materials Durability: includes site-preparation materials, paints, and anti-graffiti coatings 2) Methods Durability: includes elevation from ground, balance, proximity to moisture, exposure to water or sun, and overall design weighting. 3) Maintenance Needs: includes how often the artwork needs cleaning, what type of cleaning, and the propensity of materials to develop mold, rust, or other damage over time. 4) Site Preparation: includes wall preparation (for murals) or base (for sculptures) and any materials necessary for preparing the site. 5) Installation Safety: includes how the artwork can be safely installed (using the proposed final design). Artist(s): Courtney Peterson, Jeff Grauzer, *Michael Mares Mendoza Phone: 541-844-9049, 971-285-6559, *512-584-3346 (Main point of contact) Email: levelupdesignworks@gmail.com, grauzino@hotmail.com, *michael@augzoo.com Title of Project/Title: The Crowned Violet Work: Steel and Mosaic Sculpture with an immersive component discoverable through augmented reality AIPP Project Manager: Frederico Geib Date:4/2/24 Assuming best maintenance practices, what is the life expectancy of this work? 50+ years of the Physical artwork / Digital components will be provided to Austin History Center for unlimited future access. List ALL materials and components used in the creation of this piece: Tile Club Glass pool tile in the following colors: Tiger’s eye, Ashy white, Orange cream, Mixed Orange, Misty Pearl, Lemon Yellow, Oil Slick, Marigold, Bright Mustard Yellow, Speckled Orange, Dusty Lavender, Neon Yellow, Mixed Tangerine, Bright Orange, Foiled Burgundy, Pearly Waves, Dazzling White, Cape Cod Blue, Yellow Gold, Cherry Sunset, Copper Shimmer, Glacier Gray, Glacier Orange, Solid White, Neptune Cobalt, Crystile Silver, Mizumi Nickel Modwall Glass Tile in the following colors: Genoa Blend, Tangier Blend, Athens Blend, Valencia Blend Cavallini Cavalite Glass Tile in the following colors: Violet, Pale plum, Terra Cotta, Dark Violet, Saffron, Pina Colada, Marigold, Ivory White, Carnelian, Poppy Red, Sunburst Orange, Alabaster Rev. Jan 2013 Page | 1 ● Llanite 1”x 1” ● Texas Plume Agate 1”x 1” ● Texas Petrified Wood 1”x 1” ● Versabond MTSW50 Thin-Set Mortar ● Grout 360 Unsanded Yellow tile grout ● Grout 360 Sanded Lemon Tile Grout ● Grout 360 Sanded Eggplant Tile Grout ● Polyblend Plus Sanded Arctic White Tile Grout ● Schluter Kerdi-Board ½” Waterproof substrate panel 48” x 96” ● Shop-Line JP37x Epoxy Primer ● Shop-Line JC630 Polyurethane Clearcoat ● Shop-Line JBA 04 Tint: 73321 Red, 946303 Gray, 929417 Blue Met, 904426 Gold ● Voltaic 9 Watt 18 Volt Solar Panel ● Damar LED 34984A Flood Light 48W/4K/BK ● Makerstock Acrylic Transparent Purple Sheet 12”x 20” ● Sashco 12010 Exact Color Custom Colored Caulk ● Square tubing: 3”x3”x ¼” ASTM A500 mild steel (for inside structure) ● Tab and cap plates: ¼” ASTM A36 mild steel (for inside structure) ● Plate: ½” ASTM A36 mild steel (for inside structure) ● Steel Studs: 362S137-33 and 362S137-43 (for inside structure) ● Sheet Metal: 18 gauge 304L grade stainless steel ● Plate : ½” 304L grade stainless steel ● Round tubing: 3” 16 gauge 304L stainless steel ● ½”x 5” headed concrete anchors ● ½” thru bolts ● 1 ¼” Rock-on fasteners ● #10 Tek screws ● Miracle Sealant 511 Seal and Enhance Tile and Grout Sealer Augmented reality component: (Removed due to cost overruns caused by timeline extensions.) Location-based augmented reality is proposed to be hosted on augzoo for 5 years with all digital components shared with the Austin History Center with digital content provided on Youtube as appropriate for general access to the digital content. augzoo location-based augmented reality spatial computing technology and will place various community reality tributes including community picked topics; such as: the Air Conditioned Village, Dart Bowl, Highland Lanes, Domino the Pig, and other community topics as requested. Michael will also oversee any collaborations on additional digital community content through nearby Lamar Middle School. Rev. Jan 2013 Page | 2 For any commercial products used, attach the manufacturer’s specs: Miracle Sealant: Product Specifications Product Dimensions 4.25 x 7 x 11.5 inches Item Weight 7 pounds Manufacturer Rust-Oleum ASIN B000VX5G2I Item model number SEENGAL4 Customer Reviews 4.4 out of 5 stars 831Reviews Rev. Jan 2013 Page | 3 Is Discontinued By Manufacturer No Date First Available January 7, 2016 Surface Recommendation Tile Tile Club Glass Tile: PRODUCT DETAILS ● Size: 12x12 ● Residential Floor: Yes ● High Traffic Floor: Yes ● Exterior: Yes ● Interior Wall: Yes ● Pool/Fountain: Yes ● Shower Wall: Yes ● Shower Floor: Yes ● Steam Shower: Yes ● Material: Glass Modwall Porcelain tile specs: Tile Details ● Material: Porcelain ● Shape: Square ● Tile Size: ● Tile Thickness: Approximately 1/4" ● Sheet / Loose: Square Foot ● Sheet Size: ● Tiles Per Sheet: 144 tiles per sheet (12x12) ● Grout Spacing: Approximately 1/16" Grout 360 grout specs: About this item ● SUNFLOWER YELLOW SANDED TILE GROUT ● SUBWAY TILES, MOSAICS, FLOORS, SWIMMING POOLS, BACK-SPLASH, ACCENT TILES, DESIGNER TILE ● CONTAINS POLYMERS TO HELP WITH WATER RESISTANCE ● CONTAINS ADMIXTURES FOR REDUCING SHRINKAGE AND CRACKS ● COMMERCIAL QUALITY GROUT Rev. Jan 2013 Page | 4 Versabond Thin-Set Mortar Specs: Description A professional formula all-purpose mortar polymer-modified to provide good bond strength for floor and tile projects. VersaBond cures quickly even in cold climates and adheres to most surfaces exceeding ANSI A118.4 and A118.11 without the need for additives Sashco Custom Color Caulk Specs: Product details Top Highlights ● Color: Custom ● Brand: Sashco ● Item Weight: 12 ounces ● Liquid Volume: 9.5 Fluid Ounces ● Item Form: Paste, Gel ● Surface Recommendation: Indoor/Outdoor ● Temperature Range: -30-250 Degrees Fahrenheit ● Water Resistance Level: Waterproof Material Acrylic ● Tintable Caulk. Just add Paint ● A seamless match every time ● Match stains or even metallics ● Just add water-based paint or stain ● No special tools required Tasco Clearcoat Specs: JC630 is a two component 4.2VAC polyurethane clearcoat that is designed to maximize speed and appearance and may be used in either cross flow. air dry or downdraft cure spray booths. Components: Clearcoat ● JC630 4.2 Polyurethane Clearcoat Hardener ● JH6360 4.2 Polyurethane Hardener - Fast 55-70"F (13-21'C) ● JH6370 4.2Polyurethane Hardener - Medium 60-75'F (16-24"C) ● JH6380 4.2 Polyurethane Hardener - Slow 70-85"F (21-29"C) ● JH6390 4.2 Polyurethane Hardener - Extra Slow 85'F+ (29'C+; Can be applied over: ● JBP Shop-Llne Plus Acrylic Urethane Basecoat JB Acrylic Basecoat ● JAU Acrylic Urethane Direct Gloss ● JE Acrylic Enamel/ Activated Rev. Jan 2013 Page | 5 ● Allow basecoat color a minimum of 30 minutes and a maximum of 24 hours before clearino. After 2rr hours the base coat should be lightly sanded and reapplied before applying Coats: JC630 JH63xx 41 ● 1.5 - 2 hours at 70"F (21'C) ● @ 2014 PPG lndustries ● www.ppgrefinish.com s1630 10/14 JX993 JX994 su4985 ● Flexible Additive, 10o/o to RTS quart ● Fisheye Eliminator, 0.5 oz. per RTS quart ● Universal ttlatting agent, see ONECHOICE@ product bulletin OC-2 ● 2 - 3 full wet coats ● For optimum performance. final recommended film build is 2.0 - 2 5 mils ● Air Pressure and Gun Setup ● 2040ganega ● 1,3 - 1,6 mm or equivalent Note: For best overall results, refer to spraygun manufacturer's recommendations for inlet air pressures. Gun Setup: Dry Times ● Between Coats: Air ● Dry: Dust ● Force Dry: ● IR: 5 - 10 minutes at 70'F (21°C) With JH6360 ● 5 - 10 minutes ● 30 - 50 minutes ● 2-4 hours ● 15 minutes at 140'F (60°C) ● 12 - 15 minutes With JH6370/JH6380/JH6390 ● 10 - 15 minutes ● 50 - 60 minutes ● 2-4 hours ● 20 minutes at 140°F (60°C) ● 12 - 16 minutes Rev. Jan 2013 Page | 6 ● Air Dry ● 2 - 4 hours at 70'F (21'C) ● Force Dry ● 90 minutes after cool down Recoat: Air Dry: ● 8 hours or overnight at 70°F (21'C) ● Force Dry: ● After force cure and cool down ● Must lightly scuff before recoating ● 6 - 8 hours at 70'F (21°C) ● 90 minutes after cool down Applied Less exempts (4:1) Film Build Per Coat Applied (4:1) ● Sq. Ft. coverage at 1 mil Applied (4:1) ● 3.54 Ibs./ gal (424 g/.) ● 4.18 Ibs./ gal (501 g/L) ● 35.0% ● 41.6% ● 1.0 - 1.5 mils ● 561 sq. ft. / galon at 100% transfer ® 2014 PPO Industries www.pporefinish.com 31630 10/14 JP37 Epoxy Primer specs: Epoxy Primers are two-component, non-chrome coatings designed to provide superior corrosion protection and adhesion when applied over properly cleaned and sanded bare metal, fiberglass *and painted surfaces- JP37x Series epoxies are available in gray, white or black. Hardener ● JH3770 Epoxy Primer Hardener ● Allow a 15 minute induction pertod before applying ● 8 hours at 70"F (21'C) Rev. Jan 2013 Page | 7 Damar LED Flood Light specs: ● Length: 9.75" / 247.65mm ● Width: 7.5" / 190.50mm ● Height: 2" / 50.80mm ● Add Info: IP 65 (Suitable for Wet Locations) ● Ambient Operating Temp. -22F ~ 122F (-30C to 50C) ● Height: 8.82 (224mm) ● Width: 6.46 (164mm) ● Depth: 1.5 (38mm) ● Amps: pf >0.9 ● Avg Initial Lumens: 5760 ● Finish: Black ● Cross Reference ● Prior ● D LED MINI FLOOD 28W/5K (D) ● D LED FLOOD LIGHT 58W/4K (D) ● Downgrade ● D LED FLOOD LIGHT 29W/4K (D) ● N ● Case Height: 11 Case Width: 15.5 Case Le ● Privacy - Terms ● 10 Case Weight: 25.6 Augmented reality component: (Removed due to cost overruns caused by extensions.) Augzoo App for iOS (Apple devices), Youtube for video overviews with backlinks back to AIPP & Austin History Center, with all digital access to the Austin History Center. Rev. Jan 2013 Page | 8 EXHIBIT F – Conservator Review Form Describe any coatings or sealants used: Shop-Line JC630 Polyurethane Clear Coat for all outside metal components. Miracle Sealant 511 Impregnator and Sealant for Tile and Grout Provide contact information for the fabricator(s) and a description of their services on this project: The artist team is the fabrication team: Courtney Peterson Phone: 541-844-9049 Email: levelupdesignworks@gmail.com Jeff Grauzer Phone: 971-285-6559 Email: grauzino@hotmail.com, *Michael Mares Mendoza - (Main point of contact) Phone: 512-584-3346 Email: michael@augzoo.com Courtney Peterson (a member of the team) will be doing the bulk of the welding fabrication on this project-building the inside structure, attaching metal “skin”, and fabricating the globe that goes on top as well as the metal tubing that goes around it. She will also be the main one installing metal components on site. Jeff Grauzer (a member of the art team) will be building the entirety of the mosaic structure- cutting all tile, placing tile with mortar, and grouting it. Michael Mares Mendoza (a member of the art team) helps run operations and due diligence for Level Up Design Works as the project manager for the Burnet Road Project. He is a community liaison and a spatial editor specializing in augzoo location-based augmented reality spatial computing technology and planned to place various community reality tributes including community picked topics; such as: the Air Conditioned Village, Dart Bowl, Highland Lanes, Domino the Pig, and other community topics as requested. As part of the original plan, Michael would oversee collaborations on additional digital community content through nearby stakeholders like Lamar Middle School working in collaboration with Susan Burneson from the Voices of the Violet Crown and the Austin History Center, which is a part of the Austin Public Library. Rev. Jan 2013 Page | 9 Describe the methods and/or processes used in fabrication, in order of their use in the artwork: Purposely designed for the majority to be built in the shop, each “wing” will be assembled in Courtney’s shop. All welds required to meet up to AWS D1.1 welder qualification will be done by a fabricator with those certifications (still TBD). Those welds will be required at the most crucial connections that bear most of the heavy weight of the sculpture. In tandem with wing structure assembly, the mosaic portion will be assembled separately at Jeff Grauzer’s studio. The mosaic will be composed of glass and porcelain tile. These pieces will be mortared to a piece of ½ inch Schluter board. Spaces will be left open on the mosaic surface to allow screws to attach the Schluter board to the metal studs which comprise the internal structure of each “wing”. Once attached with 1 ¼ inch Rock-On fasteners, the mosaic surfaces left open will be filled in. This will then have grout and sealant applied to it. . Once attached to the internal structure, the seam between the mosaic portion and the sheet metal skin will be caulked. To achieve an even surface between the metal skin and the mosaic portion, the metal skin will be placed on top of two ½ inch pieces of Schluter board, whereas the mosaic portion will consist of one piece of Schluter board. This will provide an even surface of 1 inch off the internal structure of each “wing”. When all the mosaic components are installed, we will move on to forming the “skin”, welding it in place, and building the “globe” that will be installed on top of the sculpture on a round stainless steel plate. The “globe” on top will contain somewhere around 10 strips of 18g stainless sheet metal formed into a circular shape, on top of a metal skeleton. One of the strips will contain a hinge for easy access to the purple bulb inside. Once the “globe” is fabricated, it will be welded to the metal plate. After that, we will take our 3”x3” stainless steel round tubing bent into a circular shape (outsourced to a more industrial shop with proper equipment for bending thick material) and weld it to our steel plate. The purple bulb fixture comes with a mounting plate which will be welded to the congregated metal strips. This bulb will be powered by 4 solar panels which will be fastened to the top side of each “wing” with ½” Tek screws. Once all welds are completed and all metal is sanded to our preferred finish, we will proceed with applying our automotive primer, paint, and clear coat. All of this will take place in Courtney’s shop, and done with an air-compressed spray gun. Once all is applied and clear coat is set and dried, we are ready to transport to site. . Augmented reality component: (Removed due to cost overruns caused by extensions.) Two forms of content would be provided in its raw form and through a limited-time (5 yrs) of location-based augmented reality hosting through the free augzoo app for iOS. A QR Code would be provided at the artwork location that would direct users to the Austin History Center website’s Resources webpage with options to view the AR through the free augzoo app for iOS or through pre-recorded video walkthroughs of the AR content hosted on Youtube. All digital content will be produced in coordination with community stakeholders and from the at-large would want to participate. We will invite the students from Lamar Middle School to provide artwork that may be Rev. Jan 2013 Page | 10 incorporated as a separate digital site on the immersive “The Crowned Violet” augmented reality channel available to be experienced on iOS Devices or through a separate digital channel created on Youtube featuring the same digital content available on site. All immersive content will be supported and hosted through augzoo, a leader in spatial computing experiences and provider of immersive experiences funded through City of Austin Cultural Arts since 2016. Michael Mares Mendozas is actively collecting digital content from the community which will be featured through various immersive digital installations that will be experienced on site at the Burnet Road placemaker site. The production of the content may feature audio interviews recorded and edited by Michael Mares Mendoza in the style of NPR’s StoryCorps as requested by the community during various community engagement sessions. Mendoza plans on incorporating 2D historical images in 3D space using augzoo’s spatial computing technology to enhance the site through multiple immersive Burnet Road community-centric installations with all digital components available through the Austin History Center for access to the general public. Describe the installation site and method: Prior to transport (when the concrete pad was poured, embed plates were set in concrete) we will be welding our center column to the center embed plate, and that will be our point of attachment to assemble all the wings. A heavy hauler will be used to transport the constituent parts of the artwork to the site. A crane company will be used to lift and place the pieces into place, welding them to the center column via tabs, bolting down with base plates, and then welding the top globe portion. A cherry picker lift will be used to make final touches throughout the artwork. The solar panels will be connected and the light within the orb tested on site For the metal portion there will be little maintenance needed. A simple spray and wipe down once a year would keep it from acquiring a lot of build-up from the elements. If there is graffiti, a basic commercial-grade graffiti removing solvent should work just fine. For the mosaic portion, a yearly spray and wipe down will suffice to keep a nice gleaming surface. Augmented reality component: (Removed due to cost overruns caused by extensions.) Michael Mares Mendoza will create a dedicated augmented reality channel for “The Crowned Violet” featuring multiple digital installations featuring community related topics previously listed. All content will be shared with the Austin History Center for general community access to the digital content. Describe any required maintenance procedures: The top portion will have an access point to change the light when necessary. Level Up Design Works planned to contract with augzoo LLC to host all related digital content associated for the spatial computing of the multiple immersive experiences that will comprise “The Crowned Violet” for a total of 5 years. All associated digital content that constitutes the immersive experiences will be shared with the Austin History Center for unlimited general access into the future. Y N Architect’s or Engineer’s drawings attached Y N Material samples attached Y N Images of site or site drawings attached Rev. Jan 2013 Page | 11 CITY OF AUSTIN ART IN PUBLIC PLACES PROGRAM/CULTURAL ARTS DIVISION USER DEPARTMENT PUBLIC ART EVALUATION FORM FOR TECHNICAL FEASIBILITY AND MAINTENANCE As per Section IX.A of the AIPP Guidelines, the user and managing departments responsible for housing the artwork are requested to review the artist’s final design (attached) for technical feasibility and maintenance considerations. Please provide a response on this form, or on letterhead signed by a representative in your department. Thank you! Department Artwork Title/Description City of Austin- Transportation and Public Works Violet Crown Sculpture by Level Up Design Works Evaluation Date Evaluator’s Name September 30, 2024 Tyler Farrar EVALUATOR’S COMMENTS Title Capital Program Consultant SITE TPW supports the site location on the Burnet Road Corridor project. The site is consistent with preliminary work as an identified location within the corridor program. INSTALLATION The installation does not conflict with utility lines or encroach on property of outside entities. SAFETY / LIABILITY There are no safety or liability issues at this site. MAINTENANCE TPW confirms foundation height does not conflict with onsite maintenance. OTHER COMMENTS DEPARTMENTAL RECOMMENDATION (Attach additional sheets as necessary) X Support artwork as proposed Support artwork with the following modification(s): Signature: User Department Director or designee Date: September 30, 2024